THE GREAT THEFT OF THE FUNK
There is no genre of Black Music called acid jazz. There is no sub genre of Black music called acid jazz. There is no style of Black music called acid jazz. Acid jazz is a serpent record label who infiltrated Soul music in the late 1980’s and has spent close on 30 years systematically re-classifying Jazz Funk, Funk, Disco Era Funk, New Jack Swing and Even Neo Soul as so called “Acid Jazz” which they claim was “invented” here in London in the mid 1980’s by the co founder of Acid Jazz record Gilles Peterson. A DJ who has never had a hit in his life and who is responsible for nothing whatsoever here in London as far as Black Music is and was concerned. On Wikipedia they claim that Peterson invented this acid jazz genre. And that it “broke into the mainstream” in 1991 thanks to acid jazz record signings Jamiroquai, The Brand New heavies and Incognito. Then according to what they wrote on wikipedia this imaginary genre conveniently became Indistinguishable from other styles of Funk…. and apparently bands they claim that were once classified ass Acid jazz are seen as Jazzfunk, New Jack Swing and Neo Soul….Except no bands were ever “classified” as acid jazz because Gilles Peterson did not invent any music genre. What they meant to say of course is that we are going to try and fool the New millennial public into thinking that 1970’s Jazz Funk, late 1980’s New Jack Swing and 1990’s Neo Soul are all actually called Acid jazz. And that the names are interchangeable. That way we can sow doubts into the minds of those who don’t understand what the sounds are or who know nothing about 20th Century Soul Music. Basically they are trying to culturally appropriate 20th Century Soul Music using classic serpent tactics of disinformation , Lies and deceit. Unfortunately for them as they are finding out these tactics don’t work in music.
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK. Now remember Importantly they can’t tell you the name of an acid jazz track belonging to this non existent genre they claim was invented by Gilles Peterson here in London because all they have done is replace the words Rare Groove (Retro 1970’s Funk) with the name of their Satanic record label then claim that is was a new genre.Presumably as I state elsewhere because Gilles Peterson and Eddie Pillar think people are too funking stooppid to recognise the sounds of our own youth and of our own culture. Presumably as I state elsewhere. The other hilarious thing is that they forgot all the Black music magazines , T. V shows, Club Reports of the 1980’s none of which make any mention of this criminal Gilles Peterson ever inventing anything.
FROM ACID JAZZ TO FUNK TO FUNK AND ACID JAZZ, THEN JAZZ FUNK? …WE’RE CONFUSED WHAT IS IT?!ACID JAZZ THE MYSTERIOUS BLACK MUSIC GENRE FOR WHICH THEY CAN’T NAME A SINGLE TRACK…….BECAUSE IT’S JUST FUNK!
They say honesty is the best policy but telling the truth is something this lot are incapable of doing as David Icke keeps telling you. When you tell so many lies it’s difficult to keep track of yourself. You tend to slip up. The acid jazz cabal are trying to rewrite Black Music history but it’s kind of difficult for them. Eddie Pillar marketed Jamiroquai’s Emergency on planet Earth album as acid jazz instead of Rare Groove. He then began to print words like 100% acid jazz on Soul mixes and Rare Groove compilations. First it was acid jazz , then it was no! no! it’s jazz funk and acid jazz… okay, okay, it’s Funk……Err no! no! No! scrub that it’s acid jazz again. Except it’s Funk…..with a hint of acid jazz! No it’s Funk. They think they can fool people on their own culture just like they fool people on politics and history. They can’t. In true dis-info-serpent fashion they have an army of infiltrators on music websites repeating their lies and trying to make it look as if there is a music genre called acid jazz and of course on Wikipedia where as you will see, they have taken over the acid jazz page and the Jamiroquai page. They changed the genre from Acid jazz to Jazz Funk on wiki ONLY after the SOULHEAD TALES meant they couldn’t fool the new generation any longer. Too many people had seen that list on the old jamirotalk site. 28,000 Plus before the German owner deleted the whole website, Created a new one and put it behind closed doors. Then in true “E can’t create anything lizard fashion” She copied the original layout of this blog including the heart logo. When you joined the old Jamirotalk website it asked “Why do you want to join”. Now why would someone ask such a question? Probably because they knew I was coming.
Acid Jazz flavours and Ethnic Influence?! NO IT’S RARE GROOVE!
As you can see they didn’t have a clue about all the different styles of FUNK plagiarised on Jamiroequai albums and they didn’t have a clue who most of the bands were. Do you think they’ve heard of or know anything about FUNK? Acid jazz flavours! Acid jazz being a Black music genre invented by Gilles Peterson according to the Zionist new world order. They had a plan from day one. Serpents plan years in advance. They started off in the 1990’s trying to claim that rare groove was a music genre called acid jazz. Most of us older people who heard the word acid jazz probably thought it was just some sort of a marketing campaign. An excuse they will probably use if this story gets out and people start questioning their attempted cultural theft. No one at the time would have realised the ominous intentions. They were gradually indoctrinating the youth of the 1990’s who didn’t know what this music was. They weren’t born in the 1970’s and were too young to recognise all the Jazz Funk sounds they were listening to. As you can see they came up with all sorts of silly names to hoodwink the 90’s youngsters like acid jazz flavours and ethnic influences to describe their first three albums. That’s because they didn’t know what those sounds were either and neither did many of the so called music writers of the mid 1990’s. I can tell you for a fact that they didn’t have a clue what any of these sounds were. On jamirotalk, the old jamiroquai fan site their fake account didn’t even know that Soul bands were referred to as FUNK bands. They hadn’t even heard of 1% of the bands in the Soulhead tales.
(Edit….Oct 2020 AS PREDICTED! Pillar is now claiming acid jazz was a marketing ploy. Of course it is. That’s why he prints Absolute acid jazz, acid jazz classic and this is acid jazz on Jazz, Funk, Soul, New Jack swing and Neo Soul mixes. Black American SOUL/R&B)
All change! *Mind the gap!……Wait a minuet……now it’s Jazz Funk AND Gilles Peterson acid jazz!
So 1990’s Jamiroquai wasn’t just Rare Groove, it also included a music genre invented by Gilles Peterson! Did it really?! They then started to claim that Jamiroquai play Funk and acid jazz. Inference being that Acid jazz is a different style of FUNK invented by Gilles Peterson! Well, I have categorised every Jamiroquai track I know into it’s correct style of FUNK and I can’t find anything called acid jazz in it. Neither can anyone else. That’s because Acid jazz as music genre does not exist. So ask Gilles Peterson which song is acid jazz (Black music invented by Gilles Peterson) and not Normal Black American SOUL?
But I thought…but wait….So now you took your name from a subgenre did you! HaHaHa Ha. Make up your minds. Oh no you didn’t! There was NO subgenre of the groove called acid jazz at any time during the 1980’s as Blues and Soul Archives will prove.And even if you did which you did not, then Why have you spent about 25 years telling everyone that acid jazz was a Black music genre that came out of London in the 1980’s. Why have you been printing lies such as 100% Acid Jazz, This is Acid Jaz, The Story of acid jazz on SOUL/R&B mixes trying to fool the new millenials. The next generation. Here’ a challenge tell me the name of a single Track, be it Jazz, Funk, Soul or Latin that belongs to this so called subgenre you claim came out of London. Then show us an “acid jazz” chart, club report, Album review or anything at all in any Black music publication which mentions this subgenre. You can’t of course because there isn’t one is there.
THE SOULHEAD TALES gave them no way out!
All change……Again….Okay so now they are a Jazz Funk band!? Well the correct term for them is a tribute band except as they claim they wrote all this music themselves the correct term is actually a bunch pf Plagiarists.
Realising that these people would never ever tell the truth, that arrogant talent less plagiarist Jay Kay would continue to lie, that they would continue in their attempts to re-history and Steal Black Culture I decided to write the Soulhead Tales and end all arguments once and for all. It would not only provide a route for young kids to hear authentic FUNK which was my original intention, It would also prevent the bands they had stolen from being written out of history, and stop people from claiming credit for music that they had plagiarised line by line. The Soulhead Tales was written (Over a period of 7 years) and I defined the correct genre and style of FUNK on every last one of their albums and where they stole it from. There was now no way out for them. No hiding place. They had to tell the truth! So they then started describe themselves as a Jazz-Funk band.
Notice how they are describing themselves as SONGWRITERS! when all they have done as you will see from the SOULHEAD TALES is merge other people groove together then claim ownership of them.. Jt like Eddie Pillar and the Acid jazz lie, they are targeting the youth. look at what THEY are writing on Wikipedia. Remember it’s not LEGITIMATE music writers or people who are qualified to write on Black music such as myself writing these reviews. Any legitimate Black music writer would state exactly what they are nothing more than a tribute band. It’s Jamiroquai band members backed by the n.w.o who delete the truth and block I.P Addresses who are writing these total lies in order to hide their theft of music. Their crowd also control the Acid jazz page as you will see. To read the rubbish they have written you would think they are a legitimate band as opposed to the FUNK pickpockets that they are.
THIS IS HOW SERPENTS CHANGE/REWRITE HISTORY. THROUGH LIES, DECEPTION AND SUPPRESSION OF INFORMATION.
They claim that Jamiroquai debuted as an acid jazz band and then explored other musical directions such as pop, rock, disco and electronica! TOTAL BOLLOCKS. No they didn’t. They started off on the first three albums making pastiches of 70’s Stevie Wonder, Roy Ayers, Pleasure, The Brothers Johnson, Curtis Mayfield, Larry Graham etc.. then they ripped off the bands of the late 70’s early 80’s Disco/Post disco era then when they had run out of FUNK to plagiarise they turned their attention to Synth Pop/Rock and ripped off a whole load of bands playing those genres.. On Automaton they tried to avoid all the big names and plagiarised 80’s Funk. Unluckily for them I recognise most of them too! So they are still trying to claim that the stolen FUNK you see on the Soulhead Tale below on their first six albums is acid jazz. The music genre they claim was invented by Pub DJ Gilles Peterson. So Stevie Wonder, Patrice Rushen, Herbie Hancock, Earth wind and Fire, Roy Ayres and all the other stolen FUNK on Jamiroquai albums…..was invented by Gilles Peterson…..Yep!
2019-Eddie Pillars lie machine is still trying to re-write Black music history
“With Kay in charge of the bands creative what….HAHAHAHA!!
Hilarious! Kay in charge of the bands creative WHAT! Please take a look at THE SOULHEAD TALES and see if Kay has any creativity other than staling other peoples hooks, riffs, vocal styles basslines etc, then merging them all together. Remember They can imitate but they cannot create. So If Jamiroquai debuted as a band playing this so called “acid jazz ”as they claim. Then ask them to tell you which stolen Rare Groove listed on the Soulhead Tales is acid jazz and not SOUL/R&B. Don’t expect an answer. They will keep trying to lie for as long as they can. That’s what they do. These are the lies this bunch of Satanic criminals are trying to foist upon the global consciousness.
SO WHO DO YOU THINK SPEAKS FOR BLACK MUSIC IN BLACK LONDON DURING THE 70’s AND 80’s? BLACK LONDONERS OR….
No one was speaking out and they thought they were going to get away with it. Now they are trying to backtrack but they are confused! For years they have claimed that Acid Jazz in a music genre even though it does not exist, That’s because they are able to fool people who don’t know 70’s /80’s FUNK. Now those of us who actually know these sounds are realize what Eddie Pillar Gilles Peterson and their International cabal of cultural thieves are up to, what they are up to they are somewhat panicking, panicking.
Acid Jazz and Jamiroquai both taken over their Wikipedia pages to prevent the truth from being written, They delete comments and profiles of people who complain and are Ignoring protests. This was way back in 2017. Shortly after this they brought in a Gatekeeper to guard their page of Disinformation. One Micheal Binks Knowles. A Californian, A Californian who for some reason thinks he;s qualified to lecture people on Black Music in London during the 1980’s, told a Brit that Acid Jazz is a Music genre because
FROM ACID JAZZ BACK TO….. FUNK…. TO FUNK AND ACID JAZZ,……THEN JAZZ FUNK?…NU ACID JAZZ?!…….NU ACID JAZZ!?…………WE’RE CONFUSED WHAT IS IT?! ACID JAZZ, THE MYSTERIOUS JEWISH GENRE KNOWN ONLY TO EDDIE PILLAR AND GILLES PETERSON FOR WHICH THEY CAN’T NAME A SINGLE TRACK…….BECAUSE IT’S JUST FUNK
The fact that Eddie Pillar and Gilles Peterson summarily decided they had the right to walk into Black culture and start re-classifying Rare Groove as so called acid jazz does not constitute the existence of a music genre called acid jazz……………….THE FUNK IS NOT YOURS TO RENAME.
The Lies of Eddie Pillar, Gilles Peterson and their International Cabal. As you already know The claim is that a music genre emerged from London called Acid Jazz in the 1980’s. This so called genre then spread to America thanks to two promoters Bernstein and Rudnick. This of course is a completely made up story as Blues and Soul magazine and all the other Black music publications, Soul/billboard charts, club reports of the era will prove. And you will find no mention of any so called Acid jazz band on any 1980’s Black Music T. V Show such as Soultrain either.Apparently, however these would be cultural thieves forgot that these and T.V shows and magazines recorded everything that happened in the Soul underground of London and the U.K. You will find no trace of this pack of lies. it’s an Internet Myth designed by Pillar, Peterson and their mob to fool the masses into thinking they have some sort of claim on a style of Black music. They don’t’. No whilst it seems they were able to fool at least some of the younger people in the 1990’s who didn’t know all the old Rare Groove sounds were they didn’t fool any of us 1970’s types who grew up with this sounds.
ACID JAZZ LIARS-BLUES AND SOUL ISSUE 511-(1988)
You forgot about the history archives of magazines like Blues and Soul didn’t you!
They cannot rewrite the history archives in Blues and Soul or the Soul charts!
Regardless of the BS these infiltrators of Black Music/history revisionists have written about Black London, about theses non existent “Acid jazz” bands and Acid jazz movements which never existed either, none of us ever referred to the groove as Acid Jazz. The first time you will even see the words mentioned is in 1988 when a tiny little column announces the creation of a small record label called ……acid jazz. As you can see I still have my copy.
Gilles Peterson didn’t invent or create anything and was unknown. Peterson was one of thousands of Soul DJ’s in London yet this fake news Wikipedia page which they have cloned across the Internet makes it looks as if he was some sort of super famous DJ. He was one of the DJ’s on pirate radio station Invicta FM. Many of these guys are still around so ask them if they remember Gilles Peterson inventing a Black music genre in mid 2980’s London. See if you can find any mention of this Godfather of Soul in any other Black music publication. I mean if someone had invented a brand new music genre in the mid 1980’s as they claim then the Black music publications of the era would be full of news about this amazing new sound which would one day cross the Atlantic thanks to Jamiroquai.
SERPENT SMOKE AND MIRRORS DON’T WORK IN MUSIC
THE GREAT THEFT OF FUNK
Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.
1) When you want to steal something the first thing you do is give something a new name.
2.) Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
3) How are you going to mislead people on sounds you don’t have a clue about?
4) Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
5.) Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
6.) LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
7.)Nu acid jazz?!? what the hell is that?
7.) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8.) Nu acid jazz what? Changing the skin color of SOUL/R&B
1. When you want to steal something. The first thing you do is give it a new name.…
“JOE BLOW IS QUICK TO TAKE OUR MUSIC AND PUT NAMES TO IT”
-Rick James.
“Punk funk,” “We created the name, because I always thought if we were real successful, and really made a dent in the music world, we’d do it before Joe Blow titled us. ‘Cause Joe Blow is quick to take our music and put names to it. We just decided to label the music so that when it goes down in the history books, they’ll say Punk Funk was Rick James.”
Nearly 20 years later Jamiroquai stole the Punk Funk sound on Planet Home, even down to the telephone ring. They then stole the second half of the track from Earth Wind and Fire. Neither Rick James or the Elements like all bar about two of the 70’s/80’s Funk bands they stole from were credited. Now almost 30 years on we are being told on Wikipedia and on the Internet that all these sounds are called acid jazz and come from here in London England just because they print the words acid jazz on SOUL/R&B Compilations. No they are NOT. We acknowledge no such genre. No serpent record labile in this country is responsible for any sound. If they tell you they are then let Eddie Pillar and Gilles Peterson tell you what this acid jazz is supposed to be and name an acid jazz track. they can’t because it’s a lie.
It’s the age old trick. Give something a new name and then take ownership of it. Acid jazz records are trying to do to the African Americans what was done to them in the 1950’s and the 1960’s. Culturally appropriate and then take ownership of their sound. Back the it was Blues, SOUL, and Rock n ’Roll. Now it’s the sound of the 1970’s and the 1980’s. Jazz, Funk and Soul. As I keep saying however you cannot steal FUNK through deceit. We know what all these sounds are. In 1988 Eddie Pillar and Gilles Peterson fronted/created a record label here in London called acid jazz records with a plan. This is a highly organized operation which includes network of people in many countries some in the media deliberately spreading disinformation and assisting acid jazz records in this cynical cultural appropriation exercise which has been going on for a long time. This is a Global Mastermind group which includes many organizations. Lets take a look at some of Pillar and Co’s lies and disinformation on the Internet as they desperately try to indoctrinate the new generation with False information and downright lies. So having rebranded FUNK as so called acid jazz they have created a petition to try and give this non existent genre a background story
2) Acid jazz Infiltrators Writing Loose Ends and Soul to soul from history
I order to make their lies more credible they first have to wipe the community who actually created the Black British sound of the 1980’s from the records. And that’s what they have done on Wikipedia. A complete rewriting of the history if Black London. Everything they have written is a complete crock of Shite. Its a total bogus story. Now Acid House was a groove. We know what that is. What they are trying to claim is acid jazz is nothing more than Rare Groove. The old sound of 1970’s Jazz Funk. The Music you will hear on Jamiroquai’s so called albums in the early 1990’s. Its Black American Soul, It is not a music genre from here in London, We did not create any style of Jazz or Jazz-funk in this city at any time. And no one in the Black Community will ever say we did. The British bands of the era are still about as you will see on this Blog so you can ask them if they know what the hell this so called acid jazz genre is. Famous bands and acts of the era being wiped from history by Acid Jazz infiltrators who have created nothing whatsoever.
So according to the Synagouge of Satan these bands no longer exist. Instead Gilles Peterson apparently invented not just the British sound but all the American sounds featuring on Acid Jazz records soul compilations.
You will find these lies crediting Gilles Peterson with this non existent genre all over the Internet. Wikipedia, Everipedia and on all websites featuring Jazz and Black Music.
So below we see the fake history of Black London as Imagined by Eddie Pillar, Gilles Peterson and their International disinformation cabal which includes people from South Africa, Czechoslovakia, Germany, Holland, Sweden, and parts of Eastern Europe. Basically the Synagogue of Satan and their minions trying to culturally appropriate FUNK. Everything you see written above is a lie and is not written by any authentic London Funkster. It is written by Gilles Peterson, Eddie Pillar and his mob…..
They don’t name a single track of this so called genre because there is no such genre, they just claim it used this, that and the other. It’s basically word salad. Gilles Peterson is often credited with originating the genre? Credited by who ,what genre? Who credits Gilles Peterson with Jazz Funk, New Jack Swing, Neo Soul, Brit Funk? . They claim that the 1970’s FUNK Plagiarised by Jamiroquai belongs to this imaginary genre. Because they think they can lie, mislead on obfuscate when it comes to Soul music. Its an attempt at classic serpent Infiltration. They think they can Infiltrate Soul and then take it over from within through lies deception and disinformation.
So according to this webpage. The Black British Invasion of The States never Happened. Instead Gilles Peterson invented a music genre called acid jazz which then spread around the world thanks to 7-‘s Funk plagiarists Jamiroquai, Rare Groove Brit Funk band, The Brand New Heavies and the remaining members of post disco era Brit-funk band Incognito. So there was no Jazzie B, No Pasadenas, No Five Star, No Billy Ocean , No Sade or any of the other bands who made our sound famous in the 1980’s. It all started with Gilles Peterson apparently…. A “Latin” Jazz DJ who none of us head even heard of. TOTAL RUBBISH.
These pages of disinformation which attempt to rewrite the history of Black music here in London and wipe people Like Soul to Soul and Loose Ends from the records books are being cloned all across the Internet. Open up another tab in you browser if you like then Go take a look and see how many places you see this total lie being peddled to the masses. They are going to a major effort to try and bring this off. However these lies are based on sand as Blues and Soul magazine archive will prove. Nothing came out of this City (London ) called Acid Jazz or Club jazz. I was right there as the SOULHEAD TALES proves. And of course my 1980’s Blues and Soul collections. Black Music History they cannot re-write.
3) How are you going to mislead people on sounds you don’t have a clue about?
They say honesty is the best policy but telling the truth is something this lot are incapable of doing as David Icke keeps telling you. When you tell so many lies it’s difficult to keep track of yourself. You tend to slip up. If you’re going to try and steal something by rebranding it then it pays to make sure you know a little bit about what your trying to steal. The acid jazz cabal which includes as you would expect people from Eastern Europe are trying to rewrite Black Music history and culturally appropriate SOUL but it’s kind of difficult for them because A:) They don’t even understand the Groove and B:) as the SOULHEAD TALES and Ten easy ways to debunk the acid jazz lie proves, you cannot fool Funksters on THE FUNK.
The decline of a “genre” that didn’t exist in the first place!
Eddie Pillar FRAUDULENTLY marketed Jamiroquai’s Emergency on Planet Earth album as “acid jazz” instead of Rare Groove. He then began to print words like 100% acid jazz on Soul mixes and Rare Groove compilations. First it was acid jazz, Then around the same time he started printing lies such as 100% Acid Jazz on FUNK mixes. Later on he started printing the THIS IS ACID JAZZ on mix after mix after mix to try and indoctrinate the kids of the era backed up by their false telling of our history. Wiping out the bands who had created those sounds then replacing them with Jamiroquai and the Brand new Heavies.
This re-classification wasn’t a mistake, it was part of the plan. Fast forwards to the 21st Century and over 30 years later Pillar thinks the notion that Acid Jazz is firmly embedded in the consciousness of younger people. Many of whom believe that acid jazz is a music genre and will even argue with you until you actually ask them to name a track. They also claim that Acid jazz is “also known” as Club Jazz. Well, according to Eddie Pillar, Gilles Peterson and the synagogue of Satan that is. Two people who think they actually own music.
THERE IS NO SUCH THING AS ACID JAZZ OR CLUB JAZZ. NAMES INVENTED BY OUTSIDERS TO CULTURALLY APPROPRIATE FUNK.
ASK YOURSELF EXACTLY WHO IS TELLING YOU THAT THESE SOUNDS ARE ACID JAZZ AND CLUB JAZZ. ASK YOURSELF WHAT GIVES THEM THE RIGHT TO WALK INTO BLACK MUSIC AND START RENAMING THE LEGACY OF JAMES BROWN AS IF THEY OWN IT!
From Acid Jazz to Jazz Funk from Jazz Funk back to acid jazz and Jazz funk?
First it was Acid Jazz, well no! no! it’s jazz funk and acid jazz…okay. Yep okay, it’s Funk……Err,…. no! no! No! scrub that it’s acid jazz again. Except it’s Funk…..with a hint of acid jazz… though we can’t tell you which track is acid jazz…., well we thought we could fool you, now that bloke’s written the SOULHEAD TALES WE REALIZE WE CAN’T.
Jamiroquai a “British Jazz Funk band” who also play Gilles Peterson’s acid jazz! Ask Peterson to tell you which track he claims credit for. Jamiroquai are a bunch of plagiarists who made millions ripping off the sounds of 70’s/80’s FUNK giants.
Above; Total ignorance of Black Music on Wikipedia. There is No Acid jazz or Pop on The return of the space cowboy. And Soul, R&B and Funk all mean the same thing. That’s how much this lot understand about Funk and Black Music. I will tell you exactly what is on that album and all the other albums of theirs because I know all the sounds pillar and his mob think they can fool people on. so click the link below for a review of The Return of the space cowboy album by an Authentic 1970’s Funkster. See if you can find any of this so called acid jazz genre known only to Gilles Peterson,
CLICK HERE for a review of The Return of the Space cowboy
It has been clear to me for many years that this lot don’t have a clue about Black music and nether do they know how to categorize it. They think they can fool people on their own culture just like they fool people on politics and history but they can’t. In true dis-info-serpent fashion they have an army of infiltrators on music websites repeating their lies to try and make it look as if there is a music genre called acid jazz but there wasn’t. I was right there and so were millions of us and unluckily for Eddie Pillar, Gilles Peterson and Acid Jazz records so were Blues and Soul Magazine, There was no genre or subgenre called acid Jazz. It does not exists. You will not fool funksters on THE FUNK. You only have to look below to see what they know about the Good Groove! They claim the earlier Jamiroquai albums are or the 1990’s contain Acid Jazz flavors and Ethnic influences! That’s because they don’t know who Stevie Wonder, Roy Ayers and Larry Graham are! That’s because they have never heard of Parliament Funkadelic, Curtis Mayfield. Pleasure or Patrice Rushen.
Acid Jazz flavors and Ethnic Influences- Because we don’t know what 1970’s Jazz Funk is!
Acid Jazz flavors? What the hell are they talking about Acid Jazz flavors and ethnic influences? Proof if anyone needs it that they know nothing about Black Music. As you can see they didn’t have a clue about all the different styles of FUNK plagiarised on Jamiroequai albums and they didn’t have a clue who most of the bands were. Do you think they’ve heard of or know anything about FUNK?…. Acid jazz flavors haha!”I can tell you for a fact that they didn’t have a clue what any of these sounds were.
On jamirotalk, the old jamiroquai fan site their fake account didn’t even know that Soul bands were referred to as FUNK bands. On their Internet trolling they hadn’t even heard of SOUL top SOUL and didn’t even know we had Funk bands in the U.K! That’s how much they knew. They hadn’t even heard of 1% of the bands in the Soulhead tales.
Oh wait a minuet Now it’s Jazz Funk again!
They changed the genre from Acid jazz to Jazz Funk on wiki ONLY after they realized THE SOULHEAD TALES (2017) meant they couldn’t fool the new generation any longer. Too many people had seen that list on the old jamirotalk site. 28,000 Plus before the German owner deleted the whole website, Created a new one and put it behind closed doors. Then in true i can’t create anything lizard fashion She copied the original layout of this blog including the heart logo. When you joined the old Jamirotalk website it asked “Why do you want to join”. Now why would someone ask such a question? Probably because they knew I was coming.
Realizing that these people would never ever tell the truth, that arrogant talent less plagiarist Jay Kay would continue to lie, that they would continue in their attempts to re-history and Black Music I decided to write the Soulhead Tales and end all arguments once and for all. It would not only provide a route for young kids to hear authentic FUNK which was my original intention, It would also prevent the bands they had stolen from being written out of history, and stop people from claiming credit for music that they had plagiarised line by line. The Soulhead Tales was written (Over a period of 7 years) and I defined the correct genre and style of FUNK on every last one of their albums and where they stole it from. There was now no way out for them. No hiding place. They had to tell the truth!
So they then started describe themselves as a Jazz-Funk band.THE SOULHEAD TALES gave them no way out. They realized that they could no longer fool people as so many youngsters were now aware of what all these sounds actually were thanks to the original Soulhead Tales on Jamirotalk. So they went back to calling themselves a Jazz Funk band. However they are still lying because to any AUTHENTIC 1970’s/1980’s Funkster (don’t worry about what the mainstream claim), every Authentic funkster regards them as a FUNK TRIBUTE BAND playing Rare Groove retreads. You won;t see that written on the Internet though as they have deleted these comments and the Music Forums are run by their mates in the Synagogue of Satan,
Wait a minuet all change-AGAIN! …..Now they are a Jazz Funk and a Acid Jazz band. Make up your freaking minds. So you’re saying Gilles Peterson is, ISN’T? WAS? responsible for some of these sounds then. Really?…BUT YOU STILL HAVEN’T SAID WHICH ONES THOUGH!
All change! *Mind the gap!…Wait a minuet….now it’s Jazz Funk AND Gilles Peterson acid jazz!
Lets remind ourselves again. Acid Jazz is the non existent music genre they and no one else came out of London in the mid 1980’s….because Eddie Pillars mob said so on Wikipedia.
So 1990’s Jamiroquai wasn’t just Rare Groove, it also included a music genre invented by Gilles Peterson! Did it really?! So they basically went back to Wikipedia and started to claim that Jamiroquai play Funk and acid jazz. Inference being that Acid jazz is a different style of FUNK invented by Gilles Peterson! This is because they clearly think they can fool people on SOUL MUSIC! They think they can infiltrate THE FUNK and take over from within just like they do elsewhere. But they can’t because I know what all these sounds are and you cannot name a single acid jazz track. You can argue with little or nothing on the Soulhead Tales or on 10 easy ways to debunk the acid jazz lie
I have categorised every Jamiroquai track I know into it’s correct style of FUNK and I can’t find anything called acid jazz in it. Neither can anyone else. That’s because Acid jazz as music genre does not exist. So ask Gilles Peterson which song is acid jazz (Black music invented by Gilles Peterson) and not Normal Black American SOUL? Edit….Oct 2020 AS PREDICTED! Pillar is now claiming acid jazz was a marketing ploy. Of course it is. That’s why he prints Absolute acid jazz, acid jazz classic and this is acid jazz on Jazz, Funk, Soul, New Jack swing and Neo Soul mixes. Black American SOUL/R&B
4) ACID LIARS- Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com.
Lies everywhere. So as you see all over the Internet they are trying to push the Idea that Acid Jazz is a subgenre. No it is not. it is a record label that’s it Eddie Pillar, Gilles Peterson’s rewriting of Black Music history and the history of 1970’s/1980’s Black London is being copied by not only music website.
A search for Acid Jazz records claims that Acid Jazz took it’s name from a sub genre. What sub genre is that? Oh yes the Music genre invented by Gilles Peterson. That no one but Gilles Peterson, Eddie Pillar and their mob have heard of. Ask Peterson to name a track.
Everywhere you go on the Internet Eddie Pillar Gilles Peterson mob are spreading disinformation which is being copied by websites some of whom may be unsuspecting. Now lets go onto Q MAGAZINE who also know nothing about Black Music. This is what they claim.
Q magazine thinks that Rare Groove (70’s Jazz Funk) is a jazz form that emerged from England in the 1990’s Really?…. TOTAL BOLLOCKS!
Q Magazine states that the most significant Jazz form to emerge out of the music scene. Well I’m here to tell Q magazine that there was no such thing as a jazz form called Acid Jazz. I was right there on the London scene. In the post Disco era when we had Light of the Worlds, Linx, Central, Atmosfear, Freeeze, Imagination and so on. Bands no one at Q magazine has even heard of, I was Right there all through the 1980’s when the FUNK went mainstream, when we had our own Soultrain and when Loose Ends, Soul to Soul and the rest were setting dance floors on fire both here and in America.
I was there throughout the decade and I don’t remember and so called acid jazz genre. And for your information neither does Blues and Soul magazine, or Black Echoes as there’s no mention of this fake genre. You will find no mention of it in any Soul chart, club or album review either because there was and is no such thing as a music genre called acid jazz. No one at Q magazine was a London 70’s/80’s SOULHEAD and no one at Q magazine knows anything when it comes to Black Music, Jazz, Funk or Soul. I will tell you that for a fact otherwise they wouldn’t write such nonsense.
It is not a Jazz form. Acid jazz is a record label trying to claim it invented a sub genre whereas in fact it created nothing whatsoever. That is why when asked they cannot name a single track belonging to this subgenre. And that’s why no Funkster from the UK will acknowledge any such genre.
More disinformation this time from All music.com. This supposedly respectable music listing site states…
“Acid jazz uses elements of all three”…ASK ALL MUSIC TO NAME A SINGLE “ACID JAZZ” TRACK WHICH PEOPLE CLAIM CAME OUT OF LONDON INVENTED BY A PIRATE RADIO DJ!
Do all music.com know so little about black music that they think funk was invented by a pub DJ who has never had a hit in his life because they read it on Wikipedia!?……….I say again these are the so called music journalists rewriting Black music history. Nobody who was raised on Jazz Funk in the 1970’s will ever ever refer to the Groove as acid jazz because there is no such genre. They then go on to parrot the BS written by Gilles Peterson Eddie Pillar and their mob on Wikipedia. We all know who invented Soul and it wasn’t anyone in this country and NONE of us would ever claim England invented African American soul. They are targeting the youth and look at what THEY are writing on Wikipedia. Remember it’s not LEGITIMATE music writers or people who are qualified to write on Black music such as myself writing these reviews. Any legitimate Black music writer would state exactly what they are nothing more than a tribute band. Or would at least know what 70’s/80’s FUNK was.
4.) Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
THEY STILL THINK THEY CAN FOOL PEOPLE ON BLACK MUSIC
This is a question they can never answer of course because there is no such thing as a music genre called acid jazz. As you have seen above they have gone back to trying to claim that Jamiroquai play FUNK and Acid jazz. Well, they have told so many lies and printed so many So called “Story of Acid Jazz”, “Acid Jazz Classics” compilation because they thought they could fool people on FUNK. that they can’t now go back and un-print them. So they continue to lie lie and lie in true serpent fashion thinking they are going to fool the public
By repeating this is acid jazz over and over again , even though their lie is based on sand. I mean if you can’t name a single so called acid jazz track form a supposed Music genre you claim exists then frankly your screwed. Pillar tried to claim to 1990’s youngsters that Jamiroquai played “Acid Jazz” instead of the Rare groove rip offs we all heard. Now because so many are becoming aware of this cultural grab and so many kids now know this is FUNK they are trying to now claim that Jamiroquai are Funk and Acid Jazz.
So they (Acid Jazz records who have taken over and locked down their Wikipedia page) claim Jamiroquai are a FUNK and acid Jazz band, REALLY?
ASK CRIMINAL SERPENT GILLES PETERSON WHAT STYLE OF BLACK MUSIC ON THESE ALBUMS HE INVENTED WHICH SONGS CONTAIN ACID JAZZ?
So apparently Jamiroquai play a music genre invented by Gilles Peterson which sounds exactly like Black American Soul of the 1970’s and 1980’s.
They claim that Jamiroquai debuted as an acid jazz band and then explored other musical directions such as pop, rock, disco and electronica! TOTAL BOLLOCKS. No they didn’t. They started off on the first three albums making pastiches of 70’s Stevie Wonder, Roy Ayers, Pleasure, The Brothers Johnson, Curtis Mayfield, Larry Graham etc.. then they ripped off the bSnds of the late 70’s early 80’s Disco/Post disco era then when they had run out of FUNK to plagiarise they turned their attention to Synth Pop/Rock and ripped off a whole load of bands playing those genres.. On Automaton they tried to avoid all the big names and plagiarised 80’s Funk. Unluckily for them I recognize most of them too! So they are still trying to claim that the stolen FUNK you see on the Soulhead Tales below on their first six albums is acid jazz. The music genre they claim was invented by Pub DJ Gilles Peterson. So Stevie Wonder, Patrice Rushen, Herbie Hancock, Earth wind and Fire, Roy Ayres and all the other stolen FUNK on Jamiroquai albums…..was invented by Gilles Peterson…..Yep!
“With Kay in charge of the bands creative what haha thats a laugh
Hilarious! Kay in charge of the bands creative direction. Please take a look at THE SOULHEAD TALES and see if Kay has any creativity other than staling other peoples hooks, riffs, vocal styles basslines etc, then merging them all together. Remember They can imitate but they cannot create. So If Jamiroquai debuted as a band playing this so called “acid jazz ”as they claim. Then ask them to tell you which stolen Rare Groove listed on the Soulhead Tales is acid jazz and not SOUL/R&B. Don’t expect an answer. They will keep trying to lie for as long as they can. That’s what they do. These are the lies this bunch of Satanic criminals are trying to foist upon the global consciousness.
6. Leroy Hutson plays 1970’s FUNK -Acid jazz is not a genre.
June 2019 Moving on…elsewhere on their website. More hilarity…More conditioning.
Now see how they are cynically and quietly mixing up old school Soul artists with new millennial bands. Trying to make it look as if they are responsible for these sounds See how they are trying to attach the tag “acid jazz ” to all styles of Black music. They are NOT acid jazz artist they are playing THE FUNK aka SOUL/R&B.
How is a famous Black American Soulman of the 70’s playing a British musical genre “invented” in 1988, which does not exist? 70’s Funkster Leroy Hutson is now”acid jazz”!?….SAYS WHO?!
Excellent! ….and who do we have here. Looking at the BBC website and it’s Leroy Hutson and guess who? The Godfather of Soul according to The Synagogue of Satan. Did 1970’s Funkster Leroy Hutson know he was standing next to the man who apparently invented his sound in 1988!
I wonder if Leroy Hutson knows what type of person Gilles Peterson is. I wonder if Leroy Hutson knows what has been happening behind the scenes with the acid jazz cultural appropriation campaign. I wonder if Leroy Hutson knows that this evil individual and his international cabal of bully boys is trying to wipe him from history.
So you can see how they are cynically conditioning the young kids to associate this record label that has invented nothing, with the music genius of 70s’ Black America. Having established the existence of this non existent genre called acid jazz at least in their own minds they are mixing up old school Black American Soul artists with new millennial Funk bands and trying to make it look as if they all play this so called acid jazz genre. They are trying to deceive the kids into believing That the Black American SOUL of the 20th Century is somehow the same as this”acid jazz” genre they claim was invented in 1988 by Gilles Peterson so they can gradually and quietly absorb their sound and their culture.
This is all planned. Someone is sitting down and carefully plotting this out. Just like their false and mis labelling of SOUL as “absolute acid jazz” and “absolute acid jazz”, “the story of acid jazz” and other misleading titles they print on SOUL compilations. It’s acid jazz acid, jazz acid jazz, acid jazz over and over again. Even though they know it’s total lie, they are trying to embed the notion that they invented all these sounds to create confusion among this generation. Some people in their 40’s who were kids in the 90’s think FUNK is called acid jazz because of their false labelling and they are continuing with this generation. This is textbook stuff. It’s deliberate. You can clearly see what they are doing. Conditioning the kids and those who don’t know SOUL to believe they are somehow responsible for FUNK. That the words FUNK and acid jazz are somehow interchangeable or that acid jazz is some type of Funk indistinguishable from New Jack Swing, Neo Soul and Jazz funk as they claim on their fake news Wikipedia page. There is no such thing as a Black music genre called acid jazz.
Leroy Hutson plays the FUNK. He was around in the 1970’s. What aspect of his sound is “acid jazz? Invented here in mid 1980’s London by Gilles Peterson? Ask him.
Ask them to tell you what part of Leroy’s sound do we have acid jazz records to thank for. Old school Funkster Leroy-hutson is well known to us AUTHENTIC U.K funksters of the 70’s and 80’s. He does not and has never played a Black music genre called acid jazz because there is no such genre. Nothing of his distinctive sound was invented by anyone in this country although quite a few rare groove bands playing retro 70’s FUNK copied his sound and then claimed that they invented it
Leroy Hutson is acid jazz my arse. Even if he signed to acid jazz records he would still be a Funkster. As if they are somehow relevant to FUNK music and it’s development through the 1980’s. As if they somehow had an hand in the creation of some style of Black music during the 1980’s, 1990’s and up to the present. The very idea that Giles Peterson and Eddie Pillar are somehow responsible for the Mizell Brothers sound, Jazz Hip Hop, Neo Soul etc. As if acid jazz records are responsible for some aspect of the Groove. They are NOT. And why are you constantly repeating yourself in this blog? well, acid jazz records have been repeating for thirty years that Giles Peterson and acid jazz records invented a music genre in 1988. In-fact they are still repeating it now in 2019 even though they know it’s a lie. So I will keep repeating that they invented nothing whatsoever. And any London Funkster/band who was actually there will back me up. They know this and that’s why they are trying to delete stuff from the Internet.
7) No you are not Berry Gordy, Gambel and Huff or The Mizel Brothers. You own no sound.
Well if Kay has decided he is going to be Stevie Wonder and Peterson James brown then it seems that Pillar fancies himself as some sort of Berry Gordy type character in that they and their International lie machine are trying to make it look as if they are responsible for some type of Black sound. Acid jazz records are responsible for NO SOUND WHATSOEVER and if they claim they are then ask them to tell you exactly what it is. They are trying to attach themselves to SOUL music and make it appear that they are responsible for a style of FUNK as you see on their false labeling on some of their album covers where they print the words acid jazz alongside Jazz Funk and Soul. As if they are responsible for The Pasedenas, Soul to Soul and Loose Ends. As if they are responsible for Jam and Lewis, New Jack Swing, Neo Soul and 1970’s Jazz Funk. Total rubbish (Smoke and Mirrors) . They are responsible for NO Black music or sound, neither British or American.
Above (1960’s) Berry Gordy of Motown and the Mizell Brothers (1970’s Creators of the Jazz Funk sound). Below; World famous Producers Gamble and Huff (architects of Disco era SOUL) All sounds they are claiming as and culturally appropriating as a Black music genre called acid jazz invented here in London in 1988 just because they print the words” This is acid jazz” on the front cover of their compilations. Ask Jamiroquai which one of these sounds did they or Eddie Pillar and Gilles Peterson invent here in London in the 1990’s.
Remember it was in the early 1990’s that they claimed Rare groove rip offs by Jamiroquai were acid jazz as if they have the right to re-classify Stevie Wonder and James Brown. And as you can see he has persisted to this day, nearly 30 years later. If you’ve been lying for all these years then you are determined.
7) Nu acid what? -Changing the skin color of SOUL/R&B
What the hell is NU acid jazz?……..It’s a bloody Soul mix!
So now apparently we have NU acid jazz. Whats that? I don’t have a clue. Ask Eddie Pillar. Acid jazz didn’t exist in the first place so what the heck is NU acid jazz. For something to be a new genre (“NU”) there has to have been some pre-existing genre there in the first place, but there never was an acid jazz genre to begin with It’s just a SOUL mix. There is no Acid or NU jazz genre and Eddie Pillar has no right to reclassify Black music. Now I don’t need to tell you that FUNK was played by everyone all races. However FUNK is Black American.
As you can see below Pillar is now trying to blur the lines and is lightening the skin color of the models! So 30 years on Pillar believes he has convinced enough people that Black American SOUL is a music genre called acid jazz invented by Gilles Peterson in 1988, so he’s gradually lightening the skin color of the models and then adding the words acid jazz alongside Jazz, Funk and Soul. He’s trying to make it look as if acid jazz is a style of Funk. It isn’t it does not exist.
Notice how they list Acid jazz alongside Jazz Funk and Soul. As if acid jazz is some type or style of Black music. IT IS NOT. As you will see from the pack of lies they have written on Wikipedia they want the new millennial to think that they are is responsible for a genre of FUNK. Well, they wanted them to think FUNK was called acid jazz , but when they realized they couldn’t fool people they switched and claimed that acid jazz is a sub genre. A Black music sub genre they falsely claim came out of London thanks to pub DJ Gilles Peterson. This is classic serpent smoke and mirrors but they no longer have anywhere to hide.
I’M HERE TO TELL YOU THERE IS NO SUCH THING AS A BLACK MUSIC GENRE CALLED ACID JAZZ AND THERE NEVER WAS. AND IF YOU CLAIM THERE IS WRITE IT IN THE COMMENT SECTION BELOW.
8) Black America, a warning from 1980’s Black Britain
SO BLACK AMERICA BEWARE OF ACID JAZZ RECORDS AND ALWAYS REMEMBER YOUR BEST DEFENSE AGAINST THEIR CULTURAL APPROPRIATION ATTEMPT IS THE ARCHIVE OF BLACK MUSIC PUBLICATIONS FROM OUR ERA. THAT AND THEY CAN’T NAME A SINGLE ACID JAZZ TRACK BECAUSE THERE ISN’T ONE AS YOU WILL SEE FROM THE SOULHEAD TALES-JAMIROQUAI PLAGIARISM LIST.
Whatever Gilles Peterson, Eddie Pillar and their crowd write they write in the Internet they do they cannot change the Soul Charts, club reports, and album reviews of the era. And they cannot change the SOUL TRAIN archive both in the original American version or our 1980’s version. Acid jazz and Club Jazz are not music genres of any kind they do not exist.
You will hear NO reference to any so called music genre or sub-genre called either acid jazz or club jazz in any Soul Train U.S/U.K broadcast. There are no such genres they do not exist.
SO BE SURE TO PRESERVE YOUR COPIES OF THESE MAGAZINES, LEAVE THEM TO A FAMILY MEMBER. BECAUSE THESE CRIMINALS WILL NEVER STOP TRYING TO STEAL THE ENERGY OF FUNK. STEALING ENERGY IS WHAT THEY DO.
Pillar and Peterson do NOT speak for Black Britain and have no claim on any style of FUNK. Indeed as you have seen above they don’t even know how to correctly categorize Black music. NONE of us AUTHENTIC London Soulheads acknowledge any such thing as a music genre called acid jazz or club jazz. In the 1990’s they started printing acid jazz over Rare Groove mixes. Then later they started printing it over all other styles of funk like New Jack Swing and Neo Soul. Now they claim just about every style of Funk is called Acid jazz. It does not exist.
THIS IS HOW SERPENTS CHANGE/REWRITE HISTORY. THROUGH LIES, DECEPTION AND SUPPRESSION OF INFORMATION. HOWEVER THEY CANNOT WIPE FROM HISTORY THE SOUL CHARTS AND THE CLUB REPORTS OF THE 1980’s, WHEN THEY CLAIM THIS GENRE WAS INVENTED
They are trying to wipe Black Britain out of History as well as Black America and in fact all nationalities.
Oh dear!
soulboytales.com 
Fuck off
Tell me that when we drag you from your grave like the others.
I see a lot of misinformation and resentment on this blog.