Gilles Peterson the criminal stalking troll involved in harassment, cyber bullying and death threats.

Updated October 2023….

“We’re untouchable we’re Jewish” former Invicta F.M DJ Gilles Peterson is a criminal and is being protected by corrupt metropolitan police officers.

MEET GILLES PETERSON. THE ARROGANT MANIPULATIVE MURDEROUS DJ, CO -FOUNDER OF ACID JAZZ RECORDS WHOM ALONGSIDE JAY KAY OF JAMIROQUAI AND OTHERS HAS BEEN INVOLVED IN YEARS OF CRIMINAL HARRASMENT. HE IS AWARE OF THIS WEBSITE AS ARE ALL HIS MOB. HE CANNOT SUE ME BECAUSE EVERYTHING I SAY IS TRUE.

             [We’re untouchable] “Most Judges and Lawyers are Jewish”

This image has an empty alt attribute; its file name is criminal.jpgWhat’s the matter Gilles? Thought you were safe trolling me behind your computer didn’t you? Weren’t you all bragging about belonging to the “Dark side”about “reptiles” (low vibrational entities), remote viewing and all that stuff a few years ago?! There are far more powerful things out there than that mate. Gilles “Literally not a shill” doesn’t look too confident does he. He knows that people know all about him, don’t you Gilles Peterson you arrogant ugly looking serpent.  You are a murderous criminal bully Gilles Peterson.  Sue me if you dare.

Mr “Literally not a Shill”. Literally not a shill was one of the statements made by Gilles Peterson when he was engaged in Cyberbullying me a few years ago. When I accused him of being a paid “shill” for acid jazz records he couldn’t resist bragging about owning a record company.  In addition to Jay Kay and Gilles Peterson, other people involved in criminal harassment, gangstalking and death threats include Lech Mazur ceo of Advameg and actor American actor Melvin Huffnagel.

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A Gang of cyberstalking murderous criminals; Left to right. Jay Kay, Gilles Peterson, Lech Mazur CEO of Advameg and actor Melvin Huffnagle.

Now calling people criminals is libelous. Libel is an offense. So ask yourself why they can’t or won’t sue me. They can’t because what I say is true.

Provable in a court of Law.

Criminality undertaken against me by Gilles Peterson, Jay Kay of Jamiroquai, Lech Mazur CEO of Advameg and Actor Melvin Huffnagle- Gangstalking, Cyberbullying, Racial abuse, Hacking, Theft of Artwork, Murder threats.

Not provable in a court of Law-

But provable by Tarot and Divination

Conspiracy to commit murder and several counts of attempted murder using electronic Interference, assassins and Record Industry Black Satanic Rituals.

So I would invite those of you who know how to access the energy field through Tarot/ Oracle cards, through bone, water, fire, feather divination etc to do your readings on the characters of these people. You will see that I am telling the truth.

So lets take a look at why these people would be involved in such criminal activities. There is a massive campaign of disinformation going on behind the scenes and like all criminals, they wish to suppress the truth.

1.) Since when was this criminal responsible for Black American and Black British Soul of the 1960’s/1970’s, 1980’s and 1990’s?

2.) Criminal Gilles Peterson engages in Criminal Cyberbullying and Gangstalking then tries to play the victim.

3)  Why Would Jay Kay, Gilles Peterson and others be involved in Cyberbullying and Criminal harrasment?

4) Jay Kay. Consummate Plagiarist, thief criminal gangstalker and murderous criminal.

THE GREAT THEFT OF FUNK.

Gilles Peterson. The front man for so called “Acid jazz” The systematic rebranding and the cultural appropriation of Black America and Black British Jazz, Funk and Soul of the 20th Century.

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THERE IS NO GENRE OF BLACK MUSIC CALLED ACID JAZZ OR CLUB JAZZ THEY DO NOT EXIST. GILLES PETERSON IS NOT RESPONSIBLE FOR ANY STYLE OF FUNK.

Jazz, Funk and Soul  aka “THE FUNK” comes from Black America and not from a Satanic record Label based here in London formed in 1987.

Gilles Peterson is the front man for what I call THE GREAT THEFT OF FUNK. The systematic and ongoing attempt by the Synagogue of Satan to re-write Black music history. They are trying to create a generational myth. A myth that 20th Century Soul music was invented here in the U.K in 1987 by their front man Gilles Peterson. Ridiculous you say. Not so. First take a look at the acid jazz Wikipedia page. On it you will see Gilles Peterson credited with inventing this non existent genre. Then run a search for acid jazz and you will see page after page of disinformation claiming that a Black music genre called acid jazz came out of London in the late 1980’s. It is a total lie. All they are doing is trying to rebrand Black American Soul music as a so called “Jewish” music genre invented here in London. NONE of us authentic London Funksters (SOULHEADS) of the 1970’s or 1980’s have ever heard of a music genre called acid jazz. None of these sounds on any so called acid jazz compilations was invented over here. Since when was Black American Jazz Funk and Soul of the 1950’s,1960’s 1970’s 1980’s and the 1990’s Invented here in London by a DJ and a  record label that infiltrated Black Britain in 1988?

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Gilles Peterson is a DJ he has never had a hit in his life and is not responsible for any style of Black music. And no one who knows anything whatsoever about Black American or British Soul music of the 1970’s and 1980’s will tell you that he is. Those who have even heard of him that is. When you run a search for acid jazz you will also see page after page of Jazz Funk, Disco era Funk, New Jack Swing, Neo Soul, Brit Funk, South American “Latin” Soul compilations all fraudulently re labelled as so called “acid jazz”, “Legends of Acid jazz” “the story of acid jazz” , “Absolute acid jazz”,  “acid jazz classics” and anything Eddie Pillar Gilles Peterson and his mob can come up with.

They are plastering the Internet with disinformation and flooding the market with mix after mix of as I said fraudulently labelled Soul music then claiming it as acid jazz. This is nothing more than a cultural appropriation exercise, a secret war being waged against Black America by The synagogue of Satan. An attempt to once again rob them of their creation. Criminal Gilles Peterson is the front man and the leading light in this THEFT of Funk. Even though he is trying to masquerade as a supporter of Black culture he is not. Like all serpent’s he’s a wolf in sheep’s clothing.

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ALL ABOARD GILLES PETERSON’S “ACID JAZZ” TIME MACHINE!

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As you can see below Gilles Peterson Invented the music of people who were famous when he was a baby or before he was born.

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So lets delve further into this attempted theft of Black Culture for which Gilles Peterson is the increasingly not so secret frontman of. lets take a closer look at some of their deceit and the work they have put into it…..

1.) Since when was this criminal responsible for 20th Century Black American and Black British Soul?

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Below are just some of the Jazz, Funk and Soul compilations rebranded as so called “Acid Jazz” the apparent “Invention of a Dj called Gilles Peterson who has nothing to do with any of these Black American sounds some of which were created before he was even born. Run a search for acid jazz and see how many returns you get . All claiming this criminal as the architect or creator a non existent genre of Soul music.

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Gilles Peterson was a Pirate Radio DJ back in our Day on Invicta FM. Invicta was one of the tiny Pirate stations of the post Disco era playing Soul Music here in London at a time when the FUNK was almost impossible to hear on mainstream radio other than the now legendary shows of Robbie Vincent and Greg Edwards, He was NOT well known and was just one of thousands of DJ’s working the London Soul underground of the 1980’s.

Now fast forward to the early the 21st Century and (According to the synagogue of Satan controlled globalist music media ONLY) Gilles Peterson is apparently a music genius on par with Quincy Jones, Gambel and Huff, The Mizzel Brothers, Randy Muller, Jam and Lewis, Kashif, Leon Sylvers and just about any 1970’s FUNK producer you can name. He has never produced a song in his life.  In addition to this he’s apparently “responsible” for the sounds of Stevie Wonder, James Brown, Johnny Hammond, Herbie Hancock, Roy Ayers, Lonnie Liston smith, Patrice Rushen, Donald Byrd, The Brothers Johnson, Rick James/Stone City, Parliament Funkadelic and all the other 1970’s/1980’s Funk bands ripped off by Jamiroquai in the 1990’s into the 2000’s. 

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Apparently Jamiroquai are playing a Black music genre called “acid jazz”  Invented by Gilles Peterson. Oh yes Gilles Peterson of Invicta FM is responsible for Stevie Wonder! No such genre/sub genre or style of Black music exists or has ever existed.  But wait there’s more. As he is also apparently responsible for the British Jazz Funk sound of the Disco/ post Disco era bands like Delegation, Hi Tension, Level 42, Atmosfear, Shakatak, Linx, Central Line,  Imagination or Light of the World/I Level/Incognito, Incognito etc. He has nothing to do with the sound of any of these bands and no one had ever heard of him in the 1980’s other than a handful of Jazz enthusiasts who read Blues and Soul.

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Oh, and I forgot, He also is responsible for our mid to late Black British sound of the 1980’s. Acts like Loose Ends, Five Star and old school favorite Billy Ocean.  He has nothing to do with any of these world famous bands. Again no one had even heard of him. And of course, yea there is more…. most importantly he is now apparently responsible for our Rare Groove (Retro 1970’s Funk) sound of the late 1980’s created by people like Soul To Soul, The Pasadena’s, Omar Lye Fook, and especially the 1980’s  mid to late 1980’s too. Yup. People like Jazzie B and Soul to Soul, The Young Disciples and many more.

Oh sorry I forgot this too. Gilles Peterson of Invicta F.M is listed as a notable “acid jazz” artist alongside the likes of 1970’s Latin Giants Azymuth and a whole load of bands playing Rare Groove (retro 70’s Funk), Jazz, Jazz Funk, Brit Funk, late 1980’s Black American New Jack swing and 1990’s Neo Soul and even Techno. All of whom are apparently now playing a music genre called acid jazz which does not and has never existed.

Acid jazz is nothing more than a satanic record label  which jumped on the FUNK bandwagon back in the late 1980’s and is trying to attach itself to the legacy of FUNK by rebranding 20th Century Soul music as “acid jazz”. The claiming that it’s a new music genre which came out of London. Ask them to tell you the name of an “acid jazz£ track they can’t Because it’s just fraudulently labelled Jazz Funk, The Pan African sound, Disco era Funk, Brit Funk , Rare Groove, New Jack swing, Neo Soul, Bossa Nova, Samba etc ect….

Below a list of bands featuring “Godfather of Soul” Invicta FM’s Gilles Peterson right at the top! On wiklpedia we are told that these are “acid jazz” bands playing a music genre invented by .Gilles Peterson who has never had a hit in his life. Because these serpents think people are too stupid  to recognize the same music we grew up with in the 1970’s/1980’s.

CULTURAL THEFT THE REBRANDING OF 20th CENTURY SOUL

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You’re a notable acid jazz artist are you Gilles Peterson? Err Erica Badu is Neo Soul, Azymuth are “Latin” (South American) Soul. Jamiroquai are 70’s/80’s FUNK plagiarists. Which aspect of these bands did you invent Gilles Peterson? How are these bands playing your acid jazz genre?

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Infiltrators of Black culture Gilles Peterson, Eddie Pillar and Acid Jazz records are not responsible for any sound here in London at any time as all the music archives of the 1980’s such as Blues and Soul Magazine, Jet, Black Echoes, Ebony etc will testify. As will all the Radio archives and T.V shows of the 1980’s such as U.S and the U.K’s version of Soultrain. You will find no reference to any Black music genre called acid jazz anywhere on radio, television or in print in the 1980’s.

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The only time you will begin to see any style of Black music desribed as “acid jazz”  is in the mid to late 1990’s by people who don’t know what 1970’s/1980’s Jazz,  Funk and Soul is. And the only place you will see the calim that there is a black music genre called acid jazz is on the front cover of fraudulently labelled soul mixes.  Or in their global disinformation campaign on Wikipedia, Everipedia and all across the Internet. They are trying to create a genreational myth that the serpent is responsible for FUNK. And Gilles Peterson is the Frontman for this myth which is why he is involved in criminal activities to silence the truth.

2. Criminal Gilles Peterson engages in Criminal Cyberbullying and Gangstalking then tries to play the victim to fool the search engines

As this unadvertised site was getting a little bit of traffic and people were becoming aware of the actions of Jay Kay, Peterson and his mob. They finally realized they couldn’t intimidate me into silence no matter how much they tried. So they came up with a plan. A pathetic attempt at a bit of childish reverse phychology. In keeping with their deceitful nature.

How to try and get out of it…? Accuse others of doing to you what you are doing to others. That way when people see the words “gang stalking” , “racism” and “criminal harassment” associated with your name Gilles, then they will think you are the victim. No one will suspect that you’re the perpetrator.

Hey Presto!  Woman jailed for stalking Gilles Peterson hahahaha! How much did you pay her Gilles? Who they hell is going to stalk you?


This image has an empty alt attribute; its file name is gilles-peterson-criminal1.jpg  Gone grey overnight haven’t you Gilles Peterson. Why is that I wonder.

 SMOKE AND MIRRORS! NICE TRY GILLES PETERSON. WHAT WOMAN IN HER RIGHT MIND IS GOING TO STALK SOMEONE WHO LOOKS LIKE YOU! LOL.  YOU ARE THE CRIMINAL GILLES PETERSON

Acid Jazz records is a serpent organization so of course they are backed by the globalists. They are employing all the disinformation and censorship tactics that people are gradually becoming aware of worldwide. “Jewish gangstalking” is one of the methods being used across the globe to frighten intimidate or silence anyone who speaks out against the emerging Globalist Police state. Think of places like 1960’s Communist Czechoslovakia and you will get some idea of how they want this Planet to look. Not that these criminals are exclusively so called Jewish.. Not that they are real Jews either. They converted to the religion back in the 8th Century.  These are Synagogue of Satan and they are hated by real people of that faith. This is a global dark Occultist cult and they come in all races.  There are plenty of what we call “Black devils” in our community too. Like Melvin Huffnage who is one of their gang.

These people and their Ilk are basically trainees for what they think is going to be their N.W.O.  One of Jamiroquai’s tracks is called our time is coming. Well it will but it won’t be what any of you think. They cyberstalk, bully and try to intimidate people If after a while this doesn’t work then they pass it on to another department who then take steps to try and silence you some other way.  Did you know that they actually have a guidebook for their paid trolls/gang stalkers and sit in classrooms being taught how to cause trouble and not be suspected. All these things are in the public domain though the globalists are trying their hardest to delete as much material as they can find.

I notice also how Gilles Peterson used certain KEY PHRASES in his accusations against this Woman. Key phrases designed to alert “certain” people. One of the most interesting is accusations of racism. racism.?! This is strange because you Jay Kay and others refer to Black people as monkeys and baboons in your several years of trolling. If Black people are monkeys then what are you, you ugly bunch of parasitic mutants. Why are you in Black culture? and more importantly why are you trying to claim that you are responsible for any style of Black Music when you have created nothing. Created nothing because you have no ability to create. The likes of you and your degenerate serpent bloodlines are superior to no one here on the Earth plain.

See Below. Does this look like a compilation of bands playing FUNK or are these bands playing a non existent called acid jazz music genre invented by Gilles Peterson?

You will find NO REFERENCE to any of the complete BS written on this page above in any Black Music publication of the 1980’s. At no time and at no stage was there ever a music genre called acid jazz here in London or anywhere else. The fact that Gilles Peterson and Eddie Pillar decided they were going to re-classify the music of someone elses culture as acid jazz does not constitute the existence of a Black Music genre.

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So no matter how much they lie on the Internet about what happened over here in London during the 1980’s in terms of Black music there archives are still there! The first mention of “Acid Jazz” is in 1988 in a tiny column announcing the formation of a record label called acid jazz records. So much for you imaginary 1980’s acid jazz genre huh! No one even knew who acid jazz records were until the mid 1990’s and that was just a few kids. The first time I even saw the word was in 1999

THE FIRST EVER MENTION OF ACID JAZZ THE FORMATION

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THIS IS MY PERSONAL COPY . I have all my Blues and Soul mags covering the time period they claim acid jazz was supposed to be a genre. Note Jack and Acid House were grooves. You can read about that in any 1980’s Black music mas. But there was no such thing as “Acid Jazz or Club Jazz”. Names cooked up by Gilles Peterson and his mob. So as you can see Gilles Peterson is heavily Invested in THE GREAT THEFT OF FUNK. He will lie all he can. He has to. Those beings don’t like faliure!

MURDER THREATS by jay kay Gilles peterson and their gang

Below just one of the Murder threats they left all over the Internet and on Videos of Music recomended by me in THE SOULHEAD TALES.

I have plenty of others including the ones that the MET claim they have lost! This goes back quite a few years and was witnessed by many.

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You can kill no one you murderous bunch of serpents

Above is just one of the threatening messages left for me during the days when they were subjecting me to cyberbullying, harassment, stalking and trolling. The Metropolitan Police as I said are fully aware of what’s been going on and have been monitoring people. The corrupt Officer who refused to investigate these crimes has been allowed to resign. They claim they do not know the Identity of a Female officer who is another criminal. And one low ranking so called Police officer finds it amusing. However corrupted officers claim to lost the evidence some of which appears on this site. So the Metropolitan police are complicit. For those of us who were around at the time of the Brixton riots know that rampant institutionalize racism still exists in the Metropolitan Police.

So as i keep saying If you’re a skilled Intuitive, Tarot/Oracle reader etc then you will see what this evil “inverted emperor /seven of swords” criminal and his mob have been up to. And if you are especially skilled you will see that they actually think they are going to get away with it. You will of course also know that they won’t. Some of them know this already.

3) Why would Jay Kay , Gilles Peterson and Acid Jazz records be involved in criminal harassment?… Ego, Money and Black Music History.

Well you have already seen why. The rest is Simple. Their gigantic ego’s will be destroyed, they may lose money and they will be unable to re-write Black Music History. The SOULHEAD TALES destroys the lies of Jay Kay and 10 Easy Ways to Debunk the Acid Jazz lie destroys the lies of Gilles Peterson and Eddie Pillar. It defeats what I call the Great Theft of Funk. Essentially this work stops them and their criminal International “Mastermind group” (See the works of Napoleon Hill) from re-writing History in the way that they wish to. It prevents them from culturally appropriating Soul Music by giving the new generation of 21st Century journalists, DJ’s and authentic music writers In America, the U.K and the World over all the Information they need to destroy their cultural appropriation campaign.

I have been fighting a massive campaign designed to re-write history for many years, This International cabal are trying to rob people/bands not only of money they owe them for stealing their music but to completely disenfranchise the Black Americans from the legacy of Soul Music. They are trying to use 1980’s London England and our Soul community of the day as a means to steal the legacy of 20th Century Soul Music from Black America. I am a Londoner of that era and they are responsible for NONE of these sounds. I was there and they know it. They don’t want people finding out about what they are doing. Especially Black America!

GIANTS OF BRITFUNK. SOME OF THE BRITISH SOUL BANDS THAT GILLES PETERSON AND HIS MOB ARE TRYING TO WIPE FROM HISTORY ON WIKIPEDIA.

These are some of our more famous Bands but there were many others. These are the people who created our sound. NOT their (Acid Jazz records) signings Plagiarists Jamiroquai or the brand New Heavies. And criminal Gilles Peterson has NOTHING to do with the creation of any sound regardless of what the globalist music press tell you. As anyone can see when they read my work I am Authentic. You will find No Aiuthentic London Funkster, band, singer or act of the 1980’s who will credit that label with creating anything.

They are infiltrators who came into Black music with a predefined mission. They came to do what they are still doing now STEAL. They didn’t say this is a Funk mix by acid jazz records they said This is 100% Acid jazz. They knew exactly what they were trying to do from day one. They can’t fool me on any of the styles of Black Music on any Jamiroquai track or that of anyone else. They are seeking to steal the legacy of FUNK through deception but I know the FUNK better than any of them do so they can’t argue with my correct classifications of Jamiroquai’s tracks and neither can they deny the music they have stolen because I remember where all those sounds from original 1970’s/1980’s FUNK . I go through all their tracks and take them to bits. I leave them nowhere to hide. It’s in the SOULHEAD TALES!

3)  Why Would Jay Kay, Gilles Peterson and others be involved in Cyberbullying and Criminal harassment?

Murderous Plagiarist Jay Kay ofJamiroquai and band members are also involved in criminal activity to hide their music theft.

Jay Kay of Jamiroquai is another murderous serpent you want to do your Tarot readings on. This murderous little Man has done a lot in the background including, cyberstalking, threats hacking and theft of Artwork which was used on the Automaton Album. He was the original and has been involved in these murder attempts All provable in a court of Law. The little crook knows this which is why he cannot sue.

So when Jamiroquai band members had been stalking me on the Internet since I started speaking out about their music plagiarism. Unbeknown to anyone at the time they had a massive campaign going on in the background to cover up their blatant plagiarism. They were on websites like Prince.org and other places uploading music lists and claiming them as the bands that inspired Jamiroquai when of course they left out all the stuff they had stolen. The music you can see on the Soulhead Tales. And as you have seen they were also on Wikipedia deleting protests over the fact that there was no mention of all the music they had stolen on Wikipedia. They deleted their profiles as soon as I mentioned it on this blog as they know that their history can be checked. As you can see below but note Jay kay used a different profile name which is why he is still there.

Jamiroquai band members close down their profiles on Wikipedia to hide the fact that they have been involved in deletion of material. Rob deleted a copy of the Soulhead tales in 2017.

Notice there are only three profiles in Blue. The others have been deleted. Jay Kay ever the clever crook used a different profile. They have since replaced their profiles with fresh ones to hide what they have been doing. But not before I took screen shots! So we know the guilty ones.

One of them paid to have my phone hacked to find out who I was then they followed my around youtube marking the lists of Jamiroquai plagiarism as spam so that it got deleted. Anyhow Gilles Peterson was part of their gangstalking crowd. So i started speaking out about the fact that acid jazz was not a music genre. Gilles Peterson who was part of the gang that had hacked onto my Internet connection and were trolling my comments as they do in Jewish stalking.

Peterson as you have already seen is trying to go down in history are some sort of Giant in Black music history when he has created nothing and is totally irrelevant to any one except the globalist media. Jay Kay is seeking to steal and claim credit not only for the musical genius of Stevie Wonder but all the other bands he ripped, stole from and plagiarized. Bands that you will see in THE SOULHEAD TALES.  As you can see in quotes by Jay Kay he claims that all his music is self written.

Do you think he wants Black Americans or Disco era Funksters, Journalists and all the 70’s/80’s bands he robbed many of whom are still around to hear that.? A lot of Americans don’t know who Jamiroquai were and a lot of young Americans who do won’t recognise any of the 1970’s/1980’s Funk bands and sounds. Some of the kids seem to think Black music started in the 1990’s with Tupac. They don’t have a clue who Grand Master Flash, Melle Mel or Curtis Blow were. Even in the 1990’s so called mainstream media called Jamiroquai’s plagiarism ground breaking or unique! and that was just a decade later. So what chance will peole have in another 20 or 30 years time.

You see that is the plan, Remember they work generationally. When our generation has gone this mob will try to reintroduce FUNK in the late 21st Century and then claim that it’s was invented by them. And there will be no one around to argue. That’s what the serpent does. They are as you can see already trying even though we are still here. This is how generational myths work. They know that I have created something that they cannot defeat. They know that my work ruins their plans. And they know that they could can end up in Jail if they can’t bribe enough corrupt Police for their criminal abuse. So of course like the criminals that they are they are going to threaten me. All these satanic record Industry types think they are gangsters.

Do you think Jay Kay wants Black Americans or Disco era Funksters, Journalists and all the 70’s/80’s bands he robbed many of whom are still around to hear that. Do you think he wants to hear all his misguided fans of the 1990’s ask for their money back! Do you think he wants to hear people tell him to give back all the prizes he fraudulently won off the Back of other people’s talents?

Interestingly when he was totally humiliated by the original Soulhead tales (created on the old Jamirotalk fansite in 2017) and all the people on that site saw him for the plagiarist that he was. He was offered a prize. Knowing that he had been totally debunked. Knowing that everyone on that site and journalists who were watching, knowing that just about every single thing he had stolen was known … He STILL accepted the prize!  So this serpent’s ego is massive. The last thing he wants is to go down in history as well the greatest fraud in Music history which in my view is what he is. Now I am sorry but if you make millions out of robbing people, parade as though you are a musical genius and deny that you have taken anything from anywhere then you deserve all the stick which comes with it.

When you then accuse people who criticize you as living in huts, admonish what he calls “Black Guys” for wanting to cover his tunes when he has stolen them, create a song called Wolf in sheep’s clothing, then admit you’re a serpent by creating a song called I’am automaton…..This is a nasty little piece of work. And as I say he is also a murderous criminal who has with Gilles Peterson and others been involved in many years of criminal harrasment. Would you let someone slander your name and not take action against them? No. Well he has tried to take action but their satanic rituals didn’t work.

THEFT OF ART WORK BY JAY KAY.And speaking of Automaton. During his hacking and cyberbullying campaign Jay Kay stole artwork and used on the front cover of that album. (Again those who practice the craft do you Energy/Tarot/Bone readings etc). He actually released the album the next day after I pronounced the soulhead tales on Jamirotalk completed.

So my work THE SOULHEAD TALES totally shows him up for the crook that he is. It destroys the image that his band and him are trying to craft for the new generation.

That they were a bunch of crooks and plagiarists who never wrote anything they didn’t steal. They know this and that is why band members took over their Wikipedia web page and deleted the truth.

When you go through the SOULHEAD TALES and see you will see why Jay Kay and his mob are so scared of Me that they have gone to the extremes that they have. Including as I say attempted murder.

I have totally debunked their entire 1990’s early 2000’s discography. All the Music they made their name with is returned to the people they stole it from. So when you ask why would Jay Kay of Jamiroquai be trying to silence me then now you have your answer.

When you go through THESOULHEAD TALES having read the lies being pushed by Jay Kay. Lies claiming that he wrote all this music by himself then see where he has stolen it from. Do you think that isn’t a threat to him? Do you think someone with such a massive ego wants to be publicly humiliated with the truth.  I actually gave them a chance when they used to troll me. I told them to give credit to the bands they had stolen from. Instead they decided to come after me threaten me then try to silence me. This is the result had they taken on board what I had said then the SOULHEAD TALES would not exist.  The truth will always out and I am an agent of Justice.

Likewise Gilles Peterson who has spent many years secretly accepting accolades for a nonexistent Black music genre, massaging his massive ego is set to lose everything. Including his credibility. He masquerades as a supporter of Black Culture nut he is in fact an ENEMY of Black culture. Do you think he wants to be exposed for what he is? A Wolf in sheep’s clothing. A two faced satanic plant in Black culture performing the role set out for him by the Synagogue of Satan. Deceit, and Stealing from people is highly regarded by Dark Occultists. Peterson was set to be a hero. Now he’s being exposed. Satanists don’t like being exposed they HATE it. Everyone will know that Gilles Peterson is a liar and a Criminal many already do. Everywhere you go on Wikipedia , and all the other websites like Everipedia and many more Gilles Peterson is credited with inventing a genre that does not exist.

Gilles Peterson’s Satanic Petition.

So below This is essentially Gilles Peterson’s petition to the Universe..

I am credited with originating Black American Soul Music. Rare Groove isn’t Black music it is a music genre called acid jazz and was invented by me, I am responsible for Jazz Funk and Soul. Everything with the words Acid jazz on it is my Invention. I am Gilles Peterson I am the Godfather of Soul Music.

You can debunk Eddie Pillar and Gilles Petersons Fraudulent theft of Black Culture ans their Disinformation by clicking on the link below.

TEN EASY WAYS TO DEBUNK THE ACID JAZZ LIE-THE CULTURAL APPROPRIATION OF FUNK

Peterson and his mob have gone to great lengths to keep their false version of Black Music history the Acid Jazz on Wikipedia up. They are also deleting the truth but quite a few people now know about it.  Up now know about it too. See below where they are deleting the truth to preserve their Cultural theft disinformation campaign…..

This was around 2017/2018. This page of complete disinformation which writes out of history Black British Soul music then replaces the Likes Soul to Soul, Loose Ends, Omar Lye Fook, The Pasadenas, Five Star, Billy Ocean, Sade and all the Black British superstars of the 1980’s with acid jazz record signings like Jamiroquai and the brand new heavies. Then tries to portray them as some sort of representatives of Black Britain. This page is policed by Gilles Peterson and his mob.

And as for Gilles Peterson In terms of his massive ego as you can tell from what is basically a satanic petition on the Acid Jazz Wikipedia page He wants to go down in music history as the one responsible for not only the sound of Black Britain but the sound of Black America. In the same way as his partner in crime Jay Kay wants to go down in history as a musical genius who wrote all the music he stole. That which you see written on the Soulhead Tales. There was/is a lot at stake. Money and that is all they care about. They will happily try to murder someone to silence or steal from them. But there are much bigger forces out there than any of them or what they represent. I am proof of that.

These Infiltrators/Usurpers Are Trying To Re-Write History! And they are targeting the youth of the 21st Century with their generation myth. They know that I can stop them. So when you ask why are people Involved in criminal harassment well now you have your Answers. And you will have caught up with the Tarot readers who did their divination at the start of this page. What else do you expect from these evil greedy Dark Occultist Serpents but to try and intimidate people.


SO SPEAK UP OH GODFATHER OF SOUL MUSIC IN THE U.K AND IN THE U.S.A. THE CREATOR OF A BLACK MUSIC GENRE BEING PLAYED BY JAMIROQUAI, THE BRAND NEW HEAVIES, INCOGNITO AND EVERYONE ELSE FROM AZYMUTH TO ERICA BADU!

I SAY AGAIN GILLES PETERSON. YOU ARE A CRIMINAL. THAT IS A LIBELOUS STATEMENT. YOU HAVE COMMITTED CRIMES AGAINST ME GILLES PETERSON NOW SUE ME IF YOU DARE

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And as for you you nasty jumped up murderous little bitch you can do the same.

Sue me if you dare you ugly evil little satanic troll.

SUE ME FOR LIBEL.–Kwabena Nkwatia


 

 

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