Who are you sitting in Australia to give us Lectures on Black Music in London?
Edit Dec 2021-The coward has reorganised the page, deleted a lot but still won’t give his or her namd and still hasn’t mentioned THE SOULHEAD TALES. So for sure He/She is in League with Kay and his mob.
s
ABC Australia (Double Jay)
Australia Double J. Have you heard of them? No neither have I. Yet they or at least one of them thinks He or She has the authority to speak on Black London of the 1980’s.
EDIT OCT 2021; The coward deleted the Article then replaced it with an edited version leaving out any mention of this Acid Jazz genre he thought existed;
ABC AUSTRALIA-
Take Your Dirty Rotten Satanic Globalist Divide And Rule BS And Shove It.
04/03/2019- Well what do we have here. The website isn’t even completed, proof read, advertised or anything yet but t they are already starting their PR. I mentioned Russians, Israelis, South Africans, Germans , Swedes etc who are part of the acid jazz hostile take over of Black music and Jamiroquai’s attempt to take ownership of all the music they stole. I should have mentioned Australia as well. Yes Aussie land that hotbed of Black American SOUL. Well, I suppose they needed something to compete in the search engine. Acid jazz and Jamiroquai as I mention have it all set up. They have their Youtube trolls, they have their Internet trolls hacking and stalking people and as you can see they have their media trolls.
So at the time, this blog was top of the rankings when it came to the keywords, Jamiroquai and Plagiarism. So I knew that sooner or later they would try and deflect attention from THE SOULHEAD TALES. That’s how the global cult works and as you know they control most of the media. They have their agents in all Media outlets. anyhow noticed I was getting quite a few hits from Australia and became suspicious. The I was directed to this website. Then I came across this article. This article designed to troll this website.
A “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots. You can see them in this blog.
SO THE HEADLINE OF THIS STUPID ARTICLE SCREAMS
Travelling Without Movin “nullifies” Catcalls of Cultural Appopriation?
So why don’t you tell us who you are? 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.
https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
There is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on
WHAT THE FUNK ARE YOU TALKING ABOUT ABC AUSTRALIA
First off I was there in London at the Times and NO ONE ever made the claim of cultural appopriation so that is a straightforward lie. Who has ever accused Jamiroquai of Cultural appopriation?! Are you people stupid? Do you even understand what SOUL MUSIC is? Acid Jazz is cultural appopriation because they are systematically stealjng somone elses culturem through deciet and fraudulent labelling. That has nothing to do with people of other cultures playing FUNK. Since when have only Black people played FUNK! Were you even alive in the 1970’s and the 1980’s? That stupid comment in itself proves that this person isn’t qualified to write for a school music magazine let alone on THE FUNK. You can see what he’s trying to do straight away though can’t you. Trying to twist things in typical serpent manner, Trying to start fights between races. This is what this mowb are trained to do. And as for Cultural appopriation
AN AUSTRALIAN RACE BAITING COWARD WHO KNOWS NOTHING ABOUT FUNK
ABC AUSTRALIA LET ME EDUCATE YOUR MUSIC JOURNALIST ON BLACK MUSIC
Cultural appopriation? Do you even know anything about THE FUNK?
Do you know who this is ABC AUSTRALIA? EXPERTS ON BLACK MUSIC?
HAVE YOU EVER HEARD OF THIS MAN ABC AUSTRALIA?
As you can see they are so incandescent with rage at KC playing Disco era Funk that they move about in jerky angry fashion in order to mask their fury in front of the Camera…….
HOW ABOUT THESE BOYS WHO COME FROM SCOTLAND?
YEAH I MEAN YOU CAN SEE HOW ANGRY ALL THE PEOPLE ARE AT THESE GUYS PLAYING BLACK MUSIC HUH? LUCKY THEY HAD AMPLE SECURITY THERE HUH?
1975-The Average White Band playing in absolute terror on SOULTRAIN. There was only one real singer. The rest were Scots Gaurds, SAS and MI5 there to protect him from Black Americans in the audience furious at hIm entertaining them with SOUL.
EVER HEARD OF THIS BLOKE ABC AUSTRALIA. ANOTHER SOUL TRAIN APPEARANCE. HAVE YOU EVEN EVER HEARD OF SOUL TRAIN ABC AUSTRALIA?
In scenes remeniscent of The riot at end of Marvin Hagler-Alan Minter fight, Elton John had dodge cups, bottles and bullets as he sang to angry Afircan Americans on Soul Train back in the 1970’s!
Cultural appopriation for playing Black Music. Are you dumb? Do you know how much airplay you had to have and how many thousands of record you had to sell into the SOUL charts. What colour are the people on stage and what colour do you think were the hundreads of thousands of people who bought their records back in the 1970’s ABC AUSTRALIA? Have you ever heard of Level 42? Simply Red? Shakatak? ABC, and DURAN DURAN were on SOUL TRAIN. You see if you are going to try and start talking rubbish about Music you understand nothing about and a culture that yoo were not even there to experience then it would pay to at least do a bit of research. You didn’t though did you. Because you know full well what you are trying to do. You are a discrace to journalism.
Beware of the Press as they say. Especially when it’s clear that they haven’t got the first clue about that which they speak..Jamiroquai are consumate plagiarisrs who are desperately trying to cover up their Music theft. Even this article mentions the stick Jamiroquai took for their blatant music theft Theft that What this stupid article tries to do is turn it into some sort of Race War. The silly writer of this article knows nothing about the London SOULHEAD movement for if he /she was then firstly He/She would know that the vast majority of London Soulheads were White. He would know that the most famous Soul Dj’s like Robbie Vincent, Chris Hill, Froggy Steve Walsh were actually White white.
No one in our day complained about cultural appopriation when it came to playing Black music so you Take Your Dirty Rotten Satanic Globalist Divide And Rule BS And Shove It. JamiroquaI get stick because they are Theives. Not because they plat the FUNK. And Gilles Peterson/Eddie Pillar and Acid Jazz records get stick from me at leats because they are trying to clim that the stolen FUNK Jamiroquai play is not FUNK buit a serpent genre called acid jazz. You are a typical media sepent which is why you are supporting them.
So this was from Two years ago- The Article is still there
These people (Infiltrators) don’t like being exposed so this journalist didn’t sign his or her name to their disingenuous piece. After several visits from Australia this article suddenly appeared from Down under. An Australian Radio website I’ve never heard of. Dated Nov 2018 when this site was under attack, It speaks about TWOM released in 1997. The article claims that a prize given in 1997 somehow nullifies what they describe as “cat calls of cultural appropriation”. And in who’s estimation exactly? That of an African American? No that of a new millennial Australian who won’t tell us who he/she is. So the article claims:
Jamiroquai takes part of its name from the ‘Iroquois’, a Native American Confederacy, and Kay has often favored performing in sacred cultural headwear and printed garments, despite not having any Native American heritage.
eeRRR We know what the name means..it’s a SATANIC (Metaphysical) ADMISSION of his and Acid Jazz records intent. But nice try. THIS IS A REMINDER OF WHAT IT REALLY MEANS:
Legend of the Iroquois serpent.
The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
STEVIE WONDER DOESN’T RECOGNISE HIS OWN PLAGIARISED SONGS?
The article also makes a claim about a meeting with Stevie Wonder but the link given shows no such interview…. Such was the weight of the endless comparisons and criticism from press that Kay approached a chance meeting with his idol with some resignation in his heart, as he told Paper in 1997. “I said to him, ‘I’m that guy you must keep hearing about; the little white guy who’s copying your stuff,’” Kay recalls. “He [Wonder] started humming ‘Virtual Insanity’ and said, ‘No, man, you’re doing it.’” ……………..???
So Where is this recorded? I wonder. Because Virtual insanity is actually stolen from Stevie and Djavan Luz. It’s PLAGIARISED from the end of the track like so many Jamiroquai rip offs. It’s the late 70’s early 80’s New York Queens sound. Don Blackman and Queens NY. Some of it’s pinched from Marvin Gaye. Do you seriously think Stevie Wonder wouldn’t recognise his own song. If this conversation actually took place and going by what I know of the Jamiroquai/acid jazz crowd I very much doubt it. Then Stevie was just being polite.
Now in keeping with the cowardly nature of this cult the Journalist and I used that Phrase loosely doesn’t give his or Her name. These were the Journalists listed so I can’t say who if anyone from the group wrote this shoddy piece.
…..So the Article goes onto say;
“The best song I’ve ever written in terms of [being] ahead of its time is ‘Virtual Insanity’… !”
…Errm No, you stole it from DJAVAN & STEVIE. Stevie would know the origin of every track on every stolen jamiroquai song. Lisa Markwell speaks of the same “interview” I believe and makes no mention of such a conversation. Not in the way it is described. I’m calling BS. And below is where everything on Travelling without moving is stolen from.
Perhaps you could mention the SOULHEAD TALES in your next piece Double J/ABC. Maybe mention all the bands they stole from. You seemed to miss out that bit in your article. AUSTRALIA DOUBLE JAY.
Doesn’t suit your agenda though does it. I’m assuming you are the Aussie equivalent of our satanic n.w.o mouthpiece the BBC whom themselves left out the SOULHEADS when speaking about the musical tribes of Britain. All working for the same agenda aren’t you. You can hear where I say Kay and his mob stole all the music from on that album in the SOULHEAD TALES-Jamiroquai’s Plagiarism-A response to quotes by Jay Kay CLICK BELOW
WHY DON’T YOU MENTION THIS IN YOUR BS ARTICLE DOUBLE JAY?!
Ever heard of Parliament Funkadelic, Roy Ayers, Pleasure, Bernard Wright and Don Blackman? Do you know that the post Disco Piano sound was?. Who are the Ojays? Who’s Idris Muhammed? George Duke?
Why don’t you educate yourself on Black music of the 1970’s.
“The best song I’ve ever written in terms of [being] ahead of its time is ‘Virtual Insanity’… !” REALLY ? YOU SURE YOU DIDN’T STEAL IT FROM THIS?
So anyway, why would you visit this half completed website and then try and drag up any old interview that you can find to try and show this total plagiarist in a good light. A wolf in sheep’s clothing by his OWN admission one may ask. Funny how you didn’t mention his other statements where he mocks Black people for wanting to cover what he describes as his tunes and claims he uses no outside influences, a claim that has been made more than once. Didn’t mention that did you DOUBLE JAY.They were basically looking for something anything that could come up with. The other question one might ask the unnamed author of the piece is exactly what knowledge do you have of the FUNK to make the sweeping statement that cultural appropriation is somehow nullified just because someone gave him a prize for an album full of stolen music. Did the people who gave him the prize know where all the music was stolen from? I do. So maybe ABC.NET.AU can point out which track on TWOM and any of the Jamiroquai Soul tracks isn’t stolen/culturally appropriated from Black America.
Anyhow in true disingenuous N.W.O. style (ignore the truth) reporting He/she then goes on to describe incredible “songwriting” musicians completely ignoring the fact that they are nothing more than 90’s Funk tribute band playing retreads of other peoples songs. They are well aware of where they stole the songs from because they have visited this site. Strange how they didn’t mention all the bands they robbed and stole from, then again when you think of the way people in that country have treated the tragic Aboriginal tribes, you shouldn’t expect them to give a damn about the welfare of old Black Americans. “Bossing basswork?” Ever heard of 70’s Funk? 
Bossing basswork, Shiny guitar licks, crisp percussion! Mor epfoof that thie writer doesn’t kknow what htyue are talking about…….
OH NO, NOT 1990’s Kids ZENDER myth again….”Bossin basswork!!!?
There is nothing bossing about Stuart Zender other than his ability to try and mimick others. Have you ever heard of Larry Graham, of Pleasure, of The Brothers Johnson? Do you know T Connection, The Bass players of CAMEO or of SLAVE and Aurra? Lakeside? Do you even know what Britfunk was in the post Disco Era? Do you know Freeeze, Light of the World, Sketch from Linx, Atmosfear, Level 42? Bossin Basswork? Do you have any Idea who Sekou Bunch is or Marcus Miller? And no disrespect to this bassist but Zender doesn’t make to 50 in England let alone bringing in the Americans of the day. This is just play by numbers. These are just weak copies of other people basslines from the 1970’s. You think they are bossing because you don’t know who any of these 1970’s FUNK giants are. People might say I;m being harsh but I just cannot stand shoddy lying so called journalists spouting rubbish. You do not know what you are talking about Mate.
Go to Nights of “Thunder Funk” gods of 1970’s/1980’s Bass Slap on the SOULHEAD TALES That is what you call bossing bassplayers “Jamiroquai’s” so called basslines are ALL nothing but weak copies of other people basslines from REAL bosses of 70’s FUNK like Bootsy Collins, of James Brown and Funkadelic, “Thunder thumbs Johnson” of the Brothers Johnson, Nate Phillips of Pleasure, Robert “Kool” Bell of Kool and the Gang, Bernard Edwards of CHIC and countless others. 1990’s SOUL is a replay of 70’s FUNK
This is wher the style in the so called Zender Chorus comes from. BOOTSY. He used to be the bassist for some bloke called James Brown. Ever heard of him?
Jamiroquai are a tribute band regardless of how mainstream media “music experts” like this person try to spin things. These Jamiroquai albums are nothing more than retreads of old school FUNK songs but then again it would take a real music journalist to know that. #
What was this ” Acid Jazz Crash?”
EDIT 2021; THAT BIT WAS DELETED!- He/she describes the “acid jazz crash” which Jamiroquai apparently survived according to the anonymous writer. So he thinks FUNK is called acid jazz because someone wrote it on Wikipedia and printed it on CD Covers! I rest my case. I suppose one shouldn’t be surprised, it looks like the New World order have taken over that country as well. Tellingly David Icke has just been banned from entering Australia by the communist global cabal.(2019). If they can’t stop people telling the truth they will lie. Take a look at the quality of journalism down under and you will find it’s just as bad as all the controlled N.W.O western mainstream media nowadays. Keep this in mind when you read that article.
THE OLD AUSTRALIA
Skippy the Bush Kangeroo was the program that introduced our generation in the U.K to Australia back in the 60’s & 70’s. In the 80’s the younger generation knew Australia thanks to Paul Hogan and soaps like Neighbors. The thing I will add is this. Australia in our day (70’s/80’s) knew the FUNK, there was often talk of the Aussie Soulheads in London, in Blues and Soul magazine or on Pirate radio.
In fact the only accurate review of a jamiroquai album I ever saw on line actually came from Australia. It described Funk Odyssey (2001) as being a series of pastiches and that people shouldn’t see the album as belonging to Jamiroquai although he didn’t say which tracks. He was right, I heard them too and I can tell you were all those songs come too.
See my breakdown of A Funk Odyssey here.
So if you’re a younger person don’t judge the Aussies knowledge of the Groove on this PR BS. There will be plenty of old school Disco era Aussie Funksters out there who can pick apart any Jamiroquai song. And they too will laugh in your face if you try and tell them that Jazz FUNK is called acid jazz and was invented in 1988 by a London DJ as acid jazz records are trying to claim. They know who Stevie Wonder James Brown and Roy Ayres are. They know what Motown, Beebop and the Blues are. Trust me you won’t find any old school Aussie who will refer to the FUNK as acid jazz. Ask them. They will be in their mid 50’s and upwards. And they too will not want to see their heroes robbed or die in poverty because of greedy record companies. And i’m sure they won’t take kindly to some anonymous kid claiming Jay Kay has had the last laugh on Black American. He Hasn’t. (The kid I wouldn’t call the person a journalist reworded what he had written)
AND THESE ARE WHAT WE CALL BOSSING BASSLINES. NOT JAMIROQUAI’S WEAK COPIES OF BASSLINES FROM THE 70’s/80′s
So we wait to see who this so called journalist is….
AUSTRALIA DOUBLE JAY. WHO IS THE COWARD?
soulboytales.com 