EDDIE PILLAR AND GILLES PETERSONS GREAT THEFT OF FUNK

“JOE BLOW IS QUICK TO TAKE OUR MUSIC AND PUT NAMES TO IT”

“Slick ” Rick James [King of Punk Funk]

“Punk funk,” “We created the name, because I always thought if we were real successful, and really made a dent in the music world, we’d do it before Joe Blow titled us. ‘Cause Joe Blow is quick to take our music and put names to it. We just decided to label the music so that when it goes down in the history books, they’ll say Punk Funk was Rick James.”

What is Acid Jazz? Acid Jazz is a serpent record Label created in 1988. It is not and never was a music genre. A sub genre or even a style of Jazz, Funk or Soul . Acid jazz is an attempt by the Synagogue of Satan to rebrand and take credit for 20^th Century Soul music through fraudulently labelled music mixes and a massive Internet disinformation campaign on all online encyclopaedias and any music site which they can infiltrate. They are basically trying to claim that they invented Jazz Funk and Soul.

They swap the words Rare Groove with Acid Jazz and then claim that it’s a new Jewish music genre. Then They Wipe Black British Soul from the history books. Without naming a single track on Wikipedia they claim this imaginary genre apparently invented by Gilles Peterson broke into the mainstream thanks to Jamiroquai, The Brand New Heavies and Incognito. So they are basically claiming that these the bands are not playing Funk but a Jewish music genre called acid jazz invented by Gilles Peterson in 1988.

Then apparently it “spread to America” and all over the world thanks to two promoters. This is the level of their deceit. Of course they completely wipe from history the Bands who actually created this sound like Hi Tension, Junior Giscombe, Light Of the World, Central Line, Level 42, Loose Ends, Soul To Soul Omar and all the rest. And if they mention their names then they claim that they too are playing a music genre called acid jazz invented by Gilles Peterson who no one had even heard of.  As you can see from their so called essential acid jazz compilation which is nothing of the sort. Just freaudulently rebranded Funk. Then as if by Majick according to them this imaginary genre ceases to exist!

This is a labour of Love, a document to prevent history being re-written by an International cabal of culturalktheives backed by The Synagouge of Satan and the Globalist media lie Machine. They cannot defeat anything written here and they cannot defeat THE SOULHEAD TALES -Jamiroquai’s Plagiarism either.  Whilst Pillar and his mob can lie on the Internet they cannot delete the 1980’s Blues and Soul archives nor the Soul charts, club reports and T.V shows none of which make reference to this so called “acid jazz” genre that they claim came out of London in the mid 80’s.

I am an AUTHENTIC London Funkster of the 1980’s and so I know the London Soul underground of the era very well and the/DJ’s who were part of it. I will show you who they all are as well as all our Brit funk bands of the 70’s/80’s. So if you’re a music journalist and you want to contact authentic London Funksters of the era you will know who to speak to.

SO CALLED ACID JAZZ IS AN IMAGINARY ” GENRE” THAT 1990’s INFILTRATORS OF BLACK BRITAIN AND BLACK BRITISH SOUL, EDDIE PILLAR, GILLES PETERSON AND THEIR INTERNATIONAL CABAL  OF DISINFO AGENTS FROM THE SYNAGOGUE OF SATAN ( WHICH INCLUDES A GLOBAL NETWORK OF PEOPLE FROM PLACES LIKE EASTERN EUROPE, ISRAEL, GERMANY, FRANCE, HOLLAND, SOUTH AMERICA AND THE U.S) CLAIM CAME OUT OF LONDON IN THE MID 1980’s. IT DID NOT AND THERE IS NO SUCH GENRE. ACID JAZZ IS A SERPENT GENERATIONAL MYTH CAUGHT IN IT’S EMBRYONIC STAGES. HERE’S HOW TO STAMP IT OUT..

GILLES PETERSON DUPLICITOUS CRIMINAL IS THE FRONT MAN FOR THIS ATTEMPTED CULTURAL THEFT AND HAS BEEN FOR MANY YEARS. Though  since 2019 he has been slowly trying to back track as people have become aware of what he’s trying to do.

There is no such thing as a Black Music genre called acid jazz. It does not exist. Acid Jazz is the name of a serpent record label that Infiltrated Black Britain and Black British Soul music in 1987. This for those of you who were around at the time will remember was when New Jack Swing was starting and the FUNK as we had known it in the 1970’s and the early 1980’s was Petering out. No pun intended.  Shortly after this Eddie Pillar and Gilles Peterson took it upon themselves to start rebranding FUNK as so called acid jazz. Churning out mix after mix of Soul compilations in the early 1990’s with BS like “This is acid jazz”, “100% Acid Jazz”, “Story of acid jazz” etc etc plastered all over the front cover of brightly coloured  CDs.

Now 30 odd years later they are trying to claim that acid jazz was not just a record label. But in fact a Black music genre apparently invented by the co-founder of Acid jazz records criminal DJ Gilles Peterson who has never had a hit in his life. The claim on their Wikipedia page, (a page written by them, a page they have locked down in their ongoing attempt to rewrite Black Music History) that this imaginary genre came out of London in the mid 1980’s.  No it did not.  I was in London all throughout the 1980’s. I was Jamming in the Soul clubs of London all through that decade. I was a dedicated London Funkster (SOULHEAD) As you will see frommy work THE SOULHEAD TALES (Jamiroquai’s Plagiarsism) I know my FUNK very well . And I never once heard of a music genre or subgenre called acid jazz. I remember no such genre.  And neither does anyone else as you will find no reference to any such genre in any Black Music magazine, publication, club report album review or anything else. Neither will you find any reference to anything called acid jazz on any Black Music Soul show such as American Soul Train or our own 620 Soultrain, Solid Soul or Black current. The principle reason for this is, well it’s a total lie. Nothing more than another attempt by the serpent to take ownership of something he had no hand in creating.

Listen to any of these mixes and all you will hear is FUNK. None of these sounds came from this country and NONE of them owe their existence to Eddie Pillar and Gilles Peterson. Whether it’s the British Jazz Funk/ rare Groove (Retro 1970’s Funk) sound of the late 1980’s started by people like The Pasadena’s or Soul to Soul. The Classic Brit Funk (Disco /post Disco Era) sound epitomised by people like Hi Tension ,Central Line or Light of the World. Or our Americanised sound from bands like Loose ends and Five star All of these styles of Funk came from America. And no one who grew up in the 1970’s and the 1980’s will tell you any different. The Only People, THE ONLY PEOPLE who will ever claim that these sounds were invented in Britain are 1990’s/2000’s Kids who don’t know what these sounds are. Jazz Funk and Soul was not invented here in London by a record label. And if you think that Jamiroquai came up with all these sounds basslines, grooves and sounds by themselves then it’s because you don’t know who all the bands and singers are that they robbed.  You’ve never heard of Patrice Rushe, Idris Muhammad, Larry Graham. Roy Ayers, Earth Wind and Fire or the Brothers Johnson. You don’t know who Lonnie Liston Smith, Herbie Hancock, Donald Byrd are. You don’t know the songs of Marvin Gay, Curtis Mayfield or Barry White.  The grooves of people like Rick James, CHIC! , Shalamar and Dynasty, Brass Construction and many others listed in THE SOULHEAD TALES are unknown to you. That’s why you think these sounds were invented by a DJ in London and are called acid jazz!

           THE RETRO WRITING OF BLACK MUSIC HISTORY

And as you will see from their so called “legends of acid jazz” compilations apparently Gilles Peterson invented music in existence when he was a baby and even before he was even born. Who would you say speaks for the sounds of the Black American Jazz Funk  The people who created it in the 1970’s or a London record label created in 1988 who print “this is acid jazz” all over their legacy and claim that they invented it?

Miles Davis, The Mizzel sound,  Lonnie Liston Smith, Herbie and the Headhunters, George Duke, Donald Bryd and many more invented Jazz Funk. Not a London DJ.

WHO IS TELLING YOU THAT JOHNNY HAMMOND IS A LEGEND OF ACID JAZZ AND NOT OF JAZZ FUNK?  What  does he have to do with a satanic record label created here in London in 1988  other than the fact that they make money out of his music?

The “gods” and the creators of Black Amercian Jazz Funk do NOT owe their exisetence to a Satanic record label who Infiltrated Black Britain and Now claim ownership of not only their sound but also the sound of late 1980’s Black Britain. The acid Jazz wikipedia page a completely false account of Black Music in 1980’s London writen by Gilles Peterson, Eddie Pillar and his mob. Policed by an American sock puppet account. They have cloned this page across the Internet. 

So as you can see below this is a prime example of their systematic rebranding of Black Music. “Essential acid jazz?”  Who the Funk says this is acid jazz. You Gilles Peterson?

Since when is the sound of Omar, The Young Disciples, Incognito “Acid jazz” and not straight forward Jazz Funk/Rare Groove. Who gave Eddie Pillar and Gilles Peterson the right to reclassify the London sound of the late 1980’s or 1970’s Black American Jazz Funk?

So here you see how these serpents are trying to rewrite Music History of Black Britain. These people are all playing Soul music. They are playing the late 1980’s retro rare groove sound which was a tribute to the Black American Soul we grew up with in the 1970’s. That is why The Paedenas entitled their song Tribute. This is not a so called “Jewish” music genre called acid jazz.

Bands like The Pasadenas and Soul To Soul both giants of the 1980’s were the ones who started the return of the old sound, though old school Jazz Funk purists, people like Light of the World, Central Line and others were still going throughout the 1980’s. The Idea that this DJ had anything to do with anything is ridiculous none of us had even heard of him.

THIS SOUND HAS NOTHING TO DO WITH ANY SATANIC RECORD LABEL OR ITS CO FOUNDER GILLES PETERSON. Ask him what he has to do with any of these sounds.

WHO DO YOU THINK SPEAKS FOR BLACK BRITISH SOUL MUSIC OF THE 20th CENTURY? THOSE WHO CREATED IT OR EDDIE PILLAR AND GILLES PETERSON?

WHO WOULD YOU SAY SPEAKS FOR BLACK BRITISH SOUL MUSIC OF OUR ERA? THOSE WHO CREATED IT OR EDDIE PILLAR AND GILLES PETERSON?

What do you see below. A compliation album of mostly Britsh bands playing the Rare Groove sound (Early 70’s  Funk) and other styles of Black American 1970’s/80 Funk?Or a music genre called Acid Jazz just because Eddie Pillar and Gilles Peterson say it is.

THE MASS FRAUDULENT RE-CLASSIFICATION OF 20TH CENTURY SOUL

And of course it’s not just our version of Black American Soul they are trying to rebrand.  Its the Legacy of James Brown. Classic Black American Jazz and Doo wop, Black American Soul, Funk , Jazz Funk fusion, The 1970’s The Pan African sound,  Disco Era Funk, late 1980’s New Jack Swing and even 1990’s Neo Soul are all styles of Groove being systematically reclassified as so called acid jazz by this serpent record label. They are trying to take ownership of the legacy of All styles of Black Music of the 20^th Century. When like typical thieving lying serpents they have created and invented NOTHING. They think they can fool people on our own sounds.

The London crowd of the era are still around. And No one from AUTHENTIC Black Britain of the 1980’s will acknowledge any such genre. Neither Eddie Pillar, Gilles Peterson nor Acid Jazz records are responsible for any style of Black music at any time here in this City of London. 100% Guaranteed.

We knew what Black American Jazz Funk was in the 1970’s and the 1980’s here in London. We went to the concerts and the PA’s of our heroes when they toured back in the day. And none of us authentic London Funksters of the era will ever claim that the various sounds of Black American Soul being currently appropriated by Acid Jazz records came out of London in the mid 1980’s as they claim on Wikipedia and all across the Internet. Eddie Pillar, Gilles Peterson and Acid Jazz records in no way speak for Black Britain or for any style of Black Music here in London. Acid jazz records are not relevant regardless of what you see written by outsiders of Black Music in London. They are Infiltrators of our culture who are here with a history revisionist and cultural apporpriation plan. A Plan which no AUTHENTIC Lonodn Funkster of the 1970’s/80’s will legitamize. And nor will the Black music archives of the era either.  As if we don’t know what Jazz Funk is here in London……..

Its clear that whoever came up with this silly idea to try and use the U.K. to rob Black America of their sounds clearly knew nothing about Black Britain. We have known Black American Soul since we were little kids growing up in the MOTOWN era. These shores are no stranger to the likes of Roy Ayers, Herbie Hancock , Donald Byrd and the like. Take a look at some of the U.K Soul charts to see what we don’t know about THE FUNK. None of us authentic Funksters over here claim ownership of any of this music Eddie Pillar, Gilles Peterson and the Synagogue of Satan are claiming came out of London. It’s all them saying this, NOT US.

ACID JAZZ- A SILVER JUBILEE OF REBRANDING FUNK AND CULTURAL THEFT  

The Silent Global War OnThe Legacy Of James Brown

  If you claim that music such as the plagiarised Funk on Jamiroquai albums isn’t Funk but acid jazz, Then you are essentially claiming that 1970’s Jazz Funk and late 1970’s Disco era Funk is also “acid jazz”  and was retro Invented in 1988…by a DJ! If you are rebranding all styles of Black Music not only from the 1970’s but that of the previous Doo wop, Jazz and MOTOWN era of 1950’s and 1960’s (See the so called “legends of acid jazz” compilations). 

AS YOU CAN SEE GILLES PETERSON HAS A TIME MACHINE AS HE INVENTED THE SOUNDS OF BLACK MUSIC CREATED BEFORE HE WAS BORN.

Then you are claiming responsibility for 30 years of Black American Soul Music.  And in addition to that they are now claiming that New Jack Swing was once called acid jazz (On Wikipedia) it wasn’t and also that 1990’s Black American Soul Neo Soul is also called acid jazz. Well then you are claiming responsibility for the entirety of 20^th Century Soul . So yeah, Gilles Peterson who’s never had a hit in his life is the synagouyge of satans  Godfather of Soul!

All over the Internet Eddie Pillar Gilles Peterson and their mob are re-writing Black music history. Claiming that Acid jazz is a Black music genre invented here in London in 1988. There is no such genre. Acid jazz exists only in the satanic petition of Gilles Peterson, Eddie Pillar and the synagogue of Satan. This is systematic cultural theft. In this site I will show you how to easily destroy the myth they are trying to create. There is no such thing as a music genre called acid jazz.

THERE IS NO SUCH GENRE.ACID JAZZ IS A SERPENT GENERATIONAL MYTH CAUGHT IN IT’S EMBRYONIC STAGES. HERE’S HOW TO STAMP IT OUT……. 

So, back in the late 1980’s Gilles Peterson, Eddie Pillar and the Synagogue of Satan infiltrated Black music with a plan. A plan to infiltrate FUNK and then take over from within in classic serpent fashion. They first began printing “this is acid jazz” on compilations of the prevailing Rare Groove sound of the era, started by The likes of The Pasadena’s, Soul to Soul, Omar and others of the London Jazz Funk community. Then they started printing “Acid Jazz” over Neo Soul , New Jack swing mixes. Now they are printing this is acid jazz over Black music which was in existence decades before acid jazz recods was eveb created! literally every style of 20^th Century Soul you can find. This is acid jazz. the story of acid jazz, Absolute acid jazz. Any name they can think of to further Indoctrinate the new generation.

ASK YOURSELF WHO IS PRINTING ACID JAZZ ON SOUL COMPILATIONS.

With their global disinformation campaign they are trying to re write history to make it look as if acid jazz records are relevant to Black Britain and Black Music The are not.  and Acid Jazz records are no friends to Black Britain. On the contrary, They Ignored all the talented Bands of the era, and now they ere trying to write Black Britain out of History. The bottom line however is this. They cannot fool anyone on these sounds as we know what they actually are. All they can do is keep repeating the lie over and over again in the hope that it will stick but this lie is based on sand. Mores to the point they cannot tell you the name of a single track which belongs to this so called “genre” The synagogue of Satan claim came out of London in the 1980’s because there

There is no such thing as a Black Music genre called acid jazz or Club Jazz. They do not exist. All over the Internet on just about every Music website, or Wikipedia type online encyclopedia you will see page after page after page of complete serpent lies telling you that “acid jazz/Club Jazz” are Black Music genre’s which came out of London England in the mid 1980’s. That is a total and absolute lie which is why you will find no reference to this disinformation in any Black Music publication of the era.

For many years now, there has been a massive and highly organised global campaign of disinformation going on behind the scenes all across the Internet. orchestrated by Eddie Pillar, Gilles Peterson and their international criminal cabal which includes people from Eastern Europe, Israel, Germany, Holland, The United States and of course here in the U.K.  A military style campaign of history revisionists, in the media as well as on Wikipedia type sites all colluding to essentially re-write Black Music History. Working hand in hand with Acid Jazz records who are fraudulently re classifying all styles of 20^th Century Soul as so called acid jazz. The goal is to essentially erase  Infiltrate Black music and then take ownership of it and then erase it’s Identity.

The same thing happened when we lost Choice FM, This is a Globally orchested plan by the globalist serpent doing what he always does.

On some sites they try to  claim that acid jazz was a subgenre of Jazz. In the 1980’s, No it was not and you will find no mention of any subgenre called acid jazz in any Black music publication of the 1980’s.  It was not a genre or a subgenre of Jazz, or Funk or of Soul it does not exist. Acid Jazz and club jazz are names dreamed up by Gilles Peterson and his mates in the synagogue of Satan to create a generational myth which essentially credits them with the invention of Funk. 

Essentially what they are trying to do is claim that Rare Groove retro 1970’s Funk is not Funk but a “new” music genre invented in the late 1980’s by Acid Jazz record label because they didn’t know what all the sounds were and thought they could just fool people. 

PILLAR CLASSIFIED JAMIROQUAI AS PLAYING “ACID JAZZ”…..

I deal with Jamiroquais plagiarism in THE SOULHEAD TALES where I categorise all of their tracks into their correct styles of FUNK. So Eddie Pillar, Gilles Peterson and their International mob have no hiding place. They can no longer claim Jamiroquai play ” acid jazz” because as well as telling you where I think they stole the music from, I show what style of FUNK each track is and give tons of examples of sounds  in a similar style and groove.   I categorise their so called self written material into  Jazz Funk, World Sound, Electrophonic (Electro ) Funk Disco era Funk,  Bossa Nova etc. And you will find no so called acid jazz anywhere in THE SOULHEAD TALES. And that’s because there is no such thing as a music genre called acid jazz. No matter what Gilles Peterson and Eddie Pillar tell you.

FUNK ….AND ACID JAZZ?…..REALLY?  WHICH TRACK IS ACID JAZZ? HOW THEY ARE TRYING TO CLAIM JAMIROQUAI ARE NOT PLAYING BLACK MUSIC.

Both Jamiroquai AND acid Jazz records,  Lock down their page of lies to re-write Black Music History..

Acid Jazz records and Jamiroquai have both locked down their Wikipedia pages and delete comments complaining about their lies. They are not supposed to be editing their own pages but like the criminals they are they have ignored all protests.

Now that I have created THE SOULHEAD TALES and all the correct classifications of jamiroquais’ plagiarism are know to the youngsters, (They cannot argue with or defeat my list). Instead of telling the truth, something they are incapable of, they have now switched it to Funk and acid jazz. HUH? which track is acid?

A British Funk and Acid Jazz Band. REALLY?

On Wikipedia and all over the net they are trying to give the impression that they are responsible for all this material. As any Funkster who has listened to their songs will tell you they are NOT. We (AUTHENTIC) Funksters do not consider them as a band in the same way that we consider the giants of our era. They do not compare in any way. Jamiroquai were and are nothing more than a  FUNK Tribute band who essentialy replayed the sounds styles of 70’s/80’s Funk during the 1990’s creating  Musical pastiches of the various different Funk frequencies of the era. They copied, ripped and stole the basslines, guitar styles, synth lines, hooks, Identities, singing styles and the Music signatures of a multitude of acts then signed their names to their plagiarism giving next to no credit to any of the bands they had ripped off.

Jamiroquai are notorious pickpockets and probably the greatest plagiarists in music history. They have no credibility whatsoever among authentic 70’s/80’s Funksters despite what some people are paid to say. They know that and that is why they took to Wikipedia and locked down their page despite warnings from Wikipedia editors. Criminal liar Jay Kay of Jamiroquai claims that they wrote all this music himself. So see the other part of this document,THE SOULHEAD TALES- A response to quotes (Lies) by Jay Kay written by this London SOULHEAD then make up your own mind.

For many years now, there has been a massive and highly organised global campaign of disinformation going on behind the scenes all across the Internet. A huge campaign of lies and disinformation orchestrated by Eddie Pillar, Gilles Peterson and their international criminal cabal of cultural thieves which includes people from Eastern Europe, Israel, Germany, Holland, The United States and of course here in the U.K. All pushing the generational myth that FUNK is a “Jewish” music genre called acid jazz. Why mention that? Well I didn’t they did. I have been fighting this battle for nearly a decade firstly on YouTube against their organised trolling. I had no ides what Zionism or Jewish gang-stalking was.

Funk …AND Acid Jazz. Inference being that at least some of the stolen FUNK featuring on Jamiroquai albums belongs to a Black music genre invented by Gilles Peterson here in London in 1988. So they are still claiming that there is Black music genre called acid jazz even though they know full well that no such genre exists. So this is why a document sch as Ten Easy Ways To Debunk The Acid Jazz lie is so important. These peolpe will never stop lying but with this document and THE SOULHEAD Tales combined Black America will be able to destroy this generational myth. Older African Americans know what all these sounds are biut many of the younger ones will not. The 1960’s, 1970’s and the 1980’s are “ancient history” to some of them. But not to us who lived the era.

Contemporary and Future Music Lovers and Historians. Ask yourself this question. Exactly WHO is it that is telling you that all these styles of Black Music and 20th Century Soul is called acid jazz from London?

SO LETS BORE INTO THIS SERPENT LIE……

There are ten parts to this document plus my global challenge. That is a challenge to anyone who claims that there is a Black music genre called acid jazz invented here in London in 1988 or at any time. And that includes the American sock puppet account that deems himself fit to lecture Black Londoners on our own sound.

INTRO

  A Global Challenge Name a single “Acid Jazz” track

        Why they cannot fool me on THE FUNK!

1.) Ask them to name one single so called acid jazz track..the conversation will end.

•       Acid jazz is a record label it is not a Genre/Subgenre or style of Jazz. It does not exist

2.) Let’s consult the 1980’s Issues of Blues and Soul /Black Echoes Magazines.

•           The Black music archive they cannot delete. Lets see if we can find any evidence of this so called genre emerging in 1980’s London as they claim on Wikipedia & Everipedia!

3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound.

•       Junior Giscombe, Soul to Soul, Loose Ends, Five Star, Sade, Billy Ocean etc are all still around. I will show you the bands and acts who actually created the Black British sound.

4.) Ask the 1980’s London Pirates and the Funk and Soul DJ’s. I will tell you who they are.

•         Loads of the Soul DJ’s and 1980’s London pirates from stations like Solar Radio, LWR and Invicta where Peterson was for a short period are still gigging. I will show you who to contact and see if they remember Gilles Peterson inventing a black music genre.
  

5.) Londoners, ask your Funky Elders

•      There are plenty of reunions still happening in London where Disco kids now in their mid 50’s and upwards get together. I will tell you the type of people to ask about this fake genre

6.) Jamiroquai’s plagiarized FUNK correctly classified. So where is this “acid jazz”genre?

• Pillars mob claim that Jamiroquai play Gilles Peterson’s imaginary genre because he thinks he can fool people on the different styles and sounds of Funk. I know all these sounds where they came from and how to classify, them I see no “acid jazz.

7. ) Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s.

•  FUNK is American. No one from 1960/70’s/80’s Black Britain will ever claim that we invented any of these sounds. The only people who do are Eddie Pillar/Gilles Peterson and Acid Jazz records who have been printing their name all over American FUNK for over 25 years and claiming they invented it here in London.  See if the Americans of the Disco era don’t recognize all these sounds being fraudulently reclassified by Eddie Pillar.

8.) Ask the late 1980’s and 1990’s Black American New jack swing and Neo Soul Generation.

• A whole lot of the compilations claimed as Acid Jazz contain New Jack Swing tracks. Hilariously Acid Jazz records claim that New Jack swing was once classified as acid jazz in the 1980’s when no one had ever heard of them. They are existentially claiming ownership of all 20th Century SOUL. Every thing they print their name on is apparently Acid Jazz invented by Gilles Peterson. See if the N.J.S and the Neo Soul kids don’t recognize the sounds of their era.

9) Their fake new Wikipedia Page and their American Gate keeper Michael Knowles

• The American who tells us that Acid Jazz is a genre but can’t say what it is and won’t answer questions. A Californian who thinks he’s qualified to speak on behalf of 1980’s Black London

10.) Ask the 1980’s London SOULHEAD journalists.

• The 1980’s Writers of  Blues and Soul, Black Echoes are still around.

A GLOBAL CHALLENGE

Now seeing as there appear to be a multitude of so called “music experts”, So called DJ’s, so called Music writers, and others who seem to think that Acid Jazz is a Black Music genre, because they read it on the Internet or they are part of their global disinformation cabal. Or because they think they are qualified to write the Black music history of an era they weren’t even alive or present to experience.  I Issue this challenge………

And this is a challenge to Acid Jazz records, Gilles Peterson, Eddie Pillar and to any so called music writer reviewer, Music Journalist, Newspaper Journalist be it in print online or both, who claims or has ever claimed that Acid Jazz or Club Jazz are Black music genres which came out of this City (London England) in the 1980’s.

My challenge is simple.

If as you claim Acid Jazz or Club jazz as you claim are Black Music genres which as you claim came out of London in the 1980’s then……

NAME ME ONE SINGLE SONG BELONGING TO EITHER GENRE IN THE COMMENT SECTION BELOW. ANY SONG. NAME AN ACID JAZZ TRACK OR A CLUB JAZZ TRACK

I GAURANTEE THAT YOU CANNOT!

 Imakethis statement and I do so without any fear of contradiction from any so called music writer, music critic, entertainment writer, musician, record executive or Wikipedia Gatekeeper.

There is no such thing as a Black Music genre called Acid Jazz and there is no such thing as a Nlack music genre called  Club Jazz. They do not exist. Anyone who claims that they do either knows nothing about Black Music or is a liar.

So who are you and what are your credentials?

My credentials are that am an authentic London Funkster of the 1970’s and the 1980’s so I know all the sounds or my ere. I was right ther in London all during the 1980’s. And as THE SOULHEAD TALES-Jamiroquai Plagiarism document proves, I know more than enough about 1970’s/1980’s Funk to debunk more or less their entire so called discography. And not only that I know enouhgh about the groove to tell you exactely what styles of FUNK actually appear on their albums. And I will tell you now. There is nothing called “acid jazz” on any Jamiroquai album or on the Albumsof anyone else. And that is becase there is no such thing as a Black Music genre called acid jazz.

THE SOULHEAD TALES

WHY THEY CANNOT FOOL ME ON THE FUNK

SMOKE AND MIRRORS SUBTEFUGE THE ART OF OBSCURING THE TRUTH

YOU CANNOT OBSCURE THE SOUNDS OF FUNK- WE CAN HEAR THEM!

We know the sound of James Brown, the 1960’s, Little Stevie Wonder and THE MOTOWN SOUND because I was there when it happened. I know the new Jazz Funk sound and the World sound of the early 1970’s because I was there listening to it. I was there when Stevie released the Songs in the Key of Life and when Barry Whites Orchestra/TSOP Gambel and Huff etc began to usher in the Disco era sound. I know all the sounds of the late 1970’s FUNK in what people now refer to as “The Disco Era” because I was right there by then looking enough to get into nightclubs and jam. I was right there on the Disco dance floor when the likes of CHIC! and Earth Wind and Fire, Michael Jackson and countless others bombarded us with the sweetest FUNK we has ever heard. I was there when the avalanche of FUNK hit us in 1979. I was there when Knee Deep and One Nation under a Groove stunned the disco dance floors of the Planet and I was right there around the turn of the decade in the post Disco era (1980-1983) when Clinton, Yarbrough and People. Grand Master Flash, Zapp D, Train, Soul Sonic Force, KASHIF and all the rest electrified the groove.

I was there when the London bands of our generation like HI Tension, The Olympic Runners, Atmosfear Light of the World, Imagination, Linx, Central Line, Second Image, Shakatak and many other started the Brit Funk sound of old. I remember when (Mama Used to say) by Junior topped the American charts, I remember The Robbie Vincent Soul Show, Greg Edwards Soul Spectrum, The Best Disco in town, Tony Blackburn’s Soul show and the Pirate Radio stations because I was right there listening to them. I remember Gossips, Gulliver’s, All Nations and the London Soul clubs of the 1980’s because I went to them as a White sox Soulhead.

I was still there in London in the mid 1980’s when Loose Ends, Five Star, Billy Ocean, Simply Red, SADE and many other British Soul stars topped the U.S Soul charts at the time we had our version of Soultrain and I was there when The Pasadenas and Soul to soul. Omar and others started the Britfunk Rare Groove sound of the late 1980’s when the Americans had New Jack swing. I was there. I was there on the Dancefloors of London all through thedecade buying my Blues and Soul magazines as you will see later, listening to Pirate radio, jamming in House parties of the era, going to cincerts and PA’s to watch our American heroes and I’am telling you that there was NO SUCH THING as a Black music genre called acid jazz here in London at any time during the 1980’s or during the 1990’s. The music that Eddie Pillar Gilles Peterson and their International disinformation cabal is trying to claim as acid jazz is nothing more than Rare Groove (Retro 70’s Funk), Jazz Funk, Jazz Hip Hop , New Jack Swing and Neo Soul. The Rare Groove sound (Old School Funk) was began by peolpe like the Pasadenas and Soul to Soul. It was NOT a new Serpent music genre invented by Gilles Peterson in 1988 or by anyone else.Cofounder of Acid Jazz records Gilles Peterson is a criminal DJ who has bnever had a hit in his life and is irelevent to Black Britain and to Black Music. None of those Black American 1970’s Jazz Funk sounds were invented here in London and no authentic 1970’s/1980’s Soulhead of any colou  would ever claim that they do. We Know what all these sounds are in Black Britain and there is NOTHING in Black music called acid jazz. the first thing you do when you wanrt to steal something  Is ro give it a new name. These names are Acid Jazz and Club Jazz. Rwo names coined by Outsiders who think they have the right to march into Black cvuklture and reclassify Black Music. As if they own it. TWO  OUTSIDERS WHO THINK THEY HAVE THE RIGHT TO WALK INTO BLACK CULTURE AND START RE-NAMING THE LEGACY OF JAMES BROWN.

ANCESTOR BROWN AND BLACK AMERICA HERE IS YOUR MUSIC BACK!

TEN EASY WAYS TO DEBUNK THE ACID JAZZ LIE

(THE CULTURAL APPOPRIATION OF FUNK)

There are Ten Parts to this document which debunk this attempted infiltration and takeover of SOUL/R&B by this Zionist record label printing lies all over compilations of Jazz Funk, Neo Soul, New Jack Swing, Brit Funk etc then claiming these sounds as so called acid jazz. There are no such genres as Acid Jazz or Club Jazz. Now some of the things I write might be obvious to you older Guys and Gals however they won’t be obvious to the youngsters and why should they as they were not alive in the 70’s/80’s.

They don’t nessesarily know the timeline of FUNK and given some of the complete rubbish written on the Internet about our era by outsiders who were clearly not even there one shouldn’t be surprised. Especially when you look at the lies being pedlled by Gilles Peterson, Eddie Pillar and Acid jazz records on wikipedia, Everipedia and so on.  There are concerted efforts going on to change history behind the scenes by Eddie Pillar and his mob. This is a major operation which includes websites all colluding with Acid Jazz records abd the Synagouge of Satan to steadily indoctrinate the new generation. Indoctrinate them ointo thinking that the serpent is responsibl;e for Soul music.

Late 1980’s. When America and the U.K split musically. The late 1980’s was the end of the Funk as we knew it. By 86/87 The groove had got so watered down that many of us older kids no longer considered it to be FUNK anymore. That as I state elsewhere was one of the reasons for the popularity of the old 1970’s sound. People had had enough of all the Electro stuff the Electrophonic Phunk sound that The synagouge of Satan are trying to classify as E.D.M (It is not) which began in the late 1970’s starts to peter out. Now musically speaking America and the U.K had been in lockstep through the 60’s 70’s and 80’s. So when Americans were listening to Motown and the Beatles for example we were listening to the same music.

When the Disco era sound hit Britain like the rest of the World went Disco crazy, and during most of the 1980’s Both Brits and Americans were into bands form both sides of the Atlantic. So bands like Loose Ends and Soul to Soul were as popular over there as The SOS Band and CAMEO were over here. Now after 1988 when as I saud this stykle of FUNK began to die out as the new genration took over (The Sound of Soul changed 3 times in the 1980’s I write about it in THE SOULHEAD TALES)  FUNK in the U.K exploded into many different branches. Rave, House, Techno, Jungle, Rare Groove (70’s FUNK), Drum and Bass etc.

Over in America however, the kids went the New Jack Swing route and Rap began to get more popular. Remember this is the new generation, the younger siblings of us older Disco era types who were now in our late 20’s and early 30’s. So the kids of the New Jack Swing era didn’t neccesarily know where all the drum patterns and many of the samples came from. Not all of them had grown up in Funky families. As with any change in sound a whole load of people get into the sound from all backgrounds. 

The fraudulent re-classification of FUNK

Now obviously we knew what all the sounds were because we grew up with James Brown and 1970’s Funk. Many kids of the era were introduced to old school Funk thanks to the sampling by rappers in the 1990’s. They didn’t know Parliament Funkadelic, the Gap Band and Zapp, They were before their time. So those of us who are old enough to remember the 70’s/80’s might know what all these sounds are but many youngsters don’t. For example I once saw someone try to claim that Canned Heat by Jamiroquai was “acid jazz”. So he didn’t know what the Disco era sound was and because he probably read the lies of Eddie Pillar, Gilles Peterson and his mob, he concluded that the Disco era violins of the late 1970’s were invented here in London in 1988.There are kids out there who think that Bossa Nova comes form London because it has Acid Jazz printed on it. Everything from  70’s Jazzfunk to 1990’s Neo Soul is being claimed as so called acid jazz by Eddie Pillar. This is deliberate of course. This is a genrational myth that they are trying to create through deciet. A ploy which as I keep saying does not work in music. Howver they belive that if they keep repeatiing the same thing over and over again peolpe will belive it. So why Pillar and his mov of cultural theives and disinfo agants are fraudulently reclassifying all styles of 29th Century SOUL they are posting lies on Wikipedia, ignoring protests and protecting thois lies by deleting coomments and protests.

So as you can see beloe they are STILL claiming that Acid Jazz is a musIc genre on the Internet and this 2022 is several years after we started complaiining and acid jazz records deleted our protests as you will see later on.

Belive it or not many don’t even know about the 1980’s British FUNK invasion of America featuring the Likes of Soul to Soul and Loose Ends. And when you look at Eddie Pillar and Gilles Petersons version of Black Music in London during the 1980’s well these bands don’t exist in their universe. They are writing them out of history and replacing them with Jamiroquai who created nothing. So this and the accomanyiong Documenr THE SOULHEAD TALES is aimed for someone reading Music history in a few decades time when people who recognise all the sounds Pillar is claiming as acid jazz are few and far between. They (Acid jazz records) are trying to aim at those who don’t know what all these sounds are or don’t know who to ask about them. I will tell you the right people to ask or to contact. Many people in the LondonSoul community of old do not know what Eddie Pillar, Gilles Peterson and hios International cabal are doing so you can help alert people.This is aimed to counter their lies and show people of this generation, Journalists and truth speakers who to ask, what to look at and what to quote in order to defeat the lies of Acid jazz records and their International cabal of cultural thieves. However the most important thing to remember is this…. Serpent lies are built on illusion but Illusion does not work in Music!

This is what is in this Document. I have created a preview a bit further down.

1.) Ask them to name one single so called acid jazz track..the conversation will end.

•       Acid jazz is a record label it is not a Genre/Subgenre or style of Jazz. It does not exist

2.) Let’s consult the 1980’s Issues of Blues and Soul /Black Echoes Magazines.

•           The Black music archive they cannot delete. Lets see if we can find any evidence of this so called genre emerging in 1980’s London as they claim on Wikipedia & Everipedia!

3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound.

•       Junior Giscombe, Soul to Soul, Loose Ends, Five Star, Sade, Billy Ocean etc are all still around. I will show you the bands and acts who actually created the Black British sound.

4.) Ask the 1980’s London Pirates and the Funk and Soul DJ’s. I will tell you who they are.

•         Loads of the Soul DJ’s and 1980’s London pirates from stations like Solar Radio, LWR and Invicta where Peterson was for a short period are still gigging. I will show you who to contact and see if they remember Gilles Peterson inventing a black music genre.
  

5.) Londoners, ask your Funky Elders

•      There are plenty of reunions still happening in London where Disco kids now in their mid 50’s and upwards get together. I will tell you the type of people to ask about this fake genre

6.) Jamiroquai’s plagiarized FUNK correctly classified. So where is this “acid jazz”genre?

• Pillars mob claim that Jamiroquai play Gilles Peterson’s imaginary genre because he thinks he can fool people on the different styles and sounds of Funk. I know all these sounds where they came from and how to classify, them I see no “acid jazz.

7. ) Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s.

•  FUNK is American. No one from 1960/70’s/80’s Black Britain will ever claim that we invented any of these sounds. The only people who do are Eddie Pillar/Gilles Peterson and Acid Jazz records who have been printing their name all over American FUNK for over 25 years and claiming they invented it here in London.  See if the Americans of the Disco era don’t recognize all these sounds being fraudulently reclassified by Eddie Pillar.

8.) Ask the late 1980’s and 1990’s Black American New jack swing and Neo Soul Generation.

• A whole lot of the compilations claimed as Acid Jazz contain New Jack Swing tracks. Hilariously Acid Jazz records claim that New Jack swing was once classified as acid jazz in the 1980’s when no one had ever heard of them. They are existentially claiming ownership of all 20th Century SOUL. Every thing they print their name on is apparently Acid Jazz invented by Gilles Peterson. See if the N.J.S and the Neo Soul kids don’t recognize the sounds of their era.

9) Their fake new Wikipedia Page and their American Gate keeper Michael Knowles

• The American who tells us that Acid Jazz is a genre but can’t say what it is and won’t answer questions. A Californian who thinks he’s qualified to speak on behalf of 1980’s Black London

10.) Ask the 1980’s London SOULHEAD journalists.

• The Writers of Blues and Blues and Soul, Black Echoes are still around.

PLEASE SEE THE PREVIEW BELOW THEN SCROLL DOWN!

IMPORTANT NOTE DEC 2021

BLUES AND SOUL 1100-New millennial writer appears to back the acid jazz lie?

This uncompleted site is known to quite a few music “journalists” in the Media some of whom have changed what they have written going upon what I have said and the provable version of Black London in the 1980’s I describe. And on my complete breakdown of all Jamiroquai tracks, showing where they probably lifted all their music from. They know that I am authentic and everything I say can be backed up by Black Echoes, Jet, The Blues and Soul archives of the 1980’s as well as the club, chart reports etc. And of course by the hundreds of thousands of London Funksters who are still around including all the bands that Eddie Pillars and his mob are trying to wipe from history. Now Blue and Soul is or was one of the most credible sources for Black Music about. And I have sung their praises heavily on this site.

Now, however in this latest issue 1100 a number probably chosen because issue 511 is the one that destroys the lies of egomaniac Gilles Peterson’s attempts to go down in history as some sort of Musical hero when he’s created nothing whatsoever. Someone in an Interview with a member of the brand new heavies appears to legitimize this acid jazz lie. Now they don’t say that Acid jazz is genre at least going by what is on the websites front page. They can’t because it isn’t. However they (TBNH)  are mentioned as so called “acid jazz pioneers”. As if Acid jazz was a genre and as if Rare Groove and Acid jazz are somehow interchangeable names.They are not. That is what Eddie Pillar and their crowd want people to think. They also mention the words “this acid jazz movement “.

Well this authentic Funkster is telling you that there was no acid jazz movement, there was a RARE GROOVE Movement and it started long before acid jazz records infiltrated Black Britain and Soul music in the late 1980’s/90’s. I was right there. So regardless of what outsiders of Black culture think they can call THE FUNK, The FUNK is just that. It is not acid jazz because Eddie Pillar Gilles Peterson and whoever else decides its going to be called. It is not theirs to rename. Anyhow I deal with this article in another part of this Blog. So click below if you wish to read my response.

Links Back up!

A response to the front cover of Blues and Soul issue1100

“THEY HAVE A WAY OF ATTACHING THEMSELVES TO YOUR TALENT, THEN THEY GET ALL THE MONEY AND YOU GET NOTHING”

 Louis Farrakhan

Farrakhann or at least those who surround him are controlled opposition. The N.O.I were approached twice about this matter and didn’t even respond.

THERE IS NO SUCH THING AS A GENRE CALLED ACID JAZZ OR CLUB JAZZ.

www

Table of Contents

PREVIEW

If you’re one who already knows that so called Acid Jazz and Club Jazz exist only in the minds of Eddie Pillar, Gilles Peterson, Acid Jazz records and their International cabal of disinfo agents then then below is a quick summary if you haven’t got the time to read through the whole thing. Really you only need the first two. They can’t tell you what acid jazz is because it doesn’t exist. Its just falsely labelled Funk, Jazz funk, New Jack Swing, Neo Soul, Bossa nova etc.  And there is no reference to any so called acid jazz genre in any Black music publication of the 1980’s. So the claim that this nonexistent “Acid jazz known as club jazz” came out of this city in the mid 1980’s isn’t supported by evidence apart from the serpent BS they have written on Wikipedia. And if they try and claim that all the Rare Griive 70’s/80’s FUNK retreads we all rcognise belong to this fictional genre then ask then to tell you exactly which track is acid jazz and not what I say it is on THE SOULHEAD TALES. NONE of us authentic London Funksters of the 1970’s/1980’s recognise any such genres.

IN PART ONE

Part 1.) Ask them to name one single so called acid jazz track……

……..Crickets…………Tumble Weeds………the conversation will end.

      (Acid jazz is a record label it is not a Genre/Sub genre or style of Jazz. It does not exist)

In part one you can see the easiest way to debunk this BS is to ask them to name a track which belongs to this genre. They can’t because there isn’t one. All they have done on Wikipedia is replace the word Rare Groove (Retro 70’s Funk) with the name of their record Label acid jazz and then claim that it’s new genre called acid jazz invented by Gilles Peterson in 1988. U.K Bands like Soul to Soul, Former members of Light of the World, The Padsedenas are responsible for this sound. Neither Gilles Peterson who no one had ever heard of nor Acid Jazz records who no one had ever heard of is responsible for any sound or style of Black Music.

On wikipedia they list a whole load of Jazz Funk, Jazz Hip Hop, New Jack Swing, Neo Soul , Latin Soul and Brit-funk acts, Then claim they play this non existent genre invented by Gilles Peterson in 1988. They can’t fool anyone on Jamiroquai anymore because I have gone thorough their discography and not only categorized the grooves in to their correct style of FUNK but shown where I think they stole the sounds from as you will see below on the Soulhead Tales!

THEY CLAIM THESE BANDS ARE NOTABLE “ACID JAZZ” BANDS

As you can see they know next to nothing about Black music!

Some of the many styles of Black Music Eddie Pillar, Gilles Peterson and their International cabal claim is a music genre called acid jazz which came out of London in the 1980’s. Basically everything from straight Black American Jazz Funk, Straight Funk, Jazz Funk, Rare Groove, Trip Hop, Jazz Hip Hop,Latin Soul, British Rare Groove, Jazz Funk you name it! You can easily tell they don’t understand what half of these bands play. Their job is to gather as many bands playing all these styles of SOUL/R&B then group them alltogether. This is all part of their global disinformation campaign of INDOCTRINATION. Their attempted theft of the legacy of James Brown and of Black American Soul.

Below more bands playing a Black music genre apparently invented by Gilles Peterson here in London in 1988. All these bands apparently play “acid jazz”

NONE OF THESE BANDS PLAY A MUSIC GENRE CALLED ACID JAZZ OR CLUB JAZZ THERE ARE NO SUCH GENRES. THE ONLY PEOPLE WHO CALIM THERE ARE, IS EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS.

This is how dim they think people are but they have locked doen this page and brought in a gatekeeper. Peterson, Lech and others of their mob are behind this page and they keep swopping and changing things because of what I write. There was never a genre called Acid Jazz, What Eddie Pillar and the Synagogue of Satan try and claim as acid jazz is nothing more than Rare Groove. The old style 1970’s Jazz Funk which came back in the mid 1980’s. It had nothing to do with Acid jazz records who are totally irrelevant to the 1980’s as Blues and Soul magazine will prove. No one had even heard of them. So please scroll down for part one.

IN PART TWO

Part 2.) Let’s consult the 1980’s Issues of Blues and Soul /Black Echoes Magazines.

          In part two we take a look at The Black music history archive they cannot delete! See if you can find any evidence of this so called genre emerging in 1980’s London as they claim on Wikipedia, Everipedia and all over the Internet on every music forum, list or website dealing with music. You won’t because it’s a total lie. Unluckily for them everything that happened in the SOUL underground of the early 1980’s and the SOUL overground of the mid to late 1980’s when FUNK went more mainstream is recorded in not just Blues and Soul but obviosly in all Black music publications of the era!

So If you’re going to claim that a Black music genre called “acid jazz” was invented here in London in the mid 1980’s, well then it stands to reason that there should be some record of it in the Black music publications of the time period then shouldn’t there, I mean the magazines of the mid 1980’s should be full of news about this amazing new Black music genre” invented” by a Pirate DJ who hardly anyone had even heard of. The club reports should be buzzing with new of the great Gilles Peterson the new Godfather of SOUL!

There should be club reports about this new genre. Interviews, reviews and such as Rick James said in Big Time. I mean The London FUNK underground should have been buzzing with the sound of this new genre they claim on Wikipedia emerged from this City in the mid 1980’s. By 1986/87 the charts should be full of music from this amazing genre invented by Gilles Peterson….Well no. There’s jack shit.

On Wikipedia not only do they claim Acid jazz was a London music genre they also claim there was an acid jazz movement in 1980’s London. REALLY? I never heard of it. So lets take a look at The SOULHEAD’S Bible and see if we can find any evidence for this Imaginary genre in the Club reports, SOUL Charts, Single and Album reviews of the 1980’s. Yes I still have all my copies and they cover the entire 1980’s when they claim this so called genre was created.

Please Scroll down for Part 2

IN PART THREE

Part 3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound.

     Junior Giscombe, Soul to Soul, Loose Ends, Five Star, Sade, Billy Ocean etc

On Wikipedia The Jamiroquai Acid Jazz cabal write Black Britain completely out of History. The British bands who made our sound famous in the 1980’s, Topped the U.S Charts and appeared on SOULTRAIN over in the States are completely wiped from the records and are replaced by 1990’s total plagiarists and Jamiroquai. As if they are responsible for British SOUL. Not that those 70’s/80’s FUNK retreads of other peoples sounds are even British.

On Wikipedia they write all these bands out of History and credit Gilles Peterson with the invention of a non existent genre which apparently (According to the BS they have written on Wikipedia) spread to America and across the globe thanks to two promoters. Then as I said they claim this acid jazz genre (Which is nothing more than Rare Groove and the British Soul sound of the late 1980’s then became indistinct as a genre and disappeared!

Acid Liars, So without naming a single track belonging to this non existent genre they then claim that bands which were once defined as acid jazz are now known as Jazz Funk Neo Soul or Jazz Rap. No bands were ever defined as acid jazz as there is no such genre as acid jazz., which is why you will see no mention of an acid jazz genre in any Black Music publication of the era. Jazz Funk came in the 1970’s. None of those styles of Black American Soul have anything to do with Acid Jazz records.

SOME OF THE U.K BANDS THAT NO LONGER EXIST ACCORDING TO GILLES PETERSON, EDDIE PILLAR AND THE SYNAGOUFE OF SATAN.

Bernstein and Rudnick apparently “introduced” the World to late 1980’s British Funk and Rare Groove (1970’s Jazz Funk and Soul) which they claim on Wikipedia is a Black Music Genre Called “Acid Jazz” invented by a DJ called Gilles Peterson. I’m sure Black America was glad to be introduced to 1970’s Mizell Brothers, George Duke, Herbie Hancock, Marvin Gaye, Patrice Rushen, Lonnie Liston Smith Stevie Wonder and all the rest…in the 1990’s!

Please Scroll down for Part 3

IN PART FOUR

Part 4.) Ask the 1980’s London Funk and Soul DJ’s of the era

Now there is a whole lot of information on the Internet but it can be hard to track down the people you need to speak to if say you’re a Journalist or one who wants to know who the authentic London Soulheads were. The big names in our movement. So obviously as a London Funkster of the era I know who all the movers and shakers were in the community of old. Many are still around and some of these old Soul boys are now Internationally famous. In the new digital age people are never hard to contact. They can will verify the truth. Or give them a link them to read what I have written.

    [Greg Edwards, Tony Blackburn, Craig Charles, Pete Tong, Norman Jay The Original Rare Groove man) are all old Skool Soulheads Famous in the London FUNK Community of our era back in the 1970’s/1980’s

There are plenty of former pirate radio Dj’s from Solar Radio, Invicta, LWR and so on. Sound systems like Rappatack and Fariplay and of course Soul to Soul are still about. So see if any of these old Funk Giants of the London SOULHEAD crowd have ever heard of Gilles Peterson’s imaginary “acid jazz” genre. No need to get anyone involved in any arguments just ascertain the truth.

Please Scroll down for Part 4

IN PART FIVE

In part 5.) Londoners, ask your funky Elders

There are Soulhead reunions still happening all over the U.K where the Disco Kids now in their mid 50’s and upwards get together and relive the grooves of yesteryear. I Mention London because London is where they claim that this so called Acid jazz genre emerged in the mid 1980’s, but obviously there were underground SOULHEAD movements all over the country in places like Birmingham , Nottingham, Manchester, Liverpool etc etc. This crowd know who

   We knew our FUNK then and we still know it now. We bought the records and saw our Heroes in concert, met them in London pubs during P. A’ s. No one in Acid Jazz records is going to fool anyone on any style of FUNK.

Please Scroll down for Part 5

IN PART SIX

Part 6.) Jamiroquai’s plagiarised FUNK correctly classified. So where is this “acid jazz”genre?

Jamiroquai were going to be the jewel in the crown of this so called Genre. Edddie Pillar didn’t classify their first album Emergency on Planet Earth as SOUL/R&B but as Acid Jazz. This was the beginning of the deception. When the SOULHEAD TALES debunked that lie they changed it back to FUNK but are now trying to claim that Jamiroquai play Funk AND acid jazz.! Acid jazz being the Imaginary genre they claim was invented by Gilles Peterson. Well unluckily for them I can easily classify Jamiroquai’s plagiarised FUNK into their correct genres and style of FUNK.

Jamiroquai as any 70’s FUNKSTER will tell you are notorious plagiarists. Kay claims he wrote all this music himself, we know different. I recognise all those sounds, basslines, horn section and Keyboard riffs. THE SOULHEAD TALES serves two purposes. One to destroy the myth that Kay is trying to vreate for himslef as some sort of Musical genius and most importantly to give the original writers the credit they deserve. The original idea behind this list was to give reccomendations to the kids looking for music and I do not dissapoint.So ask Jamiroquai, Gilles Peterson and Eddie Pillar exactly which track is acid jazz and not what I say it is.

   Please Scroll down for Part 6

IN PART SEVEN

7. ) Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s.

So this is My generation. The people you see dancing on late 70’s and 1980’s SOULTRAIN. Now if this London boy knows all the sounds of Black America, well you can be sure that they do. Proncipally because they are the ones who invented all the sounds that acid jazz records claim is an invention of a their record company.

The Disco kids of America who grew up with MOTOWN and the Funk Brothers, Stevie Wonder, Jazz-funk, Disco era Funk, Electrophonic Phunk, New Jack Swing and the like will tell you what all the sounds on these do called acid jazz compilations are as I can.

So who are you going to belive when it comes to Jazz Funk and Soul. The elders of Black America or a London record Label created here in london in 1988?

 Please Scroll down for Part 7

IN PART EIGHT

8. ) Ask the late 1980’s and 1990’s Black American New Jack Swing and Neo Soul Generation. All these sounds feature on so called “This is Acid Jazz” compilations so see if the kids of this era don’t recognize their own sound form the late 1980’s. I was around when New Jack Swing started just as I was around when the Disco era started so I know all the bands of the era. And I know the sound. All these guys and Gals are still around as are the NJS generation.

Acid Jazz record formed in 1988 claim that New Jack Swing and Neo Soul were ionce called acid jazz…..Yup…..invented by a London DJ….according to acid jazz records.

Please Scroll down for Part 8

IN PART NINE

9.) Ask Eddie Pillars Californian Wikipedia Gatekeeper to RESPOND to a question. Michael Bink Knowles. The Californian who thinks he’s qualified to speak on BLACK LONDON!

An American “Editor ” with over 250,000 edits including (See the Phillip Cross affair with MP George Galloway) in charge of a page about BLACK LONDON OF THE 1980’s!

The Wikipedia “editor” (Gate keeper)American helping acid jazz records re-write the history of Black Britain, Black London and of 20th Century SOUL R&B.

Acid Jazz records and Jamiroquai have both locked down their pages to prevent their lies being changed. Better to indoctrinate the global masses into believing they are responsible for Soul Music of the 20th Century. In the case of the Acid Jazz page they have totally written Black British Soul of the 20th Century out of history. They then claim that Gilles Peterson invented a music genre called Acid Jazz which according to them spread across the world thanks to two promoters. Mr Knowles claims that ..“Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”

However he can’t tell you what it is and won’t answer questions. Meanwhile Anonymous Americans guarding Eddie Pillars lies delete comments, delete profiles, ignore warnings and carry rewriting the history of Black London regardless. So basically someone who by his own admission wasn’t around in the 1980’s is writing the history of 1980’s London and this appears to back him up. He then said this…“Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”… He’s never heard of Chris Hill, Robbie Vincent, Froggy, Caister or the Goldmine!

Please Scroll down for Part 9

IN PART TEN

10.) Ask the 1980’s London SOULHEAD journalists…..

Ask 1980’s Black British and AUTHENTIC Soul music journalists if anyone here credits a DJ most have never heard of with a Black music genre called “acid jazz” .  Ask them if they think Gilles Peterson is responsible for  70’s Jazz Funk, Mid to late 80’s New Jack Swing and 1990’s Neo Soul among the other styles of Black music Eddie Pillar and the Jamiroquai acid jazz cabal claim ownership of. And I say the 1970’s/1980’s Journalists. Not the new millenial so called music writers who think FUNK is called acid jazz because they read it on wikipedia. There are many.

So lets go and reclaim THE FUNK from those cultural thieves who have infiltrated what we called THE GROOVE are desperate to STEAL it and take credit for it. 

PART ONE

1.) Ask them to NAME A SINGLE SO CALLED ACID JAZZ TRACK..the conversation will end.

Acid jazz is a record label it is not a Genre/Sub genre or style of Jazz.

It does not exist. Ask them to name a track they cannot.

I am not asking anyone. I’m point blank telling you.

There is no such thing as a Black music genre called acid jazz

Author Kwabena Nkwatia

Really to debunk the acid jazz lie you only need one thing. Ask them to actually name a track that belongs to this imaginary genre. They can’t because there isn’t one. Fooling the kids of the 1990’s and New Millennial youngsters on the various sounds of R&B is one thing. You are not however going to fool authentic 1970’s/1980’s Jazzfunkateers either here in the U.K, American, Canada or anywhere else on our own sound. When you’re used to deceiving people, obfuscating and generally through your teeth you think you can do it on all subjects.

Music is completely different. You cannot fool people on Music because they can hear it! If it sounds like Bossa Nova then it’s Bossa Nova. If it sounds like James Brown and Parliament Funkadelic then it’s James Brown and Parliament Funkadelic. You can tell me that a track like Whatever it is i just can’t stop (Jamiroquai) is acid jazz all you like but if you know James Brown and Redd Hot Mama by Parliament then you are not going to fool anyone. You can tell me all the Stevie Wonder rip offs on Jamiroquai albums are acid jazz all you like. But we know Stevie Wonder is SOUL/R&B. And Jay Kay and Gilles Peterson are not responsible for the sound of Stevie Wonder.

We know what all these sounds are on so called acid jazz compilations because we grew up with them in the 50’s, 60’s, 70’s and 80’s! 1970’s Funksters recognized all the sounds on Jamiroquai albums even if mainstream so called music writers didn’t. THE SOULHEAD TALES proves that. They were playing Rare Groove not a magical non existent musical genre called acid jazz invented by a London pub DJ. Any 1970s/1980’s Disco era Funkster can tell you that and so can many of the 1990’s generation who knew what they were listening to. Knew Roy Ayers, Donald Byrd , Johnny Hammond and the Mizzel Brothers sound. There is nothing called acid jazz, no genre, no sub-genre, no style of funk, no nothing. There never was. It was a cultural appropriation from day one.

There is no sound called acid jazz because Acid Jazz is a record Label. It is not a music genre. Now if the word Acid Jazz is synonymous with Black American SOUL in some quarters then thats because of Eddie Pillars false marketing of FUNK. And of course the rubbish that they have written on Wikipedia. Ask Gilles Peterson or indeed anyone else who claims that Acid Jazz is a music genre from here in the U.K to name a track belonging to this so-called genre. They can’t because there isn’t one and neither Eddie Pillar, Gilles Peterson or anyone connected with acid jazz records is going to fool anyone on the Good Groove. We authentic U.K 1970’s/1980’s Jazz Funkateers & Funksters (Soulheads) know the Funk. In the 1980’s when American bands flooded the U.K they always praised us for our knowledge and dedication to the Groove. Watch a few videos of Solid Soul or the U.K version of Soultrain in the 1980s. We FUNK. The Real Thing, Cymande, Osibisa, Hot Chocolate, Delegation, The Olympic Runners and more proved it in the 1970’s.

Hi Tension, Junior Giscombe, Imagination, Linx, Light of the World, Shakatak, Central Line, Second Image, Level 42, Loose Ends, Simply Red, Five Star, Billy Ocean, Omar, Jaki Graham Soul to Soul and many others proved it in the 1980’s. No one over here will claims ownership of James Brown or any style of Black American SOUL except for acid jazz records. The Americans always lead the way. We followed. And no authentic 70’s/80’s British Soulhead will tell you any different. It’s 1990’s British so called music writers who weren’t around in the era and don’t know what Jazz Funk and Soul is who think the likes of Jamiroquai play a genre called acid jazz. The rubbish you see written below was written by Jamiroquai band members who had taken over the page and were deleting comments.

Most of these mainstream so called “music experts” know little or nothing about the FUNK. Compare their reviews of Jamiroquai albums to THE SOULHEAD TALES and you will see what I mean. And the Authentic Disco era kids of the London Soulhead crowd are still here as you will see later on in this document. We know all the sounds of SOUL/R&B in the 20th Century and there is no such thing as a Black music genre called acid jazz. No such genre was invented in this City during the 1980s or at any time. And you will find no reference to any such genre in any Black Music publication of the 1980’s when they claim Gilles Peterson invented this so called genre. If you claim there is then tell me/Us exactly what it is. Rare Groove is 1970’s FUNK it is not a music genre called acid jazz just because Acid Jazz records print the words This is acid jazz on the cover of SOUL/R&B compilations.

“Gilles Peterson often credited with originating the genre”What genre, and SAYS WHO?

And it should be noted that Jamiroquai are NOT playing British Soul regardless of the fact that they seem to be prominent when you run a search for Brit Funk. They are mostly retreads of American Rare Groove and Disco era Funk. They are NOT Brit Funk. They were a Rare Groove band. Playing 70’s Funk. BRIT-FUNK was in the Disco and Post Disco era. Authentic U.K Soulheads do not consider Jamiroquai to be Brit Funk. That’s because we know who Stevie Wonder, Earth Wind and Fire, Kool and the Gang, Pleasure, Roy Ayers, George Duke, Patrice Rushen and all the other American acts and bands they Plagiarized are. We went to their concerts in the 80’s. No 1970’s/1980’s U.K Funkster will tell you that Jamiroquai play British Soul. I will tell you exactly what they play on the SOULHEAD TALES.

GILLES PETERSON RECLASSIFYING THE LEGACY OF JAMES BROWN?

“Gilles Peterson often credited with originating the genre”WHAT GENRE—-SAYS WHO?

Acid jazz the black music genre for which Gilles Peterson is “often credited” according to the their gatekeepers on Wikipedia. They don’t say who credits him with 60 years of Black music………because nobody does, but hey…!

Rare Groove is not a Black music genre invented here in Mid 1980’s London by Gilles Peterson. He had nothing to do with anything. He was just one of many thousands of London SOUL DJ’s. I will show you the real big names in the London Soul Underground later. Rare Groove was the return of the old sound we grew up with as kids in the 1970’s when people started to get fed up with Electro-Funk around 1984/85. That’s when you started hearing Jazz Funk, Two step and even late 60’s MOTOWN again. Then you heard bands like the Pasedenas start bringing back doo-wop and the old Mizzel Bros sound of the 1970’s. Acid Jazz records unheard of until the mid 1990’s had NOTHING to do with anything. As Blues and Soul Magazine can confirm.

100% Acid Jazz?! Says Who, This is FUNK.

Straight Chasing classic hits they claim. Classic? Yeah classic 1970’s/1980’s Funk, Brit Funk, Rare Groove, Neo Soul and so on. So how is this 100% Acid jazz? It isn’t. There is no such thing as Black music genre called Acid jazz. Acid Jazz is Eddie Pillar printing this is “acid Jazz”, on Black Music compilations because he thinks people are too fucking stupid to know what all these sounds are.So above you see a prime example of the disinformation/Fraudulent mis-labelling of Rare Groove Eddie Pillar and his mob started putting out in the 1990’s. You can tell they had a plan.. Now lets take a look at  some of the bands who are playing Gilles Peterson’s “Black music genre” shall we….so above we have a SOUL compilation.

It looks like it comes from the Early to mid 90’s judging by who’s on it. That mix Is basically Neo Soul and Rare Groove /Jazz Funk. Ronny Jordan was a London Soulboy from my era who was around in the 80’s so he’s Brit Funk, Carleen Anderson is connected to the REAL Godfather of Soul James Brown. Her sound was based off the likes of SOUL TO SOUL and Loose Ends, Incognito are also a Brit funk band playing Jazz Funk. They are also from my era, Tubbsy, Bluey and I think the Doobay twins formed the group in the first place when they split from light of the world. So ask yourself HOW? is that mix 100% Acid Jazz? Because Eddie Pillar says it is?

I level and Beggar and co also came out of Light of the World. Brand New heavies were also playing the Brit Funk/ Rare Groove sound started by the Passedenas and Soul to Soul. Blues and soul magazine a Legitimate source for Black music unlike the rubbish written by Eddie Pillars mob on Wikipedia CORRECTLY describe them as such. And as for Jamiroquai well you know where they stole all their music from and it’s Rare groove.

So THE QUESTION IS….Exactly how is Gilles Peterson responsible for these sounds? How are they 100% Acid Jazz.

LIES! On Everipedia. Eddie Pillars International Lie machine are posting their disinformation all across the Internet trying to push the Idea that Acid Jazz is a Musical Genre IT IS NOT!

So apparently Gilles Petersons imaginary genre has two names Acid Jazz and Club Jazz

Acid Jazz known as Club Jazz? SAY’S WHO?!

I was in the nightclubs of London all during the 1980’s. I know all the sounds of the 1980’s as well as the 1970’s and I never heard the word Club Jazz used in connection with any style of Black Music. You will find no mention of any such genre in any Black Music publication of the era either jsust as you will find no mention of anything called acid jazz. As you can see they claim that this non existent so called genre apparently invented by Gilles Peterson spread to the U.S, Japan, Eastern Europe and so on. Nothing called Acid jazz originated in the Rare groove movement if you can call it that. I was there. So where hundreds of thousands of us. And unluckily for the writers of this rubbish as you will see below so was Blues and Soul Magazine. This is an out and out lie.

BLACK AMERICA BEWARE. YOUR MUSIC IS BEING RE-CLASSIFIED

Below: A search for Acid Jazz reveals the extent of their cultural appropriation. Just look at all these compilations Fraudulently labelled as Acid Jazz. It is a systematic re-classification of Funk, Jazz Funk, Jazz Hip Hop, New Jack Swing, Neo Soul, Rare Groove, Bossa Nova, Samba and so on as “Acid Jazz” which they Acid Jazz records claim is was invented here in London in 1988. It is a total lie. It’s Cultural appropriation and an attempt to steal the Legacy of Soul Music

JAZZ FUNK AND SOUL BEING SYSTEMATICALLY RE-CLASSIFIED BY EDDIE PILLAR

So according to Infiltrators of Black culture Acid Jazz records the following styles of Black music are called acid Jazz and were invented here in London in 1988 by Gilles Peterson. Even though some of this music is from the 1950’s, 1960’s, 1978’s and 1980’s before Acid Jazz records even existed. These are some of the sounds they claim as so called “Acid Jazz”……

Classic 1950’s and 1960’s Black American Soul/R&B,  1950’s and 1960’s Blue Note Jazz Funk,  MOTOWN, Doo-wop ect and then Jazz, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, the Time, Jesse Johnson, Morris Day, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, Freestyle and all the other sub genres of Black American Soul Latin and South American Bossa Nova, Salsa, Samba, Calypso and all the other sub genres of Latin American Soul.

AND OF COURSE NEW JACK SWING AND NEO SOUL!

Two styles of FUNK which alongside Jazz Funk was apparently (According to the BS they have written on Wikipedia) once classified as a music genre called acid Jazz invented by Gilles Peterson. Late 1980’s New Jack Swing and 1990’s Neo Soul are the final stages in FUNK. They are American sounds and Acid Jazz records created here in London in 1988 has absolutely nothing to do with any style of British Soul let alone that which the Americans created.see below..

See what they did there! It became so indistinct as a genre and is now so entwined that no one can pick it apart form other styles of FUNK. nice try! But Jazz Funk was invented in the mid to late 1960’s and the early 1970’s by the likes of Miles Davis, Herbie Hancock , The Mizell Brothers, Donald Byrd and such like. Acid jazz records was created in 1988! Jazz rap was invented a decade later in the late 1970’s and early 1980’s by the likes of Miles Davis, Tom Browne, Bernard Wright and others. Its the NY Queens sound. Acid Jazz records was created in 1988! But oh yeah sorry. I forgot the acid jazz Time Machine. And one things for sure no one in the U.K or in America called Bobby Brown, Janet Jackson or the Jimmy Jam and Terry Lewis sound of the late 80’s and early 1990’s Acid Jazz invented by Gilles Peterson! See if you can find any band on Soul Train ever being defined as an “acid jazz band” Total and utter Bollocks!

But wait! There’s more! Not only does Gilles Peterson have a Time Machine he’s also a SOUL STAR! Oh yes as according to Wikipedia he’s a “Notable artist” of this acid jazz genre that he invented!

On Wikipedia they claim all these, Jazz, Jazz Funk, Rare Groove, Latin Jazz, Neo Soul, New Jack swing bands are “Notable Acid Jazz” bands playing a genre invented by Gilles Peterson and as you will see below The Godfather features in this list!

Strangely I don’t remember anyone called Giles Peterson on Soul Train, or in the Soul charts on either side of the Atlantic and neither do I remember hearing any songs by a DJ called Giles Peterson on Mainstream or on Pirate radio. I don’t remember any interviews in any magazine featuring a DJ who invented Jazz Funk, James Brown or Stevie Wonder either. Maybe acid jazz records can enlighten you.

Why not ask “the godfather ” of Black music and Black Britain HIMSELF…GILLES PETERSON

WHAT A LOAD OF COMPLETE BOLLOCKS

So all British bands who conquered America in the 1980’s and made our sound famous all over the Planet never existed according to Eddie Pillar Gilles, Peterson and Acid Jazz records. British Soul started when Gilles Peterson invented Acid jazz which spread to America thanks to Jamiroquai, The Brand new Heavies and Incognito…..

So Below lets remind ourselves of the Acid Jazz Time Machine!

Well it does say Legends of Acid Jazz doesn’t it? Apparently Gilles Peterson invented this Imaginary genre. So by definition that means the likes of Jack Mc Duff, Shirley Scott, Idris Muhammed, Boogaloo Joe Jones and people like Johnny Hammond are playing Gilles Peterson’s Acid jazz genre genre! These people are relying on disinformation confusion, smoke and mirrors lies and obfuscation in a cynical attempt to steal someone else’s culture. You cannot confuse Funksters on Black Music. We know what these sounds are. So it’s simple.….

NAME A SO CALLED ACID JAZZ TRACK OR SOUND INVENTED BY GILLES PETERSON

So, Ask Eddie Pillar, Gilles Peterson or any so called Music Journalist, Writer, DJ, Record producer, Music scholar or what ever fancy title they cook up to call themselves to Name an Acid Jazz track. I will tell you now that they cannot. And that’s because Acid Jazz is a record Label. It is not and never was a Music genre. It was never a Genre, a sub genre or a style of Jazz, Funk, Soul or South American so called Latin. It does not exist and anyone who tells you it does is either a liar, knows nothing about the FUNK, has read it on the Internet or is part of their cultural appropriation crowd. A group of people in many contries all colluding in the way globalist Serpents do

PART TWO

Blues and Soul Magazine

THE BLACK MUSIC ARCHIVE THESE CULTURAL THIEVES CANNOT DELETE!

Regardless of what New Millenial HISTORY REVISIONIST so called “Music Journalists write.

Oh dear Rewriting history are we? Forgot about 1980’s Blues and Soul, Black Echoes, Jet, Ebony and all the others didn’t we Gilles Peterson and Eddie Pillar?

BLUES AND SOUL -THE ACID JAZZ 511 (1988)

NOW TRY AND GET OUT OF THIS ONE!

Erase the History of FUNK will you Acid Jazz records?

Forty odd years on below are some of my copies of Blues and Soul, Of Course I still have my copies what else would you expect from an AUTHENTIC Soulhead. I bought the magazine religiously like all Funskters they are a prized possession, though I never knew they would one day help me save The FUNK!

My stash of Blues and Soul mags covers the post Disco Era and all through the 1980’s. This is the time period in which the Acid Jazz International Internet lie machine claims this non existent genre was created. Came out of London in the mud 1980s as they claim on Wikipedia. That is strange because I was there and I don;t remember it, And nither does Blues and Soul magazine.

B&S DEFEATS THE ACID JAZZ GENRE BS!

Ah, good old Blues and Soul magazine! Our Savior back then and ultimately our savior now. Savior from the acid jazz records and the Gilles Peterson/Eddie Pillar cultural appropriation history revisionist Internet lie machine. Now whilst they are good at deleting things on the Internet, on Wikipedia and Music Banter to preserve the generational lie/myth they are trying to create, there is one thing they cannot do. And that is get hold of every single copy of Blues and Soul sold in the 1980’s and re-edit it!

B&S was the Funksters Bible of the era (70’s/80’s). It was the only way we knew what was happening in the Funk World before the days of the internet. You would see little or nothing in the Lame-steam music press. Blues and Soul was how our Community kept together. How we knew who was coming on tour, what was in the Soul charts and what clubs were playing what. This is where we kept abreast of what was happening not only in London but in The Funk underground of the U.K. I remember opening up my fresh new copy and seeing the likes of Central Line and Junior ridding high in the U.S  charts and thinking WOW! the Yanks actually know our bands. The album reviews would tell us about the new releases and it was really the only way we could read Interviews with our favorite stars and find out what they were up to. Hear their opinions, hear about their albums and their tour dates. Nowadays of course you can just go onto social media. That was over 20 years away and would have been unimaginable to us at the time. Now nearly 40 years later Eddie Pillar and Acid Jazz records would have you believe that no one over here knew anything about SOUL until Invicta FM DJ Gilles Peterson came along in 1988 and invented Jazz Funk and Soul!

In the late 80-‘s we knew the Americans loved our sound because of SOUL TO SOUL and LOOSE ENDS. (People Eddie Pillar and his crowd are trying to wipe from history and replace with FRAUDS Jamiroquai) but in the early 1980’s we didn’t have clue the Americans were watching us and it wasn’t until the advent of the Internet and seeing the comments on youtube that I and other old time Funksters realized how much the Americans love the British sound. Recently Google the modern Day book burners have began to wipe out comments on Music videos thus wiping out the memories of Millions of not just Funksters but Music lover all over the Planet.

So It goes without saying that If you want to know the TRUE story of FUNK and of Black music In the 1970’s and the 1980’s and not the BS that these cultural thieves have written on their FAKE NEWS Wikipedia page then Blues and Soul will tell you all about it. I don’t remember reading about any music genre invented in the mid 1980’s by Gilles Peterson. I don’t remember any so called acid jazz movement in the 1980’s. In fact most people didn’t even know who they were until the mid 1990’s. The first time I personally heard of acid jazz records was in 1999. Anyone who tells you that Acid Jazz records had anything to do with anything in the 1980’s Soul Underground then they either weren’t there or they are a liar

If this so-called acid jazz genre existed in our City and in Black Britain as Californian Americans on Wikipedia , South Africans, Germans and Eastern Europeans are telling us, well then there has to be a mention of it in Blues and Soul. And as I said above In no issue of Blues and Soul or in any Black music publication of the era 70’s/80’s will you find any mention of a Black music genre called “acid jazz” being invented here in London, in the mid 1980’s or at any time in the 20th Century by a Pirate radio DJ or by anyone else. Guaranteed. So you don’t have to take my word for it, consult the unchallenged authority on FUNK. Blues and Soul magazine. The Black music history archive Eddie Pillars mob can’t delete!

Acid jazz records and Jamiroquai have censored websites, infiltrated forums like Prince.Org and others to post music they claim is “the influences of Jamiroquai” when those sounds have nothing to do with the music they stole. They have flooded just about every music website dealing with Jazz and Black music with their FAKE NEWS acid jazz spiel all crediting Gilles Peterson with having  invented a Black music genre in London in 1988. They have resorted to hacking, abuse, trolling and murder threats, tried to wipe this site from the search engines to steal from others and keep things. They have tried everything and have failed.

So yeah, these are some of my copies covering the period for which acid jazz records falsely claim on Wikipedia that there was a music genre was invented called acid jazz here in London in the mid 80’s. That is a lie. It is a total fabrication of the truth and a gross misrepresentation of what took place in the London FUNK underground. Anyone who was there will testify to this fact. And so will Blues and Soul magazine.

In no issue of Blues and Soul or in any Black music publication will you find any mention of a Black music genre called “acid jazz” being invented here in London, in the mid 1980’s or at any time in the 20th Century by a Pirate radio DJ or anyone else. You will find no reference to any so called “Acid Jazz” genre in any Record Review or Club report. You will find no so called “Acid Jazz” bands in any Soul Chart of the 1980’s either.

(Number 511)

THE BLUES AND SOUL ISSUE THAT DESTROYS THE LIES OF EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS.

Well, every Blues and Soul magazine and other 1980’s soul magazines like Black Echoes will destroy the lie but this one is the most important. Do you think you’re going to find any reference to an unknown pub DJ called Giles Peterson having invented Jazz, Funk and Soul in the 1980’s or any style of Black music in mid 1980’s London? No I know you don’t. There is a tiny little box in this 1988 issue which states that a record company has been formed called acid jazz. I had to search really hard to find it. That’s 1988 when the Pasedenas Soul to Soul, Loose Ends, Omar and all the other late 80’s sounds of Black London acid jazz records credit Gilles Peterson with was ALREADY well established.

Soooo….If a pub DJ called Giles Peterson invented a Black music genre here in London England then there has to be some of mention of it in Blues and Soul, but You won’t find any mention of it because it’s a load of rubbish. I honestly don’t think they thought of that when trying to concoct their disinformation pack of lies on Wikipedia and on their website. Funnily enough The Pasadena’s were on the front cover of the same issue that announced the creation of a small independent record company called acid jazz. This was when they (The Pasadenas) were riding high in the national charts and the Soul charts with Tribute. A TRIBUTE to the African American sound that we grew up with in the 1960’s and 1970’s.….

PASADENAS. These boys grew up with the Black American sound in the 60’s/70’s as we all did. NO ONE here in England is responsible for any of the Black American sounds Eddie Pillar. Gilles Peterson and their crowd are printing “this is acid jazz” on CD mixes.

NOTE THAT WORD-TRIBUTE IT DOES NOT SAY “ACID JAZZ”. AS THERE IS NO SUCH GENRE. AND REMEMBER THIS SOUND IS NOW BEING CLAIMED AS ACID JAZZ

IN THE U.K WE PAY TRIBUTE TO THE AMERICANS WE ALWAYS HAVE. WE NEVER WOULD EVER CLAIM OWNERSHIP OF ANY OF THESE SOUNDS.

When I saw the date this company acid jazz was created I checked through my copies of B&S to see if I could find any mention of it and, hey presto. I didn’t see it at the time. Now Acid jazz records are trying to claim that they were relevant in the mid 1980’s and that there was an “acid jazz” movement  at the time. There was not. No one had even heard of them till the mid 1990’s and even then it was only the youngsters of the era.  Anyhow, here’s the issue where a new record label called acid jazz is announced. So… if Gilles Peterson had invented this acid jazz genre in the mid 1980’s as acid jazz records claim he did then you would expect the charts to be full of this Black music genre invented by Gilles Peterson now wouldn’t you. You will find no such thing.

You can see plenty of acid House, can you see any acid jazz? NO. And why do you think that is. So it seems that Gilles Peterson and Eddie Pillar decided they were going to reclassify Rare Groove as Acid Jazz then claim they invented a new Black music genre.

The Pasadenas Tribute was in the groove of the Rance Allen groups Peace of Mind (1977). Its the Mizzel Brothers groove though it leaves out the type of transcendental Harmonies they included in their sounds. Feel the Groove of (Peace of mind) and that chorus. Feel the end of NR Time Mizzel Story the groove of Johnny Hammond’s GEARS album. I digress and anyhow I will give you plenty of Schooling in the grooves and sounds of 70’s/80’s FUNK in THE SOULHEAD TALES (Jamiroquai Plagiarism).

Now this (The Mizzel Brothers sound) is one of the sounds they claim is called acid jazz even though it comes from 1970’s Black America. Like all the sounds that appear on their compilations…. Again we invented NO style of Jazz, Funk or soul here in the U.K. except the digital genres of  Drum and Bass then Dubstep which were around in the late 80’s though they didn’t break ground until the 90’s . And as I say elsewhere we can’t claim complete ownership of all those grooves as the speeded up drumbeats came from 1960’s America, other stuff came from the reggae dub we grew up with in the 60’s and 70’s and Dubstep is basically slowed down Electro Funk which goes back to Stevie’s early 1970’s keyboard and to late 70’s Parliament, Gap Band and the likes. So the idea that a London record company claims on Wikipedia that Peterson invented Jazz Funk is bloody ridiculous. Look below. There is a clearer close up copy after that. I included this first one to show just how small this announcement was in Blues and Soul. A tiny little column down at the corner of the page announcing the creation of a record label.

Below is a close up version. And as you read this tiny little advert that no one saw remember that on Wikipedia The Acid Jazz disinformation crowd are claiming that this so called fake acid jazz genre emerged in mid 1980’s London. so surely by now 1988 it should be all the rage!

B&S  issue 511-Acid Jazz records is formed by Gilles Peterson….1988!

Well, So much for the Pillar /Peterson fake news Wikipedia page!

This is what it says……”Jazz DJ and broadcaster has set up a new independent record label called acid jazz. And his first release scheduled for the beginning of June is a single from young North London poet Roberto Galliano.”…This is 1988! So they claim that acid jazz was a thing in the mid 1980’s, yet the first mention of anything called acid jazz is in 1988! This is what happens when you lie through your teeth without bothering to take into consideration the Black music publications of the era none of which have heard of acid jazz and their version of Black music history.

NO Acid Jazz was NOT a sub-genre of Jazz or of Funk.

And if they ever try to claim that Acid jazz was any type of sub genre then now you already know who to debunk that BS with the Soul charts and the magazines of the era. None of whom will mention any subgenre called acid jazz. We had Jazz charts in Blues and Soul and you will find no acid jazz chart in any Blues and Soul issue. The fact that some infiltrator DJ may have decided he was some how qualified to re-classify, rename and take ownership of The sound of Miles Davis and the Mizzel brothers does not constitute the existence of a music genre.

Acid House was a groove “acid jazz” was NOT

On Wikipedia they claim that acid jazz is a Black music genre invented by Gilles Peterson which came out of this City in the mid 1980’s. They don’t name a single track which belongs to this genre because there isn’t one. Ask them to define it, name a track and show any reference to it in any Black music publication. They can’t. They claim on their that acid jazz was a play on acid House. Well maybe the name of the record company was a play on the Acid Hose but there was NEVER a genre called acid jazz. Acid House was a groove. It was the “The House that Jack built”. I know what acid House is. I heard it start from the early 1980’s. I heard it in the post Disco era 1981/82 on pirate radio. I remember folks complaining that this isn’t Soul. It was basically the Disco Kick smack full of samples.

I heard what they called Acid House develop get bigger and then break away around 86/87 at the time of New Jack Swing. I was right there. You couldn’t miss it. You couldn’t walk anywhere without some idiot mate or work colleague screaming “Aciiiied!” in your ear. (D-MOB We call it Acid) I’m not reading it from a book I was there. We all know what acid House was and is. As I say it was really just the Disco beat updated to suit the time period. There however was no such thing as a music genre invented by Gilles Peterson called acid jazz. What sound did he invent? I understand that he was trying to push this BS What hits did he have? At the time 1987/88 Retro 70’s FUNK was called Rare Groove by some people or just Old Skool.  It’s not a music genre called acid jazz, there is no such thing, we never used the term “acid jazz” to refer to The FUNK. EVER.

What the likes Gilles Peterson decided he was going to call Jazz Funk is irrelevant. He has no say in anything. Who does he think he is ? Now some 1990’s kids think Funk is called acid jazz thanks to their (ACID JAZZ RECORDS) cynical marketing campaign, still in existence as I write these words and their Fake news Wikipedia page that they have most contemptuously refused to delete of amend. instead employing New world order trolls to keep the page of lies up so they can culturally appropriate FUNK.

If there was a new sound around at the time then it was created by The likes of The Pasadenas. And there was nothing new about it either and that is why they called it TRIBUTE.. People bringing back the old sound of 70’s FUNK. The only peole who claim this is a genre are Pillar and Peterson and they had jack shit to do with any sound here in London. They are not relevant.

And speaking of the Pasadenas, well here they are on the front page of the Issue which announces the creation of Acid Jazz records!In this same issue of Blues and Soul 1988 the then little known Brand New heavies are correctly referred to as playing Rare Groove similar to Soul to Soul. They too were around before acid jazz records were created.

The Pasadenas On The Front Cover

If you’re too young to remember the Pasadenas then go take a listen to the track called TRIBUTE. You will note that this 70’s post Motown/mid 70’s FUNK sound is one of the many styles of FUNK acid jazz records claim credit for. This was in 1988 and it’s the late 80’s Rare Groove/ Brit Funk sound. That is British bands adding the old school Funk sound to their groove. 1970’s/1970’s Drumbeats abounded in this era and there was a lot of sampling.

Rare Groove and Bossa nova….(which means retro 70’s Funk and Latin two-step).

Back in the day if you had connections and were a DJ or got on the good side of People like Morgan Kahn you could be asked to front music compilations. Street sounds became famous in the early 80’s thanks to their Electrofunk albums which introduced us to the new sound of the early 1980’s. And who do we have on the same page? Well by remarkable coincidence it’s a DJ called Giles Peterson. with a compilation called Jazz juice 8. Wait a min? Shouldnt it be called something like “acid Jazz” juice?

I thought you (Acid Jazz records) claimed that this sp called acid jazz genre was around in 1980’s London? Even though you bever told us what an acid jazz track was. Rare Jazz and Bossa Nova Grooves? Strange it isn’t called acid jazz isn’t it? Remember acid jazz records (and nobody else) claim that Giles Peterson invented a music genre called acid jazz in the mid 1980’s. This is 1988. So why is the Street sounds compilation not called “acid jazz? ” Where are all the chart listings featuring this Black music genre invented by Gilles Peterson that none of us have ever heard of? You won’t find any reference to anything called acid jazz. Why?…

BECAUSE THEY ARE LYING. THERE WAS NO SUCH THING AS ACID JAZZ IN THE 1980’s. THAT’S WHY!

It was the “The House that Jack built” but where’s this so called acid jazz genre?

So acid jazz records, as I mentioned above are trying to claim that this so-called genre for which they can’t name a single track was “invented” at the same time that acid house was really taking off in 1988. Total and absolute rubbish. House was a different sound and the House crowd gradually became separate from us Funksters. Just like the hip hop crowd who finally split away around the same time. Hip Hop almost died out in the mid 80’s as anyone who was actually jamming in the clubs will tell you. It wasn’t until Public Enemy, NWA and the like came along a bit later that Hip hop started to become a thing.

I know what House is and all the beats on which it was based. For example Music is the Answer by (Colonel Abraham) became a House beat. The drumbeat to Oh sheila (Ready for the World) became one too. That groove late became classified as a “garage” beat. Some of the James Brown drum patterns which were being heavily sampled at the time became what they called Freestyle. Others became New Jack swing beats, like I wanna by (Keith Sweat). That comes from (Get on the good foot) Bobby Byrd’s Drumbeats from Hot pants was in the background of many New Jack Swing tracks. I know them all, I know where all the beats came from because I remember them the first time around in the 1960’s, 1970’s and early 1980’s. Go take a listen to (Think) by James Brown and Lynn Collins hear the bridge. This is the Classic sound of James Brown and Black America Eddie Pillar and his crowd claim ownership of. None of this stuff comes from England. Acid House was a particular groove. Much of it as I have already stated was basically the old disco “kick smack” beat. It’s just updated disco era beat with samples.

Morgan Khan, Another hero of the day you don’t hear much about

Morgan is still around. He made a major contribution to our Youth. Breakdancers learned all about the new Electro bands from his compilations. He knows more than a bit about the London Funk scene. He was the man behind Street Sounds. See if he can shed any light on this so-called acid jazz “genre” that Foreign New millennial music journalists believe exists because they read it on the Internet and on a fake news Wikipedia page. 

See if you can find any Street sounds “Acid jazz” collections in the 1980’s!.

THE BLUES AND SOUL CHARTS OF THE 1980’s

There is also nothing that Eddie Pillar Gilles Peterson and their International Cabal can do to re0write the Black Music charts of the 1980’s either. You will find no mention of this fake genre.

SO WHERE ARE THE ACID JAZZ CHARTS AND WHO ARE THESE 1980’s “ACID JAZZ” BANDS THAT NONE OF US WHO WERE ACTUALLY THERE HAVE EVER HEARD OF?

SO WHERE ARE THE “ACID JAZZ” BANDS ON U.K SOULTRAIN?

On Wikipedia they claim bands were apparently classified as Acid jazz in the 1980’s. So it’s strange that there is not a single mention of this in any Black Publication of the era isn’t it

We had our own Soul Train in the U.K back in the day. So see if you can find any mention of this non existent music genre called acid jazz. See if you can find a band categorized as a so called “acid jazz” band playing a music genre invented by Gilles Peterson, If this so called genre came out of London England in the mid 1980’s and Jazz Funk bands were defined as “Acid Jazz”then why is ther no mention of it?

Princess on U.K SOULTRAIN 620- See if you can hear any mention of this “Acid jazz” genre they claim existed in mid 1980’s London. See if you can find a band “defined as acid jazz” (as Eddie Pillar Gilles Peterson and his mob claim on Wikipedia) or on any Black Music U.K T.V show such as Solid Soul or Soul Train 620!

WHERE ARE THE “ACID JAZZ” BANDS ON SOULTRAIN?

WHERE ARE THE “ACID JAZZ” SONG REVIEWS FROM THE 80’s? WHO ARE THESE IMAGINARY “ACID JAZZ” SINGERS OF THE 1980’S?…PLAYING THIS SO CALLED ACID JAZZ GENRE INVENTED BY GILLES PETERSON HERE IN LONDON?….

ANSWER THE QUESTION ACID JAZZ RECORDS!

Lets see if we can find an “acid jazz “chart in the 1980’s as they acid jazz records claim on Wikipedia. With bands playing Gilles Peterson’s imaginary genre.

We come to the charts. Something else they can’t tamper with. So ask them to show you an “acid jazz” chart from the 1980’s or any mention of this “genre” That Czech’s, Dutch, Swedes, Poles and American Zionists claim came out of Black Britain in the mid 1980’s. Remember they are the ones claiming they invented a Black music genre in London..NOT US.  We acknowledge no such genre. The Jamiroquai acid jazz cabal claim acid jazz is a music genre. Not Authentic 70’s/80’s Funksters. 

SEE IF YOU CAN FIND A CHART FEATURING GILLES PETERSON’S GENRE IN ANY 1980’s BLUES AND SOUL MAGAZINE OF THE 1980’s

Ask them to show you a single or album review of a band playing this “acid jazz” genre. Where are all these bands that they claim were classified as acid jazz in the 1980’s? They can’t alter the charts and neither can they alter all the reviews of the 1980’s. They can show no evidence for this so called genre anywhere and neither can they name a single acid jazz track. Thats because it didn’t exist and there weren’t any.

An “acid Jazz* Movement in the 1980’s!…..WHEN?,,,You aving a laugh?

On Wikipedia the Jamiroquai acid jazz cabal claim there was an acid jazz movement in mid 1980’s London, TOTAL BOLLOCKS No there was not. It was just a Rare Groove Movement not an acid jazz movement. And it wasn’t any major movemetn either. People still went to Mainstram Soul clubs. Ask them to show you a chart or listing from 80’s London which mentions this “acid jazz” genre or these supposed mid 80’s “acid jazz feeder movements” as they claim on Wikipedia. “feeder movements”!Thats 1990’s kid talk. These Eastern European, Americans and others trying to rewrite the history of Black Britain and of Black music were not there.

Not only do they have no understanding of Black music they have no understanding of Black Britain. That is not how we spoke in the 80’s… feeder movements?! There were no “feeder movements”.  Obviously you had to have been there to know that. I was, they were not. That is not how the London FUNK underground worked and we didn’t even use the word movements. We were Soul Patrols or Soul Tribes. Just like the Punks, and the New romantics we were a group of kids into a particular sound. 

There was only ONE Soul movement and that was The Jazzfunkateers aka The soulheads. I know because I was one of them. We were Soulboys and Soulgirls. We broke up around 1984/85 When the FUNK began to go mainstream. By then we were no longer an underground movement ans in the mid 1980’s our numbers swelled as more and more bandwagon jumpers infiltrated the FUNK. There was no such thing as an acid jazz bloody movement because there was no such thing as acid jazz. It did not and still does not exist.

We didn’t really even call Funk Rare Groove either.

I never used the term Rare Groove ever and nor did any fellow Soulhead I know. To us it was just FUNK. It wasn’t rare to us we already had all the records. We bought them in the 1970’s! Now a few years later Some Kids who were into FUNK in the 1990′ (Our kids and younger siblings), or musically educated Funksters called the FUNK Rare Groove. Only those who didn’t know what they were listening to called Funk “acid jazz.” And I’m not really blaming the kids of the 1990’s. Had I purchased a CD with the words 100% acid jazz on the cover and didn’t know what I was listening to then I could be forgiven for thinking that that’s what it was. Especially if I had read their fake news Wikipedia page which claims acid jazz is a music genre invented by Gilles Peterson.

Acid, Jazz? what type of Jazz is Acid supposed to be

Acid Jazz suggests some form of Jazz. So what exactly is this mysterious Black music genre invented by acid jazz records here in London? I’ve never heard of it. I know a bit about the FUNK. At least enough to de-construct every SOUL track Jamiroquai made and tell you were they took it from. I would love to know what it is Peterson was supposed to have invented and what particular sound he is credited for. Some Britfunk bands like Loose Ends and Shakatak had Jazzfunk tracks all through the synth Funk era on their albums. Is this what they claim is acid jazz? There were people like SADE, Ruby Turner and others doing the Jazz sound in London. Is this what they claim is “acid jazz” ? What about Light of The World? They were still playing Jazz funk through the 80’s, they reformed with the Jazz Funk collective, The Team and other incarnations featuring some of the boys from Central line. They even did a track with Alexander O’Neal which had the old Barkays/Isaac Hayes 70’s groove. Is that what they claim is a subgenre called acid jazz? Ask Gilles Peterson exactly what type of Jazz it is he supposedly invented. And where it features these hundreads of Mixes featuring his genre.

Ask Light of the Worls band members if they play a music genre invented in 1988 by Gilles Peterosn, Eddie Pillar and Acid jazz records!

I note people from the same Band (Incognito) are now referred to as an “acid jazz” band playing music invented by Gilles Peterson. The twins are still around so is Bluey. Maybe you can ask them which of their styles was invented by acid jazz records in 1988. How is Gilles Peterson, Eddie Pillar and acid jazz records responsible for their sound? Which one of their Herbie Hancock, Roy Ayres, George Duke sounds was invented by Gilles Peterson? Okay so what about the more commercialized Latin tinged jazz funk of bands like Matt Bianco or Curiosity kills the cat for example. Is that what they claim is called acid jazz? It Aint.

So come on what was this genre called acid jazz? Or maybe they are trying to suggest Gilles Peterson invented the  retro Jazz sounds of people like Coltrane that came back in the mid 80’s, tracks like A Love supreme by Will Downing a big hit in the London underground and on Tony Blackburns SOUL show. Wally Baddero Kiss of the Spider Woman? Jazz with a hint of Latin? Cameo were dabbling with Miles Davis on the Machismo album around that time. Are they saying that’s a sub-genre called acid jazz? What about the sound of Courtney Pine and the Jazz warriors? There were quite a few talented U.K Jazz bands doing the rounds at the time when Funk had become so watered down that people were looking for something “decent to listen to”. Ask people like Courtney Pine if he credits Acid Jazz records and Gilles Peterson with any style of Jazz.

Some other Black magazines of the 80’s they can’t tamper with unlike on the Internet. More evidence that these cultural thieves can’t delete!

BLACK ECHOES, EBONY, BLACK BEAT, & JET MAGAZINES 

See if you can find any reference to this “acid jazz”music genre invented here in London by acid jazz records in the mid 1980’s These people will do whatever they can to try and scrub the truth from the Internet.  They have steadfastly clung onto their fake news Wikipedia page even though they know it’s a complete lie. And they continue to re-classify Black  music as acid jazz even though they know it’s a complete lie.

All these magazines were sold on both sides of the Atlantic so don’t just stop at Blues and Soul. These were some of the other magazines catering to Funk fans. The Americans of course knew all our Big Bands in the late 80’s. Loose Ends, Soul to Soul etc. So if a Black music genre called acid jazz was invented over here in the 1980’s as acid jazz records are now claiming then there would be some reference to it in these magazines. Ask acid jazz records to show you where in Jet magazine, Black Echoes Magazine, Black Beat or any Black music publications of the era both British and American  it makes mention of this “acid jazz” music genre invented here in London. Job done end of conversation!

SO YOUNG BLACK AMERICA OF THE EARLY 21st CENTURY, AS I KEEP SAYING REMEMBER YOUR GREATEST ALLY AGAINST EDDIE PILLAR , ACID JAZZ RECORDS AND THEIR WORLD WIDE DISINFORMATION CAMPAIGN IS NOT JUST THE TESTIMONY OF AUTHENTIC U.K SOULHEADS LIKE ME BUT THE HISTORY ARCHIVE OF YOUR PARENTS.

PART THREE

3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound. According Infiltrator of Black Britain Eddie Pillar and his internet dis information lie machine, The British Soul invasion of the 1980’s never happened……

Well yes it did. An even worse for Eddie Pillar and Gilles Peterson and their International cabal they are still here! Below are some of the more famous Bands and acts who were known all over the world in the 1970’s/1980’s. These people apparently don’t exist in the universe of Eddie Pillar and Gilles Peterson who apparently think they speak for Black British Soul.

Above Jazzie B of Soul to Soul below bands and acts of the 1980’s British Funk invasion of America during the 1980’When the post Disco era ended in 1983 our sound became more Americanized as opposed to the classic Britfunk sound of the Disco/post disco era. However Shakatak and Level 42 and some of the boys from Light of the World kept the old sound doing in the1980’s through different collaborations.

The Chants with the Beatles and the real king of Rock and Roll Little Richard.

There is more information about these bands in AUTHENTIC BRITISH SOUL. According to what acid jazz records have written on Wikipedia and imply on their labeling and marketing. Gilles Peterson is responsible for the British sound of the late 1980’s. Contact the real creators and see if they agree. Please Click Below.

AUTHENTIC BRITISH SOUL

So above is what really happened. Below is Eddie Pillar, Gilles Peterson and Acid Jazz records version of Black British history and of Black London in the 1980’s

Eddie Pillars acid jazz lie machine on Wikipedia claims that Gilles Peterson invented this sound. Which they claim is (Acid Jazz) which reached America thanks the Brand New Heavies in 1990 and to someone called Jonathan Rudnick and someone called Maurice Bernstein. Heard of them? neither have I.

According to Wikipedia Maurice Bernstein and Johnathon Rudnick. Introduced Black America to…Stevie Wonder, Roy Ayers, Earth Wind And Fire, Jazz Funk and Soul, Sorry I mean Gilles Peterson’s acid jazz genre when this non existent genre broke into the mainstream thanks to Jamiroquai in the 1990’s.

So it then follows that according Infiltrator of Black Britain Eddie Pillar and his internet dis information lie machine, The British Soul invasion of the 1980’s never happened. Jazzie B does not exist. Loose Ends do not exist. Black Britain does not exist. And nither did Black American Soul of the 60’s/70’s/80’s. Americans were introduced to their own music which they claim is called “acid jazz” in the 1990’s by Jamiroquai! This is the level of deceit of the Jamiroquai acid jazz cabal.

THE FORGOTTEN MESSENGERS OF SOUL

BLACK AMERICAN SERVICEMEN INTRODUCED THIS NATION TO JAZZ AND SOUL DURING THE SECOND WORLD WAR WHEN STATIONED OVER HERE IN ENGLAND.

1950’s British kids like the Beatles, The Rolling Stones,The Animals and many others copied the Black American sound of the era. The Beatles were doing Motown cover and covers of James Brown back in the day. And  The Beatles didn’t invent the sound of Little Richard any more than Jamiroquai invented Stevie Wonder and Roy Ayres. ALL these sounds are Black American sounds regardless of what history revisionist write now or in the future. No band signed to acid jazz records invented any style of Soul.

Back in the 1970’s bands like. The Real thing known as The chants back in the 60’s, Cymande, Osibisa, Hot Chocolate, The Average White band, Delegation, The Olympic runners and more blazed the trail for British SOUL. Elton John and David Bowie both made it onto Soul train. And so did A.W.B The Likes of Osibisa and Cymande were well known to American Funksters. Great Britain is no stranger to SOUL MUSIC.

David Bowie on Soul Train back in the 1970’s. Thats what Brits know about FUNK

CYMANDE

CYMANDE ARE STILL AROUND

YOU WILL FIND MANY OF THE TYPES OF FUNK THESE GUYS LAID DOWN IN THE 1970’S CLAIMED AS “ACID JAZZ” AS IF THEY ARE RESPONSIBLE FOR ANYTHING

OSIBISA-As the Guardian said , Jimi Hendrix watched the rehears, Stevie Wonder joined them on drums. They jammed With Funkadelic and Mandrill back in the 1970’s.

And of course Acid Jazz records formed in 1988 claims they were responsible for the beggining of Black Music in England. None of these bands ever existed. And Speaking abouth Funkadelic apparently Cosmic Funk was invented by Jamiroquai in the 1990’s. Not that there is much cosmic Funk on any of their albums. What there is I will show you of course in THE SOULHEAD TALES. Written by one who used to listen to Osibisa, Funkadelic, Mandrill and all those World sound bands.

The Average White band, Bad boys of Scottish Funk also made it onto Soultrain.

Here’s Elton John on Soul train. You had to sell enough records and climb the Soul charts to appear on these programs. Elton John did that.

Hot Chocolate were also well known in America back in the day.

I’m showing you some of these famous bands of the 1970’s from this country to demonstrate just how silly this “We invented British Soul in the late 1980’s” by Acid Jazz records is. They invented nothing at any time. And I haven’t even got to my generation yet. The kids of the Disco era.

THE SOULHEADS.

This is OUR crowd.

London 1978 Brixton Soulheads Jammin’ to High Tension. People that 1990 infiltrators acid jazz records are trying to erase from history with their international disinformation campaign 

The raw homegrown Britfunk sounds starts with bands like Hi Tension, Olympic runners, Light of the World, Central Line, David Joseph, Linx, Level 42, Imagination, Shakatak, Second Image, Atmosfear, The Antillies and many more. It was in the mid to late 80’s when acts like Loose Ends, Five Star , Sahara, 52nd street, Sade, Total contrast and others many of whom had been around from the early 1980’s turned our own special brand of FUNK into worldwide phenomena. Junior Giscombe scored our first N01 With (Mama used to say)

Acid jazz records unheard of at the time had absolutely NOTHING to do with anything or any sound in London during the 1980’s and they played no part in Black Britain of the London Funk underground of the day. Nobody had even heard of them until the mid 1990’s. So ask any of these acts if the sound they created had anything to do with a DJ in 1987. Ask them if they have ever heard of a music genre called “acid jazz” invented here in London They are all on social media so just ask them or send them a link to this site.

You won’t find anyone in this audience who would have heard of Eddie Pillar or Gilles Peterson yet 30 years later they are claiming they are somehow relevant. They are not.

Loose Ends back from conquering America! Acid jazz records unheard of at the time had absolutely NOTHING to do with Black Britain or the creation of any sound in London during the 1980’s.. All they (Acid jazz) did was re-cycle 70’s FUNK in the 1990’s. Then claim they invented it.

LOOSE ENDS TOPPED THE US CHARTS DON’T EXIST ACCORDING TO EDDIE PILLAR

Above; The main event up in Manchester.

YOU CAN READ MORE ABOUT THE AUTHENTIC SOUL BANDS BEING WIPED FROM HISTORY BY EDDIE PILLAR GILLES PETERSON AND ACID JAZZ RECORDS HERE.

AUTHENTIC BRITISH SOUL

SO ON WIKIPEDIA THESE BANDS ARE REPLACED BY ACID JAZZ RECORDS SIGNINGS WHOM IT IS CLAIMED EXPORTED RARE GROOVE TO AMERICA! BELIVE NOTHING YOU READ ON THE ACID JAZZ RECORD WEBSITE, BELIVE NOTHING YOU READ ON THE INTERNET ABOOUT THIS FAKE GENRE EITHER. THESE PEOPLE HAVE NOTHING TO DO WITH BLACK BRITAIN, THEIR JOB IS TO DELETRE BLACK BRITAIN. THEY WON’T.

IN PART FOUR

4. Ask the 1980’s London Funk and Soul DJ’s of the era

[Greg, Robbie, Brownie or the Pirates]

If you were not around in the era or a foreign reader, these guys were/are familiar faces and or names to all London Funksters who actually lived the 1980s. They are all credible Authentic Soulboys, many of whom are still performing. These were some of the heroes of our youth in the 70’s and 80’s when there was so little funk on the radio.

Some have even been awarded M.B.E ‘s for their contribution to music and our FUNK community. You may even know some of them. So  see if you can find one of them who remembers a music genre called acid jazz invented by acid jazz records in the mid 1980’s or one who can actually tell you what it is.

1982 LONDON….Herbie Hancock, Donald Byrd, Tom Browne etc at the jazz festival

There are tons of old school 70’s/80’s SOULHEAD DJ’s still performing, Too many to mention and none of them will acknowledge a music genre invented in London called acid jazz. Back then, there was no Internet and hardly any FUNK on mainstream radio. You would read about a new single or album release in Blues and Soul/Black Echoes magazine, and then hope that Robbie or Greg would play it on their weekend London SOUL shows. You would sit there with your fingers poised on the record button of your cassette player and hope. Soulboy and girls used to have to tune in to foreign radio stations like Radio Luxembourg in order to experience the Funk. That’s how bad it was. Tony Prince is still a hero of mine and no doubt many other Funkster who sat in his bedroom desperate to feel the groove.

Greg Edwards (Soul spectrum/Lyceum-Best disco in town)

Here in London (for those of us who are authentic Londoners and were actually there, unless you were lucky enough to find a Pirate radio station on the dial (they were often not on air due to being raided) Then you had to wait until the weekend when Robbie or Greg were on. This is the legendary Greg Edwards. He knows a thing or two hundred about the FUNK as I don’t think there is anyone he hasn’t Interviewed during his long career. His radio show SOUL SPECTRUM is the stuff of legend and so is The Best Disco in Town, (Lyceum at the Strand) where SOULHEADS used to jam to the groove back in the day. Ask him if he has ever heard of a music genre invented in mid 80’s London called acid jazz as they are trying to claim on their fake news history revisionist Wikipedia page. 

Greg also hosted a program called Blackcurrent which was an early version of British Soultrain. Brit-Funk pioneers Hi tension were one of his guests. He’s still doing shows.

The Robbie Vincent Soul show.

http://www.robbievincent.co.uk/

Robbie was the Man who heroically marched into BBC HQ and demanded that they play more Black music . All Funksters owe him and people like him a great debt. You will always hear Robbie and Greg spoklen about in glowing terms. We used to have to wait all week to listen to their shopws. Imagine going a whole week without the FUNK. These people are just as heroic to us as the bands who’s FUNK we have enjoyed over the years. For without them we would never have heard the grooves of these bands. 

“If it moves Funk it” was his catch Phrase. His SOUL show is also the stuff of legend and he also interviewed just about every singer, band and artist you can think of. If anyone has the Authority to speak for Black music in 1980’s London then they do. Today you would not have shows like BBC1 extra without people like Greg, Robbie, Brownie and others mentioned here. It wasn’t given, it was fought for. The establishment put all manner of obstacles in our way.

We used to meet all the visiting American FUNK superstars in PA’s around  London. We shook hands with people like Tom Browne, Cameo, Roy Ayres you name them. And often in small London clubs or pubs. Walk into a place like Gullivers and you would see pictures of everyone from Stevie Wonder to Nile Rogers.  We” knew” all these FUNK superstars who’s music you see on youtube some 30 years later. Eastern Europeans called Victor and People writing nonsense about the London FUNK underground have absolutely no understanding of the era, our country, The Soulhead movement or of our knowledge of FUNK.

Robbie Vincent with FUNK legends Heatwave

Teena Marie, Patrice Rushen, Randy Crawford, Odyssey Jammin’ in London Town 

ASK THE LONDON DJ’s OF THE  80’s SOULHEAD MOVEMENT

There is a whole lot of information the Internet but sometimes it’s difficult to find what you are looking for. Especially when you have people like the acid jazz cabal deleting lists and information.  If you’re a youngster or a foreign journalist from Black America who wants to know the names of people to ask about the FUNK in 80’s London, then as a real London Soulhead I know who the big names were and are as far as the DJs were concerned.

Now these are just a few of the “old boys” of the 80’s London Soul movement. They are all AUTHENTIC Soulboys. They all were around in the Jazz funk, disco , post disco, electrofunk, and new jack swing eras. So they will know all the grooves of the era. Ask them if they remember a music genre being called acid jazz in the mid 80’s as they claim on Wikipedia. Ask them if they think Jamiroquai or any of these so-called acid jazz bands of the 1990’s are playing THE FUNK or a music genre invented by Acid jazz records.

A few oldschool LONDON SOULHEADS who are now big names Internationally.

From left to right;  DJ Tony Blackburn, DJ Craig Charles, DJ Pete Tong, DJ Norman Jay and Trevor Nelson. All Soulheads who were there just as I was…So ask them.

As I said there were SOULHEAD movements in all major cities of the U.K during the era. This is Mike Shaft, the famous Manchester DJ who started off in the 70’s and is still about. He is a legend up north as we might say down here in London and lets not forget some of the most dedicated SOULHEADS were and still are in the North of England. The Northern Soul crowd are still going strong to this day. If there was a genre called acid jazz invented by Gilles Peterson then he would know about it. He doesn’t know anything about it though because it doesn’t exist. 

Northern Soul clubs. Below you can see a small selection of some of the SOULHEAD badges. This is what I mean when I say all these non Brits from Eastern Europe, Australia or America re-writing our history don’t have the first clue about us and our dedication to the Black American sound of yesteryear. You won’t fool a Brit on SOUL. Not on our sound or the American sound. Smoke and mirrors won’t work on us!

DJ BROWNIE! 

Dave Brown from SOLAR RADIO which was one of our Pirate radio stations. My favorite infact. Brownie as he is known to us is Another old school Soulhead  and FUNK hero who’s Interviewed them all. He might not have the big profile that people like Chris Hill or Pete Tong  have but he’s just as respected among authentic old school Funksters. He is right up there with the best of them and every authentic London Soulhead knows who he is. He’s still going strong still playing the FUNK. Ask this 70’s Soulhead what he knows about this so called “Acid jazz” genre. SOLAR RADIO is still around and so is Brownie. Give him a shout and see what he has to say. You don’t have to get any of these guys involved in arguments just ascertain the truth as that’s what this whole exercise is about.

Tony Blackburn 

One of the original Pirates. A Man who took to the Ocean to deliver the FUNK

Us 70’s/80’s Funksters like to call ourselves the originals but the real original Soulboys were really the 50’s and 60’s kids. The Beatles were doing James Brown covers when the disco generation were small children, Tony Blackburn still going strong was famous in the 1960’s. His pirate radio station Radio Caroline is the stuff of Legend.  It was on a boat! That’s the extent people went to to deliver Black music to the U.K. That was in the days of the Beatles, Rolling Stones the Who etc. Young British kids who’s Dads had fought in world war 2, playing the Black American sound of the day. He was once thanked by Stevie for helping introduce Soul to the UK airwaves. He was already famous when we were young kids in the 60’s. His “comeback” daytime SOUL show in the mid 80’s on Radio London was the greatest thing in the World at the time. At last the FUNK  had a daily mainstream Radio Show in London.  There was a film made about Radio Caroline so check it out.

He had to take to a boat to deliver the SOUL, Our generation in the late 70’s and early 80’s had to climb to the top of council flats and plant masts to broadcast the FUNK OVER London. LWR, SOLAR, Invicta radio and so many others. kids who risked prison or having their records and gear confiscated Just to broadcast SOUL. That is dedication. So many people put in so much to spread the FUNK in this country and to get our own SOUL TRAIN. This is why it makes me furious to see band wagon jumpers and cultural thieves take credit not only for the music of others but for the hard work of  thousands of dedicated Soulboys and Soul girls. They just jumped on the bandwagon to make money.

Blackburn has a lot to do with the FUNK going mainstream in the mid 80’s

Tony Blackburn was active in the mid 80’s and his SOUL nights out were legendary. Robbie Vincent and Greg Edwards are heroes but they only had weekend shows, where as Tony’s show was daytime so could pull in more viewers. He was and still is a National hero over here and his high profile and crazy sense of humor pulled in and converted many listeners to the FUNK. In the early 80’s Soulheads were an underground movement. In the mid 80’s we broke the surface and Tony Blackburn pumping out the Funk on his daytime show electrified the airwaves. A lot of kids who hadn’t heard of people like Cameo, SOS Band and the like switched to FUNK. A lot of the interest in 70’s Rare Groove during the mid 80’s was because of people hearing these bands for the first time on Tony’s show and then wanting to find out what they sounded like back in the 70’s Jazz-Funk and Disco eras. So you can partly blame Tony for the shortage of old SOUL 70’S records in the 80’s leading to it’s Rare status!

I don’t remember him playing any of this “acid jazz” alongside the likes of Rick James and Loose Ends, Cameo and the S.O.S Band in the 1980’s and neither does anybody else because there was no such thing as acid jazz. Neither a movement or a sound.

Daddie Ernie is just one of many former pirate SOULHEAD DJ’s still performing, spinning the vinyl. He was on LWR back in the day. Still laying down FUNK.

Below we have Andy Peebles, a familiar name from the era is another BBC SOULMAN who knows his FUNK. Well known to London Funksters good to see him still going strong.

THE  LONDON PIRATE DJ’s

Now Gilles Peterson who apparently invented this “acid jazz” genre that only wikipedia and acid jazz records have heard of was on pirate radio, but so were hundreds of others back in the day. As a dedicated SOULHEAD I remember them all. Lwr Invicta, kiss, Solar Radio ETC. The only way we could get to hear Funk on the radio apart from at the weekends with Robbie and Greg.

Pics Credit http://soulwalking.co.uk/

It goes without saying that the biggest  heroes of our youth were the Pirate DJ’s. There are tons of Pirate radio DJ’s still around. And I guarantee you no one will remember anyone called Gilles Peterson inventing a Black music genre at any stage in the 1980’s or at any timer at all. Many of these guys are now famous. Sufficed to say without some of these guys our youth would have been unbearable. You have no idea what it was like to go without the FUNK.  The Funk is a drug. I still cannot live without it. There are tons and tons of Pirates still about whom you can ask about this fake genre. They will tell you what all these sounds actually are because like me they were jammin in the SOUL clubs of yesteryear. None of them will tell you that Roy Ayers, or Curtis Mayfield or Larry Graham or Pleasure play “acid jazz” invented in London.

Later on in the 1980’s some of the Pirates finally managed to get licenses to broadcast legally. Certainly there was a lot of controversy over which stations were awarded the licenses and some far more deserving ones that weren’t but that was a long time ago.

The boys from Kiss FM. As you can see there were literally hundreds of SOUL DJ’s here in London playing the FUNK and many as I said are still broadcasting or doing gigs. And I guarantee you that not a single one of them will acknowledge a music genre called acid jazz invented in the mid 1980’s as the acid jazz cabal claim on Wikipedia. Ask them what acid jazz is and they will just say that’s what the youngsters called Jazz Funk back in the mid 1990’s. NOBODY will say that it’s a music genre invented by acid jazz records.

THE SOUND SYSTEMS

A sound system was a group of DJ’s who got together to do gigs. They would supply their own speakers and bring their record collections with them. It’s based on the Jamaican model but it really goes back to Africa where guys would take their drums from village to village and entertain the people. Sounds systems played a parties, night clubs, weddings, at places like the Notting Hill carnival. Anywhere that sounds were required. Remember there was no digital media back then at least not in the public domain so these boys had to cart all their equipment and boxes of records with them. Many of the 70’s/80’s Sound systems are still around to this day. Many of these people were on pirate radio back in the day. I was delighted to see Rapatattack still about. I remember jamming in the West End to Rapattack back in the day. They were well known. Many of this crowd are authentic Soulboys though I’m sure there are some younger people to cater for the new generation. People like this can tell you all about the London underground of the late 1970’s and 1980’s.

Rapattak were one of the few sound systems catering for FUNK. Most of the sound systems were Reggae sound systems. . Fairplay is still going strong as well and SOUL TO SOUL the most famous system of them all is still about with  Jazzie spinning tracks just like he did before he became an International superstar. So as I said these are just a few names but there are many more. There are London SOULHEADS everywhere. And  of course in places like Manchester, Nottingham, Liverpool and other place I have mentioned. I speak mainly about London because London is where they are trying to claim they invented this “acid jazz” genre. Find out about the history of SOUL in the UK from authentic Funksters of the era. Not from what rubbish acid jazz records write on Wikipedia.

So all these people I have mentioned were in the same FUNK Underground that I was and rest assured none of them will contradict what I say about the SOULHEAD MOVEMENT. And nor will the people in the next part of this document!

Part Five

5. Londoners, ask your funky Elders

[Plenty of Caister & Lyceum Jazz-funkateers still around]

Now normally when you try to pull off the type of historical fraud the Jamiroquai/acid jazz cabal are trying to do, it’s generally a good 100 years after the fact or at least when the generation in question is long gone. Unfortunately for the South Africans, Czechs, Eastern Europeans , Dutch Americans,Germans and others in the Jamiroquai/acid jazz cabal trying to re-write Black music history and use the UK as a means to rob the Black Americans of their creation,  70’S/80’S Soulboys and Girls are still here, And even worse they still do reunions. Here are the Caister crowd.

 Caister Reunions are still going strong. Are you going to listen to them? or are you going to listen to A cLIFORNIAN on wikipedia. Ask the real London Soulheads if they have ever heard of this acid jazz genre. They will tell you one of two things. They will tell you ”no Ive never heard of it”. These are FUNKSTERS who grew up with MOTOWN with Disco and with Electrofunk. They were the people watching the U.K SOULTRAIN. They are the peole who used to tune into Robbie Vincent and Greg Edwards. To the Pirate radio stations playing THE FUNK.

They were the people who went to watch the likes of Earth Wind and Fire CAMEO, Skyy, Slave, The SOS bandm The Gap Band Roy Ayers and all the other American FUNK bands who came over in the 80’s Concerts they know the Funk as well as I do. I know the FUNK thats why i can write THE SOULHEAD TALES. These are my crowd. They know the FUNK. We know the FUNK. And there was and is nothing called acid jazz that came out of this city of London regardless of what anyone in the Synagouge of Satan writes on Wikipedia

CAISTER SOULBOYS AND SOULGIRLS NOW IN THEIR MID 50’s

AND WAY BACK IN THEIR BRITFUNK ERA YOUTH.

THIS WAS WHAT CAISTER LOOKED LIKE BACK IN 1979 THE GOLDEN YEAR OF FUNK.

So if people sitting in Eastern Europe think they are going to pull the wool over anyones eyes here in the U.K regarding the FUNK then they are dreaming. Acid Jazz does not existIf somebody had invented a music genre called acid jazz in the mid 1980’s then us authentic Funksters would all know about it. Don’t take my word for it. Don’t take my word for anything I say. On the contrary assume I’m lying. Assume everything that the acid jazz cabal have written on the Internet is true. Do your own research. Ask your Elders. Kids of London, Liverpool, Nottingham,Manchester Ask those who were there in the 70’s and 80’s and don’t rely on what acid jazz records and their International cabal are writing on the Internet.

Old school London Funksters get together regularly to recapture the spirit of the 70’s and 80’s. And I 100% guarantee you that you won’t find a single old school Soulboy or Soulgirl who will agree with the total rubbish written by  acid jazz records on wikipedia.

Youngsters, ask your Funky elders

See if you can find a single Caister, Goldmine, Gossips, Gullivers, Lyceum Best disco in town, Light of the World, Central Line. Shakatak, Soul to Soul, Loose Ends, Tony Blackburn Soul nights out, Jazz Funk all dayer 1980’s London Funkster who agrees with the acid jazz records total re-writing of Black British history on wikipedia in their literature and on the fraudulently labeled Funk mixes they are calling things like absolute acid jazz, acid jazz classics and other names designed to fool the youth.

 If you’re a Young Londoner you most lightly know an old Soulboy or Soulgirl of the 1970’s/1980’s. An Uncle, an Auntie and older Brother or Sister who grew up in the era. They will be in their mid 50’s now. If they have a bunch of 70’s FUNK or what some called Rare groove in their collections then they will be able to point out all the styles of FUNK acid jazz records are trying to take credit for. The same applies to youngsters from places like Nottingham, Birmingham, Manchester, Liverpool etc. 

If you live up North then as you have already seem the Northern Soul crowd are still around and still going strong as well. They know all the Black American sounds of the era. They mostly stayed with the old sound of the 50’s/60’s, that came before Jazz, Funk and Soul fused together. To generalise slightly, they are mostly still into Original R&B, Jazz-Soul and MOTOWN so they will recognise all of these 50’s/60’s Black American Jazz-soul sounds falsely labeled “acid jazz “. An if you are unsure as to what people in the norht of England know about THE FUNK, well below is famous Northener you might have heard of……Rod Temperton.

Of course many of them are disco era aficionado’s. They have a big Electro-Funk crowd as well who are into the type of music people are trying to claim is called E.D.M. as I said before both E.D.M and Acid jazz are FAKE genres. So they too were around when MOTOWN and little Stevie Wonder toured the UK back in the 60’s. They grew up with Diana Ross and the Supremes, the Four Tops, The Temptations and so on. You won’t find any of them who think  acid jazz records invented SOUL or any style of Black music either.So, Ask any London Funkster and I mean Any 80’s London Funkster if they have ever heard of a music genre called acid jazz invented by Invicta pirate radio DJ Giles Peterson and if they think Jamiroquai played this genre in the 1990’s as acid jazz records claim. Be prepared to be laughed at.

Part six

The SOULHEAD TALES-[Jamiroquai plagiarism]

“Where am I a plagiarist?”….RIGHT HERE

Like I said you are not going to fool a London Soulhead on the FUNK

People had every opportunity to give credit. Instead they continued to lie then tried to silence people. Justice will be served. The Soulhead Tales. All the stolen FUNK on Jamiroquai albums returned to their rightful owners. I have de-constructed just about every Jamiroquai track down to the last bassline, drum pattern or groove and have shown where they stole it from in my opinion. So now when so called music “experts” in the modern new millennial music press  describe them as a “normal band” or an “acid jazz band” (Because they don’t know what Rare Groove is!) or try to claim that they somehow created or evolved anything in the FUNK  in the 1990’s You can shut them down instantly. Jamiroquai didn’t invent or evolve anything. It’s exactly the same stuff we heard in the 70’s and 80’s.

Which  of these plagiarised 70’s/80’s FUNK tracks is “acid jazz” from 1990’s London?

“WHERE AM I A PLAGIARIST? WE DON’T USE OUTSIDE INFLUENCES”

SOULHEAD TALES

The SOULHEAD TALES Originally called Jamiroquai influences on the old Jamirotalk website, before She deleted it to hide the truth, is now also a response to quotes by Jay Kay in which the arrogant, murderous. racist music thief and plagiarist claims to have written all the music he stole by himself. Jamiroquai released a compilation on the Late Night tales which they falsely claimed were the sounds that influenced them. Except they studiously avoided all the FUNK bands and sounds they ripped off. You see…More lies. The Soulhead Tales (Written by a real London SOULHEAD, ie ME) sets the record straight. I know where they stole all their music from because I know the FUNK. Now you will too.

No amount of disinformation or smoke and mirrors will work against the SOULHEAD TALES. This is the reason they have tried so hard to prevent it’s completion resorting to threats, harassment hacking and other things you will read about below. There are some people who cannot and will not be intimidated by anyone or anything. If they won’t tell the truth I will do it for them regardless of threats. Justice will be served.

SOULHEAD TALES

When they claim that Jamiroquai play “acid jazz” or jazz funk and acid jazz, ask them to tell you which track in their discography belongs to this “acid jazz ” genre. Ask them to tell you which Stevie Wonder, Patrice Rushen, Kool and the Gang, George Duke, Curtis Mayfield, Pleasure, Pleasure, Earth Wind and Fire sound on their plagiarised albums was invented by Gilles Peterson in 1988 or “written by Kay” in the 1990’s. You already know what the answer is but liars should be confronted with the truth, It’s one of the things they fear the most.

PART SEVEN

7. Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s. If they think that THEIR Jazz Funk, New Jack Swing and Neo Soul are the invention of a London DJ called Gilles Peterson in 1988!

Now it should go without saying that at if you want to know the origin of all theses sounds then ask the creators. Now I say should however what peole of my age should understand is that for nearlt 30 years Eddie Pillar and his mob have been mass producing mix affter mis with This is Acid Jazz, The” Story of acid jazz” and all manner of BS over Soul mixes to try and Indoctrnate the next generation. To the sxtent now hat some younger peole belive the SOUL actually comed from here in London England and was invented by a DJ. Here’s a reminder if you need one

THE INDOCTRINATION OF THE NEXT GENERATION BY THE SYNAGOUGE OF SATAN

AFTER NEARLY 30 YEARS PILLAR IS CONFIDENT ENOUGH TO BEGIN CHANGING THE SKIN CLOUR OF THE MODELS! THEY ARE GRADUALLY STEALING FUNK

BLACK AMERICA THE CREATORS OF ROCK AND ROLL AND JAZZ FUNK & SOUL

The African American is without doubt the greatest and the most talented musician on the planet. I always find it amusing that the people who try to denigrate them the most are the same people who secretly envy them.  They call them this and they call them that yet copy everything they do then claim that they invented it. Eddie Pillar Gilles Peterson, Kay and the acid jazz cabal are the latest in a long line of cultural thieves trying to rob BLACK AMERICA of their musical genius. Well as they say Mimicry is the sincerest form of flattery. And Kay has certainly flattered the Black Americans. Wolf in sheeps clothing that he is by his own admission.

Black America is responsible for 20th Century SOUL. No one else.

This tiny little Island did a bloody good job in the 60’s, 70’s and especially the 80’s in terms of Black music. And whilst we might have eventually more or less equaled America with in the late 20th century with Billy Ocean, Soul to Soul and Loose Ends etc we NEVER EVER BEAT THEM. Can’t be done. James Brown, Ray Charles, Dizzie Gillespie, MOTOWN, Gamble and Huff, Quincy Jones, Stevie Wonder, Earth Wind and Fire, Kool and the Gang? No chance. We Never ever beat the Americans at any time in the 20th Century  As good as we were it was THEIR sound. We copied it. ALL the templates came out of their heads no one else. Black America is the  land of FUNK.

DISCO KIDS! THE SOUL TRAIN DANCERS ARE STILL AROUND

ACID JEALOUSY

Eddie Pillars acid jazz lie machine and Jamiroquai seem to think they can fool London Soulheads on our own sound and history. Lets see if they think they can fool the actual creators of those sounds they claim credit for. So if you live in the States or know an elder Black American who grew up in the Disco era, get them to listen to any of these so-called “absolute acid jazz” mixes, and see if they don’t pick out every last style of Funk, tell you if it’s 60’s SOUL or old school Jazz, Washington Go Go DC, or The Minneapolis sound, New Jack swing or the MOTOWN sound, CHIC! or Chicago House, A Barry White sound of a George Clinton sound.

If London boy here knows all these sounds then what do you think the chances are that people from say Ohio, Orange county, Queens, The Bronx, Chicago, L.A etc etc can tell the difference between Jazz Funk they grew up with in the 70’s, New Jack Swing from the late 1980’s and a record company that claims to have invented both style of Black Music here in London? I mean do you think you are going to fool the Americans on James Brown and Roy Ayers, on Herbie Hancock and Miles Davis? Do you think they won’t or can’t hear George Duke or Larry Graham or Earth Wind and Fire on Jamiroquai records? Do you think they don’t know all the bands on the SOULHEAD TALES when most of them come from their own communities?The African Americans are the ones who are responsible for ALL the sounds that acid jazz zionists are trying to claim they invented here in London in 1988. They are still around and like us they are now in their mid 50’s and upwards. So See if they can’t recognise their own creation, their own sounds, their own music.

20th Century Masters. All these styles of 20th Century Soul appear on so-called “acid jazz” compilations. Acid jazz records claim acid jazz is a Black music genre invented by Gilles Peterson..sooo, logically, …well that means that Gilles Peterson is responsible for all these sounds!  well so they claim. So ask our contemporaries in the US if they agree. They grew up with these sounds. And so did peole all arounf the world so if you live in Europe in France, Germany, Italy and so on you will have elders who remember the Disco era. Play them one of these so called “This is acid jazz” mixes which they *Acid Jazz records) claim on wikipedia came from here in London without showing them the cover or the video and then ask them what music it is. Will tell you that is Funk or Disco or Latin. They will know what Latin Samba and Bossa nova is. And they will not tell you thayt it was invented in London in the 1980’s,trust me on that one. Ask them if they think that Black American SOUL was invented in London in 1988 then watch the blank look they give you.

Reunion of Soul Train dancers!  Just like us in the UK, Funksters re-unite. The 80’s was amazing, indescribable, incredible but Disco era was something special. It can never be repeated . there arsn’t any words to describe it. The African Americans of the 70’s and 80’s are still around.

PROBABLY THE COOLEST GENERATION THAT EVER LIVED. 40 YEARS ON THE JAMIROQUAI ACID JAZZ CABAL BASED HERE IN LONDON ARE TRYING TO ROB THEM OF THEIR GROOVE AND THEIR STYLE.

Don’t forget all the 1970’s/1980’s American SOUL acts as well!

And of course many old school Funksters are still around. You can see many of them on the Jamiroquai plagiarism list. and later on in the blog when I go through some of the sounds acid jazz records claim is called…acid jazz. Patrice Rushen, Roy Ayres, Herbie Hancock, Pleasure, Kool and the Gang, Earth Wind and Fire, Stone City band members and many of the acts appearing on so-called “1990’s acid jazz” tracks are still here. Randy Muller, Leon Sylvers, Jam and Lewis 70’s FUNK  bands are still around many are still playing, touring, and performing all over the World. Some are even releasing new albums. Do you think they will credit acid jazz records here in London formed in 1988 or 1990’s Jamiroquai for the music they created  decades before the record company was even formed. Music that they themselves invented?!

The African and rhe South American “Latin” Sound

The African sound of South America was of course part of the FUNK. Bossa Nova, Salsa, samba, soca and calypso came from South America. Genres all of which (Apart from Soca) were incorporated into the FUNK  to varying degrees. Earth Wind and Fire, George Duke being two notable examples. Though we go back to bands like Mandrill and their British equivalents Osibisa and Cymade fo find it’s roots. And of course there were many other bands doing similar. You can hear latin rhythm on some of Miles Davises Jazz tracks of the 60’s, You will find a lot of the African-Carribean sound in the FUNK and many of the Horn sounds in early jazz funk come from high-life. A genre which came from Ghana and was adopted by legendary musician and showman Fela Kuti.  The likes of Herbie and Miles Davis used a lot of these sounds in the early days and many jazzfunkateers went to Africa. Donald Byrd spent time in Ghana. Makossa from Cameroun is another African genre that was sometimes incorporated into the FUNK  Manu Dibango’s  Soul Makossa (1973) is a legendary club track known worldwide.

Years later the words Mama-se, mama-sa, ma-ma-koo-sa appears on the Michael Jackson track don’t stop till you get enough. So don’t underestimate the impact of the African and Latin sound on the FUNK. Many of the Disco era bands toured Africa especially Nigeria. The mainstream media won’t tell you anything about it so ask an older African. My real Soul knowledge was learned In West Africa. Jazz Funk is full of the Latin and African sound but you have to know what it is to pick it out.

 And none of it was invented by acid jazz records. UK Bands like Loose Ends, Linx, Galaxy and Shakatak were doing the Latin Funk sound in the early 1980’s. Singing by Delegation was a big underground hit.Jazz rap and jazz hip hop as I have already stated came from the states and started in the late 70’s and early 80’s. way before acid jazz records was ever created. So all these sounds are from the 50’s, 60’s, 70’s and 80’s and Acid jazz records created in 1988 had nothing to do with any of them anything.  They just want you too think they do. 

PART SEVEN

7. Ask the late 1980’s and 1990’s Black American New jack swing and Neo soul crowd….According to acid jazz records on wikipedia these sounds were once classified as English acid jazz a music genre invented in 1988 by Giles Peterson! Really ?This is how much they know about Black music.

The acid jazz FAKE NEWS wikipedia page

THIS IS A GREAT EXAMPLE OF THE DECEIT OF THE JAMIROQUAI ACID JAZZ LIE MACHINE TRYING TO RE-WRITE BLACK MUSIC HISTORY

Below is a bit of comedy from the acid jazz history revisionist wikipedia page designed to fool the youth of today or unsuspecting music lovers looking for information….

HILARIOUSLY THE FAKE NEWS WIKIPEDIA PAGE WRITTEN BY ACID JAZZ RECORDS CLAIMS “ACTS THAT MIGHT HAVE BEEN DEFINED AS ACID JAZZ ARE NOW SEEN AS JAZZ FUNK, NEO SOUL OR JAZZ RAP”

AS YOU ALREADY KNOW,

NO BANDS WERE EVER DEFINED AS “ACID JAZZ” IN THE 1980’s

TOTAL AND ABSOLUTE RUBBISH. WHAT YOU REALLY MEAN IS JAZZ FUNK, NEO SOUL AND JAZZ RAP ARE STYLES OF FUNK YOU ARE TRYING TO CULTURALLY APPROPRIATE AS ACID JAZZ! I WOULD SAY THAT  LIE JUST ABOUT SUMS UP THE JAMIROQUIA/ACID JAZZ CABAL IN A NUTSHELL WOULDN’T YOU.

Well the New Jack Swing crowd are still about. Bobby Brown and New Edition are still around. Ask them if the Black American sound of New Jack swing was once classified as “acid jazz” a music genre invented in London!

The New Jack Swing/Neo Soul crowd are the generation that took over after us disco era kids. They were our younger brothers and sisters. In their teens and early 20’s just as we had been in the disco era their sound starts around 1987 and goes on through the 1990’s. New jack swing went from around 87 to about 92 then Neo Soul went on through the 1990’s and is still about. Now however it’s mixed with just about everything else. There is nothing really definable nowadays in the 20’s.

After New Jack Swing came Neo Soul. It was an improvement sparse sample filled, watered down sound of New Jack swing for many. It reintroduced the more lush production values of the 1980’s. Though it too contained samples. It was not an evolution any more than New Jack swing was, even if it was based on what had gone before. From about 1986 onwards we (The older kids) had heard it all  before. The only evolution after that were the digital ones like D&B or Dubstep. 

NEO SOUL IS NOT ACID JAZZ EITHER

In addition to Jazz Funk and disco era FUNK from the 70’s and New Jack swing from the 1980’s,Neo Soul is one of the other sounds Eddie Pillar claims is called acid jazz and comes from London. It does not. Basically everything they print the words acid jazz on was “invented ” by them!

THIS IS ANOTHER ONE OF THE SOUNDS ACID JAZZ CLAIM CREDIT FOR. THEY HAVE NOTHING TO DO WITH ANY OF THESE SOUNDS.

As you will see on their FAKE NEWS wikipedia page a lot of their so-called “notable acid jazz” bands are nothing more than New Jack Swing and Neo Soul act’s. Again these sounds have nothing whatsoever to do with Gilles Peterson or acid jazz records.  So not only are they claiming they invented Rare Groove and all the Black American Soul plagiarised by Jamiroquai which they claim its acid jazz. They also claim they are responsible for New Jack Swing and Neo Soul. They greedily claim ownership of  everything.

The Neo Soul sound, the next stage in FUNK after the watered down sound of New Jack Swing was and is The stuff of Jimmy Jam and Terry Lewis and many others, heavily influenced by the British sound of Loose Ends and Soul to Soul (Still active at the time) which had been such an almost dominating force leading up to this era. The time (1990’s) people Maxi Priest, Omar, Mark Morrison, Don -E, Noel Mc Koy, and many others flew the authentic British Funk flag in the 1990’s.

What you heard from acid jazz records signings like Jamiroquai in the 90’s was just 70’s/80’s Funk tribute nothing more. Regardless of how many outsiders try to portray them as some type of evolution, There is nothing evolved about playing  1970’s Funk retreads in the 1990’s. Nothing on any Jamiroquai album is an evolution.

BOYZ II MEN are still around. They also have a star on the walk of fame. Ask them if they owe the Neo Soul sound to a record company created in 1988 in London England

So, lets recap. Without naming a single song he “invented” or “created” on their fake news wikipedia page, So far acid jazz records have claimed ownership of the following styles of Black music…

Classic 1950’s and 1960’s Black American Soul/R&B,  1950’s and 1960’s Blue Note Jazz Funk,  MOTOWN, Doo-wop ect and then Jazz, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, the Time, Jesse Johnson, Morris Day, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, Freestyle and all the other sub genres of Black American Soul Latin and South American Bossa Nova, Salsa, Samba, Calypso and all the other sub genres of Latin American Soul….AND OF COURSE NEW JACK SWING AND NEO SOUL. Two styles of FUNK which alongside Jazz Funk was once classified as a music genre called acid invented by Gilles Peterson!…Even though they can’t tell you a single track he created, define “acid jazz” or show any reference to it in any magazine of the 1980’s.

Strangely I don’t remember anyone called Giles Peterson on Soul Train, or in the Soul charts on either side of the Atlantic and neither do I remember hearing any songs by a DJ called Giles Peterson on Mainstream or on Pirate radio. I don’t remember any interviews in any magazine featuring a DJ who invented Jazz Funk, James Brown or Stevie Wonder either. Maybe acid jazz records can enlighten you.

PART EIGHT

8) Ask their Wikipedia Gatekeeper to answer a question.

MICHAEL “BINK” KNOWLES THE CALIFORNIAN WITH 250’000 EDITS RE-WRITING BLACK BRITISH MUSIC HISTORY ON WIKIPEDIA AND GUARDING THE EDDIE PILLAR/PETERSON FAKE NEWS PAGE

Ask Michael Bink Knowles or the anonymous Americans re-writing the history of Black Britain and SOUL/R&B in Black London during the 1980’s to tell you what this Acid Jazz genre is supposed to be.

ARE YOU SURE YOU’RE ALSO NOT IN SOME WAY INVOLVED WITH ACID JAZZ RECORDS………NO RESPONSE. 

In order to change History you need a credible story to replace what really happened. Then you push this disinformation as hard as you can. The seat of deceit in this Acid Jazz generation myth is Wikipedia where they have concocted a story which essentially wipes Black British Soul out of History and replaces them with Gilles Peterson’s imaginary genre Which is just Jazz funk and Soul. The story is of course bogus as the real history archives of Music in 1980’s Black London will prove. The only place you will ever read about this fake genre being invented is not in 1980’s Black Music publications but on Wikipedia, Everipedia and wherever else these liars have cloned their cultural appropriation disinformation. In order to make the lie stick you need to guard it. And here is where this person Michael Bink Knowles comes in.

They know that what is written on their FAKE NEWS page is a total lie and a gross misrepresentation of Black British history so they are there in force. There are multiple profiles that have their pages on their watch list. On Wikipedia both acid jazz records and Jamiroquai both have their respective pages on lock down. They are deleting comments and ignoring warnings from real Wikipedia. These are some Exerts from my diary. Both Jamiroquai and acid jazz records both have respective pages on lockdown.

Acid jazz records are not supposed to be editing their own page as it is a conflict of interests and supposedly against the rules. 11/11/2018 Wikipedia “warn” acid jazz records about their FAKE NEWS page.

YOU DON’T SAY! People have been telling you that for years. What it should say is this page is a total lie written by acid jazz records and protected by their mates in the synagogue of Satan. They ignored the warnings and carried on deleting comments and blocking I.P Addresses. Blocking I.P Adresses is something that the Globalists are doing all the time especially on Political pages and pages to do with history. Remmember Acid jazz is part of the synagouge of satan and is such linked to the New world order. So they use the same tactics and are usnig their resources to supress information on wikipedia and elswhere,

Highlighted in Orange; All the protests that have been ignored by Wikipedia and acid jazz records who have “illegally” taken over the page and locked it down.  Some of the comments were….Censoring my comments won’t help you there is no genre called acid jazz.……….Profile deleted a 2nd Time INTERESTING………..Another American about a page on London Soul

One time when I went back they had deleted my profile. I set up another one and they deleted it again. As you can see they totally ignore the truth and carry on as normal. New groove origin, List of Musicians.  Eddie Pillar , Gilles Peterson are desperate to keep this page up. The other thing I noticed was that there was not a single person from London there. They came from everywhere but Black Britain. Foreigners guarding a page of lies about Black London in the 1980’s Californians, Swede’s Russians, Israelis, Germans, Czechs…. everyone but a Londoner on a page about London.Acid jazz records claim on their FAKE NEWS Wikipedia page that all of these artists play a music genre called “acid jazz” invented by Giles Peterson here in London.

Total lies. They don’t name a single track that belongs to this fake genre as there is no such genre. They say it originated in the Rare Groove Movement and spread to the U.S Japan, Eastern Europe, and Brazil. No it did not I was there. Again there is no such genre which is why there is no mention of this fake genre in any Black music publication of the 1980s and that’s why they don’t tell you the name of a single so called acid jazz song there isn’t one. They just claim that this non existent genre combines Jazz, Funk Soul and Disco.

They then tell you The Brand New Heavies, Incognito and Jamiroquai play this imaginary genre invented by Gilles Peterson. The Brand New heavies were playing in the rare groove style started by The Pasadenas and Soul to Soul. Incognito came from our era and play Jazz Funk and Jamiroquai’s discography is composed of 70’s/80’s Funk retreads as you will see in THE SOULHEAD TALES. So as you have already surmised Pillar and his mob think they can fool people on their own sounds. They actually think that by copying something then giving it a new name we won’t know it’s Funk.

Below Black Music they claim is Acid Jazz invented here in London by Gilles Peterson

THE GREAT THEFT OF FUNK.

As you can see they don’t really know much about Black music! It looks like they have basically collected as many names of bands playing Rare Groove, Jazz Funk, Neo Soul, Latin Soul, New Jack Swing, Brit Funk, Britfunk /Rare Groove you name it. Grouped them all together and claimed they are playing Acid Jazz” invented” here in London by Gilles Peterson in 1988. Some of them are pretty funny like 1970’s Latin giants Azymuth. Apparently playing a Black music genre invented by a DJ here in London in 1988. They even have a couple of Techno bands. Steely Dan was in there at one stage!. As you can see they don’t have a clue. Funny though this list is there intentions are dark. This list is designed to fool the younger global Internet population, safe in the knowledge that their gatekeepers on Wikipedia will prevent their lies from being edited. They are banking on the fact that in a couple of generations people won’t know what these sounds are.

So as you have already seen they claim this imaginary genre which didn’t exist in the first place disappeared and now is indistinguishable….I love this bit because it shows their intentions and it also shows what decietfuk liars they are,

Jazz funk was in the very late 60’s and lasted till 1981/82. Acid jazz records were created in 1987. How could bands that were once categorised as acid jazz now be seen as jazz funk?

Correct me if I’m wrong memory dims with age as they say but I clearly remember the 1960’s and the 1970’s coming before 1987!

The people writing this rubbish are connected to Jamiroquai of course but they know nothing about FUNK as you can see. New jack swing and Neo soul were added to this fake news wiki page only after I had mentioned these genres on the old Jamirotalk site where the Jamiroquai/ acid jazz cabal all had accounts. They deleted the old sites where the original version of THE SOULHEAD TALES had been posted amassing around 29000 views and created a new one after the Automaton review was posted as it again exposed their total plagiarism later.

And Jamiroquai who had also taken over their page deleted their profiles when I called them out on this blog realizing that their actions could be traced!

They of course are there to cover up their plagiarism as Kay wants to take credit for all the music he and his band have stolen. Plagiarism exposed in the SOULHEAD TALES.

Michael Robert Knowles the Californian who thinks himself qualified to lecture people from 1980’s Funk capital Essex on Black music on London.

So now lets come to Eddie Pillars gatekeeper and the other anonymous people assisting Acid Jazz records and Jamiroquai in hiding the truth. One who is/was assisting the jamiroquai acid jazz cabal in re-writing the History of Black Britain on Wikipedia and is in control of a page about Black Britain. That’s right…. who is controlling the history of Black Britain and of SOUL music in Black London during the 1980’s? 

A credible Soul Music journalist known to Londoners? One of the 1970’s/1980’s Soul DJ’s mentioned above? Someone from Radio London or a former 80’s Pirate? Solar Radio are still going. A 1970’s Blue and Soul journalist? Someone from a magazine like Black Echoes perhaps? NO we have a set of an anonymous Americans guarding a page which was written by someone who says he discovered acid Jazz in the early 1990’s. Someone who calls himself Woulf.

AMERICANS RE-WRITING THE HISTORY OF BLACK BRITAIN ON WIKIPEDIA

THEY TWICE TRIED TO BAN THE I.P ADDRESS USED IN COMPLAINING. 

Acid Jazz records and Jamiroquai have both locked down their pages to prevent their lies being changed. Better to indoctrinate the global masses into believing they are responsible for Soul Music of the 20th Century. In the case of the Acid Jazz page they have totally written Black British Soul of the 20th Century out of history. They then claim that Gilles Peterson invented a music genre called Acid Jazz which according to them spread across the world thanks to two promoters. Who wrote this story.

A credible or notable Black music writer? Some on with credibility among Funksters of the era like a former SOUL DJ? NO, the FAKE NEWS WIKIPEDIA PAGE written by someone who calls himself “woulf”, who claims he discovered what he calls “acid jazz” in 1991 and gives his address as Oxford University (Illuminati HQ where Jamiroquai have or had a studio in Oxford). When complaints were made about the page people had their profiles and their comments deleted! They then tried to block the I.P Addresses which is standard practice on Wikipedia especially when it comes to politics and history.

When they couldn’t silence the protests a so called Wikipedia editor Michael Knowles intervened. Now one would have expected that the first thing this “Editor” would have done was question this anonymous “Woulf” writer, asked this what he credentials were. Asked why someone whom by his own admission wasn’t even around during the era was in charge of this page. No, infact quite the opposite. Michael Bink knowles intervened TO SUPPORT HIM! That’s right a so called Wikipedia editor with apparently 25000 edits intervenes to support someone who claims he discovered what he calls acid jazz in the 1990’s, writing the history of Black music in London. That tells you everything you need to know doesn’t it. Michael Bink Knowles an American said the following in response to a Londoner who questioned the lies on the page……

“Acid jazz is a music genre because scholars, Journalist and album reviewers say it is.Wikipedia is not going to ignore these very reliable sources just because someone from Essex has a different opinion”- Michael Bink Knowles-Eddie Pillars American Gatekeeper.

Well firstly Mr Knowles anyone, so called “Music Scholar”, Journalist or album reviewer who claims that “Acid Jazz” is a music genre knows nothing about THE FUNK and is not fit to refer to themselves as a music scholar, Journalist or Album reviewer. And frankly they should not be in Music Journalism in any capacity because they know nothing whatsoever about Black Music and 20th Century Soul. Or about THE FUNK in 1980’s London. Calling yourself a music scholar is meaningless if you don’t know the difference between a record label formed in 1988 and 1970’s Funk, Rare Groove, New Jack Swing and Neo Soul. There is no genre called acid jazz in Black music. And nobody from acid jazz records has any claim on any of the sounds they are fraudulently re-classifying as Acid Jazz. Acid Jazz as a music genre does not exist.

And secondly have you ever heard of Caister? The Goldmine? Chris Hill? Froggy? Robbie? You do know where the biggest Soul event is held? Do you think people from Essex don’t know THE FUNK!

As you have already seen, Funk legends like Patrice Rushen, Odyssey and Teena Marie to name but three of hundreds of visiting American Funksters to our shores during the 70’s and 80’s know where Essex is. Even if the self appointed American “guardian” of Black British music on Wikipedia doesn’t.

The American re-writing the history of Black Britain and of Black music appears not to know that the capital of FUNK in London was and still is ESSEX…here’s a little big reminder…It’s called CAISTER….in…ESSEX

THE 70’S/80’S LONDON SOULHEADS REUNION….in bloody Essex!

So again, who are you going to listen to on the history of BLACK BRITAIN and 1980’s London? an American gatekeeper on Wikipedia from acid jazz records who claims acid jazz is a music genre but can’t tell you what it is and refuses to answer questions when challenged? or people from 1980’s London? Maybe someone should tell him about Chris Hill..

Back in the Disco/post Disco era this is what went on in Essex in terms of THE FUNK!

THE SOULHEAD MOVEMENT. We were known as Soul Tribes and Soul Patrols.

SOUL TRIBES CAME FROM ALL OVER LONDON TO JAM IN ESSEX!

The Goldmine Club from 1973 to the present 2018

Canvey island…IN ESSEX is the home of the Goldmine and Caister, but what do people from Essex know about London compared to a Californian “editor”on Wikipedia, Below Chris Hill in action jammin’ to Deodato with the authentic London Funksters of the original late 70’s early 80’s

Brit-funk heroes Light of the World………..In a Place called Essex.

THIS IS ESSEX MR KNOWLES. THE CAPITAL OF FUNK IN OUR ERA 1970’s/ 1980’s

CAISTER is the most famous soul event in the world!

It was the biggest event in the Soulhead calendar back in the 70’s/ 80’s. They still do reunions to this day, yet here we have an American telling us that people from Essex the capital of SOUL in the Thames Valley are not qualified to speak about SOUL in London but he is?

This is what they mean when they say Wikipedia is a discredited organization. They will do nothing about it until they are publicly embarrassed into doing something. So once again who are you going to believe on Black Britain. A Californian who wasn’t even there or people from England?  Look below..

If they were real editors they would obviously done something about the page. This is happening  a lot on Wikipedia. Perhaps he can start by telling me which 70’s FUNK Jamiroquai re-tread on the SOULHEAD tales belongs to this “acid jazz” genre. That these “music scholars” claim came out of London England. And as I said and will repeat the challenge is open to any so called modern day”music expert” critic, writer or scholar. Whatever music scholar means. Define this Black music genre you refer to as acid jazz. What is it?

The response he had no answer to..

WHAT HAS BLACK MUSIC IN LONDON GOT TO DO WITH A CALIFORNIAN LIKE YOU?

ARE YOU SURE YOU’RE ALSO NOT IN SOME WAYS INVOLVED WITH ACID JAZZ RECORDS………NO RESPONSE. 

He won’t answer questions. When he was accused of being part of the Jamiroquai acid jazz cabal he didn’t respond. And why do you think that was. Because he is part of the acid jazz cabal that’s if it’s actually him. The New world order use the same profile for many users. He is not the first “editor that suddenly appeared out of nowhere to support the lies on the acid jazz page. They are all fake editors.

SO WELCOME TO THE NEW WORLD ORDER WHERE ALL INFORMATION IS CENTRALLY CONTROLLED. JUST THINK WHAT IT WILL BE LIKE IN A FEW YEARS. AND YOU THOUGHT IT WAS JUST POLITICS DIDN’T YOU. NO, ANYTHING THAT DOESN’T SUIT THEIR AGENDA IS CENSORED OR RE-WRITTEN.

As many already know, The Satanic New World Order have taken over Wikipedia so anything that doesn’t suit their agenda is re-edited. Heres a more famous example of how the New world order manipulates information on Wikipedia. The Jamiroquai acid jazz cabal are doing the same thing. This is someone else with thousands of edits, a fake profile editing anything that doesn’t suit the new world order…..

Why is ‘Philip Cross’ editing Wikipedia entries every day? 

British MP George Galloway

They also tried to do the same to David Icke. They wrote disinformation about him then tried to ban his son when he wrote and complained. A Wikipedia “editor” from Israel also edited David Ickes page with inaccurate information.T hey tried to claim that he’s anti-semetic simply because he speaks out against the new world order. Not that peopke from Eastern Europe are semitic.

WIKIPEDIA MANIPULATING YOUR MIND. ICKE SPEAKS ABOUT WHAT GOES ON

 WIKIPEDIA MANIPULATING YOUR MIND

THEY ARE BLOCKING THOUSANDS OF I.P’s EVERY DAY AND CREATING THE NEW WORLD ORDER. THE FASCIST CONTROL SYSTEM PEOPLE HAVE BEEN WARNING YOU ABOUT FOR MANY YEARS. WAKE UP!

10. Ask the 1980’s London SOULHEAD journalists

If you’re an African American journalist or other interested party the best people to contact for an authentic voice is, well the Voice Newspaper.

A PLOT TO ERASE BLACK IDENTITY? YEAH I’VE BEEN FIGHTING ONE FOR A DECADE

Interestingly they ran a story some time ago which I missed about a plot to erase Black identity on the airwaves. It would be interesting to find out who’s behind Capital Extra. It seems this plot goes deeper than Eddie Pillar, Gilles Peterson, Jamiroquai band members and the acid jazz cabal.

So those are just ten ways to debunk the myth these people are trying to create through disinformation, lies and threats. Jamiroquai made pastiches of other peoples music, people claimed they had written it all by themselves thinking that nobody would know where they took the music from, then claimed it was a genre invented by their crowd called acid jazz. For the past 27 or so years they have been steadily absorbing all styles of FUNK into this so-called acid jazz genre which didn’t even exist in the first place. They are now claiming that these sounds are Brit FUNK. No they ain’t. There is not and never was there a music genre invented by Giles Peterson called acid jazz.   Regardless of how many new millennial so called music “experts” ,”journalists” or 1990’s kids who write about this “acid jazz” genre they think was invented by a DJ….or because they don’t know what JAZZ-FUNK is or they think Stevie Wonder and 60’s/70’s/80’s Black American Soul was invented in 1990’s London.

SO BLACK AMERICA BEWARE!

Preserve your History and preserve your culture. Acid Jazz does not exist. We the AUTHENTIC London SOULHEADS of the 1970’s and 1980’s Acknowlede no such genre. Any so called “music journalist” who has ever referred to Jamiroquai or any late 1980’s/1990’s Rare Groove/Jazz Funk and Soul band as playing “Acid Jazz”is not to be regarded as a credible music writer.

THERE IS NO SUCH THING AS A BRITISH MUSIC GENRE CALLED ACID JAZZ. IT DOES NOT EXIST. THAT IS WHY NO ONE CAN NAME A SINGLE TRACK WHICH BELONGS TO THIS SO CALLED GENRE. AT NO TIME AND AT NO STAGE DURING THE 1980’s OR THE 1990’s DID ANY MUSIC GENRE CALLED ACID JAZZ COME OUT OF THIS CITY.

For if the Likes of Eddie Pillar, Gilles Peterson and their crowd get their way in 20 years time they will be telling your kids and Grand kids that the likes of Jamiroquai are responsible for Earth Wind and Fire, Kool and The Gang, Roy Ayers, Herbie Hancock and the like. Look how much they have stolen from Stevie Wonder on their plagiarized albums for example. Infact they already are as Jay Kay wishes to go down in history as the creator of all this stolen music and their mob of liars are doing all they can to wipe this information from the Internet.

AND ALWAYS REMEMBER YOUR GREATEST ALLIES ARE THE BLACK MUSIC PUBLICATIONS OF THE 1980’s, AND OF COURSE ALL THE SOUL SHOWS WHICH MAKE NO MENTION OF THIS SO CALLED ACID JAZZ GENRE. ACID JAZZ RECORDS HAVE NO CLAIM ON ANY STYLE OF BLACK MUSIC OTHER THAN THE FACT THEY PRINT THEIR NAME ALL OVER 20TH CENTURY SOUL COMPILATIONS

THIS IS HOW SERPENTS RE-WRITE HISTORY

This whole Acid jazz lie is a good example of how these criminals operate. You will begin to see how myths and lies are created on the Internet. And how myths and lies have been created throughout history. You already know that History is not what you were taught at school at least in the West. There have been civilisations on this planet for millions of years. That which has run this planet for thousands of years the global masonic network has kept this planet in the dark ages in constant cycles of war This is how the New world order is run and is going to be run if people don’t wake up. They will lie, lie and lie. They will push false information and keep repeating it hoping it will stick. Acid jazz records are using the same tactics as the N.W.O because they are linked to the N.W.O. It’s a serpent organization doing what serpent organizations do. Infiltrate and then take over form withing. However with music it’s not so easy to fool people. Especially when you can’t even name a track of this Fake genre, The global media is all run by the same people and it’s imperative that you stop watching the lies, disinformation and lies peddled to you by the controlled media, BBC, CNN, FOX etc. Get onto the Internet and start listening to people who are speaking the truth. People who will help wake you up like Mark Passio, David Icke and John Lamb Lash, Jay Parker etc. Yes they may be gatekeepers but use their knowledge as a jumping off point. Laura Eisenhower speaks the truth So did Credo Mutwa. The truth is out there. And these disinformation tactics or hiding information are nothing new. They have been going on for thousands of years. They infiltrate everywhere. So now you know how to debunk the Serpent lie, Go to the Soulhead Tales and imerse yourselves in the Funk as I intended you youngsters to. And whan you feel those Grooves, rhythms and Harmonies you will begin to undertsand my love for the Funk and why these serpent want to take ownership of these Energies. If you are spiritually aware enough to know what I mean. When I started this journey back in 2011 I looked for help and no one would speak up. . Many People from the era will tell you they lived for the FUNKI was prepaperd to die for it.

Kwabena Nkwatia-London Soulhead.

THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

ALL RIGHTS RESERVED