More Music featuring the elusive acid jazz aka club jazz Black Music genre aparently invented by former invicta FM,Gilles Peterson…according to his mates in the Synagouge of Satan.
So as you can see below they are claiming that Jamiroquai are a Funk AND an Acid Jazz band. Acid jazz being the non existent music genre that Eddie Pillar Gilles Peterson, Michael Bink Knowles claim came out of London in the mid 1980’s. No such genre exists. So ask Gilles Peterson which Black Music genre he invented here in Londin on 1988. As there is no record of it anywhere except on a wikipedia page written by Gilles Peterson and his mob from the Synagouge of Satan.
Okay so again you can see whoever wrote this rubbish knows nothing about music and wasn’t around in the 1970’s and 1980’s and so doesn’t understand all the sounds on the Album….NU-FUNK? HUH? ACID JAZZ? Sorry where does this appear on the Album?
There is NO SUCH THING AS ACID JAZZ, and what the hell is NU FUNK?!.
WHAT’S BLOODY NEW ABOUT 1970’s/1980’s FUNK IN 2005?
There is nothing called NU Funk on this album because there is no such thing as Nu Funk. You see again how desperate this mob are to try and appear to New millenials that they are responsible for some sort of new sound or are playing some exotic Black Music genre that only they (Eddie Pillar/Gilles Peterson/Synagouge of satan) seem to have heard about or know what it is. Well actually they ARE the only ones who know what it is as I have never heard of it. I know what all these sounds are on this album so ask Jamiroquai on wikipedia what tracks are NU FUNK and ACID JAZZ instad of what I categorise them as below. They basically just write anything that comes out of their heads and then think they can fool people!
Music isn’t Politics- You cannot fool people on THE FUNK.
Post Disco is NOT a music genre.
More proof that they know nothing about Black music. They watch what I write and have been doing so for years. They keep changing what they have written on wikipedia to reflect my work, but they keep adding “acid jazz” because they are desperate to associate themselves with Black music of the 20th Century. “Post Disco” which they have copied from what I have written is NOT a genre. The words “Post Disco” could mean anything. Every thing after Disco is post Disco ffs. This Album is post Disco as it came after the disco era. But it contains disco era sounds. You see this is why you should never try to fool people on a Culture and Music you don’t understand. As ever I will show you what the correct genres of these songs are as I go through my review. See if you can find any of this Acid Jazz or NU Disco they talk about.
DYNAMITE
Released 2005
acid jazz
SOUL/POP/ROCK
Dynamite is a Soul and Pop album. The Soul can be classified as Funk or R&B.
Like the other albums there are no acid jazz tracks because acid Jazz is a record label and not a music genre. No such genre exists or ever existed in this City. Rare Groove is not a music genre invented by acid Jazz records. Now by 2005 when this album was released they had mad pastiches/musical snapshots of all most all the styles of 1970’s/80’s FUNK and claimed them as their own. Just about everything except the mid to late 1980’s Jimmy Jam Terry Lewis sound. So on this album they really run out of FUNK to copy so they switch to pop, reggae and so on. On the Pop/rock tracks I will give you as much information as I can and where to find similar. On the FUNK, well it’s business as usual like the first track which is another pastiche of a particular sound and set of bands. Lets go…..
Feels Just Like It Should
acid jazz
(1980’s Electrified FUNK)
From Skin Tight to (Fancy Dancer). The sound of the Barkays, Cameo and the Commodores, Johnny Guitar Watson and the Gap Band could also pull of this style of slow crawling Electrophonic Phunk in the 70’s/and 80’s. So once again they have targeted a particular sound of the era made a pastiche of it and then claimed ownership of it. This sounds like a remake of (Fancy Dancer) by the Commodores. That ‘nasally’ type voice was used by all the above in the 70’s/80’s and goes back to Sugarfoot and the Ohio Players from stuff like (Skin Tight) back in 1974. The Ohio Players were massive in the early 1970’s and influenced a lot of bands. This is an old groove. This is standard 1980’s Electrophonic Phunk. You can hear this sound all throughput the decade. Had Lionel Richie not left the Commodores, then they would have been challenging CAMEO and Slave with tracks like this. There is something of Prince in the groove (Probably the guitar). The video looks like Prince’s Batman Video. I absolutely know that synth breakdown It from another Barkay’s track but I cant’ recall it. However you can find a similar one on Parliaments (Aquaboogie) so it’s nothing new. Other than that “Yaaaawwwllll” is Larry (Barkays) or Lionel of The Commodores. They all did it and so did Johnny Guitar Watson.
Feels Just Like It Should
acid jazz
(1980’s Electrified FUNK)
-‘-
[The Ohio Players/ The Commodores/ The Barkays/ Cameo]
Credited to
Jay Kay
The Commodores; Fancy dancer
The Commodores; X-rated movie & Brick House
Cameo; Talking out the side of your neck, Skin I’m in & You make me work
The Barkays; Woman of the Night & Hit Run and Holy Ghost.
Johnny Guitar Watson; Funk Beyond the Call of Duty
The Ohio Players; Skin Tight
-‘-
One Way; Don’t fight the feeling, Can I & Pull fancy dancer
Slave; You take my breath away & I like your style
Gary Taylor: Down for the count
Mtume; Tie me up
(Cameo) LA Connection; Get it up & Come into my heart
The Commodores; Brick House
Cameo; Word up
Dynamite
acid jazz
(Early 1980’s Synth FUNK)
Vin Zee; Funk Be bop
This sounds like Randy Jackson; (Love you Honey) It has the New Jack Swing sound of the late 1980’s but Dynamite sounds like the first half of the 1980’s. Yes it could have appeared anytime during the decade but this is the post disco era. His Brother Jermaine also had a track called Dynamite. So there you go. The intro is familiar. I keep getting images of “Frankie says relax “T-shirts so that would place it in around 1984. Could be a false memory. (Ref Relax by Frankie goes to Hollywood). People who were into the band all wore those T shirts. George Michael is wearing one in one of his videos. (Wake me up before you Go-Go) I think. Anyway. This track always gets to me because I know there is another groove in there but I just can’t get it. I think it’s based on a particular track that I may have heard once. Maybe more than one track.
EDIT 2021 Got it!… Its Vin Zee; (Funk Be bop) which sounded like (Dynomite) by Euro-Funk
It also evokes the feel of James Mason’s (Free). They used his synth on Emergency on planet Earth. So anyhow lets continue with my original review. …. After the Voice box intro sounds like Marvin Gaye; (Sanctified Lady) but not the same. The Bassline bobs around a bit like The Brothers Johnson’s (Strawberry letter). The groove sounds similar to Azymuth track (May I have this dance) which also has that vocoder sound. “Dynamite Dynamite” sounds like it’s from Kano’s (Can’t hold back your loving), but sung in the style of CHIC. Meaning against the groove like the way they sing “Dancing’ Dancin’” on (My feet keep dancing) The vocoder work in the background is familiar and other stuff in the background is familiar too. Now we know it probably comes from Euro-Funk.
So I think I can delete what’s written below….or maybe I will leave it there…..
“This the one Funk track that defeats me. Even the Female vocals at the end are familiar. If I haven’t mentioned the origins already then This is the one Funk Track in their discography that defeats me. Not a bad thing. You can’t win them all, not that it’s a competition. It’s about setting the timeline history record right.”//////////////——Its Vin Zee; (Funk Be bop)
Dynamite
acid jazz
(Early 1980’s Synth FUNK)
-‘-
[Randy Jackson/ Kano/ Dexter Wansel]
(Vin Zee (Funky Be Bop) or Dynomite (Euro-Funk)
Credited to
Jay Kay & Matt Johnson
Randy Jackson (Formerly of the Jackson 5); Love you honey
Azymuth; May I have this dance
James Mason’s (Free)
Jenny Burton; Bad Habit
High Fashion; Pump on the pipe
[Brit Funk] Shakatak; Walk the walk & Living in the UK & Mr Manic and Sister cool
Midnight Star; Wet my whistle
Bernard Wright; Funky beat
Johnny “Guitar” Watson; Strike On Computers
Dexter Wansel; I’ll Never Forget.-[Elements of the Bassline]
Brothers Johnson; Strawberry letter 23-[Elements of the Bassline}
Marvin Gaye; Sanctified Lady
-‘-
Other 1970’s/1980’s FUNK Recommendations
Ollie and Jerry; There’s no stopping us (Breaking)
Lee Ritenouor; Countdown
Midnight Star; Operator, Electricity & No parking on the dance floor
[Brit Funk] Kandenza; Lets do it
Con Funk Shun; Body Lovers,
Brass Construction; Walking the line
-‘-
Vocals and vocal style
Kano; Can’t hold back your lovin’ [“Dynamite dynamite”]
CHIC; My feet keep dancing [“Dancing Dancing”]
Change; On top
High Fashion; Feeling lucky lately
-‘-
Time won’t wait
acid jazz
(Late 1970’s Disco era FUNK)
The intro sounds like Rose Royce; (Pop your fingers) then it’s back to (Love foolosophy) and Roy Ayres (What you won’t do for Love) or the SOS Bands’s (Take your time do it right) Booker T Jones (Don’t Stop Your Love) is kind of similar. The bassline sounds like El coco; (Cocomotion) but there are other similar basslines from the 70’s about. Mandrill’s (dance of life) is similar. There’s another track with a female vocalist from the late 70’s I can’t recall but this is standard late 70’s Disco era Funk.
Time won’t wait
acid jazz
(Late 1970’s Disco era FUNK)
-‘-
[Roy Ayres/ Rose Royce/ El coco]
Credited to
Jay Kay, Matt Johnson & Rob Harris
[Intro]
Rose Royce; Pop your fingers-[Intro only]
Rick James; Big time-[Intro only] (“12-123”)
-‘-
Mandrill; Dance of Life
El coco; Cocomotion-[Bassline]
Booker T Jones; Don’t Stop Your Love
Anita Ward; Ring my Bell
Roy Ayres; Don’t let our love slip away & Fever
-‘-
Quincy Jones feat Patti Austin, James Ingram, Louis “Thunder thumbs” Johnson
Turn on the Action
Razzamatazz
Ai no corrida
Betcha’ wouldn’t hurt me
Some of the best quality Funk production you will ever hear.
-‘-
Gloria Gaynor; Never can say goodbye
*Love foolosophy recommendations also apply
-‘-
Seven days in sunny June
acid jazz
(1970’s SOUL)
We’re back to Stevie Wonder. Again. It’s (Golden Lady) & (Summer Soft) in the 1970’s… “Oooh ooh” sounds like Stevie Wonder’s on (Superwoman). Or maybe it’s from Donna Summers (Spring Affair) as her sound appears on other ‘Jamiroquai’ tracks. Roy Ayers gave us an (Ooh) as well. As ever this is nothing new. Yet another aspect of the groove copied by Kay and claimed as his own. This familiar guitar sound of which even though it’s based on Stevie has had it’s emotions heightened the level of Tracks like Harvest for the World by The Isley Brothers or (You and Music) by Donald Byrd. The intro to (Holiday) by Mandrill will give you similar goosebumps to those tracks as well. Johnny Hammond created Grooves in a similar Funk frequency on the Gears Album like (Tell Me what to do) or (Lost on 34rd Street). This is a tried and tested Soul groove from the era. Slave’s (Do you like it girl) which came years has a similar emotional feel the Synth Funk era. The Gap Bands (You told me that ) has just come into my head too.
The piano in the bridge sounds like Sly and the Family Stone’s (Hot fun in the Summertime) or The Gap Band’s (The Boys are back in town). There was an song called (bicycle built for two). Listen to the Nat King Cole version. It’s not a bassline, maybe a trombone. No Funk then. The harmonies come from someone in that time frame. Maybe at the time the British Forces Sweetheart of WW2 Vera Lyn. Someone in that era. I’m not sure so don’t go on a quest searching for that track as it might not be there. Nevertheless it’s familiar. Someone who knows about folk music might be able to pinpoint it. Other than that it’s Stevie. Listen for yourself.
Seven days in sunny June
acid jazz
(1970’s SOUL)
-‘-
[Stevie Wonder/ Donald Byrd/ Sly and the Family Stone]
Credited to
Jay Kay & Matt Johnson
Stevie Wonder; Golden lady & Summer Soft
Donald Byrd; You & Music
The Isley Brothers; Harvest for the World
Slave; Do you like it girl
The Gap Band; You told me that
Mandrill; Holiday [Intro Only]
-‘-
[The Piano]
Sly and the Family Stone; Hot fun in the Summertime
The Gap Band; The Boys are back in town
Pamplemousse; Le Spank
-‘-
[Ooooo-ooh!]
Diana Ross; Missing you (Tribute to Marvin Gaye)
Donna Summer; Spring affair & Love to love you baby
Paris; I choose you
Rose Royce; Ooh boy
Roy Ayers; Ooh
Stevie Wonder; Superwoman (where were you)
-‘-
[Other SOUL suggestions]
CHIC; Sao Paulo & Tavern On The Green
Johnny “Hammond” Smith; Lost on 23rd street, Fantasy & Call on me
Forecast: You are my one and my only
[Brit Funk] Loose Ends; Hanging on a string
level 42; Children say
Brenda & Herb; What Goes Around
The Commodores; Gettin’ it
Cameo; Smile
Bill Withers; Ain’t no sunshine
-‘-
(Pop music suggestions)
(Reggae /Synth Pop) Howard Jones; I’d like to get to know you well
The Stranglers; Golden Brown-[The Ending]
Tears for Fears; Sowing the seeds of Love
Steely Dan; The Royal scam
[Brit Soul] Tom Jones: What’s new Pussycat
Listen to the Nat King Cole version.(bicycle built for two).
-‘-
Smile
acid jazz
(1970’s SOUL)
(Credited to ?)
This sounds like Minnie Ripperton on (Here we go). She of the high voice. (Lovin’ You) is a very famous track by Minnie Ripperton. The actual harmonies in the singing I’m not sure of. The lyrics “I can’t help but”… are familiar. It could be based on Brandi Wells (When it’s love), I don’t remember Johnny Mathis and CHIC getting together in the 70’s but I was drawn to a recent find when searching for the origins of Smile. (I want to fall in love is similar). This is 70’s Soul. It sounds a bit like something Ashford and Simpson would have written like the stuff they did for Diana Ross (It’s my House). Little Michael Jackson is another suspect. (Ben) springs to mind. Other than that the Origins of this style of Soul are in the 1950’s.
Smile
acid jazz
(1970’s SOUL)
[Minnie Ripperton/ CHIC/ Brandi Wells]
(Credited to?)
Minnie Ripperton; Here we go
(CHIC) Johnny Mathis; I want to fall in love
Brandi Wells; When it’s love
-‘-
[Other 70’/80’s SOUL suggestions]
Quincy Jones & Patti Austin; Something Special
(The Stylistics) Marvin Gaye & Diana Ross; Stop look listen to your heart
Diana Ross; It’s my House
CHIC; Will you cry
Kool and the Gang; Winter Sadness
[Brit funk] Imagination; In and out of Love
The Commodores; You’re Special
Cameo; Hanging Downtown
Smokey Robinson; Quiet Storm
Nancy Sinatra; you only live twice
-‘-
Little Anthony & The Imperials; I think I’m going out of my head
Louis Armstrong; What a Wonderful World
-‘-
Starchild
acid jazz
(1970’s FUNK)
George Duke and The Isley Brothers. A familiar groove to Funksters who lived the era. There is another similar bassline which I think is Cosmic Funk (Clinton, Bootsy/Parliament.) Starchild is of course a character from 70’s Cosmic Funk Mythology.
Starchild
acid jazz
(1970’s FUNK)
-‘-
[George Duke & The Isley Brothers]
Credited to
Jay Kay & Matt Johnson
Isley Brothers; Fight the power & People of today
George Duke; Dream on
The Jackson 5 ; Honey love
Pleasure; Thank you for everything
(Brit Soul) Osibisa: Wango-Wango (1972)
-‘-
Don’t give hate a chance
acid jazz
(Late 1970’s Disco era FUNK)
Oh the Irony. The intro sounds like the intro to Fatback’s (Wide glide) or Gladys Knight’s (License to kill) Then we are in the Brit Funk era proper with the Olympic Runners. There’s a bit of that “creeping” Bassline from Rod Stewart’s (Do ya think i’m sexy). So this sounds like London in 79/80… Chas n dave, Minder, Charles and Diana’s wedding, Punk and Brit Funk. Those days. The guitar in the Chorus sounds like Olympic Runners and I can hear Prince style guitar licks from (Sexy Dancer). Slightly later in the Funk timeline. It sounds like a pastiche of Brit Funk. It wasn’t our sound though as the whole planet was doing it. This just sounds “British” to me
Don’t give hate a chance
acid jazz
(Late 1970’s Disco era FUNK)
-‘-
[Olympic Runners/ Rod Stewart/ Prince]
Credited to
Jay Kay, Matt Johnson & Rob Harris
Fatback; Wide glide–[Intro only]
[Brit Funk]-Olympic Runners; keep it up & Whatever It Takes
[Brit Funk]-Rod Stewart; Do ya think I’m sexy?-[Bassline]
Hot Cuisine; Ride on a rhythm
Lipps Inc; All night dancing
Prince; Sexy Dancer-[Guitar style]
-‘-
[Other 1970’s/1980’s Disco era FUNK Suggestions]
Machine; there but for the grace of god
Vin Zee; Funky Be Bop
AHZZ; New Yorks Movin’
The Gibson Brothers; Que Sera Mi Vida,
The 202 Machine; Rock your body
Bonnie Pointer; Heaven must have sent you & I cant help myself
Loretta Holloway; Love Sensation
Carol Williams; Tell the world about our love
Brainstorm; Lovin’ is really my game
Runaway
acid jazz
(Late 1970’s early 1980’s Disco/post Disco era FUNK)
More Brit Funk. Post disco this time. The intro sounds a bit like Paul McCartney, But the Champaign track (Can you find the time) fits a bit closer to the time frame. The Bassline sounds like Roy Ayres (Running Away) so there’s your admission. It also reminds me of (Faith) by Band AKA and The Whispers (And the Beat goes on). The repeating Keyboard Riff sounds like the intro to (Black 5) also by Roy Ayres. Split Descision’s (Night Dancer) in part also has a similar feel to the Bassline and the groove..
The bassline in the chorus is the one you know already from (You give me something), but it goes off on its own like (Taking off ) by BT Express or (Morning Star) by Kool and the Gang. I would say the atmosphere of the track with that echoing synth is Light of the Worlds (Famous Faces). Tom Browne’s (Brighter Tomorrow) has that same wistful sadness to it. Those tragic sounding Violins sound like the mid to late 1970’s and add to the melancholy of the track. The “ha ha ha” sound is from Laurie Anderson’s (Oh Superman). There was a certain sadness to some of the grooves in the post Disco era. Runaway mimics that feel so in effect its yet another Pastiche of a FUNK frequency. It wasn’t just in Brit Funk is was in American Soul as well. In the early 80’s the Disco party was over. There was mass unemployment here in the U.K and in America. Thatcher and Reagan were pulling the strings tightly on both sides of the Atlantic and the economic recession was taking hold. At the same time we were threatened with nuclear war. Laurie Anderson’s haunting track was about this threat. The fact that aspects of it are included in Runaway prove the era they are copying. Now of course we know that both sides are run by the same people. Well some of us do. They love to keep people in fear. As soon as the threat was over they created 911. So it’s a Post disco track with elements of the disco era. It’s FUNK. Regardless of what infiltrators Eddie Pillar and Acid Jazz records tell you.
Runaway
acid jazz
(Late 1970’s early 1980’s Disco/post Disco era FUNK)
-‘-
[Roy Ayers/ Light of the World/The Whispers/ Band AKA/ Kleeer/ Philip Bailey]
Credited to
Jay Kay, Matt Johnson & Rob Harris
[Intro]
Champaign; Can you find the time-[Synth]
Paul McCartney; Wonderful Christmas [Intro]
[The Groove]
Roy Ayers; Black 5 [The Intro is looped]
[Brit Funk]-Light of the World; Famous Faces (American mix 1982)
Tom Browne; Brighter Tomorrow
The Whispers; And the beat goes on
BT Express; Taking off
Split Descision (Night Dancer)
-‘-
Roy Ayres; Running Away-[Bassline]
[Brit Funk] Band AKA; Grace-[Bassline]
Kleeer; Tonight’s the night
Kool and the Gang; Morning Star, Too Hot & Think It Over
-‘-
[Synth]
[Brit Funk]-Central Line; Walking Into Sunshine
Gladys Knight; Licence to kill
Alexander O’Neal & Cherrelle; Saturday Love
-‘-
[Brit Funk] Light of the World; Swingin’-[Elements of the guitar intro]
Laurie Anderson; Oh Superman-[The “hahahah” sound]
Philip Bailey (From E.W.F)
Vaya (Go with love)
Children of the Ghetto (Originally by Brit Funk band The Real Thing)
-‘-
[ Mid to late 1970’s Disco era Violin style ]
Gloria Gaynor; I will survive
Donna Summer; MacArthur Park
Melba Moore; You stepped into my life
Teach-In; Ding a dong
Sandra Feva; If you want it, You got it
Brainstorm; Lovin’ is really my game
CHIC; Open up-(The UK version has clapping and celebration at the end)
-‘-
[The Post Disco ‘Melancholy’]
.Other 1970’s/1980’s FUNK Suggestions]
[Brit Funk]
Light of the World; Something for nothing
Second Image; Starting again & Can’t keep holding on
Beggar and Co; Mule Chant no 2
Level 42; Starchild & Kansas City Milkman
-‘-
Earth Wind and Fire; I’ve had enough
Kool and the Gang; Stepping out
Midnight Express; Danger zone
Mystic Merlin; Rock the world
The Strangers; Step out of my dreams
Change; Hard times (It’s gonna be alright)
D-Train; Trying to get over & There’s something on your mind
Maxx Trax; Don’t touch it
-‘-
Talullah
acid jazz
(1970’s /1980’s Soul/Two step)
-‘-
STEVIE WONDER
(Credited to)
Jay Kay & Rob Harris
Stevie Wonder/Carl Anderson; Buttercup. It sounds a bit like early George Michael; (Careless whisper) for example. There is a 70’s track that sounds similar to this song. I think it’s by The Commodores or the Barkays.
(*See Music of the mind suggestions for the atmospherics)
That’s as far as my knowledge goes on Dynamite. The following ain’t the FUNK. However I can tell you what genres of music they are. I give recommendations where possible…
Don’t Knows on Dynamite
-‘-
Electric Mistress
acid jazz
(1970’s /1980’s Electro)
Unknown
Credited to
Jay Kay, Matt Johnson & Rob Harris
The synthline is familiar and sounds like an early 80’s Brit Synth Pop track. The Bells are similar to Blondie at the time of (Rapture/ Heart of Glass), a trend started by CHIC on (I want your love). The Synth line also similar to Loose Ends (Choose me rescue me), Chorus similar to (Rock your body) by 202 Machine but there will be many other examples as it’s a generic sound of the era.
-‘-
World that he wants
acid jazz
(1970’s /1980’s Pop/Soul)
Unknown
Credited to
Jay Kay & Matt Johnson
This track Sounds like classic British Soul.
For example, Elton John (Yellow brick road)
Some aspects of the song sound like The Beatles (Something in the way she moves)
-‘-
Black Devil Car
acid jazz
(1970’s /1980’s Rock)
Unknown
Credited to
Jay Kay & Rob Harris
Sounds a bit like Cheryl Crow (All I wanna do is have some fun)
Some parts of the singing style are reminiscent of The Beatles; (Lucy in the sky with diamonds)It Could have been done by anyone from Suzi Quatro or Steely Dan in the 70’s to
Prince and/or The Bangles in the 1980’s. No idea.
-‘-
Hot Tequila Brown
acid jazz
(1970’s /1980’s Pop/Rock)
Unknown
Credited to
Jay Kay, Rob Harris & Matt Johnson
Don’t know. Sounds modern (1990’s) but could easily have been done in the 80’s By the likes of Sting or Prince. No idea .Ask them.
Love Blind
acid jazz
(1970’s /1980’s Pop/Rock/Soul)
Credited to
Jay Kay & Rob Harris
Starts off like Elton John & Prince
It has the Groove of (MMMFCT) by CHIC…
And the second half of (Batman) by Prince
The Crusaders; Street life
-‘-
IGNORE THE NAMES GIVEN TO BLACK MUSIC BY THE SYNAGOUGE OF SATAN.
So as you see there is no “Acid Jazz” on this album and neither is there any “NU Funk” They probably think 1980’s synth pop is NU Funk because they don’t know what Synth pop is or what it sounds like. Synthpop often had a different keyboard sounds with more of a Rock influence. You have to know the difference though and since they have already proven they don’t know even know what rock is (They think there is Rock music on Synkronised) and really don’t have a clue about the different styles of 20th Century Soul what do you expect.
The again they claim that there is a Black Music genre called NU acid jazz! when there wasn’t an old acid jazz in the first place. There is nothing called acid jazz which is why they cannot name a single track that belongs to this FAKE genre. So what they are probably trying to do is claim that Nu Funk and Nu acid jazz are upgrades of genres that dont’ exist. There is FUNK, There is no Nu Funk or Acid Jazz or Nu acid jazz.
IGNORE THE NAMES GIVEN TO BLACK MUSIC BY THE SYNAGOUGE OF SATAN.
Reminder. “Acid Jazz” aka “Club Jazz” is the Black Music genre supposedly invented by Invicta FM DJ Gilles Peterson in 1988 which apparently spread to America…. Thanks to Jamiroquai, The Brand New Heavies and Incognito….According to the Synagouge of Satan. They cannot tell you the name of a single song which belongs to this genre because there isn’t one. The just think that they can fool people on SOUL music.
Now lets go take a look at RDLS.…..
Plagiarism on Rock Dust Light Star
soulboytales.com 