The Brand new Heavies are Pioneers? Does anyone in Modern day Blues and Soul know who Light of the World, Beggar and Co, Hi Tension and Central Line are? Shakatak?

Blues and Soul (1100) “legitimizes” the lies of Eddie Pillar on Wikipedia?

Are blues and soul re-writing black music history as well?

So issue 1100 is very important because this is how they re-write History or try and muddy the water. That is what Smoke and mirrors is all about. However they can try all they like with Black music but it won’t work. Now this could be a well intention article by a well intentioned journalist who genuinly doesn’t know there was no such thing as Acid Jazz at any time. Just a record label claiming FUNK to be acid jazz in a classic serpent attempt to infiltrate Black culture. Which is what Eddie Pillar and his international cabal are desperately trying to do. However if that is the case then why are they writing for Blues and Soul Magazine? something is not right.

In fact I have kept an eye on Blues and soul as I have been completing this work. And I was actually going to say at a later stage that even if they buy out Blues and Soul magazine (Don’t put it past them they are that desperate), then try and start claiming that “acid jazz” is a genre, they will still have to tell you what it is. And they cannot. That’s because it’s just mislabeled Jazz Funk Rare Groove, Neo Soul, New Jack Swing etc. We know what these sounds are and Eddie Pillar, Gilles Peterson and his SATANIC crowd are not going to fool anyone on the sounds of our own culture!

No one connected to Acid Jazz records has created or invented anything whatsoever as far as Black music is concerned. That is a fact. We know the sounds of 1960’s, 1970’s and 1980’s FUNK. None of them were invented here in London by people replaying these sounds in the 1990’s. The people who think that these sounds are called acid jazz are the kids of the 1990’s who don’t have a clue what any of these sounds are actually are. This of course as I daid is due to Pillars false labelling.

I always say beware of the media and who’s behind it. Not just in Politics but now also as far as Black music is concerned. And bear in mind this site has already been trolled by ABC Australia, The soulhead Tales has been deleted from manyt places including Music Banter, Ths Jamiroquai sub reddit and Jamirotalk. And others whom one would have thought would be interested in this cultural theft haev said little or nothing. Remember these peole have agents all over the place or deliberateky place disinfo wherever they can. Not that Iam suggesting this is the case here but I have to say this is suspicious, given that I have constantley mentiond Blue and Soul as a reliable source of information for Black Music.

There are a whole host of people who came into Black music in the 1990’s and who simply don’t know what they are talking about.I can tell that some so called music writers are basing their history on what they read on the Internet and especially on Wikipedia. All Music and Q Magazine to name but two who carry this fraudeulent re writing of Black Music history taken form Gilles Peterson and Eddie P[illars Wikipedia BS. So coming across issue 1100 of Blues and Soul an old friend from the 70’s/80’s I saw this article which has an interview with a member of the Brand New Heavies.

And straight away I can again tell you that whoever wrote that piece is NOT an authentic1970’s/80’s Funkster .For if She were then she would never use the trerm Brand Bew Heavies and Pioneers in the same breath, And she would never call them Acid Jazz either. Those are not the words of a Black music writer and they are not the words of an Authentic 1970’s/1980’s London Funkster. There is a wealth of deliberate disinformation out there posted on website after website by Eddie Pillar Acid jazz cabal. Not just on Wikipedia but on everipedia and all across the web. All trying to make it appear that Acid Jazz is a Black music genre from here in London England. As if Black American Rare groove of the 1970’s owes it’s existence to a record company formed in this City oin 1988. There is no such genre and no authentic London Soulhead will tell you there was,

These wikipedia lies wipe out Black British Soul of the 1980’s and make it souns as if Acid Jazz records are responsible for the Black British Rare Groove sound created by Light of the World, Central Line, Soul to Soul and many others. It is a completely criminal and fraudulent re-writing of Black Music History. So I come across issue 1100 of Blues and Soul, and look below! I will give the writer the benefit of the doubt by saying that they have probably read the rubbish written by Gilles Peterson and below a headline reads Rebirth of the cool Its all part of the Plan for “acid jazz” icons.….. Huh?

BLUES AND SOUL LEGITIMIZE THE ACID JAZZ CULTURAL APPROPRIATION MYTH?

AT THE TOP LEFT OF THE PAGE WE SEE THIS…

AND NO NEW MILLENNIAL BLUE’S AND SOUL MAGAZINE, TBNH WERE NOT IN ANY WAY PIONEERS. NOT OF FUNK OR OF RARE GROOVE. I WILL TELL YOU THAT NOW

Whoever wrote this article as I say was not a 1980’s SOULHEAD. And of course a member of the brand new heavies would legitimize the lies of Eddie Pillar on Wikipedia! Because the Brand New heavies are part of their crowd. The crowd who are trying to take credit for a sound they had nothing to do with. How are the Brand New Heavies Pioneers? Now lets just recap. On Wikiopeedia Gilles Peterson and his crowed claim that Gilles Peterson invented an Imaginary Genre called acid jazz. Thi s genre apparently” broke into the mainstream” in the early 1990’s and then spread to America and all over the world! Thanks to Acid Jazz record signings. A totally stupid and ridiculous story which has zero basis in reality and is not recorded anywhere in any Black Music publication anywhere including Blues and Soul.

Below another reminder of the lies written on Wikipedia by Gilles Peterson, Eddie Pillar and their cultural appropriation mob

THESE WERE THE PIOBEERS OF THE OLD RARE GROOVE SOUND

The Brand New Heavies were not known yntil the early 1990’s. These bands had been famous since the post Disco Era. And they hadlalso beem playing the old Jazz Funk sound since the that period of time. Many London Soul bands were playing the old sound during the 1980’s. They started playing the old sound This is 1985 The year The Brand New Heavies were created. These Guys from Light of The World had been playing the old sound since the early 1980’s. How are these not The Pioneers? See below. Wiki Wacky House Party a Homage to the 1970’s Fatback track in redone in 1985. TBNH were not pioneers of the Rare Groove sound and anyone who claims they were shoulf not be writing articlaes on Black Music.

And note this is a collaboration between Light if the world and Incognito with Tubbsy on lead vocals. We are being told on Wikipedia that Incognito play a music genre called acid jazz invented two years later by the co-founder of Acid Jazz records. As if they have anything to do with us. Does the writer of this article not know who Light of the World are? Central Line, The Jazz Funk collective? Beggar and co? Light of the World are still here!

THESE ARE THE PEOPLE WE CALL PIONEERS WHEN IT COMES TO PLAyING THE OLD 1970”s JAZZ FUNK SOUND HERE IN LONDON TOWN.

And 1988 Infiltrators Eddie Pillar, Gilles Peterson and Acid Jazz records have nothing whatsoever to do with inventiing or creating any of these sounds.

Beggar and Co from the Post Disco era. How are these not Pioneers? They were Playing Jazz Funk back in the early 1980’s. How are the Brand New Heavies Pioneers?

Have the new millennial writers for Blues and Soul ever heard of Central line?

America knows them, Sunshine was the major hit everyone thought was the Brothers Johnson. That’s how good they were. These are the pioneers of Jazz Funk and they were around long before Acid Jazz records infiltrated the scenes and started printing this is acid jazz on the front cover of Black music compilations. Our homage to Black American Soul goes way back. Long before the likes of Acid Jazz records infiltrated Black Britain and tried to use our community as a means to rib the Black Americans of their Sound by printing this is acid jazz on Soul mixes

CENTRAL LINE

Does the Blues and Soul music writer know who Central Line are?

ACID JAZZ ARE NOT RESPONSIBLE FOR ANY SOUND WHATSOEVER. IF YOU CLAIM THEY ARE THEN YOU WERE NOT THERE AND KNOW NOTHING ABOUT THE FUNK…

The Pasedenas and Soul to Soul also exist. Regardless of what Infiltratiors Eddie Pillar and Gilles Peterson claim on Wikipedia. They were playing Rare Groove no acid jazz, the name of a record label who had nothing to do with anything.

THE PASADENAS AS I KEEP SAYING ARE THE MAJOR ORIGINATORS OF THE BRITFUNK RARE GROOVE SOUND OF THE LATE 1980’s.

1987/88. The James Brown sounds was back in vogue as was the old sound of 1970’s Funk and acid jazz records, as the old Blues and Soul writers and archives will prove had nothing to do with it regardless of what anyone from the 1990’s tells you. And regardless of what anyone in this new century writes. All the Black magazines of the era and the TV shows club reports etc will confirm this

This is what we called Rare Groove. It was not called acid jazz and anyone who referred to an “acid jazz” movement was not there and was not part of the Jazz Funk community. Acid Jazz is a Record Label. Jazz Funk and Soul of the 1970’s was called Rare Groove.

Just because someone has written something in the media based of of the lies of Eddie Pillar and Gilles Peterson on Wikipedia doesn’t make it true.

Blues and Soul misleading future Black Music Historians.

Blues and Soul magazine or whoever was responsible for this piece appears to legitimize their Acid Jazz cultural myth. Hmmmm. I note however they steer clear of claiming that acid jazz is a genre (At least on the front cover) because they can’t. However they legitimize the history revisionist rubbish written by Peterson and Pillars mob on Wikipedia (policed by an American who doesn’t know where Essex is) in its wording. Anyone in the future glimsing these words on the front cover of Blues and Soul will be forgiven for thinking that A) The Brand New Heavies were pioneers and B) Acid jazz is a music genre for whichTBNH were Pioneers. Both are False.

DO ANY OF YOU NEW MILLENNIAL BLUES AND SOUL WRITERS ACTUALLY KNOW WHO CARON AND JAZZIE B ARE? YOU DO KNOW THEY TOPPED THE U.S CHARTS

They brought back the Violins of yesteryear changed the sound of Black Music here and in the United States. These are the PIONEERS of The Brit Funk Rare Groove sound. They made our sound famous along with the likes of Loose Ends, Billy Ocean and others. This wasn’t started by Acid Jazz records that is a total lie.

The gods and goddesses of British Soul are still here.

STOP TELLING US WHAT OUR MUSIC IS CALLED

So let’s deal with this part of the article…..Blues and Soul issue 1100.

Now having used my own personal 1980’s Blues and Soul archives to destroy the fake version of Black music history being peddled by Eddie Pillar, Gilles Peterson and the Acid Jazz cultural appropriation cabal on Wikipedia I was not really all that surprised to see the so called modern day “music media” appear to support this global campaign and seem to agree with the BS written on Wikipedia. Given what has gone before and the lack of knowledge I see shown especailly in reviews of Jamiroquai albums.

Wikipedia BS which writes Black British Soul and the achievement of Soul To Soul Loose Ends etc etc out of history and claims Gilles Peterson invented a black music genre called acid jazz which was exported to America by Jamiroquai Incognito and The Brand New Heavies. Total bunk as you will see in 10 easy Ways to debunk the acid jazz lie. So the New Millennial Blues and Soul magazine goes on to claim that the Rare Groove Movement was an “acid jazz” movement. REALLY who said that?

No it was NOT an “acid jazz” movement. It was a Rare Groove movement.

With the release of TBNH acid jazz pioneers..PIONEERS? HuH?” Blues and Soul?

They were playing Rare Groove, NOT acid jazz and they were in no way shape or form the pioneers of anything. That much I can tell you for a fact. You’re not an authentic SOULHEAD are you Mr or Mrs Writer. It just so happens I still have all my 1980’s Blues and Soul magazines and if you go and take a look at issue 511 you will see the Brand new heavies described as Playing Rare Groove similar to Soul to Soul. So when did they suddenly become “acid jazz” pioneers.

Now when you see the way they have worded it they have done it in such a manner that they can turn it around when challenged by an authentic Funkster like me and say “oh we were talking about the record label”. “we were pioneers of that record label” But you know exactly what they are trying to do. Its the headline that they are aming for. Check your back issues Blues and Soul (511) and you will find TBNH described as Rare Groove because that is what they were.

IT WAS NOT AN ACID JAZZ MOVEMENT IT WAS A RARE GROOVE MOVEMENT!

It was not an acid jazz movement it was a RARE GROOVE movement. Acid Jazz is an infiltrator record label printing it’s name all over Black American Soul and then claiming that it’s a Black music genre called acid jazz. They were not responsible for the return of 70’s FUNK. Acid Jazz records had a plan from day one which is why they printed 100% Acid Jazz on Rare Groove and Funk mixes. And then claiming that this acid jazz was a new music genre “invented” by Gilles Peterson. Its here in Black and white they cannot deny it. NONE of us Authentic 70’s/80’s Funksters ever called FUNK “acid jazz”.

As you can see they knew exactly what they were doing and that is why they are continuing to print lies on the front cover of Soul mixes because they think wrongly that they can fool people on their own sounds.

So this suspicious piece in Blues and Soul goes on to say….

“You had this whole acid jazz movement.” ..Eh no, NO you did not.

It was not an “Acid Jazz” movement, it was a Rare Groove movement. Acid Jazz is a record label. We did not call Rare Groove acid jazs the only people who did were children who bought acid jazz FUNK compilations and thought they were listening to so called acid jazz because they didn’t know what Jazz, Funk and Soul was.

I was right there as an authentic 70’s kid who recognised all these sounds as you can see in THE SOULHEAD TALES. None of us called Rare Groove Acid Jazz. In fact none of us even knew who they were. No one knew who they were until the mid 1990’s. They infiltrated Black Britain didn’t sign any of the bands who were out of contract but got a bunch of their mates record contracts and then played Rare Groove. 30 years on they are now claiming that they were playing acid jazz because they think we don’t know what these sounds are. We do. Even if modern day writers don’t.

Rare Groove as I say elsewhere was people who were into the old sounds of the 70’s Funk. Midnight at the Oasis is 70’s Funk, it is not acid jazz. There is no such thing as an acid jazz genre. It does not exist. The Rare Groove/ Brit funk sound is not called acid jazz just because Eddie Pillar and the Synagogue of Satan claim it is. You see how they keep trying to conflate this record label with FUNK. You see it all over the place especially on the acid jazz website where they are desperately trying to INFILTRATE Black music of the 20th Century. To make it look as if they are relevant.

Yeah sure, Leroy Hutson plays a Black music genre invented here in London in 1988 by Gilles Peterson and not Black American Soul. These are all classic infiltration tactics from the world of politics and indeed institutions in general. They infiltrate and then try to take over form within. They are gradually trying to program people into associating the words Acid Jazz with Black Music. That way they can claim ownership of it. With music however it’s not that easy especially when you can’t name a single track belonging to this mystery genre! Because it’s just Jazz funk, Neo Soul , New Jack swing…

You see there are still millions of people globally from the ages of say 50 years upwards who can easily tell you what these sounds actually are because they lived the 1970’s and the 1980’s. You might fool some of the kids of today but you wont fool the authentic Funksters. And now thanks in part to THE SOULHEAD TALES there are a whole load of kids out there who know their Bossa from their Salsa, their Jazz Funk from their Electrophonic Phunk. And all of them will tell you that Acid Jazz is no more than a record label. They have no claim on any style of Black Music. Except for the fact that they print this is acid jazz all over the front cover of 20th Century SOUL mixes. And If these outsiders of Black music (Eddie Pillar Gilles Peterson and Acid Jazz records) claim Jamiroquai play this fake genre then ask them what track belongs to this imaginary style of Black Music apparently “invented” by Gilles Peterson in 1988 as they claim on Wikipedia. Thats a question you must always ask them. Its the one question they can never answer. These People will lie lie lie and Lie which Is why THE SOULHEAD TALES exists……..

THE SOULHEAD TALES written by an authentic 1970’s/1980’s Funkster who knows what all those sounds are categories all the Jamiroquai tracks into their CORRECT Styles, genres/ Sub genres etc. So they have no hiding place! Which track was invented by former Invicta FM DJ Gilles Peterson? Which track is not the Jazz Funk, Funk, Bossa Nova, sound I say it is. And most importantly always remember neither can they show any mention of this so called “genre” emerging in Black London as they claim in any Black Music publication of the 1980’s such as Black Echoes, Jet or Blues and Soul who’s archives cannot be tampered with regardless of what certain people involved with that magazine in 2020’s try and claim. If acid jazz is a Black Music genre then why can they not tell you the name of a single trsck which belongs to this genre.

So people do not be fooled.

Now as I said I noticed they use their wording cleverly. They don’t refer to Acid Jazz as a genre however they DO claim that Rare Groove Band, The brand New heavies, Authentic Britfunk era band Incognito and Plagiarists Jamiroquai as being part of this so called acid jazz movement. So basically they are legitimizing the disinformation written on Wikipedia, Blues and Soul magazine should know Who Jazzie B is. They should know who The Pasadenas are. Notice there is no category for this so called Acid Jazz. Thats because there is no such thing as a Black Music genre called acid jazz. And if a category ever appears there then again ask them what makes any Black sound “acid jazz” A name cooked up by Eddie Pillar, Gilles Peterson and the Synagouge of Satan. There is nogenre, sug genre or style of Jazz, Funk or Soul called acid Jazz it does not exist.

So future Black Music historians, Issue 511 is the first time you will see the phrase acid jazz mentioned in any Blues and Soul magazine.

THAT IN ITSELF DESTROYS THE LIE THAT THIS SO CALLED GENRE CAME OUT OF LONDON IN THE MID 1980’s. THERE WAS AND IS NO SUCH GENRE.

Issue 511

So again I would say this article has been orchestrated so that in say 20 years time a music historian looks in the archives and says “ah look”. Blues and Soul are speaking about acid jazz. So that therefore makes Acid Jazz legitimate. No it does not. And of course a member of The Brand New Heavies is going to push this Acid Jazz infiltration lie. The only people who use that word to describe Black music are not Black. And if they are then they are youngsters who don’t know what the sounds of 60’s/70’s/80’s Sou is and have been hoodwinked by what they have read on Wikipedia or by the fraudulent marketing of Black music by Eddie Pillar and Acid Jazz records. And that it’s mentioned in Blues and Soul Issue 1100, 30 years later is to give this acid jazz lie some form of credibility.

Interestingly when I was trying to find out who came up with this Acid Jazz name and who was behind this scam I found this article by Chris Hunt entitled Acid Jazz does it really exist. So it does actually seems that back then they were already trying to push this ridiculous idea that this record label had invented a sound. Of course back then everybody knew what these sounds actually were so they couldn’t fool anyone.James Taylor told the truth at the time.

What happend then was this. They kept on pushing this idea, churning out mixes with this is acid jazz on the front cover or whatever, Then come the mid 1990’s when the new generation were old enough to go clubbing but didn’t know who Roy Ayers was or didn’t know what any of these sounds were. They indoctrinated them.So if in future anyone tries to use these comments from The Brand New Heavies claiming they are Pioneers of this acid jazz genre then quote them this

. “Acid Jazz is just a phrase, a name It means nothing” Its a Scam whispers James Taylor. Its a way of selling records it’s a way of making Money

.-James Taylor of the James Taylor Quartet.

So people, regardless of what you see written on the Internet by any so called writer on Black Music There is no such thing as a BlackMusic genre,subgenre or style of FUNK called acid jazz. Anyone who claims there is knows nothing about Black muisc or is a liar. And remember the Archives of Blues and Soul form OUR era will show no mention of any so called acid jazz genre emerging from this city London or from anywhere else in the U.K. No one in London is responsible for ANY styles of Jazz Funk or Soul and none of us authentic 1970’s/80’s Funksters would ever claim that we were. Only Gilles Peterson, Eddie Pillar and the Synagouge of Satan claim there is a music genre called Acid Jazz. NO ONE ELSE. And thewy can’t tell you what it is. They don’t understand The Funk and think they can fool perople on these Grooves. And anyone in the 1990’s referring to FUNK or any style of Black Music as “acid jazz” from London is clueless and doesn’t know what 1970’s/1980’s Jazz, Funk and Soul is.

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