The Brand new Heavies are Pioneers? Does anyone in Modern day Blues and Soul know who Light of the World, Beggar and Co, Hi Tension and Central Line are? Shakatak?
Blues and Soul (1100) “legitimizes” the lies of Eddie Pillar on Wikipedia?
Are blues and soul re-writing black music history as well?
So issue 1100 is very important because this is how they re-write History or try and muddy the water. That is what Smoke and mirrors is all about. However they can try all they like with Black music but it won’t work. Now this could be a well intention article by a well intentioned journalist who genuinly doesn’t know there was no such thing as Acid Jazz at any time. Just a record label claiming FUNK to be acid jazz in a classic serpent attempt to infiltrate Black culture. Which is what Eddie Pillar and his international cabal are desperately trying to do. However if that is the case then why are they writing for Blues and Soul Magazine? something is not right.
In fact I have kept an eye on Blues and soul as I have been completing this work. And I was actually going to say at a later stage that even if they buy out Blues and Soul magazine (Don’t put it past them they are that desperate), then try and start claiming that “acid jazz” is a genre, they will still have to tell you what it is. And they cannot. That’s because it’s just mislabeled Jazz Funk Rare Groove, Neo Soul, New Jack Swing etc. We know what these sounds are and Eddie Pillar, Gilles Peterson and his SATANIC crowd are not going to fool anyone on the sounds of our own culture!
No one connected to Acid Jazz records has created or invented anything whatsoever as far as Black music is concerned. That is a fact. We know the sounds of 1960’s, 1970’s and 1980’s FUNK. None of them were invented here in London by people replaying these sounds in the 1990’s. The people who think that these sounds are called acid jazz are the kids of the 1990’s who don’t have a clue what any of these sounds are actually are. This of course as I daid is due to Pillars false labelling.
I always say beware of the media and who’s behind it. Not just in Politics but now also as far as Black music is concerned. And bear in mind this site has already been trolled by ABC Australia, The soulhead Tales has been deleted from manyt places including Music Banter, Ths Jamiroquai sub reddit and Jamirotalk. And others whom one would have thought would be interested in this cultural theft haev said little or nothing. Remember these peole have agents all over the place or deliberateky place disinfo wherever they can. Not that Iam suggesting this is the case here but I have to say this is suspicious, given that I have constantley mentiond Blue and Soul as a reliable source of information for Black Music.
There are a whole host of people who came into Black music in the 1990’s and who simply don’t know what they are talking about.I can tell that some so called music writers are basing their history on what they read on the Internet and especially on Wikipedia. All Music and Q Magazine to name but two who carry this fraudeulent re writing of Black Music history taken form Gilles Peterson and Eddie P[illars Wikipedia BS. So coming across issue 1100 of Blues and Soul an old friend from the 70’s/80’s I saw this article which has an interview with a member of the Brand New Heavies.
And straight away I can again tell you that whoever wrote that piece is NOT an authentic1970’s/80’s Funkster .For if She were then she would never use the trerm Brand Bew Heavies and Pioneers in the same breath, And she would never call them Acid Jazz either. Those are not the words of a Black music writer and they are not the words of an Authentic 1970’s/1980’s London Funkster. There is a wealth of deliberate disinformation out there posted on website after website by Eddie Pillar Acid jazz cabal. Not just on Wikipedia but on everipedia and all across the web. All trying to make it appear that Acid Jazz is a Black music genre from here in London England. As if Black American Rare groove of the 1970’s owes it’s existence to a record company formed in this City oin 1988. There is no such genre and no authentic London Soulhead will tell you there was,
These wikipedia lies wipe out Black British Soul of the 1980’s and make it souns as if Acid Jazz records are responsible for the Black British Rare Groove sound created by Light of the World, Central Line, Soul to Soul and many others. It is a completely criminal and fraudulent re-writing of Black Music History. So I come across issue 1100 of Blues and Soul, and look below! I will give the writer the benefit of the doubt by saying that they have probably read the rubbish written by Gilles Peterson and below a headline reads Rebirth of the cool Its all part of the Plan for “acid jazz” icons.….. Huh?
BLUES AND SOUL LEGITIMIZE THE ACID JAZZ CULTURAL APPROPRIATION MYTH?
AT THE TOP LEFT OF THE PAGE WE SEE THIS…
Acid jazz Icons?….Er….NO. They were playing FUNK.
AND NO NEW MILLENNIAL BLUE’S AND SOUL MAGAZINE, TBNH WERE NOT IN ANY WAY PIONEERS. NOT OF FUNK OR OF RARE GROOVE. I WILL TELL YOU THAT NOW
Whoever wrote this article as I say was not a 1980’s SOULHEAD. And of course a member of the brand new heavies would legitimize the lies of Eddie Pillar on Wikipedia! Because the Brand New heavies are part of their crowd. The crowd who are trying to take credit for a sound they had nothing to do with. How are the Brand New Heavies Pioneers? Now lets just recap. On Wikiopeedia Gilles Peterson and his crowed claim that Gilles Peterson invented an Imaginary Genre called acid jazz. Thi s genre apparently” broke into the mainstream” in the early 1990’s and then spread to America and all over the world! Thanks to Acid Jazz record signings. A totally stupid and ridiculous story which has zero basis in reality and is not recorded anywhere in any Black Music publication anywhere including Blues and Soul.
Below another reminder of the lies written on Wikipedia by Gilles Peterson, Eddie Pillar and their cultural appropriation mob
THESE WERE THE PIOBEERS OF THE OLD RARE GROOVE SOUND
The Brand New Heavies were not known yntil the early 1990’s. These bands had been famous since the post Disco Era. And they hadlalso beem playing the old Jazz Funk sound since the that period of time. Many London Soul bands were playing the old sound during the 1980’s. They started playing the old sound This is 1985 The year The Brand New Heavies were created. These Guys from Light of The World had been playing the old sound since the early 1980’s. How are these not The Pioneers? See below. Wiki Wacky House Party a Homage to the 1970’s Fatback track in redone in 1985. TBNH were not pioneers of the Rare Groove sound and anyone who claims they were shoulf not be writing articlaes on Black Music.
And note this is a collaboration between Light if the world and Incognito with Tubbsy on lead vocals. We are being told on Wikipedia that Incognito play a music genre called acid jazz invented two years later by the co-founder of Acid Jazz records. As if they have anything to do with us.Does the writer of this article not know who Light of the World are? Central Line, The Jazz Funk collective? Beggar and co? Light of the World are still here!
Are you saying they don’t exist just like Gilles Peterson and Eddie Pillar do on wikipedia and all across the Internet? Who is writing this stuff in Blues and Soul Magazine?
THESE ARE THE PEOPLE WE CALL PIONEERS WHEN IT COMES TO PLAyING THE OLD 1970”s JAZZ FUNK SOUND HERE IN LONDON TOWN.
And 1988 Infiltrators Eddie Pillar, Gilles Peterson and Acid Jazz records have nothing whatsoever to do with inventiing or creating any of these sounds.
Beggar and Co from the Post Disco era. How are these not Pioneers? They were Playing Jazz Funk back in the early 1980’s. How are the Brand New Heavies Pioneers?
Have the new millennial writers for Blues and Soul ever heard of Central line?
America knows them, Sunshine was the major hit everyone thought was the Brothers Johnson. That’s how good they were. These are the pioneers of Jazz Funk and they were around long before Acid Jazz records infiltrated the scenes and started printing this is acid jazz on the front cover of Black music compilations. Our homage to Black American Soul goes way back. Long before the likes of Acid Jazz records infiltrated Black Britain and tried to use our community as a means to rib the Black Americans of their Sound by printing this is acid jazz on Soul mixes
CENTRAL LINE
Does the Blues and Soul music writer know who Central Line are?
CENTRAL LINE
ACID JAZZ ARE NOT RESPONSIBLE FOR ANY SOUND WHATSOEVER. IF YOU CLAIM THEY ARE THEN YOU WERE NOT THERE AND KNOW NOTHING ABOUT THE FUNK…
The Pasedenas and Soul to Soul also exist. Regardless of what Infiltratiors Eddie Pillar and Gilles Peterson claim on Wikipedia. They were playing Rare Groove no acid jazz, the name of a record label who had nothing to do with anything.
THE PASADENAS AS I KEEP SAYING ARE THE MAJOR ORIGINATORS OF THE BRITFUNK RARE GROOVE SOUND OF THE LATE 1980’s.
1987/88. The James Brown sounds was back in vogue as was the old sound of 1970’s Funk and acid jazz records, as the old Blues and Soul writers and archives will prove had nothing to do with it regardless of what anyone from the 1990’s tells you. And regardless of what anyone in this new century writes. All the Black magazines of the era and the TV shows club reports etc will confirm this
This is what we called Rare Groove. It was not called acid jazz and anyone who referred to an “acid jazz” movement was not there and was not part of the Jazz Funk community. Acid Jazz is a Record Label. Jazz Funk and Soul of the 1970’s was called Rare Groove.
Just because someone has written something in the media based of of the lies of Eddie Pillar and Gilles Peterson on Wikipedia doesn’t make it true.
Blues and Soul misleading future Black Music Historians.
Blues and Soul magazine or whoever was responsible for this piece appears to legitimize their Acid Jazz cultural myth. Hmmmm. I note however they steer clear of claiming that acid jazz is a genre (At least on the front cover) because they can’t. However they legitimize the history revisionist rubbish written by Peterson and Pillars mob on Wikipedia (policed by an American who doesn’t know where Essex is) in its wording. Anyone in the future glimsing these words on the front cover of Blues and Soul will be forgiven for thinking that A) The Brand New Heavies were pioneers and B) Acid jazz is a music genre for whichTBNH were Pioneers. Both are False.
DO ANY OF YOU NEW MILLENNIAL BLUES AND SOUL WRITERS ACTUALLY KNOW WHO CARON AND JAZZIE B ARE? YOU DO KNOW THEY TOPPED THE U.S CHARTS
They brought back the Violins of yesteryear changed the sound of Black Music here and in the United States. These are the PIONEERS of The Brit Funk Rare Groove sound. They made our sound famous along with the likes of Loose Ends, Billy Ocean and others. This wasn’t started by Acid Jazz records that is a total lie.
The gods and goddesses of British Soul are still here.
STOP TELLING US WHAT OUR MUSIC IS CALLED
So let’s deal with this part of the article…..Blues and Soul issue 1100.
Now having used my own personal 1980’s Blues and Soul archives to destroy the fake version of Black music history being peddled by Eddie Pillar, Gilles Peterson and the Acid Jazz cultural appropriation cabal on Wikipedia I was not really all that surprised to see the so called modern day “music media” appear to support this global campaign and seem to agree with the BS written on Wikipedia. Given what has gone before and the lack of knowledge I see shown especailly in reviews of Jamiroquai albums.
Wikipedia BS which writes Black British Soul and the achievement of Soul To Soul Loose Ends etc etc out of history and claims Gilles Peterson invented a black music genre called acid jazz which was exported to America by Jamiroquai Incognito and The Brand New Heavies. Total bunk as you will see in 10 easy Ways to debunk the acid jazz lie.So the New Millennial Blues and Soul magazine goes on to claim that the Rare Groove Movement was an “acid jazz” movement. REALLY who said that?
No it was NOT an “acid jazz” movement. It was a Rare Groove movement.
With the release of TBNH acid jazz pioneers..PIONEERS? HuH?” Blues and Soul?
They were playing Rare Groove, NOT acid jazz and they were in no way shape or form the pioneers of anything. That much I can tell you for a fact. You’re not an authentic SOULHEAD are you Mr or Mrs Writer. It just so happens I still have all my 1980’s Blues and Soul magazines and if you go and take a look at issue 511 you will see the Brand new heavies described as Playing Rare Groove similar to Soul to Soul. So when did they suddenly become “acid jazz” pioneers.
Now when you see the way they have worded it they have done it in such a manner that they can turn it around when challenged by an authentic Funkster like me and say “oh we were talking about the record label”. “we were pioneers of that record label” But you know exactly what they are trying to do. Its the headline that they are aming for.Check your back issues Blues and Soul (511) and you will find TBNH described as Rare Groove because that is what they were.
IT WAS NOT AN ACID JAZZ MOVEMENT IT WAS A RARE GROOVE MOVEMENT!
It was not an acid jazz movement it was a RARE GROOVE movement. Acid Jazz is an infiltrator record label printing it’s name all over Black American Soul and then claiming that it’s a Black music genre called acid jazz. They were not responsible for the return of 70’s FUNK. Acid Jazz records had a plan from day one which is why they printed 100% Acid Jazz on Rare Groove and Funk mixes. And then claiming that this acid jazz was a new music genre “invented” by Gilles Peterson. Its here in Black and white they cannot deny it. NONE of us Authentic 70’s/80’s Funksters ever called FUNK “acid jazz”.
Gilles Peterson often credited with originating the genre. They don’t say who actually “credits” him with inventing Black American Jazz Funk, New Jack Swing and Neo Soul…because no one does.
THE ATTEMPTED THEFT AND CULTURAL APPROPRIATION OF FUNK
As you can see they knew exactly what they were doing and that is why they are continuing to print lies on the front cover of Soul mixes because they think wrongly that they can fool people on their own sounds.
So this suspicious piece in Blues and Soul goes on to say….
“You had this whole acid jazz movement.” ..Eh no, NO you did not.
It was not an “Acid Jazz” movement, it was a Rare Groove movement. Acid Jazzis a record label. We did not call Rare Groove acid jazs the only people who did were children who bought acid jazz FUNK compilations and thought they were listening to so called acid jazz because they didn’t know what Jazz, Funk and Soul was.
I was right there as an authentic 70’s kid who recognised all these sounds as you can see in THE SOULHEAD TALES. None of us called Rare Groove Acid Jazz. In fact none of us even knew who they were. No one knew who they were until the mid 1990’s. They infiltrated Black Britain didn’t sign any of the bands who were out of contract but got a bunch of their mates record contracts and then played Rare Groove. 30 years on they are now claiming that they were playing acid jazz because they think we don’t know what these sounds are. We do. Even if modern day writers don’t.
Rare Groove as I say elsewhere was people who were into the old sounds of the 70’s Funk. Midnight at the Oasis is 70’s Funk, it is not acid jazz. There is no such thing as an acid jazz genre. It does not exist. The Rare Groove/ Brit funk sound is not called acid jazz just because Eddie Pillar and the Synagogue of Satan claim it is. You see how they keep trying to conflate this record label with FUNK. You see it all over the place especially on the acid jazz website where they are desperately trying to INFILTRATE Black music of the 20th Century. To make it look as if they are relevant.
Yeah sure, Leroy Hutson plays a Black music genre invented here in London in 1988 by Gilles Peterson and not Black American Soul. These are all classic infiltration tactics from the world of politics and indeed institutions in general. They infiltrate and then try to take over form within. They are gradually trying to program people into associating the words Acid Jazz with Black Music. That way they can claim ownership of it. With music however it’s not that easy especially when you can’t name a single track belonging to this mystery genre! Because it’s just Jazz funk, Neo Soul , New Jack swing…
Printing This is acid jazz, Legends of Acid Jazz the Story of Acid Jazz, Acid Jazz this, Acid Jazz that..Lie Lies Lies. trying to make it seem as if they are responsible for styles of Black music when they are responsible for nothing whatsoever.
You see there are still millions of people globally from the ages of say 50 years upwards who can easily tell you what these sounds actually are because they lived the 1970’s and the 1980’s. You might fool some of the kids of today but you wont fool the authentic Funksters. And now thanks in part to THE SOULHEAD TALES there are a whole load of kids out there who know their Bossa from their Salsa, their Jazz Funk from their Electrophonic Phunk. And all of them will tell you that Acid Jazz is no more than a record label. They have no claim on any style of Black Music. Except for the fact that they print this is acid jazz all over the front cover of 20th Century SOUL mixes. And If these outsiders of Black music (Eddie Pillar Gilles Peterson and Acid Jazz records) claim Jamiroquai play this fake genre then ask them what track belongs to this imaginary style of Black Music apparently “invented” by Gilles Peterson in 1988 as they claim on Wikipedia. Thats a question you must always ask them. Its the one question they can never answer. These People will lie lie lie and Lie which Is why THE SOULHEAD TALES exists……..
THE SOULHEAD TALES written by an authentic 1970’s/1980’s Funkster who knows what all those sounds are categories all the Jamiroquai tracks into their CORRECT Styles, genres/ Sub genres etc. So they have no hiding place! Which track was invented by former Invicta FM DJ Gilles Peterson? Which track is not the Jazz Funk, Funk, Bossa Nova, sound I say it is. And most importantly always remember neither can they show any mention of this so called “genre” emerging in Black London as they claim in any Black Music publication of the 1980’s such as Black Echoes, Jet or Blues and Soul who’s archives cannot be tampered with regardless of what certain people involved with that magazine in 2020’s try and claim. If acid jazz is a Black Music genre then why can they not tell you the name of a single trsck which belongs to this genre.
So people do not be fooled.
Now as I said I noticed they use their wording cleverly. They don’t refer to Acid Jazz as a genre however they DO claim that Rare Groove Band, The brand New heavies, Authentic Britfunk era band Incognito and Plagiarists Jamiroquai as being part of this so called acid jazz movement. So basically they are legitimizing the disinformation written on Wikipedia, Blues and Soul magazine should know Who Jazzie B is. They should know who The Pasadenas are. Notice there is no category for this so called Acid Jazz. Thats because there is no such thing as a Black Music genre called acid jazz. And if a category ever appears there then again ask them what makes any Black sound “acid jazz” A name cooked up by Eddie Pillar, Gilles Peterson and the Synagouge of Satan. There is nogenre, sug genre or style of Jazz, Funk or Soul called acid Jazz it does not exist.
So future Black Music historians, Issue 511 is the first time you will see the phrase acid jazz mentioned in any Blues and Soul magazine.
THAT IN ITSELF DESTROYS THE LIE THAT THIS SO CALLED GENRE CAME OUT OF LONDON IN THE MID 1980’s. THERE WAS AND IS NO SUCH GENRE.
Issue 511
So again I would say this article has been orchestrated so that in say 20 years time a music historian looks in the archives and says “ah look”. Blues and Soul are speaking about acid jazz. So that therefore makes Acid Jazz legitimate. No it does not. And of course a member of The Brand New Heavies is going to push this Acid Jazz infiltration lie. The only people who use that word to describe Black music are not Black. And if they are then they are youngsters who don’t know what the sounds of 60’s/70’s/80’s Sou is and have been hoodwinked by what they have read on Wikipedia or by the fraudulent marketing of Black music by Eddie Pillar and Acid Jazz records. And that it’s mentioned in Blues and Soul Issue 1100, 30 years later is to give this acid jazz lie some form of credibility.
Interestingly when I was trying to find out who came up with this Acid Jazz name and who was behind this scam I found this article by Chris Hunt entitled Acid Jazz does it really exist. So it does actually seems that back then they were already trying to push this ridiculous idea that this record label had invented a sound. Of course back then everybody knew what these sounds actually were so they couldn’t fool anyone.James Taylor told the truth at the time.
What happend then was this. They kept on pushing this idea, churning out mixes with this is acid jazz on the front cover or whatever, Then come the mid 1990’s when the new generation were old enough to go clubbing but didn’t know who Roy Ayers was or didn’t know what any of these sounds were. They indoctrinated them.So if in future anyone tries to use these comments from The Brand New Heavies claiming they are Pioneers of this acid jazz genre then quote them this
. “Acid Jazz is just a phrase, a name It means nothing” Its a Scam whispers James Taylor. Its a way of selling records it’s a way of making Money
.-James Taylor of the James Taylor Quartet.
So people, regardless of what you see written on the Internet by any so called writer on Black Music There is no such thing as a BlackMusic genre,subgenre or style of FUNK called acid jazz. Anyone who claims there is knows nothing about Black muisc or is a liar. And remember the Archives of Blues and Soul form OUR era will show no mention of any so called acid jazz genre emerging from this city London or from anywhere else in the U.K. No one in London is responsible for ANY styles of Jazz Funk or Soul and none of us authentic 1970’s/80’s Funksters would ever claim that we were. Only Gilles Peterson, Eddie Pillar and the Synagouge of Satan claim there is a music genre called Acid Jazz. NO ONE ELSE. And thewy can’t tell you what it is. They don’t understand The Funk and think they can fool perople on these Grooves. And anyone in the 1990’s referring to FUNK or any style of Black Music as “acid jazz” from London is clueless and doesn’t know what 1970’s/1980’s Jazz, Funk and Soul is.
Eddie Pillar, Gilles Peterson and their mob write a pack of lies which essentially deletes The likes of Soul To Soul, Loose Ends and 1980’s British Soul out of History. The brings in th ir mates from the Satanic New World Order to guard the page.
N PROGRESS—
ON THIS PAGE WE TAKE A LOOK AT THEIR WIKIPEDIA PAGE OF LIES.
WIKIPEDIA THE SEAT OF THE ACID JAZZ DECEPTION.
(The Satanic petition of Gilles Peterson, Eddie Pillar and Acid Jazz records)
The goal of Eddie Pillar, Gilles Peterson and Acid Jazz records is to re-write Black music history. And this page is what they want written into history. The idea that they created and are responsible for all the sound of 20th Century SOUL/R&B. When they have created nothing. Eddie Pillars fraudulent marketing of FUNK as a non existent music genre called acid jazz coupled with this page of total BS which they are cloning on every website they can find, is what they hope will eventually give them what they want. The frequencies of FUNK. That and the fact that they claim Jamirqoquai’s stolen, plagiarized Rare Groove and 70’s/80’s FUNK is also the creation of serpents. So Jay Kay claims credit for the sounds of Stevie Wonder and Eddie Pillar/Gilles Peterson claim credit for creating Jazz Funk and Soul. This is how they have stolen down the centuries but with music it isn’t so easy as THE SOULHEAD TALES and Ten Easy ways To Debunk The Acid jazz Lie proves.
EDDIE PILLAR AND HIS SATANIC DIS INFO AGENTS HOLDS BLACK BRITISH MUSIC HOSTAGE ON WIKIPEDIA TO RE-WRITE THE HISTORY OF SOUL/R&B
The Plot to steal Funk.
How Eddie Pillar and Gilles Peterson’s mob are trying to suppress the truth on Wikipedia. Deleting comments, Deleting Profiles, Lying Locking down the page.
They are trying to create a generational myth
They are using Black Britain to Rob the African Americans.
Eddie Pillars Wikipedia gatekeepers delete the truth in under 60 seconds again
In the serpent tradition of using foreigners against people of your own nation Eddie Pillar and Gilles Peterson enlist foreigners to help rewrite the history of Black Britain. To delete the truth and to wipe Black British SOUL from the history books. Meet Michael Binks knowles and the two anonymous Wikipedia editors who are in charge of a music page about BLACK LONDON!
Michael Binks Knowles refused to respond to questions and was willfully assisting the Jamiroquai acid jazz cabal in keeping up their Fake News Wikipedia page which I debunk in this blog. Acid jazz records are ignoring warnings from real Wikipedia editors with the assistance of their gatekeeper. These people are desperate to cling onto SOUL music and rewrite the history of Black Britain.
Micheal Bink Knowles The American Californian who claims that people from Essex aren’t qualified to speak on Black Music in 1980’s London because he doesn’t know where Essex is and has never heard of Canvey Island or Caister. These are the type of people assisting Acid Jazz records re-write the history of Black Britain and of Black music in general.
Who are you going to trust on the topic of Black London? A Black Londoner or Michael Binks Knowles a Californian who claims that acid jazz is a Black music genre but can’t tell anyone what it is. He has also set up the sound system at Bohemian grove where SATANISTS commune every year. So yeah, he’s the right man to speak for Black London. What are you going to trust when it comes to the history of Black Music in Black Britain of the 1980’s?
Blues and Soul, Black Echoes, Ebony Jet and all the Black music publications of the era? or the rubbish Eddie Pillar and Gilles Peterson have written on Wikipedia. They claim Acid Jazz is a music genre but they can’t name a single track which belongs to this genre. Neither can they show any reference to this fake genre being invented in the mid 1980’s. No club report album review, chart or anything else. On Wikipedia they keep claiming Jamiroquai play at least some of this fake genre but they can’t tell you which track contains Acid Jazz in THE SOULHEAD TALES. As you will see I have categorized all of the so called Jamiroquai tracks into their correct styles of FUNK, Electro, Bossa, and so on and I can’t hear any Black music genre invented here in London by Gilles Peterson or anyone else. I have never heard of this genre. All I can hear is retreads of 1970’s/1980’s FUNK.
There is no such thing as a Black Music genre called Acid Jazz. The only people who claim there is such genre are Eddie Pillar, Gilles Peterson and their International cabal of Dis-info Agents. The people involved know this full well but in order to make their lies stick and to steal the legacy of Black American Soul they need back story to explain the existence of this Fake genre. They need to create a feasible myth to fool future generations into believing that all this Black American Soul owes it’s existence to a record label that has nothing whatsoever to do with any Black sound whatsoever. Save for the fact they are making money out of it.
THE SATANIC RETREAT SHOWN IN THE FILM OF ALEX JONES WHERE KNOWLES APPARENTLY SET UP THE SOUND SYSTEM.
Welcome to the new world order, where the history of Black Britain, And Black American soul is censored by a Californian who sets up music at clubs….and places where degenerate satanists worship a dark energy being who feeds off of the energy of burning children. Well these satanic types always stick together. Michael Binks Knowles the American assisting Eddie Pillar re-write Black music history has worked at Bohemian grove as shown in The famous documentary by SHILL Alex Jones. Yup.
When asked Are you sure you’re also not in some way connected to Acid Jazz records, Michael Bink Knowles Refused to respond!
Wikipedia many people already know is long infiltrated by the New world order to control the narrative. As the co-founder of Wikipedia said; People whom I would call trolls infiltrated and then took over. They actually use troll farms to guard pages especially when it comes to Politics. If you know how the New world order works then you will know what it means when you see someone on Wikipedia with 250000 edits. (remember the Phillip Cross affair with George Galloway) Michael “Bink” Knowles, A Californian who doesn’t seem to know where Essex is but thinks he has the authority to re-write the history of Black Britain. So welcome to the New world order where a foreigner can rewrite the history of your race and your hometown. You can read a bit more about Eddie Pillars Gatekeeper by clicking below.
EDDIE PILLAR AND ACID JAZZ RECORDS ARE HOLDING THE HISTORY 20th CENTURY SOUL AND BLACK MUSIC HOSTAGE ON WIKIPEDIA
They are deleting comments and profiles, banning I.P Addresses.
On Wikipedia they (The jamiroquai acid jazz cabal) make the claim “acid jazz” is a black music genre invented here in London in 1988 by Gilles Peterson. They are also as I have said trying to write Black British SOUL out of the History books and replace them with 1990’s music thieves and plagiarists Jamiroquai who the claim play this so called “acid jazz” genre “invented by London pub DJ Gilles Peterson. Wikipedia is their center of operations. Here is where the jamiroquai acid jazz lie machine is holding FUNK hostage and re-writing the history of Black music. For their cultural appropriation exercise to have any chance of succeeding Eddie Pillar and the Jamiroquai acid jazz cabal have to have that page in place.
This is why they are so desperate to keep it up. So If you wish understand the agenda of acid jazz records then see the lies they have written on Wikipedia. Everipedia, and just about every website dealing with Black music. Elsewhere The Jamiroquai /acid jazz cabal are saturating the web with their disinformation, systematically and fraudulently re-writing the history of Black British and Black American SOUL/R&B, by cloning their fake news Wikipedia page every where they can. These people are determined. They Delete Comments And Even Profiles OF People Who Complain. Then continue as if nothing has happened. The same tactic used on political pages. Anything that does not suit the serpent agenda is deleted. Acid Jazz is a serpent record label.
They have locked down their Wikipedia page and IGNORING protests BLOCKING I.P addresses…The Eddie Pillar Cultural appropriation crew continues to ignore warnings from Wikipedia…THERE’S A SURPRISE!
It’s now a year since Wikipedia warned the Jamiroquai acid jazz cabal over the lies on their Fake news Wikipedia page which credits Gilles Peterson with inventing Jazz Funk, but like all infiltrator organizations the jamiroquai/ acid jazz cabal are ignoring the truth, ignoring protests and carrying on regardless. They have been warned numerous times in the past by real editors until Pillar brought in a gatekeeper. A fake “Editor” called Michael Bink Knowles. A Californian who is re-writing the history of Black music and of Black Britain. Wikipedia is fully infiltrated as you will read about on Wikipediocracy.
Two years after their Wikipedia warning, Cultural Thieves Eddie Pillar and Gilles Peterson/the acid jazz cabal CONTINUE to try and write BLACK BRITAIN and Black British Soul out of history and replace them with 100% plagiarists Jamiroquai whose plagiarized FUNK they are STILL claiming is called acid jazz. Just like all SERPENT organizations Eddie Pillar and his mob ignore the rules and carry on regardless.
CULTURAL THIEVES PILLAR PETERSON AND THEIR CROWD KNOW THAT THE INFORMATION ON THEIR WIKIPEDIA PAGE IS FALSE SO THEY HAVE AN ARMY OF TOLLS ON WIKIPEDIA JUST LIKE THEY HAVE AN ARMY OF TROLLS ON YOU TUBE AND ELSEWHERE, READY TO DELETE COMMENTS, DELETE THE TRUTH
Nov 2019 PILLARS AMERICAN WIKIPEDIA GATEKEEPERS STRIKE AGAIN….This one is called Denisarona an anonymous Wikipedia SHILL who has awards from other shills (Give each other prizes!)
“DENISARONA”
Helping Eddie Pillar and Gilles Peterson in assisting acid jazz records in deleting the truth on Wikipedia. And here we have someone who calls themselves DENISARONA another anonymous fake Wikipedia editor working for acid jazz records deleting the truth and protecting Eddie Pillars fake news acid jazz page which re-writes of Black British history. Who is this person in real life? well we don’t know although I’m sure as British M.P George Galloway and others have proven they can be traced by the authorities. So this anonymous person saw fit to delete the truth from the acid jazz talk page and then BLOCK any response. See websites like Wikipediocracy for how these people operate .
Anonymous Americans (Eddie Pillars Gatekeepers) The people in charge of the History of Black music in Black London during the 1980’s. These people are preserving the lies of Eddie Pillar and Gilles Peterson. Assisting them in peddling Disinformation to the global masses. Especially to the kids.
I decided to do another test and as I expected the comment was immediately deleted. This time by another anonymous serpent called Denisova. Like all these serpent institutions and companies they have loads of people watching the page so they can all jump in and delete information quickly. Like all N.W.O Wikipedia editors they are fake. Below is the message I wrote….
DO NOT DARE DELETE THIS COMMENT AS YOU HAVE TRIED TO DO IN THE PAST. IF YOU DO I WILL POST IS AGAIN AND AGAIN AND AGAIN AND TRYING TO BLOCK THE I.P WILL NOT WORK AGAIN EITHER. YOU ARE WORKING FOR EDDIE PILLAR AND GILLES PETERSON OF ACID JAZZ RECORDS.`
These people have ignored warnings from real Wikipedia editors and are carrying on regardless even though they know everything written here is false as Blues and soul magazine and the British equivalent Black Echoes magazines of the 1980’s will confirm.
BLUES AND SOUL MAKES NO MENTION OF THIS NON EXISTENT GENRE.JUST BECAUSE A RECORD COMPANY PRINTS THE WORDS ACID JAZZ ON ALBUM COVERS DOES NOT MEAN THAT THEY HAVE INVENTED A STYLE OF BLACK MUSIC. THERE IS NO SUCH THING AS A BLACK MUSIC GENRE CALLED ACID JAZZ. That is why they have failed to mention a single acid jazz track. Plagiarists jamiroquai play rare groove NOT a back music genre invented by a record company here in London created in 1988. that is total and utter rubbish. EVERYTHING ON JAMIROQUAI TRACKS IS STOLEN..Google Jamiroquai’s plagiarism.
IF THIS SO CALLED ACID JAZZ GENRE YOU LYING AMERICANS CLAIM IS A MUSIC GENRE THAT CAME OUT OF THIS CITY (LONDON ENGLAND) IT DID NOT, THEN WHY IS THERE NO MENTION OF IT IN BLUES AND SOULS AND WHY HAVE YOU NOT MENTIONED A SINGLE SONG THAT BELONGS TO THIS FAKE GENRE? HOW IS THE STOLEN FUNK OF STEVIE WONDER, ROY AYERS EARTH WIND AND FIRE ECT THE INVENTION OF A LON DON RECORD LABEL……..ANSWER THE BLOODY QUESTION…. LIFE OF TAU AND WHY ARE YOU ANONYMOUS? SHOW YOURSELF! YOU ARE RE-WRITING THE HISTORY OF BLACK LONDON SITTING IN AMERICA…WHO ARE YOU? DON’T YOU THINK BLACK BRITAIN HAS A RIGHT TO KNOW WHO YOU ARE?
SHOULD I NAME YOU HERE?
REGARDLESS OF WHAT THESE AMERICANS HAVE WRITTEN. BLUES AND SOUL MAGAZINE WILL SHOW THEM UP FOR THE LIARS THAT THEY ARE. THERE IS NOT AND WAS NEVER A MUSIC GENRE CALLED ACID JAZZ IN THIS CITY OF LONDON ENGLAND! AT NO TIME AND AT NO STAGE DURING THE 1980’S DID ANY DJ INVENT A BLACK MUSIC GENRE CALLED ACID JAZZ. AT NO TIME WAS THERE ANYTHING CALLED ACID JAZZ HERE IN LONDON ENGLAND IN THE 80’s WHICH IS WHY YOU WILL FIND NO “ACID JAZZ” CHARTS, CLUB REPORTS OR “BANDS DEFINED AS ACID JAZZ” AS THEY FRAUDULENTLY WRITE HERE. THESE PEOPLE KNOW THIS THAT WHY THEY TRIED TO DELETE COMMENTS ON THIS PAGE AND OR BLOCK I.P ADDRESSES. THIS IS GOING ON ALL THE TIME AS WIKIPEDIA IS TOTALLY TAKEN OVER AS WEBSITE WIKIPEDIOCRACY ,GEORGE GALLOWAY U.K MP AND EVEN DAVID ICKE HAVE TESTIFIED. ANYTHING THAT DOES NOT SUIT THE SERPENT AGENDA IS DELETED AND ACID JAZZ IS A SERPENT RECORD LABEL
Attempting to culturally appropriate soul through their usual deception. This page IS their deception as well as their false labelling of SOUL as acid jazz.
THE UNCHALLENGABLE SOURCE OF INFORMATION REGARDING BLACK MUSIC IS BLUES AND SOUL MAGAZINE. AND NEITHER BLUES AND SOUL NOR ANY OF THE OTHER BLACK MUSIC PUBLICATION OF THE ERA SUCH AS BLACK ECHOES, JET MAGAZINE, EBONY ECT MAKE ANY MENTION OF A BLACK MUSIC GENRE INVENTED IN THIS CITY AT ANY TIME CALLED ACID JAZZ. YOU WILL FIND ALL THE SOUL CHARTS AND CLUB REPORTS ION BLUES AND SOUL MAGAZINE AND YOU WON’T FIND ANYTHING TO BACK UP THE LIES WRITTEN BY THESE AMERICANS.
THE FIRST EVER MENTION OF THE WORD “ACID JAZZ” IS IN BLUES AND SOUL [ISSUE 511] WHICH STATES THAT A DJ CALLED GILLES PETERSON HAS CREATED A NEW RECORD LABEL CALLED ACID JAZZ. THIS IS IN 1988. SO THAT IN ITSELF COMPLETELY DESTROYS THE FAKE RE-WRITING OF BLACK MUSIC HISTORY THESE PEOPLE ARE ATTEMPTING. WE DID NOT HAVE ANY MUSIC GENRE CALLED ACID JAZZ HERE IN LONDON. SOUL TO SOUL AND LOOSE ENDS, FIVE STAR, BILLY OCEAN, SADE, OMAR LYE FOOK, SAHARA AND BANDS THAT THESE THESE AMERICANS ARE TRYING TO WIPE FROM HISTORY ARE THE ORIGIN OF ANY 1990’S BRITISH SOUND. NOT A RECORD COMPANY CREATED IN 1988. THEY CLAIM ACID JAZZ SPREAD TO AMERICA TOTAL BS….ALL THEY HAVE DONE IS REPLACED THE WORDS RARE GROOVE WHICH IS 1970’S FUNK WITH THE WORDS ACID JAZZ AND THEN CLAIMED THAT IT’S A BLACK MUSIC GENRE CREATED HERE IN LONDON ENGLAND. I HAD NEVER EVEN HEAR THE WORD ACID JAZZ UNTIL ABOUT 1999 BUT I AM AN AUTHENTIC LONDONER UNLIKE THE AMERICANS WHO HAVE TAKEN OVER THIS PAGE AND ARE REWRITING BLACK MUSIC HISTORY.
EVERYTHING YOU HAVE WRITTEN ON THIS PAGE IS A COMPLETE PILE OF BULLSHIT AND DON’T GIVE ME THAT WIKIPEDIA “OH YOU MUST BE POLITE” FUCK YOU! YOU ARE A SHILL OR ONE OF EDDIE PILLARS LOT. YOU HAVE NO RIGHT TO REWRITE BLACK MUSIC HISTORY AND YOU MOST CERTAINLY HAVE NO RIGHT TO WIPE PEOPLE LIKE SOUL TO SOUL, LOOSE ENDS AND ALL THE OTHER BLACK BRITISH BANDS FROM THE HISTORY BOOKS AND PEDAL THIS COMPLETELY FALSE INFORMATION ACROSS THE GLOBE. INFORMATION THAT YOU KNOW DAMN WELL IS FALSE. WHO DO YOU THINK YOU ARE. AND WHY ARE YOU ANONYMOUS LIFE OF TAU……? WHO ARE YOU SHOW YOURSELF COME ON!
AT NO TIME AND AT NO STAGE DID ANY OF US CALL FUNK ACID JAZZ. THERE WERE NO ACID JAZZ MOVEMENTS IN LONDON BECAUSE NOBODY HAD EVEN HEARD OF THEIR NAME UNTIL THE MID 1990’S. AND IF YOU CLAIM THAT ACID JAZZ IS A MUSIC GENRE NAME ONE ACID JAZZ SONG! YOU CAN’T BECAUSE IT’S JUST SOUL. AND IF YOU CLAIM THAT IT IS A SUB GENRE GIVE ME THE NAME OF ANY RECORD WHICH BELONGS TO THIS SUB GENRE CALLED ACID JAZZ?,,,,, NAME ON SINGLE “ACID JAZZ” TRACK THAT YOU CLAIM IS A BLACK MUSIC GENRE INVENTED BY GILES
PETERSON? YOU CAN’T BECAUSE ACID JAZZ DOESN’T EXIST. IT IS JUST YOU ASSISTING EDDIE PILLAR AND GILLES PETERSON TO CULTURALLY APPROPRIATE SOUL MUSIC.I AM A LONDONER, THE PEOPLE WRITING THIS BULLSHIT ARE AMERICANS WORKING FOR ACID JAZZ RECORDS WITH A VIEW TO REWRITING BLACK MUSIC HISTORY AND THE HISTORY OF BLACK BRITAIN. THERE ARE ALSO BRITS HERE AND SOME OF THEM ARE FROM JAMIROQUAI AND ACID JAZZ RECORDS. THEY ARE ALL WORKING TOGETHER AND JAMIROQUAI HAVE ALSO DELETED COMMENTS ON THEIR WIKIPEDIA PAGES.
LIFE OF TAU SHOW YOURSELF
THE REASON YOU WILL FIND NO MENTION OF THIS FAKE GENRE IN BLUES AND SOUL MAGAZINE IS BECAUSE IT DOES NOT EXIST. NOW LIFE OF TAU SEEING AS YOU HAVE APPOINTED YOURSELF AS THE GUARDIAN OF BLACK MUSIC IN LONDON SITTING IN CHICAGO TELL US WHO YOU ARE AS I HAVE A COUPLE OF BLACK BRITISH LONDON JOURNALISTS WHO WOULD LIKE TO INTERVIEW YOU. O ONES PUBLISHED ANYTHING YET BUT THEY LIKE ME WANT TO KNOW THE BASIS OF THE RIDICULOUS CLAIMS YOU MAKE ON THIS PAGE. LEAVE AN EMAIL AND I TELL YOU AGAIN IF YOU DELETE THIS COMMENT IT WILL BE RE-POSTED.
91.110.54.28 (talk)
10:45, 10 November 2019 (UTC)
AND WHY IS THIS PAGE ON THE “HIDDEN CATEGORY”?
Eddie Pillar AND Gilles Peterson’s Gatekeepers DELETE The comment then lock Down The page and these Lies!
Never let it be said that Eddie Pillar/Gilles Peterson and their American cohorts did not and are still not actively trying to rewrite Black music history, wipe Black Britain out of history and STEAL the FUNK from the Black Americans. The acid jazz cabal DELETE a comment in around 60 seconds. So they were ready and waiting. The comment flagged up and they deleted it instantly. As you can see Denisova reverted the page.
Never let it be said that Eddie Pillar/Gilles Peterson and their American cohorts did not and are still actively trying to rewrite Black music history, wipe Black Britain out of history and STEAL the FUNK from the Black Americans. The acid jazz cabal DELETE a comment in around 60 seconds. As it was two years since Eddie Pillar and his mob have been trying ignore warnings from Wikipedia and spread their fake news lies abut this so called acid jazz genre pillar’s using all the serpent tactics to culturally appropriate Black music into his fake music genre. I decided to do another test and as I expected the comment was immediately deleted. This time bay another anonymous serpent called Denisova. The truth was deleted in around 60 seconds, round about the time it took Lech Mazur of music banter to delete the jamiroquai plagiarism list the Soulhead TALES FROM MUSIC BANTER.
You see this is what happens when jealous non creators try to attach themselves to someone else’s creation then try to steal it through deception. They still seem to think they can rob Black culture. Pillar and his gang of thieves still seem to think that they can fool Black people on Black music! And further proof of how desperate Eddie Pillar and Gilles Peterson are to culturally appropriate SOUL they are STILL trying to claim that jamiroquai play “acid jazz” .
HOW TO DEBUNK THE FAKE NEWS ACID JAZZ WIKIPEDIA PAGE
SO WHAT EVIDENCE DO WE HAVE FOR THIS ACID JAZZ GENRE OTHER THAN THE FACT THAT THEY PUT THE WORDS “THIS IS ACID JAZZ” ON JAZZ FUNK MIXES AND THE WORDS OF 1990’s “MUSIC EXPERTS” WHO WEREN’T ALIVE IN THE 1970’s DON’T UNDERSTAND WHAT JAZZ FUNK IS OR KNOW SO LITTLE ABOUT 20TH CENTURY SOUL AND BLACK MUSIC IN GENERAL THAT THEY ACTUALLY BELIEVE IT WAS INVENTED BY A DJ IN 1988 IN ENGLAND.
I WILL TELL YOU NONE WHATSOEVER. THE REASON WHY SO MANY KIDS BELIEVE IT IS BECAUSE THIS FAKE NEWS ACID JAZZ PAGE HAS BEEN UP FOR MANY YEARS MISLEADING THE PUBLIC. IT IS A TOTAL WORK OF FICTION AND A CAREFULLY WRITTEN TISSUE OF LIES
BUT IT’S EASILY DEBUNK ABLE TO ANY KNOWLEDGEABLE FUNKSTER FROM THE 70’S AND AS I KEEP SAYING JUST ASK AN ELDER IF YOU WEREN’T ALIVE IN THE 70’s AND 80’s, AS WE GO THROUGH IT TOGETHER YOU WILL SEE THE PLANNING THAT’S GONE INTO IT AND THE EXTENT THEY HAVE GONE TO TO APPROPRIATE A SOUND THEY HAD NOTHING TO DO WITH OTHER THAN MAKE MONEY OUT OF IT
THAT THEY KNOW IT’S A LIE AND THEY’VE GONE TO THE EXTENT OF THREATENING PEOPLE WHO SPEAK OUT AGAINST IT SHOWS THEIR DESPERATION SO THE NEXT TIME YOU SEE A 20TH CENTURY SOUL MIX LABELLED ACID JAZZ YOU WILL REMEMBER THIS PAGE. AND IF NOW OR AT ANYTIME IN THE FUTURE SOMEONE TRIES TO TELL YOU THAT ACID JAZZ IS A MUSIC GENRE AND NOT A RECORD COMPANY THEN HIT THEM WITH THIS.
I LEAVE NO STONE UNTURNED, IT’S WATERPROOF, ROCK SOLID AND LEAVES THEM NO WIGGLE ROOM. SMOKE AND MIRRORS WILL NOT FOOL ANYONE THAT’S BECAUSE IT’S WRITTEN BY AN ACTUAL 1970’S LONDON SOULHEAD AND NOT SOMEONE PRETENDING TO UNDERSTAND THE GROOVE LIKE THE AUTHORS OF THIS PAGE.
ACID JAZZ RECORDS HOLDING SOUL MUSIC HOSTAGE ON WIKIPEDIA
Ask yourself why are SO CALLED “Jewish” Americans, Germans, Russians, Swedes etc in charge of a page about Black Music in London, preventing people from writing the truth, deleting comments deleting profiles,aiding and abetting acid jazz records in stealing the Groove from it’s creators.
Also take a look at the talk page. Not a lot of people know about the talk pages but here is where people change history in this era. Here you can see all the fake accounts they are using to delete profiles, keep the page up and frighten people off. This is the extent they are going to to steal from people who have nothing, rob them of their culture and leave them to die in poverty just so that they can make money. These people are connected to Jamirotalk, Jamiroquai, the Official Jamiroquai sub reddit and the Funkin Site. It’s a mini cabal and they behave like one elsewhere.
As you can see Life of tau is the gatekeeper (A fake account like all of them) and he is doing all he can to preserve the page. That’s his job. He prevents anyone from writing the truth but allows acid jazz records to keep adding bands to the page. The whole lie depends on this re-writing of history. If he was a real editor he would have done something about the lies on the page. See how desperately he tried to find some evidence for this acid jazz and couldn’t. Notice how they tried to bring in a fake editor to frighten people off. Then when that failed they bring in someone else. Another fake account this time a Californian who thinks he can pull the wool over the eyes of Black London Funksters about Black music in their own city. He gets taken to school and then vanishes.
As you’ve seen with Honeybee/Vintage etc on jamirotalk they are desperate to keep people quiet but they lack any real knowledge of Black music. They realize they can’t win an argument so they try it on and then back off! they are desperate to keep the page up. They will keep it there for as long as they can until people start tuning up in their droves. Note also how many people have the page on their watch list and ask yourself why would so many people be interested in a page full of lies. Wikipedia are complicit in this Lie. They are aware of the page and have taken no action. Thats because as Larry Sandler says it’s been infiltrated.
There will be a lot of repetition. They repeat this is acid jazz so I keep repeating that it isn’t and that no such genre exists. People of my generation will never refer to the Groove as acid Jazz. We grew up in the 60’s so we know the sounds of Motown, James Brown and the original R&B sound our Grandparents listened to. We were kids in the 70’s so we know the jazz funk sounds of the early 70’s and all the disco era sounds of the late 70’s because by then we were old enough to go night clubbing.
We know all the different sounds of the early 80’s and we know the sounds of the late 80’s because they are the same sounds we heard at the start of this PART1. That’s a period of about 30 years. So when we hear these styles on compilations that they claim is called acid jazz we know them all. We know Bossa Nova is Latin Soul not English acid jazz. We know two step because it’s what we listened to in the 70’s when it was called Jazz Soul. We know our own late 80’s Brit Funk sound because we created it. Not acid jazz records!
The people who refer to any of these sounds as acid jazz are people who simply don’t know any of the sounds. If they did then they wouldn’t call it acid jazz.
So when in future you see any writer or critic or whatever fancy name they give themselves, refer to any aspect of the groove as acid jazz then rest assured they don’t know Jazz Funk or 20th Century SOUL/R&B.
Don’t take my word for anything I have written here. I have given you many people to speak too regarding Black London of the 1980’s that this page of BS claims to represent. So Ask questions from people who were actually there.
In fact assume that I’m lying and then set out to disprove what I’m saying. Speak to a 70’s Funkster if you’re from the UK then it will be easy. Most will have a Soulhead in the family, if not your elders would have old mates who were Funkters. There’s plenty of Soul Girls, by now in their mid 50’s still around. Just ask about or tell them to take a look at what I have written and ask them if I’m telling the truth. The Truth Does not Fear Investigation. Decide for yourself. Who’s the real London Soulboy
Me or the authors of this fake news page…SO LET’S GO
So they are are telling lies from the get go…….“This article is about a music genre”
No this article is not about a music genre as no such genre exists. This article is FAKE NEWS and is a total lie. It is an attempt to re-write the history of Black music in the late 20th Century and to wipe all the British Soul bands of the 1980’s Invasion of America out of history.
So we start of with the statement; “Acid jazz known as club jazz is a musical genre?“
SAYS WHO EXACTLY?…Eddie Pillar? Gilles Peterson? and Acid Jazz Records?
There are no such genres in Black music. They are not musical genres because Eddie Pillar, Gilles Peterson or their Wikipedia gatekeeper Michael Bink Knowles say they are. There is no such thing as a genre called Acid Jazz and there is no such thing as a music genre called Club Jazz. They do not exist
This article is a pack of lies designed to fool the next generation into believing a record Label created in 1988 in London is responsible for over 60 years of Black American Soul. What’s being referred to on this Fake News acid Jazz Page is nothing more than 20th Century SOUL.
We progress……
WHAT GENRE? says who?
And who gave Gilles Peterson the right to re-classify Jazz Funk, Rare Groove or any type of Black Music for that matter? Who are they to decide what FUNK is called?
As you already know there was no genre called acid jazz in 1987/1988 or at any stage during the 1980’s or the 1990’s here in London. Acid Jazz was the name of a record label. There is not and NEVER WAS a genre called acid jazz here in London. That is a total lie. None of us ever referred to the groove as acid jazz,
RARE GROOVE.
THE RETURN OF 70’s FUNK
Now before I remembered my Blues and soul issues and all the other mags of the era I was literally going to write a book to debunk the rubbish written on wilkipedia about Black London of the 1980’s. However all of the 80’s was recorded so I don’t rally need to. I decided to leave this bit in here to give youngsters a view of what happened in the 1980’s form someone who was actually there.
What was Rare Groove? Well it wasn’t really disco era music. It was mostly the pre-disco era music from earlier on in the 1970’s. It was 1970’s Jazz Funk and Latin Soul. You could buy late 70’s vinyl. Lot’s of us bought up our disco era favorites in the early 80’s,the albums we couldn’t afford when we were younger. The Northern Soul crowd were into the earlier stuff from the 60’s Motown era but that’s old tradition that never ended (even during the disco era) and still continues to this day in the North of England. And no Funkster or Soulhead ever referred to any aspect of the groove as Club Jazz. I was there. The American writer and the Brit from Oxford were not. The people behind this page are from Jamiroquai and acid jazz records. You know that already though.
NO ONE referred to the groove as acid jazz . Our contemporaries in the House movement referred to some of their sound as acid House. none of us (Funksters) ever used the word acid jazz to describe Jazz funk so that’s a total lie. To Funksters House was considered almost mainstream and not in the same league as The Funk. Soulheads were notoriously snobbish, House and Techno was not our sound and to suggest that we in the 1980’s referred to Rare Groove, the sound of our youth, the sound of Roy Ayres and Herbie Hancock acid jazz is absolute and total rubbish. Some and only some 1990’s kids a decade later called Jazz Funk acid Jazz. And that as you will discover was because of deliberate and misleading labeling by acid jazz records. Who printed and continued to print “100% Acid Jazz” or “This is acid Jazz” on Black Music Compilations in order to appropriate the sound.
Tom Browne, Jean Carne, Lonnie Liston Smith, Roy Ayers in London.
We (70’s/80’s London Funksters) know who Isaac Hayes, MilesDavis, Lonnie Liston Smith and Donald Byrd are. We know what Jazz Funk is. We know who the Mizzel Brothers are. We were there the first time round in the late 1960’s and early 1970’s. We grew up with them before the writer of this Fake News acid jazz page was even born. We went to their concerts, we bought their records we followed their careers.
The only genre we (People who were actually there) created in the late 80’s early 1990’s was Jungle/D&B, Then Dubstep. No style of Jazz or Black American R&B/SOUL of the 20th Century was invented by a London disc Jockey called Giles Peterson. That is a ridiculous claim to make. No one had even heard of acid jazz records in the 1980’s. It wasn’t until the late 1990’s that any one had even heard of them. Total rubbish. Ask your elders.
THERE WAS NOTHING CALLED ACID JAZZ/CLUB JAZZ IN 1980’S LONDON
I was in the London club scene all through the late 1970’s and into the 1980’s. So were thousands of others. The writer of this Fake news page from Jamiroquai/acid jazz records, whom none of us have ever heard of was clearly not. There was no such phrase as “acid jazz” anywhere in London at the time. Anyone who was there will confirm this. In fact there wasn’t even a Jazz funk movement in the mid 80’s as we had disbanded by then. Soul was mainstream and Breakdancing/Electro was at it’s height. Jazz went back underground. We know all the sounds of Black American Soul and Black British Soul from Blue Note Jazz and Motown to Neo Soul and Jungle and I never once heard anything being described as acid jazz/Club jazz in the 1980’s.
Acid Jazz is NOT a genre. It doesn’t exist. it’s not even a sub genre. Funk is a genre, Rock is a genre, Soul is a genre, Jazz is a genre, Bossa Nova is a genre, Country and Western is a genre. Electrified-Funk, Disco-era Funk & P-Funk for example are sub-genres of FUNK. Different styles and sounds of FUNK. They are all Funk and interchangeable and as such they you can have (Electrified) P Funk for example. Like Parliament in the late 70’s. These sounds are subjective so some will say a track is late 70’s Disco era Funk some will say it’s early 80’s Post Disco era Funk because it’s more electrified and lacks the violins. But there are electrified Funk tracks in the 70’s and there are violins in the 80’s as well!
Those arguments are subjective but ultimately it’s still a genre called FUNK. Jazz is a genre. Under the umbrella of Jazz you have different styles of jazz. Jazz-and soul fused together is Jazz Soul, Jazz and Funk fused together is Jazz-Funk. Then you’ve got other styles of jazz like Latin jazz and so on. You can argue as to whether somethings more Jazz Funk than Jazz Soul but those arguments are down to opinion or how you interpret what you hear. You may agree or disagree but ultimately it still comes under the genre of Jazz.
Acid jazz is not a genre and it is not a sub genre either. It’s just a record label. It didn’t create any sound, genre or sub genre whatsoever that’s why nobody can name an acid jazz track that isn’t SOUL/R&B.
So this writer doesn’t even understand what a genre is and he certainly doesn’t know anything about 1980’s London or Black music as I will go on to demonstrate. By his own admission he discovered what he refers to as acid jazz in 1991. He wast even there in the 1980’s and this will become clear to you as we go through the pack of lies on this Fake News Acid Jazz Wikipedia page.
Rare Groove is what acid jazz records are trying to convince new millennial’s and people who don’t know 70’s Jazz Funk is a new music genre that they invented in 1988.
Rare Groove in London was a mid 1980’s return to the old sound that we grew up with in the 1960’s and early 1970’s. Rare groove is Music like 1950’s Blue Note Jazz, 1970’s R&B, Early 1970’s Jazz Funk, Latin Soul, Salsa, Samba and Bossa Nova, and the International sound of the very early 1970’s. Basically It’s the sound of Black music before what people now refer to as the Disco era. The Disco era was roughly between 1976 and 1980. Some people turned to old school Soul when Electro Funk began to dominate and take over the charts around late 1983 and into 1984. Also lots of people were converted to Funk at the same time.
Describe this era.
The 70’s were gone. This was a new decade and the sound of Funk was completely different. Half a decade is a long time when you’re young and the disco era was a distant memory. That was when we had just left school. Now we (disco era teens) were young adults in our mid to late 20’s. The sound had changed and If you liked Jazz funk or you missed the old sound then you had very few places to turn. No one was really making music for you. Many die hard 70’s Jazzfunkateers didn’t like the new sound and some Soul DJ’s and Pirate Soul stations refused to play it. Fans of Tom Browne & Herbie Hancock were up in arms. I remember Blues and Soul Magazine calling Kool and The Gang “Fool and the Gang” for changing their sound but at least they didn’t go Synth crazy like Herbie on (Rockit). In the London many DJ’s like Robbie Vincent refused to play electro and some fans of Brit funk groups like Freeeze and Second Image were most upset with the move away from Jazzfunk.
So If you liked the old sound there was nowhere really for you to turn except to go back in time to the jazz funk you remembered. There was so much music in the 70’s that it was impossible to hear it all. A whole lot went under the radar and a lot of it received no airplay at all so it was easy to find something that you had never heard before. In the early 80’s it was still mostly vinyl, futuristic technology like CD’s had yet to become popular. There was no Internet, so if you wanted to get your hands on a classic you would have to hope that advertisers in periodicals like Blues and Soul magazine would have what you were looking for.
Sugar Hill Gangs; Rappers Delight and then the Message by Grandmaster Flash and the Furious Five had made the underground Hip Hop sound a worldwide phenomena and films like Breakin’ and Beat Street were released. B’ boys, Break dancing and Electro Funk was in. Old school Funk was out. Many of our old friends from the 70’s were still around like Kool and the Gang, TheWhispers, or Earth Wind and Fire but their sound was different. The famous 1970′s Phenix Horn section of Earth wind and fire had gone for example. CHIC were gone and took their violins with them replaced by the Jam and Lewis Sound of Change and The SOS Band, P Funk & CosmicFunk and Parliament were another distant memory.
The God Father of Funk George Clinton had gone Electro-Funk (Atomic dog). Prince had stopped playing the Funk and turned into Jimi Hendricks. Slick Rick James took on Cameo with Throwin down, the turned the Mary Jane girls into superstars “The son of Shaft” Barkays was long long gone replaced by electro funk tracks like Freakshow. New Producers like Leon Sylvers,Kashif,Jam and Lewis had replaced the disco era producers like Quincy or Gambel and Huff.Real Jazz went back underground again but lots of younger kids were rapping over jazz tracks and Jazz hip hop was born. There was quite a lot of mixing jazz, hip hop and soul in the early 80’s even though this fake news page tries to convince you that acid jazz records in 1988.
Many of the classic 1960’s and 1970’s records were almost impossible to buy. Remember this is before the Internet where you would sometimes sit for hours in front of the radio with your cassette tape poised on record hoping and praying that the DJ would play the song you were longing to hear. Ask your elders. They were mostly out of print and often you would have to order them on Import from America if you could get them at all, or maybe pay a DJ who happened to have the track you were looking for to make you a cassette tape. This is why it was called Rare. It was called Rare for the simple fact that 1970’s Funk vinyl was difficult to get.
To make it worse in the 1980’s acts that we older Funksters had been listening to since the 1970’s like Cameo, Patrice Rushen,Prince, Rick James, Herbie Hancock etc. became worldwide superstars as R&B went mainstream in the mid 1980’s. For the first time we had a weekday Soul show with Tony Blackburn on Radio London. Before that you had to wait until the weekend to hear Greg Edwards (Soul Spectrum) or the Robbie Vincent Show. We no longer had to rely on the heroic Pirate Stations. The Funk was Spread across the Thames Valley and many thousands of kids and older people became Soulheads and converted to the Funk…
The mainstream did their best to suppress the Funk in the late 70’s and early 80’s and that’s why we had so many Pirate radio stations in London. Radio 1 at the time were the sworn enemies of Blues and Soul readers until thankfully the ‘radio 1 mafia’ as we called them were slung out in the late 80’s and replaced by DJ’s s who played music relevant to us and not to 1960’s hippies. So a lot of people who never knew them in the 70’s were interested to find out what they sounded like back in their earlier careers so they bought a lot of the records too. This made it even more Rare if you like. For example you couldn’t buy Herbie or Patrice’s old 70’s Jazzfunk albums for love nor money.
As the decade wore on CD’s became more popular, classics were re-printed and most people got hold of the songs that they were looking for eventually, but the name Rare Groove still remains to this day as a way to describe pre-disco era R&B, Jazz, Funk, Soul and Latin. Although nowadays it seems to include the whole of the 1970’s. It’s no longer rare in this day and age when you can more or less get anything you want. But the name Rare groove still persists.
It’s the younger kids of the 80’s that refer to jazz Funk as Rare groove as that’s what they heard it called when they came of age, just as it’s the younger kids of the 90’s that refer to Jazz funk as acid jazz because that’s what they were told by acid jazz records when they came of age. We still call it by it’s real name because we came of age when it was being created. We call it Jazz Funk and Soul How do I know all this. Because I was there. And I will say this many times in this document. Don’t take my word for anything. Ask an elder to read what I have said. They will tell you whether they agree with me or this Fake news acid jazz page. Again there’s an old saying and that is…
The truth does not fear investigation.
It’s the liars that try to censor things and prevent investigation. Remember that phrase as it will come in handy when your an adult. So Rare groove has got absolutely nothing to do with acid jazz records other than the fact they made Rare groove compilations in the 1990’s. And signed bands playing Rare Groove like Jamiroquai. Its a Lie and they (acid jazz) played no part in our youth in the 1980s ask any one who was there. So you can take our word for it or you can take it from the writer of this FAKE NEWS ACID JAZZ PAGE who claims that Rare Groove is a music genre invented by Acid jazz records in 1988.
All they are doing is mass producing Soul mixes and claiming them as acid jazz.
Were you to ask them what any of these sounds were they wouldn’t be able to tell you
Question’s to ask Gilles Peterson and Eddie Pillar….
Name a track that belongs to this acid jazz genre and name a club jazz track?
Don’t try and tell us that Jamiroquai play so called “acid jazz” invented here in Lodon in 1988 because every funkster on the planet knows all those sounds from original 70’s/80’s Funk. I have proven as much in THE SOULHEAD TALES. So they have no hiding place!
Ask them to name the first “acid jazz” single in the mid 1980’s. Who was it by? How high did it chart? They won’t be able to because there isn’t one. And they cannot tamper with the charts of the 1980’s. It’s all recorded and you will find no mention of any “acid jazz” genre.
They won’t be able to name a 1980’s “acid jazz” trcak or “acid jazz” album because there wasn’t one. No one called the groove acid jazz in the 1980’s. And you will find no reference to any so called acid jazz genre in any 1980’s Magazine, T,V Show club report etc etc,
THE ACID JAZZ TIME MACHINE!
The Fake News acid jazz page goes on to say;
“Acid-jazz originated in the London club scene of the mid 80’s”
…Says an someone who would have been a small child at the time, a schoolboy not old enough to go to pub or nightclub!
No it did not which is why there is no reference to this lie in any Black Music publication of the 1980’s and neither will you find anyone who was actually there who knows what this so called genre is supposed to be.
“Acid-jazz originated in the London club scene of the mid 80’s”
You will find no reference to an imaginary music genre emerging here in the London club scene of the 1980’s. There was no such thing as a Black music genre called Acid Jazz.
I was in the club scene of the mid 80’s. There was nothing called acid jazz that originated in the club scene 1980’s London. I was there and so were hundreds and thousands of others. The American/British writer from Oxford were not. You would have cleared the dance floor of any club in the mid 1980’s had you put on old fashion music like James Brown or Jazz funk or even Disco. Those sounds were dead, gone never to return again.
Where is the evidence for this “acid” jazz scene? There was a jazz scene but no one used the word acid and acid jazz records formed in 1988 were not responsible for it. If what he is referring to is Rare Groove then Rare Groove as I said started in the very early 80’s. If what he is talking about is Rare Groove club nights then we had them in the very early 80’s as well before the phrase Rare Groove was even coined. We used to call them nostalgia nights. The 1970’s were our school days so on some of these club nights people would dress up in School uniform. They were old school nights hence the term “Old Skool”! We spelt School with a “K” to show the teacher how much we had learned. You would have the odd DJ doing a Northern Soul or jazz Latin nights in some pubs or clubs but in no way was it a major scene.
I can state unequivocally that at no time and a no stage was there any genre called “acid”Jazz in this City (London). At no time and at no stage during the 80’s did any of us refer to the groove as “acid” Jazz. At no time and at no stage did any of us we ever use the phrase it was unheard of. Some of our contemporaries in the house movement late (1986 early 1987) called their sound acid house but not us. The sound being referred to as I said above Rare Groove or Jazz Hip Hop. Not acid Jazz. Acid jazz is trying to take credit for a sound and a London Jazz scene that was in existence before they even existed. Acid Jazz records created nothing.
The Fake News acid jazz page goes on to say;
“The movement spread to US, Japan, Eastern Europe and Brazil!”
Great! Fantastic. Take a moment to think what they are saying here. So now the Fake news acid jazz page is telling us that Black American 1950’s Blue Note Jazz, Black American 1970’s R&B, Early 1970’s Black American Jazz and Funk Soul (Rare Groove), Latin Soul, Salsa, Samba and Bossa Nova, and the Brit Funk sound and Black American Disco era Funk (1976 To 1982) is called acid jazz…..”Invented” here in London by Gilles peterson in 1988 and spread over the world thanks to a non existent London movement called acid jazz in the mid 1980’s. Brilliant!
Unluckily for Acid Jazz cultural thieves everything that happened in the Black Music on both sides of the Atlantic was recorded and you will hear nothing about any Black music genre called acid jazz in London.
So Invicta FM’s Gilles Peterson “Acid Jazz”music genre spread to the US, Japan, Brazil, Eastern Europe and Brazil…..Amazing!
You will find no reference to any of this BS in any copy of BS. It is a total lie.
Think about what they are trying to convince you of. This page would have you believe that 1960’s and 1960’s and 1970’s Black American Soul was introduced to Black Americans thanks to an English company called acid jazz records created in 1988. Brazilians were introduced to their own sounds from the 1970’s like Latin Soul, Salsa, Samba and Bossa Nova, thanks to an English company called acid jazz created in 1988. So it looks like they have invented the Acid Jazz Time machine that many older commenters on you-tube Funk videos keep asking for. Acid jazz have taken credit for other peoples music and now they are trying to take credit for introducing them to their own sounds.
“Jamiroquai” track canned heat in part copies the style of George Duke as you will see in the Soulhead Tales below. One of my recommendations is the following performance;
Shine on (Live)
George Duke featuring Louis “Thunder thumbs” Johnson; (Shibuya Public Hall Tokyo 1983)
Take a look at the video and that will tell you what the Japanese know about the Funk. They were well known for their love of Soul music in the 70’s! Then take a look at Earth Wind and Fire in Brazil. Disco was a worldwide Phenomena, Funk was a worldwide phenomena in the 1970’s.The whole Planet was gripped by Disco fever. Brazilians were not introduced to Jazz Funk Latin Soul fusion by a record label in London. They helped create the sound they were in it!
Deodato was there, Gilberto Gill was there, Azymuth were there and many many others. South Americans were not introduced to Soul thanks to acid jazz records in the 1990s! The whole of Europe knows Jazz, Funk and Soul. Soul was everywhere, before, during and after the Disco era. There were Funk bands or bands playing Black music all across the globe. There were Japanese Funk Bands, African Funk Bands, German Funk Bands, French Funk Bands, Dutch Funk Bands, Australian Funk, Greek Funk Bands, Turkish Funk Bands as well as British Funk bands in the 1970’s. The people writing this rubbish were tiny children at the time.
There were Soul Undergrounds equivalent to the UK Soulheads all over Europe in the 70’s and 80’s. In Holland, In Belgium, in France, In Italy name the Country. When EWF, Kool and the Gang and all the rest finished playing in the UK they would head for sold out gigs in Europe Ask the American Soldiers who were stationed in Europe during the Cold War if the people didn’t know Funk n’ Soul. Eastern Europeans have been following Black music since the end of the second World War in the late 1940’s.
There were even Jazz Funk bands in Soviet Russia during the Cold War. There were hundreds of Soul bands in Africa. Every one from the Brothers Johnson to Dynasty landed in Nigeria. Odyssey even sung in Nigerian on Back to My roots, Obi Onihoya’s enjoy your life was a world wide smash. Everyone knows Fela Kuti. The whole Planet knew the sound of Black America. No one anywhere needed acid jazz records to introduce them to Jazz or Funk or Soul in the 1990’s If you weren’t around in the 70’s/80’s and you come from any one of those countries again ask your elders if they credit an English record label called acid jazz records for any of these sounds. That’s if they have ever heard of them. Total and utter rubbish.
Gilles Peterson invents Funk here London in 1988 (According to Wikipedia)
So acid jazz records invented Black Music here in 1988 and then introduced it to the world. This is what they are intending to convince future generations…..Fantastic!
So a DJ in 1980’s London is responsible for The Black sounds of the Americas?
Rare Groove is the Black American sound of the 1960’s and 1970’s. It came from America in the first place. So how does 1960’s and 1970’s Black American Soul spread to Black America from London?…Ask acid jazz records. Since when did anyone in England invent African American Doo wop ? Since when did we invent James Brown and Stevie Wonder? Since when did we invent Roy Ayres? Since when did we invent Gilberto Gil, Rufus, Santana, Chick Corea, Herb Alpert, Johnny Hammond Smith or Lonnie Liston Smith or Donald Byrd or Isaac Hayes,Sly and the Family Stone or Graham Central Station or The Meters or Mandrill? In the UK Cynmande and Osibisa came twenty years before acid jazz records even existed. So how are they responsible for all these sounds. They are not.
also note that they are now calling it a movement. I thought it was a genre. they have forgotten themselves or sneakily slipped it in. So acid jazz, according to this page is not only a genre it’s also a mid 1980’s Soul movement.
So acid jazz is a genre and a soul movement of the mid 1980’s according to a kid from the 1990’s from acid jazz records and jamiroquai who wasn’t even there. This is how ridiculous this page of lies is and it’s going to get even more bizarre as we progress…
One of the most stupid of quotes is this. Note before there was no mention of New Jack Swing on this page or Neo Soul. They didn’t even know what any of these sounds were as they demonstrated in their trolling on the old Jamirotalk site and on youtube.
EDDIE PILLAR AND GILLES PETERSON CLAIM CREDIT FOR NEW JACK SWING, NEO SOUL AND JAZZ FUNK- THEY CLAIM THAT ALL THESE STYLES OF FUNK WERE ONCE CALLED ACID JAZZ. So
The Fake News acid jazz page goes on to say;
“Many acts that might have been defined as Acid jazz are now seen as Jazz-funk, Neo soul
or jazz rap”
“The movement becane indidtinct as a genre…..”
NICE TRY, THERE WAS NO GENRE CALLED ACID JAZZ IN THE FIRST PLACE which is why you have been unable to name a single so called “Acid Jazz” track.
No acts were ever defined as Acid Jazz as there is no such thing as a Black music genre called acid jazz. Acid Jazz is a serpent record label trying to infiltrate Black Culture and claim ownership of 20th Century Soul /R&B. bands were ever defined as acid jazz in the 1980’s.The only time you will start to hear people describe Funk as acid Jazz is in the mid 1990’s when clueless so called Music writers review Jamrioquai albums and calle them Acid Jazz because they don’y know what 1970’s Jazz Funk is.
So lets recap. So far they have laid claim to about 60 years of Black American/Latin and British Soul. Now amusingly he’s mixed himself up and doesn’t actually realize what he’s written. He’s gotten things totally backwards! Now this might make your head hurt a bit but bear with me.
So for starters no bands were ever defined as acid jazz bands in the 1980’s because nobody ever used the phrase acid jazz back then. That’s a total lie which is why he didn’t tell you who any of these so-called bands are. Because hey exist only in his own head. Further more he seems not to understand that the 1960’s and 1970’s came before the 1980’s!
Acid Jazz records claim that New Jack Swing was once classified or defined as Acid jazz! At the time of new jack swing no on had even heard of acid jazz records!
See if you can find anyone in America who says they used to call New Jack Swing “Acid Jazz” an Imaginary Black music genre they (Gilles Peterson, Eddie Pillar and their mob) claim was invented here in London in 1988 AFTER New Jack swing had been around for almost two years.
Think about it, he’s essentially told you that Rare Groove is called acid jazz and now he’s saying that acts which were defined as what he claims is Acid Jazz (which is in fact Rare Groove) are now seen as Jazz-funk, Neo Soul or Jazz rap.But Rare Groove is Jazz Funk! Rare Groove is 70’s Funk that came back in the mid 1980’s.
ASK BLACK AMERICA IF NEW JACK SWING AND NEO SOUL CAME FROM 1980’s LONDON THE INVENTION OF CRIMINAL A DJ THEY HAVE NEVER HEARD OF
Put another way he’s saying that Bands that were playing 1970’s Jazz Funk are now seen as bands playing…..well 1970’s Jazz Funk?!? AND lets not forget also 1980’s Jazz Rap and 1990’s Neo Soul. So ATCQ and Jodecie, Boys to Men etc all have acid jazz records from London to thank for 1990’s R&B.
So music that people once used to call acid jazz in the mid 80’s (We didn’t) is now known as Jazz-funk, Neo Soul or jazz Rap. The only trouble with that statement is that nobody ever called any style of music acid jazz in the 1980’s because there was nothing called acid jazz in the 1980’s it doesn’t exist. He’s made it up. He thinks he’s gotten away with it so he then decides to try and add more confusion by including Jazz Rap which came long before acid jazz records was created and Neo Soul which started in the early 1990’s.
Confused? So am I and mores to the point so is he. He doesn’t know what he’s talking about. He’s being confused by his own smoke and mirrors. He hasn’t thought it through properly.
The Actual Timeline of Black Music 1970’s/1980’s Not written by Acid Jazz records
This is the time line before the Fake News acid jazz time machine tried to change history. There’s more to it but this is a brief outline. Original Jazz was in the 1940’s, 1950’s and 1960’s as epitomized by the Blue Note acts of the era. Then Jazz-Funk fusion, the next stage in evolution if you like, which was basically younger Jazz musicians like Miles (Davies)Herbie (Hancock) and others mixing Jazz with Funk (James Brown), Latin, African, Caribbean (Calypso & Soca) and the Post Motown Soul sound. This came later at the end of the 1960’s, and lasted until about 1975/76 (Again there was more to this era but this is the basics).
Around 1975/76 when bands like Pleasure, The Brothers Johnson/Quincy and The Commodores and others polished the sound into what some of us called “Sophista-Funk” (Sophisticated Jazz Funk fusion). The disco era was beginning at the same time and things were getting faster. Jazz funk and the disco era sound merged and original Jazz Funkateers Like George Benson, Donald Byrd, George Duke and so on changed their sound accordingly to suit the time and the style of the era. Jazz funk was still there but it was swamped by Disco fever. Jazz Funk died out around 1981/82. I say died out but it just went underground again this time swamped by the new Electrophonic Phunk or Electro-Funk sound of the early 1980’s as I will explain later.
Around 1983 the Groove begins to slow down for a brief period and Two step becomes popular again. In 1987 New Jack Swing starts. New Jack Swing was basically watered down Funk with loads of samples in it. We didn’t call it new jack swing the younger kids did. We substituted the word J with two other letters. By then British Soul is dominant, Loose Ends.Soul to Soul the Pasedenas, Omar and many other’s create the British Rare Groove/Jazz Funk sound that acid Jazz records are trying to take credit for even though they didn’t exist at the time
Neo Soul was in the early 1990’s and was the next stage in Funk after New Jack Swing. The production values were better than the sparse watered down sound of New Jack swing but it contained a whole load of samples/repeats and for us (70’s/80 Funksters) it was the worst decade of music that we had ever experienced. Probably because we had heard 99% of it before. Neo Soul is based on the British Sound of Loose Ends, Soul to Soul, Omar, Jam and the Jimmy Jam TerryLewis sound Janet Jackson, and many many others bands from the 80’s. It has nothing whatsoever to do with acid jazz records. According to this fake news page bands defined as acid Jazz in the 1980’s are also now also defined as Neo Soul. Lets see if he can tell us exactly what this acid jazz genre is.
There was no such thing as a “band defined as acid jazz” in the 1980’s because it didn’t exist. And you will find nop reference to any such bands in any 1980’s Black Music publication.
The Fake News acid jazz page continues..
Giles Peterson often credited with originating the Genre?! Often credited with creating the genre?
Credited by who?
LOOSE ENDS?…JAZZIE B and SOUL TO SOUL?… OMAR?… THE PASEDENAS…? LIGHT OF THE WORLD?… CENTRAL LINE?… IMAGINATION?… LINX?… SECOND IMAGE? KADENZA?… HIGH TENSION?… JAKI GRAHAM? BILLY OCEAN?…THE REAL THING?
DJ’s Greg Edwards? Robbie Vincent? Chris Hill? Tony Blackburn? Which British DJ Band or Performer of the 1980’s credits Giles Peterson’s with inventing Soul Music? ASK THEM.
So as you can see the intro to the page is false. Lies, Lies and more lies.
So having appropriated Rare Groove and told you that it’s a music genre called acid jazz he’s now going to give us the back story of this acid jazz genre invented in London in 1988 that no Londoner who was there at the time has ever heard of…
Various origins have been attributed to the name of the genre….WHAT GENRE?
“Various origins have been attributed to the name of the genre including names to have coined the term by dj Giles Peterson and Chris Bangs…..”
See how they are trying to create a myth. Various origins lol! As if anyone called FUNK acid jaz apart from Gilles Peterson and Eddie Pillar. There are no “various origins” other than those in you own satanic heads.
So now we know who the two new Godfather’s of Soul Are. Giles Peterson and Chris Bangs. Giles Peterson and Chris Bangs are responsible for this “Acid Jazz” genre!
Not James Brown, Not Stevie Wonder, not The Mizel Brothers or Miles Davis, Herbie Hancock, Donald Byrd, Gambel and Huff, Quincy Jones or the Jazzfunkateers of 70’s Funk. They are not responsible for Rare Groove. Two DJ’s from London invented 1970-‘s Funk and Rare Groove. Great. Just great.
It’s a music genre invented in 1988 by two English two DJ’s Giles Peterson and Chris Bang. See if you can find any 70’s 80’s Funkster in London or anywhere else in the UK who agrees with that ridiculous statement.
Genre? What genre?
What genre!?! There is no genre called acid jazz. There has never been a genre called acid Jazz in London. I was in London in the 1970’s and the 1980’s. I was a Soulboy long before acid jazz records was formed in 1988 and I never heard of a genre called acid jazz. I acknowledge no such genre. No London Jazzfuunkateer from the 1970’s or Funkster from the 1980’s will acknowledge any such genre. None of us credit acid jazz records with inventing Rare Groove. So still without naming a single acid jazz band or song he now decides to credit Giles Peterson and Acid jazz records with inventing the following styles of Black Music;
So According to the Fake News Wikipedia page written by the Acid Jazz cabal, The following Styles of Black American Soul were invented by Giles Peterson in 1988….
Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop ect and then Jazz, 1970’s Jazz-funk, 1960’s/1970’s Jazz soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, the Time, Jesse Johnson, Morris Day, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk, Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, Freestyle and all the other sub genres of Black American Soul Latin and South American Bossa Nova, Salsa, Samba, Calypso and all the other subgenres of Latin American Soul.
This page claims that all of the above are in fact a music genre called acid jazz invented in 1988 by Chris Bangs and Giles Peterson and for no other reason that they write lies and misleading statements on their Jazz Funk and Rare Groove mixes like “This is acid jazz” and “100% acid jazz”. And the only historical evidence for this so-called genre is this Fake News Wikipedia page written by Americans and someone from Oxford where Jamiroquai have a studio. And someone who by their own admission discovered what he thinks is called acid jazz in 1991 and so wasn’t even around at the time.
But this is good enough for Wikipedia. The Daily Mail however isn’t.
I Don’t agree with the Politics of the Daily Mail. I was on the opposite side of the Political spectrum until I realized that the whole world of politics is a distraction and a sham. This is just to further illustrate the type of people who have infiltrated Wikipedia to push particular agendas. It explains why this pack of lies was allowed to remain for so long.
The Fake news acid jazz page goes on to say;
“Acid jazz consisted of two related movements..”
TOTAL RUBBISH!
THERE WAS NO SUCH THING AS AN ACID JAZZ MOVEMENT IN 1980’s LONDON. NO ONE HAD EVEN HEARD OF THE PHRASE. SOME KIDS IN THE 1990’S CALLED JAZZ FUNK ACID JAZZ BUT THAT WAS BECAUSE OF MISLABELING BY ACID JAZZ RECORDS THAT I HAVE TOUCHED ON. THERE WERE NO TWO SO-CALLED MOVEMENTS OR ANYTHING CALLED ACID JAZZ IN 1980’S LONDON.
Acid jazz consisted of two related movements?
No it did not because it never existed and there were no such movements in the 80’s which is why you didn’t name them. Just as you have yet to name one of these fake non existent acid jazz bands. Nobody ever referred to the groove as acid jazz in the 1980’s and secondly there were no soul movements during the mid 80’s. There was only one London Soul movement and that was us the Soulheads of the late 1970’s and early 1980’s. After 1983/84 there were NO Soul movements until 1987 when House music separated and became a genre in it’s own right. I say genre but it’s just another branch of R&B just as every style of Black American music I mention in this document is. None of it was invented by acid jazz records.
And in any case that’s not how the London underground worked. In 1980’s London there were Funksters who were into Electro/ Break-dancing and rap but they didn’t become a major hip hop movement in any sense of the word. In-fact they abandoned Rap in the mid 80’s until the London hip hop scene was rejuvenated in the late 80’s when people like Public Enemy set the Capital alight. It wasn’t until the early 1990’s that there was what you could describe as a Hip Hop movement.
Up until then they were just Funksters who liked a bit of rap. We used to call them Rap bands. There were Funksters who were into the Washington sound of GO GO DC, and they weren’t really a movement either, they were still Funksters. After the acid house movement I mentioned earlier came then the D&B/Junglist movement followed In the early 1990’s. And then Dubstep, although that had been around mush earlier. We use the term movement now when we look back but at the time no one really used the term.We were tribes. In the later half of the 20th century 1950’s onward some of the British music tribes were Mods and Rockers, Teddy Boys, Punks, Reggae Rockers, New Romantics, Goths, Suede Heads, Skin Heads and us the Soulheads.
I’ve never heard of an acid jazz movement in the 80’s and neither did anyone else. Us Brit Funk era kids of the 1970’s like to call ourselves the original Soul movement but really there were Soul movements in the 1950’s before we were born at the time of the King of Rock and Roll Little Richard. We had Dame Shirley Bassey, Kenny Lynch and The Chant’s who later became The Real Thing in the 70’s. And the most famous British Soul movement was in the 60’s. The Rolling Stones, The Animals and the Beatles are evidence of that. Although many don’t mention the 1950’s Black American bands who’s sounds they copied. This is exactly what acid jazz records are trying to do now with 70’s Funk. They are trying to write the creators out of History. And they are trying to set up Jamiroquai are the new Beatles. This document is designed d to put a stop to this lie. Interestingly acid jazz records are even claiming music from this era as acid jazz. Music from 30 years before they were even created.
There was most certainly NOT a major Jazz funk Movement and no one in the London Jazz community of the 80’s will credit Giles Peterson or acid jazz records with creating or inventing anything. What you had were certain Clubs nights or all-dayers where devotees of say 70’s Funk, Northern Soul or Latin Soul would groove to their music of choice. There were some DJ’s who specialized in particular aspects of the groove like Salsa, Samba and as I said above GO GO.
Often there were special guest appearances and PA’s by visiting artists. To suggest that there was some major Jazz funk movement/s in mid 1980’s London when the sound was dead to all but a few die-hards and newbies and when Electro Funk/ Breakdancing and Synth Funk was at it’s height displays not only a lack of Black music History (Jazz-funk was dead in the mid 1980’s) but a complete ignorance of 1980’s London and the Funk overground of the era.
The writer wasn’t even there. He’s just made it up. This (Mid 80’s) was when we had the British version of soul train. It was the time of The Jam and Lewis sound and Electro-Funk. In the UK It was the time of Loose Ends, Sahara, 52nd Street, 5 STAR, Total Contrast, Jaki Graham, The Antilles, Hi Tension and so on. The British Soul Invasion was at it’s height and our bands were on US Soultrain. There were no two “acid” jazz feeder Soul movements, no such movements existed and like the rest of this page it’s a lie written to confuse the youngsters. Total rubbish. And if you’re a youngster you’re suddenly beginning to realize that you’ve been sold a lie aren’t you? You’re beginning to see through their smoke and mirrors.
Question’s to ask acid jazz records
Ask them who was in these so-called movements that began this imaginary acid jazz movement that no one who was there has ever heard of.
We Funksters were called The SOULHEADS, You had Reggae Rockers and the lovers Rock crowd (Reggae), you had The Punks, Rockers, New Romantics, SuedeHeads SkinHeads, then there was us the SoulHeads. or Jazzfunkateers (1974- 1982). Ask them to tell you what these two non existent mid 1980’s Soul movements were called. Ask them what mid 1980’s London Night clubs these “acid jazz” movements movements based at?
And where can we find any mention of these movements in Blue and Soul club reports?
THERE WERE CLUB REPORTS IN EVERY ISSUE OF BLUES AND SOUL!
They won’t be able to because they never existed. We stopped calling ourselves SOULHEADS and Jazzfunkateers when the old Brit Funk sound died. Ask anyone who was there. We adopted the American sound after that so we no longer referred to our bands as Brit Funk. It was the American sound of Jimmy Jam and Terry Lewis was the prevailing groove at the time. I think it was Morgan Kahn that said Hanging on a String (Loose Ends) was a snapshot of what was going on at the time. He was right. We did not invent it, we copied it but did it in our own special way and the Americans loved it. The success of them (Loose Ends) or 52nd Street, Sahara and British Funk in 80’s America is testament to that. I will repeat this more than once throughout this document. None of us in the UK would ever claim that we invented Black American Soul.
Its a lie. They are just trying to create a back story to make it sound a bit more convincing. And no one ever really referred to Rare groove as a movement back then either. So if they claim that was what they meant then it’s false. They won’t be able to name any of there imaginary movements because there were none. We never called ourselves anything after about 1983. There was nothing to call ourselves. Jazz Funk was gone so we couldn’t really call our self Jazz Funkateers any more. What we called Brit Funk was gone. Now we were playing the American Sound although we had our own special way of playing it. The soulboy white socks had now become a nationwide fashion and so had all the styles that we invented and the dances. For a while we wore US Cavalry hats and the white glove because of Michael Jackson’s Asantehene glove. Then we wore the punk studs that you see Africa Bambaata from Soul Sonic Force wearing in videos from the 80’s. Some tried to call us the New Soul Nation but it didn’t stick. We were just Funksters into Soul. How do I know all this? Because I was a London Soulboy. The liars from acid jazz records and it’s American keepers were not.
You can never deceive a 70’s/80’s Funkster on 70’s/80’s FUNK!
The Fake news acid jazz page goes on to say…
The first was based around records released by DJs and producers that included are jazz tracks, particularly from the 1960s and 1970s, often mixing them with percussion tracks and electronic dance beats The second were groups influenced by these recordings and who emphasized a groove based approach.???????
AGAIN, TOTAL RUBBISH.WHAT THE FUNK ARE THEY TALKING ABOUT, A GROOVE BASED APPROACH –
HAHAHAHA! A-GROOVE-BASED-APROACH.- You know nothing about THE FUNK do you!
Liars use complicated and intricate sentence structures unnecessary words and insignificant but plausible sounding details that help them inflate their deceit.
You can tell straight away that was not written by an outsider who know nothing about Black music. Groove based approach? What the heck is he talking about. Who were these DJ”s and Producers? Name them. Again you can easily tell that this is not written by any 70’s/80’s Londoner or anyone who even understands the groove. No Funkster of my generation ever refers to the music like that. People like this use over-complicated phrases to try and hoodwink kids.
Exactly what’s is a “groove based approach?” Ha Ha. Every song has a groove, even folk music and classical music has a groove. Give an example of a song with this “groove based approach”. Then give an example of a song that doesn’t have a groove based approach. Even Accapella has a groove (Rhythm).
Groove based approach! Meaningless drivel, more smoke and mirrors designed to fool kids.
Question’s to ask acid jazz records
The Fake news acid jazz page goes on to say…
“…particularly from the 1960s and 1970s, en mixing them with percussion tracks and electronic dance beats???
Again what the FUNK are you talking about! Now notice amongst all this BS they haven’t told you the name of a track yet.
Ask them to name one of these mid 80’s London “acid jazz” bands playing this “Percussion-heavy, primarily live music, maintaining a groove allied it with funk, hip-hop, and dance music” tracks! They won’t be able to because there isn’t one.
Any band or track they name will be Rare Groove, Soul/R&B or any of the numerous types of Black music they are trying to appropriate like Latin Soul or the British Rare Groove Jazz funk sound of Soul To Soul, Omar the Cool Note’s Loose Ends, Pasedenas and so on. They will not be able to name a single track belonging to this acid jazz genre invented in 1988 because there isn’t one.
“The second were groups influenced by these recordings and who emphasized a groove based approach……..OH DEAR…..Care to tell us who these “groups” were? You don’t though because they exist only in your hive minded head.
Question’s to ask acid jazz records 5
Ask them to give an example of one of these songs. Ask them to name one of these “groove based” approach songs that lead to this mid 1980’s, acid Jazz genre that only Americans/Brits connected by association or religion to acid jazz records have ever heard of.
Again let’s at this point lets take the opportunity to remind ourselves that so far they have still yet to name a single song that belongs to this acid jazz genre.
But at least now they are going to try an tell you what it is…MAYBE…Can’t wait can you
You can never deceive a 70’s/80’s Funkster on 70’s/80’s FUNK!
*Liars use complicated and intricate sentence structures unnecessary words and insignificant but plausible sounding details that help them inflate their deceit.
The Fake News acid jazz Wikipedia page goes on to say………
“Because of it’s existence of a primarily live music it was closer to jazz than any other dance style but it’s focus on maintain a groove. Allied it with hip hop and dance music ????????
“The style is characterized by danceable grooves and long repetitive compositions. Typical ensemble includes horns a full rhythm section often with a drum set and additional percussion. A vocalist that may sing and rap. Often a DJ ????????…”
I’m lost. What the heck is he talking about?
I really haven’t clue what this Kid is talking about. And mores to the point neither does he. Liars always use over complicated language to blind people with science as the phrase goes. Total word-salad. Again meaningless unintelligible drivel Who do they think they are kidding? Well,they are banking on the fact that it will fool people or kids who don’t know anything about Black Music. And of course hoping that someone like me won’t come along. And if they do they will just delete their comments on Wikipedia as they have been doing. Nothing he has said makes any sense. It won’t make sense to any 70’s/ 80’s or even a musically educated 1990’s Funkster. It’s just gobbledegook.
Total Bollocks.
So he’s basically trying to convince people that this non existent “acid” jazz genre has all these attributes to it but tellingly he doesn’t give an example of a song. The reason he doesn’t are two fold. One because he’s just made it up and two because if he did name a track then someone like me or just about any 70’s Funkster would easily be able to tell him that’s not acid jazz, that’s 1970’s Jazz Soul, or that’s South American Bossa Nova or that’s New Jack Swing etc..
So because there is no such thing as acid jazz he can’t mention a track but they hope the over complicated use of well…word salad combined with smoke and mirrors will fool the next generation into believing that 20th Century Black American Soul (Rare groove) is a music genre called acid jazz invented in London in 1988 by their record label.
“The style is characterized by dance able grooves and long repetitive compositions”
HUH!?, You mean like erm James Brown on ( Body Heat). Or Everything Randy Muller did With Brass Construction during the 1970’s? like ( Movin’) and with BT Express like (Let’s Dance)? Yes ITS CALLED BLACK AMERICAN JAZZ FUNK AND SOUL and your record label did not invent it here in London in the 1990’s. Regardless of how many time you say “this is acid jazz” on music compilations containing the FUNK. “dance able grooves and long repetitive compositions” ARE YOU SERIOUS. YOU HAVE JUST DESCRIBED……..FUNK.
The Fake News acid jazz Wikipedia page goes on to say
“Typical ensemble includes horns a full rhythm section often with a drum set and
additional percussion”
ER YES, AGAIN WHAT WE CALLEDJAMES BROWN. HEARD OF HIM?
Notice they still haven’t told you the name of a so called “ACID JAZZ ” track invented here in London in the mid 80’s Rare Groove movement as they put it. This mysterious genre which apparently spread to America, Japan etc doesn’t seem to have one song that belongs to it. I mean what was the first hit of this so called genre. What band created the first “Acid jazz” song for example. How high did it chart? Where are all the 1980’s news reports of this acid jazz genre being created.
So anyway now acid jazz records created in 1988 is apparently responsible for the God Father, Bootsy and the JB’s In the 1960’s and 1970’s. Apparently so because acid Jazz compilations include the Funk. That description sounds a bit like GOGO Dc, So lets throw in Chuck Brown as well. I mean you might as well claim the Washington Drum n Synth clatter as well. That was popular in the mid 1980’s You claim everything else. Actually come to think of it Jamiroquai’s (Hooked Up) contains elements of the GOGO Beat. And Eddie Pillar claims that Emergency on Planet Earth is an ACID JAZZ album ans not what I say it is on THE SOULHEAD TALES so yeah, Gilles Peterson invented GOGO DC as well…in 1988.
The Fake News acid jazz Wikipedia page goes on to say…..
“A vocalist that may sing and rap”
OH DEAR………………..YES, THAT’S CALLED SOUL AND BLACK AMERICAN RAP. WHAT WE USED TO CALL RYHMING OR JAZZ-HIP HOP!
No one in this country invented Jazz Hip Hop let alone anyone connected to acid Jazz records. Don’t you hear singing and rhyming on Tom Browne’s Funkin for Jamaica. It was happening in the underground at the same time as Africa Bambaata,Grand Master Flash and co were creating the new sound of hip hop in the late Disco and early post Disco era. It wasn’t invented nearly 10 years later here in London in 1988 by acid jazz records. I mean are you people serious?
Remember we still haven’t had a single acid jazz song named on this fake news “we invented sous and it’s called acid jazz” page.
WOW. Just think. It must have taken a lot to come up with all that. I can almost feel their thought process. You’re beginning to see the planning that has gone into this page of 100% lies. They say if you’re gonna lie then lie big and you can see what their intention is. You can see how they must have sat down and thought, how can we appropriate 20th Century Black music and make it sound credible. How can we steal a whole culture and sound then make it look as if we invented it. Lets’ make it sound so over-complicated that we sound like music experts no one will be able to decipher what’s been said. These kids don’t know anything about Soul. This is what they want written into history,
We’ll create listing after listing, get the PR machine going. Keep pushing the word acid jazz, acid jazz, acid jazz. Well print it on every compilation and every mix. This is acid jazz, 100% acid, acid jazz, that acid jazz this acid jazz.Sooner or later the next generation is going to think Jazz funk is actually acid jazz! Well keep repeating it until it sticks. Give it about 30 years and no one will be able to prove or disprove it. What if someone confronts us? Then lie, deny it, obfuscate, It’s smoke and mirrors. It works in Politics. After all who’s going to know enough about SOUL to argue…..Hello.
Now, amusingly the writer/s once again shows his total lack of musical knowledge and proves that he wasn’t old enough to have experienced the time period he’s trying to rewrite the history of. It’s clear doesn’t even understand what the word “live” means in conjunction with the Groove let’s take a laugh, I mean a look….
The Fake News acid jazz wikipedia page goes on to say;
“..as a percussion-heavy, primarily live music”
No style of funk in the 1980’s required it to be played live! The writer is no 70’s Funkster as he’s already admitted. He would have been a small child a schoolboy at the time. The phrase “Live” didn’t even mean playing music live. What it meant was using real instruments as opposed to Electronic instruments. Every 1970’s and 1980’s Funkster knows that. This 1990’s kid from Acid Jazz Records trying to re-write the History of British Soul history and that of millions of other Londoners doesn’t understand what the word live means!
When the Disco sound began to die and synth funk began to replace Jazz funk and Soul in the early 1980’s, lots of session musicians both in the UK and The US found themselves out of work. Samplers were becoming available to the public and to music studios and they were far cheaper to use it instead of hiring session musicians. And in any case Synth/Electro Funk doesn’t require an Orchestra. The sound was changing the strings of the disco era were being phased. Even the famous Salsoul Orchestra disbanded in 1981. Disco era Funk was dead. Musicians even formed a movement called Keep it Live, urging studios to hire “Live” musicians. You would see “keep it live” stickers on cars windows and bumpers. Ask anyone who was around at the time. The writer wasn’t.
And as has already been stated Jazz Rap, Jazz Soul and Jazz hip Hop were in existence both in the US and the UK long before acid jazz records appeared in 1988. Acid Jazz records have absolutely nothingto do with the evolution or the development of this style of Black music or indeed any style of Black music in the 1980’s or even at any stage during the 1990’s.
SO NOW ACID JAZZ RECORDS INVENTED JAZZ RAP AND JAZZ HIP HOP?!
The British Jazz movement as I said goes back to at least the early 1950’s and so does British Soul.Here in London and many other inner city FUNK movements like Nottingham, Birmingham, and Liverpool we had a Sound systems like called Rapatack who rapped over tracks, The Reggae crowd used to Toast (Jamaican style rap) over reggae tracks at just about every house party you went to in the 70’s and 80’s where us youngsters were involved. This was part of London Culture and of inner city culture all around the UK. It’s well known to Hip hop historians that Kool Herc learned his trade in London.
“Toasting” over Reggae and rapping over Jazzfunk tracks was happening all over the place. When Hip Hop became a worldwide phenomena around there were rap competitions at places like The Wag Club and in Tooley Street all the time. I watched some of them. It was hosted by some young unknown kid now a Hip Hop legend called Tim Westwood. So Jazz Rap or Jazz Hip Hop was NOT invented by acid Jazz records from 1988 onward. So no matter how many times they print this is acid jazz or the best of acid jazz on the covers of their CD’s or albums acid jazz is a lie. Plain and simple. It was part of Black American and British culture.
Poets would rap over Jazz tracks and there is and was no such thing as a “hip hop” beat. They are all Funk beats and the vast bulk of them are sampled from the 50’s and 60’s. Many come from James Brown. American Jazzmen of all colors were “Talking” or “rapping” over Jazz tracks in the 1940s. No record company in England invented any of these sounds in 1988. They make compilations of this type of music. The writer most likely read an article and misunderstood “live” thinking that it to meant playing live. Jazz Funk uses “live” (Real) Instruments. Electro-funk doesn’t need live instruments. Its played by a synthesiser. It’s Synthesised hence the term Synth Funk or Synth Pop!
He’s trying to construct a story but doesn’t really know what he’s talking about. He/they are trying to appropriate Black music but they don’t know enough about the sound to do it they don’t even have a basic understanding of the Groove. We know from experience that he uses Wikipedia to gather knowledge and reads articles to masquerade as a 70’s Funkster as he did with vintage 73 on Jamirotalk.
He/they just hope that printing “This is acid jazz” on as many Soul Mixes as they can is eventually going to fool enough kids of the next generation into believing the lie. And as for Live music if you wanted to hear Jazz played live there were many venues where you could listen to live jazz. Like Ronnie Scott’s in London. Jazz and Jazz Funk acts from the States have been playing there for years. That was happening all through the 80’s. I never went but my mates did. Ask any 1980’s London Jazz enthusiast if he or she credits acid jazz records created in 1998 with the London Jazz scene that’s been in existence since the 1940’s.
KEEP REPEATING THE SAME THING OVER AND OVER AGAIN AND PEOPLE WILL BELIEVE IT.
SO, NO MATTER HOW MANY TIMES THEY PRINT “THIS IS ACID JAZZ” OR “THE BEST OF ACID JAZZ” ON THE COVERS OF THEIR CD, OR ALBUMS, ACID JAZZ IS A LIE.
PLAIN AND SIMPLE.
AS YOU CAN SEE THIS PART OF THE PAGE IS FALSE JUST LIKE THE REST
The Fake News acid jazz Wikipedia page goes on to say
“Acid-jazz originated in the London club scene of the mid 80’with DJ’s of the Rare Groove movement……… BOLLOCKS!
SAYS WHO? WHEN, WHERE? I WAS THERE AND I’VE NEVER HEARD OF IT.
As you will see on Ten Easy Ways To Debunk The Acid Jazz Lie you will find no mention of any so called acid jazz movement or Music genre. It’s a complete work of fiction.
There was nothing called acid jazz that originated in the club scene in mid 1980’s London. Acid jazz records was not even created until 1988. They are not responsible for the London Jazz scene. More total lies. Replacing the word Rare Groove with acid Jazz to try and make it look as if they are somehow responsible for the return of 1960’s/1970’s Funk in 80’s London. Well actually to make it sound as if Rare Groove is a music genre called acid jazz. I was there and so were hundreds and thousands of others. The American/British writers of the FAKE NEWS ACIDJAZZ PAGE were not. You would have cleared the dance floor of any club in the mid 1980’s had you put on old fashion music like James Brown or Jazz funk or even Disco. Those sounds were dead and gone, never to return again. Where is the evidence for this acid jazz scene. If what he is referring to is Rare Groove then Rare Groove as I said started over half a decade before acid jazz records even existed!
And if what he is talking about is Rare Groove club nights then we had them in the very early 80’s as well before the phrase Rare Groove was even coined. We used to call them nostalgia nights. The 1970’s were our school days so on some of these club nights people would dress up in School uniform. They were old school nights. Hence the term “Old Skool”You would have the odd DJ doing a Northern Soul or jazz Latin nights in some pubs or clubs but in no way was it a major scene. I can tell that the writer wasn’t there. Someone’s probably told him a little bit about 1980’s London or someone who was too young to have gone night clubbing in the 80’s is trying to piece things together from what someone has told him and he’s using it to try and construct a story.
The Fake News acid jazz Wikipedia page goes on to say
“These included Giles Peterson who had residencies at clubs in the 80’s…”
OH so the Godfather of SOUL had a residency did he, Well so did thousands of Soul DJ’s in London including most of the Pirate radio station Funksters as well as those on mainstream radio Capital Radio and Radio London! This statement of course makes it look as if Gilles Personage is some massive name in 1980’s London. He was not. And believe me when I tell you, you won’t find a single one of them who will credit Giles Peterson as being responsible for Rare Groove or for inventing a music genre called acid jazz!
In addition to the most famous London Soulhead DJ’s like Greg Edwards, Robbie Vincent, Chris Hill, Froggy. Tony Blackburn, Andy Peebles, Noman Jay, Graham Gold and co, There were hundreds of little underground SOUL venues littered around the Thames Valley and the Home counties all of whom had Soul DJ’s Spinning the Funk. It was difficult to hear the groove so we had to experience it where we could. The odd pub night here the odd Soul night there. Soul Clubs were not that many. There was Flicks with Colin Hudd and the crew, Sometimes there were Jazz and Soul Picnics at Knebworth Park, There was the Palace which I think was called the Pink Elephant, In Sussex they had the Sheffield Arms,
There was Gulliver’s and Gossips in central London, there was the Pink toothbrush in Essex. In Kent there was King Arthur’s Court where the now famous Pete Tong and Nicky Peck used to play, In Kent (Tunbridge Wells) you would have Ed Stewart from BBC radio 2, There was Jazz funk and Soul at the Yorkshire Grey with Barry-Le-Martin and Steve Devonne, from Invicta FM. ( Most of the pirate radio soul heads had residencies at various clubs), There was Marin Collins, Gary Lee, Trevor Roy, Tom Felton, Dave Brown also now world famous.
There was Peter Powell, There was Big Steve Walsh at Jazz Solos & The Belveder, in Richmond, Daddy Ernie in places like Ronnie Scotts and countless other clubs. There was Winston Hunt, Chris Redstone. I could fill a whole book with the thousands of Soul Djs who worked hard to supply us with Jazz funk in London. They were and still are my heroes and they are the heroes of all souboys and girls. They were the backbone of The Soulhead movement alongside Blues and Soul Magazine. Most of these guys are still around. Some are still playing. Ask them if they have ever heard of this acid jazz music genre invented by Giles Peterson. I think you realise what the answer will be by now.
If you ask them or any of my Soulhead contemporaries what acid jazz is they will invariably tell you, that’s what the kids call Jazz Funk, or they will tell you it’s just Rare Groove, the stuff we grew up with in the 70’s. No one will say to you that’s it’s a musical genre invented by acid jazz records. Probably none of them, (now in their 50’s and 60’s) have realised that Rare Groove is now being claimed as a musical genre invented by Giles Peterson called acid jazz. They probably still think it’s a marketing campaign. Well they will now.
The Fake News acid jazz Wikipedia page goes on to say
“Another British Record Label was formed in 1990 call fourth and Broadway record”
It gets worse. Now these outsiders from Jamiroquai/acid jazz records are trying to write out of history all of the small record labels of the 80’s and make it look as if they began British Soul. So Red Bus Records, London Records, Beggars Banquet, Chrysalis Records and all the rest who supported FUNK back in the 70s and early 80’s in the U.K didn’t exist?
More proof, not that you need any more, that the writer wasn’t there and doesn’t know what he’s talking about. Fourth and Broadway came Beforeacid jazz records, And there were tons of independent record labels spreading the Funk long before they were. Ten, London records, Red Bus Records, Supreme Records, Tower bell records. There were loads of tiny independent record companies in London and the south east producing Soul and Soul music compilations. You only have to visit you tube to see the countless number of record labels that gave us all these Brit Funk classics.So again they are trying to make it look as if Acid Jazz records were some sort of Pioneers here in London. No they were not. In any way shape or form.
“Another British record label was formed”…LOL LOL
So basically there were no other British record labels promoting the groove until acid jazz in 1988 and fourth and Broadway in1990…..except fourth and Broadway camebeforeacid jazz records and so did tens if not hundreds of others British record labels promoting Soul. It would be nice to see what people like Morgan Khan makes of this claim. There were Old school 70’s Funk compilations about way before acid jazz records came about in 1988. There were 70’s disco and 70’s jazz Funk compilations in every high street shop from HMV to the Woolworths all during the 80’s.
Every one would have a bit of Disco or Motown at Xmas or Birthday parties. Sometimes People would buy compilations just to hear the one song they had been looking for, for years just to hear it again. There was no such thing as an internet to quickly find a song you longed to hear back then. There’s hardly a 60’s or 70’s kid alive who didn’t buy a 70’s Soul compilation in the 80’s. So this fake news acid jazz page is now trying to pedal the idea that they came up with the concept of 70’s Funk mixes and Compilations. They are trying to take credit for everything.
The 1970’s didn’t just vanish until acid jazz records came along in 1988. So not only are they attempting to wipe the creators of Black American Soul and Black British Soul out of History by reclassifying the sound as acid jazz, they are also trying to deny the contribution of the tiny music labels of the 70’s/80’s who kept faith in Funk and took a lot of risks by printing records for such a small group of underground Soulheads. Without those record labels many of the Brit Funk classic would not exist. This small group of Brits and Americans are literally trying to take credit for just about everything that the London Soul Movement created in over 40 years. British Soul of the 70’s and 80’s owes these small independent record labels everything. We owe acid jazz records nothing.
SO AS YOU CAN SEE THIS PART OF THE PAGE IS TOTAL RUBBISH AND A RE-WRITING OF HISTORY
THIS IS GOOD….
You can never deceive a 70’s/80’s Funkster on 70’s/80’s FUNK!
The Fake News acid jazz Wikipedia page goes on to say
“The genre (Acid Jazz invented by Gilles Peterson) broke into the mainstream”!
BEAUTIFUL This is really Beautiful. This is the best. Acid jazz have really outdone themselves on this one. This whole fake news acid jazz page is a complete pack of lies but this, I mean this is the most fraudulent and the most grosse misrepresentations of British Music history that I have ever read since my era ended in the early 1990’s.So now having invented Jazz funk and Soul, Latin Soul, Brit Funk and all the other sounds of 20th century Black music, The new Godfather of Soul Giles Peterson’s genre for which we still have yet to be told what it is and who plays it…….now breaks into the mainstream!
SO NOW ACID JAZZ RECORDS ARE TRYING TO WRITE THE WHOLE 1980’S BRITISH SOUL INVASION OUT OF HISTORY AND REPLACE THEM WITH GILES PETERSON AND THE BRAND NEW HEAVIES.
**** TOTAL AND ABSOLUTE RUBBISH **
Acid jazz records had NOTHING I repeat NOTHING to do with the breaking of anything
The Fake News acid jazz page goes on to say
Other acts included the Stereo MC’s and the James Taylor Quartet.
So at last we have someone playing this music genre invented by Gilles Peterson… Stereo MC’s, The James Taylor Quartet. You see this is what I mean when I say they absolutely know nothing about Black Music or even Music in general. The Stereo MC’s are not a Jazz Funk band. (You were told that on Jamirotalk Honeybee). And as for the James Taylor Quartet here’s a Quote;
“Acid jazz is just a phrase, a name – it means nothing,” he says. “It just gets more young people listening to it.” “It’s a scam,” whispers James Taylor as he passes between Quartet and bar. “It’s a way of selling records, it’s a way of making money.”
James Taylor.
So there you go. And that my friends what Ive been saying all along is what any British Funkster in the know will tell you. If not that then they will say that’s just another name for Jazzfunk. They know this and that’s why they or the people who claim to represent them are prepared to go to extent of hunting people down in order the threaten them into silence. Life of Tau the Insider (probably Zacktastic or one of his crowd) and gatekeeper masquerading as an editor trying to keep this FAKE NEWS ACID JAZZ PAGE of lies up, Is of course aware of this quote. Has he done anything about it? Well no because he’s part of it.
The Fake News acid jazz wiki page goes on to say;
Other bands included Incognito and U3 who’s cantaloop (Flip Fantasia) (1993) was the biggest hit in the genre. Also highly successful were Jamiroquai!
You cannot fool 1970’s/1980’s Funksters on their own sound.
Neither Funk Tribute Band Jamiroquai or Brit Funk era band Incognito play a Black music genre invented in this country called acid jazz.What makes any of you think that you can fool people on the various sounds of Black Music. Jamiroquai are not an acid jazz band. They are playing FUNK. Rare Groove and 1970’s/1980’s FUNK retreads. There is nothing on any Jamiroquai album called acid jazz as there is no such genre as I have shown on THE SOULHEAD TALES.We know what all these sounds are.
Incognito came from Light of the World. Light of the World are Brit Funk hero’s. They are contemporaries of Delegation, Linx, Imagination, Central Line and Hi Tension in the late 70’s and early 80’s. They are not playing a music genre called Acid Jazz invented here in London in 1988 by Gilles Peterson or anyone else. They play Jazz Funk. Jazz Funk comes from the United States. It does not come out of this City in the late 1980’s.They then hilariously go on to claim that U3’s’ Cantaloop Flip Fantasia was the biggest hit of the genre. That is not the biggest hit of the genre because there is no such genre.
Cantaloupe is someone rapping over Cantaloop Island by Herbie Hancock
The intro is from the Back on the Block Album the comeback Album by Quincy Jones. I know both Herbie Hancock and Quincy Jones so I recognize both tracks. Just like I know all the stuff that Jamiroquai plagiarised. The writer of this fake news acid jazz page doesn’t which is why he thinks he can pass off a track most Funksters know as belonging to a music genre invented in 1988 called acid jazz.
Acid jazz records joined the scene in 1987 at the time of the Pasedenas began the British tribute to The American Jazz Funk and Soul that we came of age with in the 1960’s and 1970’s. That’s was it was called Tribute. They pay tribute to the American heroes of the our childhood It was done in the style of the 70’s and they did doowop . This is post Motown sound which acid jazz are trying to take credit for as if they invented it… All musical styles referred to as acid jazz were already in existence. Fortunately there are millions of people still around who know this despite the lies written on this page.
At no time during the 1980’s did any musical genre called acid jazz emerge from London England. At no time was there what the writer (who wasn’t even wasn’t part of our 1980’s Soul movement or born in the 1970’s) describes as an “acid jazz” scene anywhere in London in the 1980’s. Nobody in London ever used the term acid Jazz in the 1980’s or even In the early 90′ to describe the Funk. The individual who wrote the page was not part of the London Jazz Funk Movement of either the 1970’s or the 1980’s If there was a distinctive British sound in the late 1980’s the as I said it comes from the Passedena’s, Loose Ends , The Cool Notes, Soul To Soul Omar and so on. UK Soul/Pop band ABC appeared on US soul train with their tribute to the great Motown artist Smokey Robinson, (When Smokey sings), Phil Collins who worked with Earth Wind and Fire’s Horn section and lead singer Philip Bailey did a cover of Motown classic can’t Hurry Love, David Grant and Jaki Graham did a cover of could it be I’m falling in Love. The post Motown and early Jazz funk so pound was back in vogue in 1986/87. Acid Jazz records didn’t start this sound and played absolutely no part in the creation of any British sound. Ask these acts if they took their inspiration from Motown and the early 70’s or whether they attribute the British soul sound of the late 80’s to acid jazz records.
They are trying to STEAL Black music through deception but they don’t know enough about the sound to do it. And you cannot decieve people on Sounds. Especially when you don”y even have a clue what any of them are! Rapping over a Jazz track is called Jazz Hip Hop. Acid jazz records did not invent Jazz Hip Hop. Herbie Hancock is one of the geniuses who invented Jazz Funk in the early 1970’s. But of course it’s no longer 70’s Jazz Funk, it’s 1990’s Acid Jazz. Invented by Giles Peterson in London. Because the record label says 100% Acid Jazz.
They then go onto Jamiroquai and refer to ‘their‘ hit Virtual insanity.
That track is Plagiarised from Samurai by Djavan Luz and Stevie Wonder. (See the Soulhead Tales). You see you cannot fool Funksters on their own sounds. But of course Stevie Wonder’s sound is now also called acid jazz and “written” by Jay Kay & Toby Smith. According to Acid Jazz records.
The Fake News acid jazz page goes on to say
The movement spread to America!?!
Beautiful just Beautiful! Gilles Petersons Black Music genre spread to America. Fantastic!”
Yes another one! Now this entire FAKE NEWS acid Jazz page is pretty silly but without doubt on a page full of lies this is probably the most bizarre claim they have tried to make so far and that says a lot. So they have already cynically replaced the word Rare Groove with Acid Jazz in order to STEAL the sound of 70’s Funk etc. and claim that it’s a genre they invented. We did not have any “acid jazz” movement in the 1980’s that spread to America that’s a lie you weren’t even there.
Now they make the ridiculous claim that they introduced their “genre” to………Black America!!!……….Ha! Ha! Ha! Ha! All I can say is outstanding !!!
The Fake News acid jazz page goes on to say;
“Acid Jazz scenes developed,,,, It reached new York in 1990 When British Promoter Maurice Bernstein and his South African Partner Jonathan Rudnick…..”
ACID JAZZ SCENES DEVELOPED? WHAT THE HELL AS A SERPENT RECORD LABEL FROM HERE IN LONDON CREATED IN 1988 GOT TO DO WITH BLACK AMERICAN SOUL OF THE 1970’s “REACHING”…….. N.Y?
DO YOU THINK PEOPLE IN NEW YORK DIDN’T KNOW WHAT JAZZ FUNK WAS?
EVER HEARD OF TOM BROWNE? BERNARD WRIGHT? NEW YORK QEENS?JAMIROQUAI RIPPED THE OF ON LIGHT YEARS YOU SHOULD KNOW THEMARE YOU FREAKING SERIOUS? NEW YORK WAS INTORFUCED TO JAZZ FUNK NY ACID JAZZ RECODS IN THE 1990’s……………..HAVE YOU GONE NUTS?
Black American Soul reached New York……..From a London record label. What a load of absolute BS. Have you ever heard such a deceitful garbage in your lives. So these people want history to record that they are responsible for all the styles of Black music on say Jamiroquai records and that they introduced them to America! The trouble is as I keep saying, they think that they can fool people on these sounds because they don’t understand them or really know what any of them are. They have no real knowledge of THE FUNK at all. As Jay Kay himself has claimed ” We don’t use any outside influences” because He thinks people don’t know all the music he’s stolen.
Again can you see the thought and planning that has gone into this fake new acid jazz pack of lies. So having appropriated every single style of Black American Soul from about 1940’s to the 1990 and having told you that the Retro 70’s Jazz-Funk sound ripped from Roy Ayres, Herbie Hancock, Lonnie Linton Smith, Donald Byrd and The Mizzel Brothers is in fact a new music genre called acid jazz invented in England by Giles Peterson in 1988. And all without naming a single track that belongs to this non existent genre.(Because it’s a lie and none exist). A British Promoter called Maurice Bernstein his partner kindly introduces their genre to Black America!
So Black American Soul scenes developed in Black America………………thanks to….,,,,,,,,,,,,,,,acid jazz records!
THEY WERE NOT ACID JAZZ SCENES, THEY WERE RARE GROOVE SCENES
IT’S THEIR MUSIC, NOT THE MUSIC OF A LONDON RECORD LABEL.
The only Americans apart from those involved in the conspiracy like Life of Tau the American from the Midwest who has appointed himself as the gatekeeper of British Soul, in the 1990’s who refereed to Jazz Funk as acid Jazz are those Americans who don’t know their own music history. Find me An American who grew up in the 1960’s and 1970’s who thinks that Jazz Funk and Soul was invented in England by Giles Peterson in 1988! Find me an American who thinks the sound of Miles Davis, Roy Ayres, Donald Byrd, Herbie Hancock, Larry and Fonce Mizzel was invented by an English record label created in 1988, Or that they owe 1970’s Jazzfunk fusion to an English DJ just because he printed the words acid jazz on the CD covers and compilations. Yet another one of the most preposterous misrepresentation’s of history that I have ever read in my entire life. It’s their music. And more evidence of how desperate these people are to steal. It’s their music .
So Black American Rare Groove now called acid jazz invented by Giles Peterson and acid jazz records reaches America…
JAZZ FUNK AND SOUL Was introduced to Black Americans by Bernstein and Jonathan Rudnick…..
Well, aren’t you good folks in the States grateful to acid jazz records for introducing you to Funk and Jazz funk in the 1990’s.
INTERLUDE:
TO AMERICAN FUNKSTERS
The comedy continues…
In the Year 1991 acid jazz records introduced Black Americans…
…..to their own music…
YES FOLKS, (according to this fake news page) BLACK AMERICAN SOUL OF THE 1960s, 1970’s and 1980’s WAS INVENTED IN 1988 By Giles Peterson in ENGLAND AND INTRODUCED TO AMERICA BY ACID JAZZ RECORDS!
Acid jazz scenes developed in the US….?!?
NO IT WAS RETRO 70’S FUNK. ACID JAZZ RECORDS FROM ENGLAND HAD NOTHING TO DO WITH IT. AMERICANS KNEW OUR SOUND THANKS TO LOOSE ENDS, SOUL TO SOUL AND THE BRIT FUNK BANDS OF THE 80’S NO ONE HAD EVEN HEARD OF ACID JAZZ RECORDS IN THE 80’S. LIES , LIES, AND MORE LIES!
“Hey, If we print this is acid jazz on Soul mixes they wont know it’s Soul”
Do you seriously think that African Americans don’t recognise their own Music!
There were RARE GROOVE SCENES (Retro 70’s Funk) scenes all over the United States in the 1980’s as well as in the UK long before acid jazz record jumped on the bandwagon in 1988!
It’s their own music. It belongs to THEM, Do you seriously think that any American 1970’s Funkser won’t recognise all that plagiarised Stevie Wonder on Jamiroquiai albums and all the other stuff they stole? If London Funksters know these sounds do you not think that the people who actually created them do? Jeeeeze
I repeat again It’s their own Jazz Funk classics from the 70’s, mixed with elements of their own Hip Hop Sound (Not invented by acid jazz in 1988).
It just so happens that in the mid to late 80’s and early 90’s our Funky youngsters in London we were more interested in their classic Jazz Funk 70’s sound than most Americans kids who more seemed to into the emerging Neo Soul sound and Gangsta rap. Let’s Remember many Americansduring the mid 1980’s couldn’t stand the Electro-funk sound either. It wasn’t just us in the UK. The main reason for the return of the Washington Go Go Beat for example was because people wanted to hear real raw FUNK instead of Synthesised Funk. The Washington sound was a major part of the 80’s because of it. There was a lot of dissatisfaction with the state of the FUNK. Prince came under heavy fire in the 80’s for going the Rock Pop route.
Funksters all over the Planet, in Europe, Australia, Africa wanted a return to real FUNK. Even bands admitted they didn’t much care for the new sound but because the public were mostly into the electro sound they had to change accordingly. Kool Bell From Kool and the Gang said words to the effect of “we had to change in order to eat”. And every 80’s Funkster remembers One Way’s plea to James Brown to return and bring back his sound. “Please MR Groove won’t you come back” (One Way; Mr Groove 1984). The main reason British Soul bands were so successful was because they still retained a rough edge to their music and use live instruments. Of course this pack of lies makes it sound as if The Americans didn’t know about British Soul. As if Loose Ends or Billy Ocean, Five Star or Junior Giscombe or all the brilliant bands that comprised the Brit Funk invasion never existed It’s all down to Giles Peterson, Johnathin Rudnick and acid jazz records. Total and absolute rubbish.
The sound of British Funk had already reached New York and the rest of America in the previous decade of the 1980’s thanks to Delegation, Junior Giscombe, Linx, Imagination, Hi Tension, Light of the World, I Level, Beggar and Co, Second Image, Jaki Graham, Total Contrast, David Grant, Incognito, Atmosfear, 52nd Street, Princess, Level 42, Central Line, Alton Edwards, Simply Red, Monie Love, Sade, The Antilles, Five Star, Well Red, Princess, The Cool Notes, Freeeze, Sahara, The UK Players, Intrigue, Phil Fearon and Galaxy, Paul Hardcastle, George Michael, David Joseph, and countless other British soul bands. The list is endless.
I’ve already said that no British Funkster will acknowledge a genre called acid jazz and if we don’t you can be certain that no American of our age group will. Have you ever read a more fraudulent piece of work in your Life? A complete work of fiction written by a person who has no business re-writing the history of London or Black music History. So there you have it. As far as they are concerned the job is complete. They have sat down and discussed how they can justify putting acid jazz on front covers of the CD they have achieved their goal. Now they have renamed it now they can appropriate it.
I mean who’s going to question our…. “groove based approach style characterized by dance able grooves and long repetitive compositions…..with the typical ensemble full rhythm section often with a drum set and additional percussion……. With some bloke singing or rapping on it…. That sounds Legit. That should fool the kids….
Well it might fool New millennials but it won’t fool any of us who know THE FUNK!
So, having “appropriated” Rare Groove and every style of 1970’s Jazz, Funk and Soul, Claimed that this “Acid Jazz” genre “reached America” thanks to A Funk Tribute Band (Jamiroquai), British Funk/Rare Groove band (The Brand New Heavies) and a Brit Funk era (Disco-post disco) Jazz Funk band (Incognito)….. This Imaginary genre magically disappears!
They claim this “acid jazz” genre apparently invented her in London by Invicta F.M’s Gilles Peterson became so “mixed up” that it became indistinguishable! So now it’s all mixed in with all the other black music sounds no one can distinguish it lol.
Oh how convenient. Just how stupid do they think people are?
You know the drill by now—Total rubbish, lies, lies and more lies.
Hilarious list of so-called acid jazz!……
The acid jazz time machine has been really overworked in this one. If you’re a 70’s Funkster and you’ve had a wry smile on your face whilst reading this Fake News Wikipedia page watching these 90’s kids trying to fool the Planet then your smile is about to get bigger when you see the music they are trying to claim is acid jazz! By now they think they have convinced you with all the gobbledygook that Jazz Funk was invented by acid jazz records in 1988. All this music appears on compilations with the words acid jazz printed on them so as far as they are concerned it’s theirs. The African Americans didn’t invent it. They did.
THE BLACK AMERICAN MUSIC ACID RECORDS ARE CLAIMING IS A GENRE INVENTED BY GILES PETERSON IN 1988.
So they claim that these are key acid jazz artists. These are the bands they are trying to hoodwink into believing are playing a music genre called acid jazz. They are nothing of the sort. They are Soul/ R&B Bands playing a variety of 2oth Century Soul including the following…
YOU KNOW THE DRILL- Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop ect and then Jazz, 1970’s Jazz-funk, 1960’s/1970’s Jazz soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, the Time, Jesse Johnson, Morris Day, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk, Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, Freestyle and all the other sub genres of Black American Soul Latin and South American Bossa Nova, Salsa, Samba, Calypso and all the other sub genres of Latin American Soul….
SO YES IT’S 20TH CENTURY SOUL
They appear to think that the more band they add the better the chance they have of fooling people into thinking all these different styles of Black music were invented by acid jazz records in 1988. In spite of the fact that all these sounds were invented in some cases 30 years before they even existed. The British Soul invasion of the 1980’s never happened. Everyone from Hi Tension, Olympic Runners, Hot Chocolate. The Average White Band to Light of the World, Loose Ends, Billy Ocean, Soul to Soul and the Pasedenas etc. never existed. Acid Jazz records invented British Soul in 1988.
I mean 99% of these people are still alive for goodness sake!
Now below they have basically grouped a whole load of Brit Funk, Jazz funk, Latin Soul, American Trip Hop, Jazz Hip Hop, and Rare groove bands together and are trying to claim they are playing a music genre called acid Jazz invented in London. They seem to be proceeding on a hit and miss basis adding and removing bands, looking for anything they can try and pass off as this acid genre but they don’t know enough about the different sounds of Funk to do it! Jamirotalk members will recall how their insider on one of his several accounts tried to take on 70’s Jazzfunkateer and got given a lesson in music history before he had to back out. It will take a 1970’s Funkster and the musically educated about 10 seconds to see what I mean when I say they don’t have the first clue about the groove. Apparently 1970’s Latin bands like Azymuth and 1980’s pop bands like Swing out out sister are now acid jazz bands! Could you imagine Greg Edwards, Robbie Vincent or Big Steve Walsh (Rip) spinning Swing out sister! I Mean they weren’t bad but you would not have heard them in any SOUL CLUB!
As you will have worked out already ( Probably from the start) these people have absolutely no understanding of Black Music, musical history or any of the sounds they are trying to re-classify as an English Genre called acid Jazz. Some of them are quite funny.
They include bands like A Tribe called Quest. I would like to see where they give credit to a London record label created in 1988 for their sound. They even tried to include Steely Dan as an acid jazz band at one stage! And how are acid jazz records in London in 1988 responsible for the sound of Black South American music of the late 60’s and 1970’s?, Samba, Salsa, & Bossa Nova comes from London was invented in 1988 by Giles Peterson? Jazz hip hop was around in 1983. Both British and American. Its beggars belief.
Total codswallop!!!
Lets remind ourselves. The African Americans are no longer responsible for SOUL James Brown and Stevie Wonder don’t exist. Miles Davis and Herbie Hancock, Lonnie Liston Smith, Donald Byrd, Johnny Hammond, The Mizzel Brothers and the creators of 1970’s Jazz Funk never existed. Acid Jazz records and Giles Peterson invented every last one of these sounds 20 years later in 1988 in London. Well It must be true because acid jazz records print 100% acid jazz on compilations contacting this type of music. That and you read it on Wikipedia. So now having appropriated all these sounds they now hope to cement their deceit again using the tried and tested smoke and mirrors. You can see their thought process
After all who’s going to be able to categorise all these bands into their distinctive styles of Funk, Well I can tell you for a fact that I can do just that with the greatest of ease but I don’t have to. Because I know acid Jazz is a lie and by now so do you. Instead I’m going to turn it back on them and do what every invested being fears. Ask them to tell us what aspects of these variety of 20th century Soul bands is acid jazz?
This is why smoke and mirrors don’t work in music. You are not going to fool 1970’s Funksters on their own sound. Particularly when you don’t know anything about Black Music to begin with. This has got to be the biggest attempted fraud in music history. acid jazz is the only musical ‘genre’ in history for which no one can name a single song, band or track!
work in progress….
HOW DOES BLACK AMERICAN/LATIN SOUL SPREAD TO AMERICA? IT CAME FROM THE AMERICAS IN THE FIRST PLACE !!! Notice how they cleverly substitute the word Rare Groove with Acid jazz and then use that to claim ownership of all types of Black music from Doo wop to Neo Soul, Notice how they try to use nonsensical meaningless phrases like a “groove based” approach to try and confuse the issue (Smoke and mirrors) but never mention a single song or track that belongs to this “acid” jazz genre. They don’t even understand the word “live” Live didn’t mean you had to play live music. Live meant using real instruments as opposed to the Synth! This person knows nothing about London or music history in the 80’s, He’s read it in a book somewhere. That isn’t written by any 80’s Londoner. Interestingly he calls himself wolf and gives his address as Oxford University. I’m sure one of the Jamiroquai albums was made in a studio in Oxford somewhere. Where have I seen the phrase wolf.
work in progress….
Knowing the difference between jack and new jack swing, Freestyle and House, 70’s house and 80’s house, Euro disco, regular disco and disco era funk requires a great deal of knowledge. knowing the old Brit Funk sound, the 80’s British sound and then the late 80’s British Funk/Rare Groove sound for example can only be done by us. Yet here we have a “connected” American trying to kid us on British Soul. We’ve seen that somewhere else before. I will give them this much they’ve got some front. Why is the page still there? Probably because none of us have seen it. I mean No 70’s/80’s Funkster is going to run a search for acid jazz because they don’t know what it is. I have seen these acid jazz compilations but just saw it as some sort of marketing campaign. It wasn’t until I studied the pack of lies on the page that I realized there was something far more ominous. We realised this is designed to hoodwink the next generation of kids into believing that Jazzfunk is British just like they did with the Beatles. Except this time there are people like us around
There is no genre of Black Music called acid jazz. There is no sub genre of Black music called acid jazz. There is no style of Black music called acid jazz. Acid jazz is a serpent record label who infiltrated Soul music in the late 1980’s and has spent close on 30 years systematically re-classifying Jazz Funk, Funk, Disco Era Funk, New Jack Swing and Even Neo Soul as so called “Acid Jazz” which they claim was “invented” here in London in the mid 1980’s by the co founder of Acid Jazz record Gilles Peterson. A DJ who has never had a hit in his life and who is responsible for nothing whatsoever here in London as far as Black Music is and was concerned. On Wikipedia they claim that Peterson invented this acid jazz genre. And that it “broke into the mainstream” in 1991 thanks to acid jazz record signings Jamiroquai, The Brand New heavies and Incognito. Then according to what they wrote on wikipedia this imaginary genre conveniently became Indistinguishable from other styles of Funk…. and apparently bands they claim that were once classified ass Acid jazz are seen as Jazzfunk, New Jack Swing and Neo Soul….Except no bands were ever “classified” as acid jazz because Gilles Peterson did not invent any music genre. What they meant to say of course is that we are going to try and fool the New millennial public into thinking that 1970’s Jazz Funk, late 1980’s New Jack Swing and 1990’s Neo Soul are all actually called Acid jazz. And that the names are interchangeable. That way we can sow doubts into the minds of those who don’t understand what the sounds are or who know nothing about 20th Century Soul Music. Basically they are trying to culturally appropriate 20th Century Soul Music using classic serpent tactics of disinformation , Lies and deceit. Unfortunately for them as they are finding out these tactics don’t work in music.
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK. Now remember Importantly they can’t tell you the name of an acid jazz track belonging to this non existent genre they claim was invented by Gilles Peterson here in London because all they have done is replace the words Rare Groove (Retro 1970’s Funk) with the name of their Satanic record label then claim that is was a new genre.Presumably as I state elsewhere because Gilles Peterson and Eddie Pillar think people are too funking stooppid to recognise the sounds of our own youth and of our own culture. Presumably as I state elsewhere. The other hilarious thing is that they forgot all the Black music magazines , T. V shows, Club Reports of the 1980’s none of which make any mention of this criminal Gilles Peterson ever inventing anything.
FROM ACID JAZZ TO FUNK TO FUNK AND ACID JAZZ, THEN JAZZ FUNK? …WE’RE CONFUSED WHAT IS IT?!ACID JAZZ THE MYSTERIOUS BLACK MUSIC GENRE FOR WHICH THEY CAN’T NAME A SINGLE TRACK…….BECAUSE IT’S JUST FUNK!
They say honesty is the best policy but telling the truth is something this lot are incapable of doing as David Icke keeps telling you. When you tell so many lies it’s difficult to keep track of yourself. You tend to slip up. The acid jazz cabal are trying to rewrite Black Music history but it’s kind of difficult for them. Eddie Pillar marketed Jamiroquai’s Emergency on planet Earth album as acid jazz instead of Rare Groove. He then began to print words like 100% acid jazz on Soul mixes and Rare Groove compilations. First it was acid jazz , then it was no! no! it’s jazz funk andacid jazz… okay, okay, it’s Funk……Err no! no! No! scrub that it’s acid jazz again. Except it’s Funk…..with a hint of acid jazz! No it’s Funk. They think they can fool people on their own culture just like they fool people on politics and history. They can’t. In true dis-info-serpent fashion they have an army of infiltrators on music websites repeating their lies and trying to make it look as if there is a music genre called acid jazz and of course on Wikipedia where as you will see, they have taken over the acid jazz page and the Jamiroquai page. They changed the genre from Acid jazz to Jazz Funk on wiki ONLY after the SOULHEAD TALES meant they couldn’t fool the new generation any longer. Too many people had seen that list on the old jamirotalk site. 28,000 Plus before the German owner deleted the whole website, Created a new one and put it behind closed doors. Then in true “E can’t create anything lizard fashion” She copied the original layout of this blog including the heart logo. When you joined the old Jamirotalk website it asked “Why do you want to join”. Now why would someone ask such a question? Probably because they knew I was coming.
Acid Jazz flavours and Ethnic Influence?! NO IT’S RARE GROOVE!
As you can see they didn’t have a clue about all the different styles of FUNK plagiarised on Jamiroequai albums and they didn’t have a clue who most of the bands were. Do you think they’ve heard of or know anything about FUNK? Acid jazz flavours! Acid jazz being a Black music genre invented by Gilles Peterson according to the Zionist new world order. They had a plan from day one. Serpents plan years in advance. They started off in the 1990’s trying to claim that rare groove was a music genre called acid jazz. Most of us older people who heard the word acid jazz probably thought it was just some sort of a marketing campaign. An excuse they will probably use if this story gets out and people start questioning their attempted cultural theft. No one at the time would have realised the ominous intentions. They were gradually indoctrinating the youth of the 1990’s who didn’t know what this music was. They weren’t born in the 1970’s and were too young to recognise all the Jazz Funk sounds they were listening to. As you can see they came up with all sorts of silly names to hoodwink the 90’s youngsters like acid jazz flavours and ethnic influences to describe their first three albums. That’s because they didn’t know what those sounds were either and neither did many of the so called music writers of the mid 1990’s. I can tell you for a fact that they didn’t have a clue what any of these sounds were. On jamirotalk, the old jamiroquai fan site their fake account didn’t even know that Soul bands were referred to as FUNK bands. They hadn’t even heard of 1% of the bands in the Soulhead tales.
(Edit….Oct 2020 AS PREDICTED! Pillar is now claiming acid jazz was a marketing ploy. Of course it is. That’s why he prints Absolute acid jazz, acid jazz classic and this is acid jazz on Jazz, Funk, Soul, New Jack swing and Neo Soul mixes. Black American SOUL/R&B)
All change! *Mind the gap!……Wait a minuet……now it’s Jazz Funk ANDGilles Peterson acid jazz!
So 1990’s Jamiroquai wasn’t just Rare Groove, it also included a music genre invented by Gilles Peterson! Did it really?! They then started to claim that Jamiroquai play Funk and acid jazz. Inference being that Acid jazz is a different style of FUNK invented by Gilles Peterson! Well, I have categorised every Jamiroquai track I know into it’s correct style of FUNK and I can’t find anything called acid jazz in it. Neither can anyone else. That’s because Acid jazz as music genre does not exist. So ask Gilles Peterson which song is acid jazz (Black music invented by Gilles Peterson) and not Normal Black American SOUL?
But I thought…but wait….So now you took your name from a subgenre did you! HaHaHa Ha. Make up your minds. Oh no you didn’t! There was NO subgenre of the groove called acid jazz at any time during the 1980’s as Blues and Soul Archives will prove.And even if you did which you did not, then Why have you spent about 25 years telling everyone that acid jazz was a Black music genre that came out of London in the 1980’s. Why have you been printing lies such as 100% Acid Jazz, This is Acid Jaz, The Story of acid jazz on SOUL/R&B mixes trying to fool the new millenials. The next generation. Here’ a challenge tell me the name of a single Track, be it Jazz, Funk, Soul or Latin that belongs to this so called subgenre you claim came out of London. Then show us an “acid jazz” chart, club report, Album review or anything at all in any Black music publication which mentions this subgenre. You can’t of course because there isn’t one is there.
THE SOULHEAD TALES gave them no way out!
All change……Again….Okay so now they are a Jazz Funk band!? Well the correct term for them is a tribute band except as they claim they wrote all this music themselves the correct term is actually a bunch pf Plagiarists.
Realising that these people would never ever tell the truth, that arrogant talent less plagiarist Jay Kay would continue to lie, that they would continue in their attempts to re-history and Steal Black Culture I decided to write the Soulhead Tales and end all arguments once and for all. It would not only provide a route for young kids to hear authentic FUNK which was my original intention, It would also prevent the bands they had stolen from being written out of history, and stop people from claiming credit for music that they had plagiarised line by line. The Soulhead Tales was written (Over a period of 7 years) and I defined the correct genre and style of FUNK on every last one of their albums and where they stole it from. There was now no way out for them. No hiding place.They had to tell the truth! So they then started describe themselves as a Jazz-Funk band.
Notice how they are describing themselves as SONGWRITERS! when all they have done as you will see from the SOULHEAD TALES is merge other people groove together then claim ownership of them.. Jt like Eddie Pillar and the Acid jazz lie, they are targeting the youth. look at what THEY are writing on Wikipedia. Remember it’s not LEGITIMATE music writers or people who are qualified to write on Black music such as myself writing these reviews. Any legitimate Black music writer would state exactly what they are nothing more than a tribute band. It’s Jamiroquai band members backed by the n.w.o who delete the truth and block I.P Addresses who are writing these total lies in order to hide their theft of music. Their crowd also control the Acid jazz page as you will see. To read the rubbish they have written you would think they are a legitimate band as opposed to the FUNK pickpockets that they are.
THIS IS HOW SERPENTS CHANGE/REWRITE HISTORY. THROUGH LIES, DECEPTION AND SUPPRESSION OF INFORMATION.
They claim that Jamiroquai debutedas an acid jazz band and then explored other musical directions such as pop, rock, disco and electronica! TOTAL BOLLOCKS. No they didn’t. They started off on the first three albums making pastiches of 70’s Stevie Wonder, Roy Ayers, Pleasure, The Brothers Johnson, Curtis Mayfield, Larry Graham etc.. then they ripped off the bands of the late 70’s early 80’s Disco/Post disco era then when they had run out of FUNK to plagiarise they turned their attention to Synth Pop/Rock and ripped off a whole load of bands playing those genres.. On Automaton they tried to avoid all the big names and plagiarised 80’s Funk. Unluckily for them I recognise most of them too! So they are still trying to claim that the stolen FUNK you see on the Soulhead Tale below on their first six albums is acid jazz. The music genre they claim was invented by Pub DJ Gilles Peterson. So Stevie Wonder, Patrice Rushen, Herbie Hancock, Earth wind and Fire, Roy Ayres and all the other stolen FUNK on Jamiroquai albums…..was invented by Gilles Peterson…..Yep!
2019-Eddie Pillars lie machine is still trying to re-write Black music history
“With Kay in charge of the bands creative what….HAHAHAHA!!
Hilarious! Kay in charge of the bands creative WHAT! Please take a look at THE SOULHEAD TALES and see if Kay has any creativity other than staling other peoples hooks, riffs, vocal styles basslines etc, then merging them all together. Remember They can imitate but they cannot create. So If Jamiroquai debuted as a band playing this so called “acid jazz ”as they claim. Then ask them to tell you which stolen Rare Groove listed on the Soulhead Tales is acid jazz and not SOUL/R&B. Don’t expect an answer. They will keep trying to lie for as long as they can. That’s what they do. These are the lies this bunch of Satanic criminals are trying to foist upon the global consciousness.
SO WHO DO YOU THINK SPEAKS FOR BLACK MUSIC IN BLACK LONDON DURING THE 70’s AND 80’s? BLACK LONDONERS OR….
No one was speaking out and they thought they were going to get away with it. Now they are trying to backtrack but they are confused! For years they have claimed that Acid Jazz in a music genre even though it does not exist, That’s because they are able to fool people who don’t know 70’s /80’s FUNK. Now those of us who actually know these sounds are realize what Eddie Pillar Gilles Peterson and their International cabal of cultural thieves are up to, what they are up to they are somewhat panicking, panicking.
Acid Jazz and Jamiroquai both taken over their Wikipedia pages to prevent the truth from being written, They delete comments and profiles of people who complain and are Ignoring protests. This was way back in 2017. Shortly after this they brought in a Gatekeeper to guard their page of Disinformation. One Micheal Binks Knowles. A Californian, A Californian who for some reason thinks he;s qualified to lecture people on Black Music in London during the 1980’s, told a Brit that Acid Jazz is a Music genre because
FROM ACID JAZZ BACK TO….. FUNK…. TO FUNK AND ACID JAZZ,……THEN JAZZ FUNK?…NU ACID JAZZ?!…….NU ACID JAZZ!?…………WE’RE CONFUSED WHAT IS IT?! ACID JAZZ, THE MYSTERIOUS JEWISH GENRE KNOWN ONLY TO EDDIE PILLAR AND GILLES PETERSON FOR WHICH THEY CAN’T NAME A SINGLE TRACK…….BECAUSE IT’S JUST FUNK
The fact that Eddie Pillar and Gilles Peterson summarily decided they had the right to walk into Black culture and start re-classifying Rare Groove as so called acid jazz does not constitute the existence of a music genre called acid jazz……………….THE FUNK IS NOT YOURS TO RENAME.
The Lies of Eddie Pillar, Gilles Peterson and their International Cabal. As you already know The claim is that a music genre emerged from London called Acid Jazz in the 1980’s. This so called genre then spread to America thanks to two promoters Bernstein and Rudnick. This of course is a completely made up story as Blues and Soul magazine and all the other Black music publications, Soul/billboard charts, club reports of the era will prove.And you will find no mention of any so called Acid jazz band on any 1980’s Black Music T. V Show such as Soultrain either.Apparently, however these would be cultural thieves forgot that these and T.V shows and magazines recorded everything that happened in the Soul underground of London and the U.K. You will find no trace of this pack of lies. it’s an Internet Myth designed by Pillar, Peterson and their mob to fool the masses into thinking they have some sort of claim on a style of Black music. They don’t’. No whilst it seems they were able to fool at least some of the younger people in the 1990’s who didn’t know all the old Rare Groove sounds were they didn’t fool any of us 1970’s types who grew up with this sounds.
ACID JAZZ LIARS-BLUES AND SOUL ISSUE 511-(1988)
You forgot about the history archives of magazines like Blues and Soul didn’t you!
They cannot rewrite the history archives in Blues and Soul or the Soul charts!
Regardless of the BS these infiltrators of Black Music/history revisionists have written about Black London, about theses non existent “Acid jazz” bands and Acid jazz movements which never existed either, none of us ever referred to the groove as Acid Jazz. The first time you will even see the words mentioned is in 1988 when a tiny little column announces the creation of a small record label called ……acid jazz. As you can see I still have my copy.
You will find no reference to any so called Acid Jazz music genre. Acid House was a genre what they claim is acid jazz is Rare Groove early 1970’s Funk. you will find no acid jazz charts or reviews either. It does not exist.
Gilles Peterson didn’t invent or create anything and was unknown. Peterson was one of thousands of Soul DJ’s in London yet this fake news Wikipedia page which they have cloned across the Internet makes it looks as if he was some sort of super famous DJ. He was one of the DJ’s on pirate radio station Invicta FM. Many of these guys are still around so ask them if they remember Gilles Peterson inventing a Black music genre in mid 2980’s London. See if you can find any mention of this Godfather of Soul in any other Black music publication.I mean if someone had invented a brand new music genre in the mid 1980’s as they claim then the Black music publications of the era would be full of news about this amazing new sound which would one day cross the Atlantic thanks to Jamiroquai.
SERPENT SMOKE AND MIRRORS DON’T WORK IN MUSIC
THE GREAT THEFT OF FUNK
Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.
1) When you want to steal something the first thing you do is give something a new name.
2.)Acid jazzInfiltratorswriting Loose Ends and Soul to Soul from history
3) How are you going to mislead people on sounds you don’t have a clue about?
4) Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
5.)Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
6.)LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
7.)Nu acid jazz?!? what the hell is that?
7.) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8.)Nu acid jazz what? Changing the skin color of SOUL/R&B
1. When you want to steal something. The first thing you do is give it a new name.…
“JOE BLOW IS QUICK TO TAKE OUR MUSIC AND PUT NAMES TO IT”
-Rick James.
“Punk funk,” “We created the name, because I always thought if we were real successful, and really made a dent in the music world, we’d do it before Joe Blow titled us. ‘Cause Joe Blow is quick to take our music and put names to it. We just decided to label the music so that when it goes down in the history books, they’ll say Punk Funk was Rick James.”
Nearly 20 years later Jamiroquai stole the Punk Funk sound on Planet Home, even down to the telephone ring. They then stole the second half of the track from Earth Wind and Fire. Neither Rick James or the Elements like all bar about two of the 70’s/80’s Funk bands they stole from were credited. Now almost 30 years on we are being told on Wikipedia and on the Internet that all these sounds are called acid jazz and come from here in London England just because they print the words acid jazz on SOUL/R&B Compilations. No they are NOT. We acknowledge no such genre. No serpent record labile in this country is responsible for any sound. If they tell you they are then let Eddie Pillar and Gilles Peterson tell you what this acid jazz is supposed to be and name an acid jazz track. they can’t because it’s a lie.
It’s the age old trick. Give something a new name and then take ownership of it. Acid jazz records are trying to do to the African Americans what was done to them in the 1950’s and the 1960’s. Culturally appropriate and then take ownership of their sound. Back the it was Blues, SOUL, and Rock n ’Roll. Now it’s the sound of the 1970’s and the 1980’s. Jazz, Funk and Soul. As I keep saying however you cannot steal FUNK through deceit. We know what all these sounds are. In 1988 Eddie Pillar and Gilles Peterson fronted/created a record label here in London called acid jazz records with a plan. This is a highly organized operation which includes network of people in many countries some in the media deliberately spreading disinformation and assisting acid jazz records in this cynical cultural appropriation exercise which has been going on for a long time. This is a Global Mastermind group which includes many organizations. Lets take a look at some of Pillar and Co’s lies and disinformation on the Internet as they desperately try to indoctrinate the new generation with False information and downright lies. So having rebranded FUNK as so called acid jazz they have created a petition to try and give this non existent genre a background story
2) Acid jazzInfiltratorsWriting Loose Ends and Soul to soul from history
I order to make their lies more credible they first have to wipe the community who actually created the Black British sound of the 1980’s from the records.And that’s what they have done on Wikipedia.A complete rewriting of the history if Black London. Everything they have written is a complete crock of Shite. Its a total bogus story. Now Acid House was a groove. We know what that is. What they are trying to claim is acid jazz is nothing more than Rare Groove. The old sound of 1970’s Jazz Funk. The Music you will hear on Jamiroquai’s so called albums in the early 1990’s. Its Black American Soul, It is not a music genre from here in London, We did not create any style of Jazz or Jazz-funk in this city at any time. And no one in the Black Community will ever say we did. The British bands of the era are still about as you will see on this Blog so you can ask them if they know what the hell this so called acid jazz genre is. Famous bands and acts of the era being wiped from history by Acid Jazz infiltrators who have created nothing whatsoever.
So according to the Synagouge of Satan these bands no longer exist. Instead Gilles Peterson apparently invented not just the British sound but all the American sounds featuring on Acid Jazz records soul compilations.
You will find these lies crediting Gilles Peterson with this non existent genre all over the Internet. Wikipedia, Everipedia and on all websites featuring Jazz and Black Music.
So below we see the fake history of Black London as Imagined by Eddie Pillar, Gilles Peterson and their International disinformation cabal which includes people from South Africa, Czechoslovakia, Germany, Holland, Sweden, and parts of Eastern Europe. Basically the Synagogue of Satan and their minions trying to culturally appropriateFUNK. Everything you see written above is a lie and is not written by any authentic London Funkster. It is written by Gilles Peterson, Eddie Pillar and his mob…..
They don’t name a single track of this so called genre because there is no such genre, they just claim it used this, that and the other. It’s basically word salad. Gilles Peterson is often credited with originating the genre? Credited by who ,what genre? Who credits Gilles Peterson with Jazz Funk, New Jack Swing, Neo Soul, Brit Funk? . They claim that the 1970’s FUNK Plagiarised by Jamiroquai belongs to this imaginary genre. Because they think they can lie, mislead on obfuscate when it comes to Soul music. Its an attempt at classic serpent Infiltration.They think they can Infiltrate Soul and then take it over from withinthrough lies deception and disinformation.
So according to this webpage. The Black British Invasion of The States never Happened. Instead Gilles Peterson invented a music genre called acid jazz which then spread around the world thanks to 7-‘s Funk plagiarists Jamiroquai, Rare Groove Brit Funk band, The Brand New Heavies and the remaining members of post disco era Brit-funk band Incognito. So there was no Jazzie B, No Pasadenas, No Five Star, No Billy Ocean , No Sade or any of the other bands who made our sound famous in the 1980’s. It all started with Gilles Peterson apparently…. A “Latin” Jazz DJ who none of us head even heard of. TOTAL RUBBISH.
These pages of disinformation which attempt to rewrite the history of Black music here in London and wipe people Like Soul to Soul and Loose Ends from the records books are being cloned all across the Internet. Open up another tab in you browser if you like then Go take a look and see how many places you see this total lie being peddled to the masses. They are going to a major effort to try and bring this off. However these lies are based on sand as Blues and Soul magazine archive will prove. Nothing came out of this City (London ) called Acid Jazz or Club jazz. I was right there as the SOULHEAD TALES proves. And of course my 1980’s Blues and Soul collections. Black Music History they cannot re-write.
3) How are you going to mislead people on sounds you don’t have a clue about?
They say honesty is the best policy but telling the truth is something this lot are incapable of doing as David Icke keeps telling you. When you tell so many lies it’s difficult to keep track of yourself. You tend to slip up. If you’re going to try and steal something by rebranding it then it pays to make sure you know a little bit about what your trying to steal. The acid jazz cabal which includes as you would expect people from Eastern Europe are trying to rewrite Black Music history and culturally appropriate SOUL but it’s kind of difficult for them because A:) They don’t even understand the Groove and B:) as the SOULHEAD TALES and Ten easy ways to debunk the acid jazz lie proves, you cannot fool Funksters on THE FUNK.
The decline of a “genre” that didn’t exist in the first place!
Eddie Pillar FRAUDULENTLY marketed Jamiroquai’s Emergency on Planet Earth album as “acid jazz” instead of Rare Groove. He then began to print words like 100% acid jazz on Soul mixes and Rare Groove compilations. First it was acid jazz,Then around the same time he started printing lies such as 100% Acid Jazz on FUNK mixes.Later on he started printing the THIS IS ACID JAZZ on mix after mix after mix to try and indoctrinate the kids of the era backed up by their false telling of our history. Wiping out the bands who had created those sounds then replacing them with Jamiroquai and the Brand new Heavies.
This re-classification wasn’t a mistake, it was part of the plan. Fast forwards to the 21st Century and over 30 years later Pillar thinks the notion that Acid Jazz is firmly embedded in the consciousness of younger people. Many of whom believe that acid jazz is a music genre and will even argue with you until you actually ask them to name a track. They also claim that Acid jazz is “also known” as Club Jazz. Well, according to Eddie Pillar, Gilles Peterson and the synagogue of Satan that is. Two people who think they actually own music.
THERE IS NO SUCH THING AS ACID JAZZ OR CLUB JAZZ. NAMES INVENTED BY OUTSIDERS TO CULTURALLY APPROPRIATE FUNK.
ASK YOURSELF EXACTLY WHO IS TELLING YOU THAT THESE SOUNDS ARE ACID JAZZ AND CLUB JAZZ. ASK YOURSELF WHAT GIVES THEM THE RIGHT TO WALK INTO BLACK MUSIC AND START RENAMING THE LEGACY OF JAMES BROWN AS IF THEY OWN IT!
From Acid Jazz to Jazz Funk from Jazz Funk back to acid jazz and Jazz funk?
First it was Acid Jazz, well no! no! it’s jazz funk and acid jazz…okay. Yep okay, it’s Funk……Err,…. no! no! No! scrub that it’s acid jazz again. Except it’s Funk…..with a hint of acid jazz… though we can’t tell you which track is acid jazz…., well we thought we could fool you, now that bloke’s written the SOULHEAD TALES WE REALIZE WE CAN’T.
Jamiroquai a “British Jazz Funk band” who also play Gilles Peterson’s acid jazz! Ask Peterson to tell you which track he claims credit for. Jamiroquai are a bunch of plagiarists who made millions ripping off the sounds of 70’s/80’s FUNK giants.
Above; Total ignorance of Black Music on Wikipedia. There is No Acid jazz or Pop on The return of the space cowboy. And Soul, R&B and Funk all mean the same thing. That’s how much this lot understand about Funk and Black Music. I will tell you exactly what is on that album and all the other albums of theirs because I know all the sounds pillar and his mob think they can fool people on. so click the link below for a review of The Return of the space cowboy album by an Authentic 1970’s Funkster. See if you can find any of this so called acid jazz genre known only to Gilles Peterson,
It has been clear to me for many years that this lot don’t have a clue about Black music and nether do they know how to categorize it. They think they can fool people on their own culture just like they fool people on politics and history but they can’t. In true dis-info-serpent fashion they have an army of infiltrators on music websites repeating their lies to try and make it look as if there is a music genre called acid jazz but there wasn’t. I was right there and so were millions of us and unluckily for Eddie Pillar, Gilles Peterson and Acid Jazz records so were Blues and Soul Magazine, There was no genre or subgenre called acid Jazz. It does not exists. You will not fool funksters on THE FUNK. You only have to look below to see what they know about the Good Groove! They claim the earlier Jamiroquai albums are or the 1990’s contain Acid Jazz flavors and Ethnic influences! That’s because they don’t know who Stevie Wonder, Roy Ayers and Larry Graham are! That’s because they have never heard of Parliament Funkadelic, Curtis Mayfield. Pleasure or Patrice Rushen.
Acid Jazz flavors and Ethnic Influences- Because we don’t know what 1970’s Jazz Funk is!
Acid Jazz flavors? What the hell are they talking about Acid Jazz flavors and ethnic influences? Proof if anyone needs it that they know nothing about Black Music. As you can see they didn’t have a clue about all the different styles of FUNK plagiarised on Jamiroequai albums and they didn’t have a clue who most of the bands were. Do you think they’ve heard of or know anything about FUNK?…. Acid jazz flavors haha!”I can tell you for a fact that they didn’t have a clue what any of these sounds were.
On jamirotalk, the old jamiroquai fan site their fake account didn’t even know that Soul bands were referred to as FUNK bands. On their Internet trolling they hadn’t even heard of SOUL top SOUL and didn’t even know we had Funk bands in the U.K! That’s how much they knew. They hadn’t even heard of 1% of the bands in the Soulhead tales.
The Acid Jazz Cabal re-writing the history of Black Britain don’t even know who 1980’s Giants SOUL TO SOUL are yet they think they can fool people on 70’s FUNK!
Oh wait a minuet Now it’s Jazz Funk again!
They changed the genre from Acid jazz to Jazz Funk on wiki ONLY after they realized THE SOULHEAD TALES (2017) meant they couldn’t fool the new generation any longer. Too many people had seen that list on the old jamirotalk site. 28,000 Plus before the German owner deleted the whole website, Created a new one and put it behind closed doors. Then in true i can’t create anything lizard fashion She copied the original layout of this blog including the heart logo. When you joined the old Jamirotalk website it asked “Why do you want to join”. Now why would someone ask such a question? Probably because they knew I was coming.
Realizing that these people would never ever tell the truth, that arrogant talent less plagiarist Jay Kay would continue to lie, that they would continue in their attempts to re-history and Black Music I decided to write the Soulhead Tales and end all arguments once and for all. It would not only provide a route for young kids to hear authentic FUNK which was my original intention, It would also prevent the bands they had stolen from being written out of history, and stop people from claiming credit for music that they had plagiarised line by line. The Soulhead Tales was written (Over a period of 7 years) and I defined the correct genre and style of FUNK on every last one of their albums and where they stole it from. There was now no way out for them. No hiding place. They had to tell the truth!
So they then started describe themselves as a Jazz-Funk band.THE SOULHEAD TALES gave them no way out. They realized that they could no longer fool people as so many youngsters were now aware of what all these sounds actually were thanks to the original Soulhead Tales on Jamirotalk. So they went back to calling themselves a Jazz Funk band. However they are still lying because to any AUTHENTIC 1970’s/1980’s Funkster (don’t worry about what the mainstream claim), every Authentic funkster regards them as a FUNK TRIBUTE BAND playing Rare Groove retreads. You won;t see that written on the Internet though as they have deleted these comments and the Music Forums are run by their mates in the Synagogue of Satan,
Wait a minuet all change-AGAIN! …..Now they are a Jazz Funk and a Acid Jazz band. Make up your freaking minds. So you’re saying Gilles Peterson is, ISN’T? WAS? responsible for some of these sounds then. Really?…BUT YOU STILL HAVEN’T SAID WHICH ONES THOUGH!
All change! *Mind the gap!…Wait a minuet….now it’s Jazz Funk ANDGilles Peterson acid jazz!
Lets remind ourselves again. Acid Jazz is the non existent music genre they and no one else came out of London in the mid 1980’s….because Eddie Pillars mob said so on Wikipedia.
So 1990’s Jamiroquai wasn’t just Rare Groove, it also included a music genre invented by Gilles Peterson! Did it really?! So they basically went back to Wikipedia and started to claim that Jamiroquai play Funk and acid jazz. Inference being that Acid jazz is a different style of FUNK invented by Gilles Peterson! This is because they clearly think they can fool people on SOUL MUSIC! They think they can infiltrate THE FUNK and take over from within just like they do elsewhere. But they can’t because I know what all these sounds are and you cannot name a single acid jazz track. You can argue with little or nothing on the Soulhead Tales or on 10 easy ways to debunk the acid jazz lie
I have categorised every Jamiroquai track I know into it’s correct style of FUNK and I can’t find anything called acid jazz in it. Neither can anyone else. That’s because Acid jazz as music genre does not exist. So ask Gilles Peterson which song is acid jazz (Black music invented by Gilles Peterson) and not Normal Black American SOUL? Edit….Oct 2020 AS PREDICTED! Pillar is now claiming acid jazz was a marketing ploy. Of course it is. That’s why he prints Absolute acid jazz, acid jazz classic and this is acid jazz on Jazz, Funk, Soul, New Jack swing and Neo Soul mixes. Black American SOUL/R&B
4) ACID LIARS-Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com.
Lies everywhere. So as you see all over the Internet they are trying to push the Idea that Acid Jazz is a subgenre. No it is not. it is a record label that’s it Eddie Pillar, Gilles Peterson’s rewriting of Black Music history and the history of 1970’s/1980’s Black London is being copied by not only music website.
A search for Acid Jazz records claims that Acid Jazz took it’s name from a sub genre. What sub genre is that? Oh yes the Music genre invented by Gilles Peterson. That no one but Gilles Peterson, Eddie Pillar and their mob have heard of. Ask Peterson to name a track.
Everywhere you go on the Internet Eddie Pillar Gilles Peterson mob are spreading disinformation which is being copied by websites some of whom may be unsuspecting. Now lets go onto Q MAGAZINE who also know nothing about Black Music. This is what they claim.
Q magazine thinks that Rare Groove (70’s Jazz Funk) is a jazz form that emerged from England in the 1990’s Really?…. TOTAL BOLLOCKS!
Q Magazine states that the most significant Jazz form to emerge out of the music scene. Well I’m here to tell Q magazine that there was no such thing as a jazz form called Acid Jazz. I was right there on the London scene. In the post Disco era when we had Light of the Worlds, Linx, Central, Atmosfear, Freeeze, Imagination and so on. Bands no one at Q magazine has even heard of, I was Right there all through the 1980’s when the FUNK went mainstream, when we had our own Soultrain and when Loose Ends, Soul to Soul and the rest were setting dance floors on fire both here and in America.
I was there throughout the decade and I don’t remember and so called acid jazz genre. And for your information neither does Blues and Soul magazine, or Black Echoes as there’s no mention of this fake genre. You will find no mention of it in any Soul chart, club or album review either because there was and is no such thing as a music genre called acid jazz. No one at Q magazine was a London 70’s/80’s SOULHEAD and no one at Q magazine knows anything when it comes to Black Music, Jazz, Funk or Soul. I will tell you that for a fact otherwise they wouldn’t write such nonsense.
It is not a Jazz form. Acid jazz is a record label trying to claim it invented a sub genre whereas in fact it created nothing whatsoever. That is why when asked they cannot name a single track belonging to this subgenre. And that’s why no Funkster from the UK will acknowledge any such genre.
More disinformation this time from All music.com. This supposedly respectable music listing site states…
“Music played by a generation raised on Jazz Funk as well as hip hop.”….SAYS WHO?!
“Acid jazz uses elements of all three”…ASK ALL MUSIC TO NAME A SINGLE “ACID JAZZ” TRACK WHICH PEOPLE CLAIM CAME OUT OF LONDON INVENTED BY A PIRATE RADIO DJ!
Do all music.com know so little about black music that they think funk was invented by a pub DJ who has never had a hit in his life because they read it on Wikipedia!?……….I say again these are the so called music journalists rewriting Black music history. Nobody who was raised on Jazz Funk in the 1970’s will ever ever refer to the Groove as acid jazz because there is no such genre. They then go on to parrot the BS written by Gilles Peterson Eddie Pillar and their mob on Wikipedia. We all know who invented Soul and it wasn’t anyone in this country and NONE of us would ever claim England invented African American soul. They are targeting the youth and look at what THEY are writing on Wikipedia. Remember it’s not LEGITIMATE music writers or people who are qualified to write on Black music such as myself writing these reviews. Any legitimate Black music writer would state exactly what they are nothing more than a tribute band. Or would at least know what 70’s/80’s FUNK was.
4.)Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
THEY STILL THINK THEY CAN FOOL PEOPLE ON BLACK MUSIC
This is a question they can never answer of course because there is no such thing as a music genre called acid jazz. As you have seen above they have gone back to trying to claim that Jamiroquai play FUNK and Acid jazz. Well, they have told so many lies and printed so many So called “Story of Acid Jazz”, “Acid Jazz Classics” compilation because they thought they could fool people on FUNK. that they can’t now go back and un-print them. So they continue to lie lie and lie in true serpent fashion thinking they are going to fool the public
By repeating this is acid jazz over and over again , even though their lie is based on sand. I mean if you can’t name a single so called acid jazz track form a supposed Music genre you claim exists then frankly your screwed. Pillar tried to claim to 1990’s youngsters that Jamiroquai played “Acid Jazz” instead of the Rare groove rip offs we all heard. Now because so many are becoming aware of this cultural grab and so many kids now know this is FUNK they are trying to now claim that Jamiroquai are Funk and Acid Jazz.
So they (Acid Jazz records who have taken over and locked down their Wikipedia page) claim Jamiroquai are a FUNK and acid Jazz band,REALLY?
ASK CRIMINAL SERPENT GILLES PETERSON WHAT STYLE OF BLACK MUSIC ON THESE ALBUMS HE INVENTED WHICH SONGS CONTAIN ACID JAZZ?
So apparently Jamiroquai play a music genre invented by Gilles Peterson which sounds exactly like Black American Soul of the 1970’s and 1980’s.
They claim that Jamiroquai debuted as an acid jazz band and then explored other musical directions such as pop, rock, disco and electronica! TOTAL BOLLOCKS. No they didn’t. They started off on the first three albums making pastiches of 70’s Stevie Wonder, Roy Ayers, Pleasure, The Brothers Johnson, Curtis Mayfield, Larry Graham etc.. then they ripped off the bSnds of the late 70’s early 80’s Disco/Post disco era then when they had run out of FUNK to plagiarise they turned their attention to Synth Pop/Rock and ripped off a whole load of bands playing those genres.. On Automaton they tried to avoid all the big names and plagiarised 80’s Funk. Unluckily for them I recognize most of them too! So they are still trying to claim that the stolen FUNK you see on the Soulhead Tales below on their first six albums is acid jazz. The music genre they claim was invented by Pub DJ Gilles Peterson. So Stevie Wonder, Patrice Rushen, Herbie Hancock, Earth wind and Fire, Roy Ayres and all the other stolen FUNK on Jamiroquai albums…..was invented by Gilles Peterson…..Yep!
“With Kay in charge of the bands creative what haha thats a laugh
Hilarious! Kay in charge of the bands creative direction. Please take a look at THE SOULHEAD TALES and see if Kay has any creativity other than staling other peoples hooks, riffs, vocal styles basslines etc, then merging them all together. Remember They can imitate but they cannot create. So If Jamiroquai debuted as a band playing this so called “acid jazz ”as they claim. Then ask them to tell you which stolen Rare Groove listed on the Soulhead Tales is acid jazz and not SOUL/R&B. Don’t expect an answer. They will keep trying to lie for as long as they can. That’s what they do. These are the lies this bunch of Satanic criminals are trying to foist upon the global consciousness.
6. Leroy Hutson plays 1970’s FUNK -Acid jazz is not a genre.
June 2019 Moving on…elsewhere on their website. More hilarity…More conditioning.
Now see how they are cynically and quietly mixing up old school Soul artists with new millennial bands. Trying to make it look as if they are responsible for these sounds See how they are trying to attach the tag “acid jazz ” to all styles of Black music. They are NOT acid jazz artist they are playing THE FUNK aka SOUL/R&B.
How is a famous Black American Soulman of the 70’s playing a British musical genre “invented” in 1988, which does not exist?70’s Funkster Leroy Hutson is now”acid jazz”!?….SAYS WHO?!
The serpent and the Funkster
Excellent! ….and who do we have here. Looking at the BBC website and it’s Leroy Hutson and guess who? The Godfather of Soul according to The Synagogue of Satan. Did 1970’s Funkster Leroy Hutson know he was standing next to the man who apparently invented his sound in 1988!
I wonder if Leroy Hutson knows what type of person Gilles Peterson is. I wonder if Leroy Hutson knows what has been happening behind the scenes with the acid jazz cultural appropriation campaign. I wonder if Leroy Hutson knows that this evil individual and his international cabal of bully boys is trying to wipe him from history.
So you can see how they are cynically conditioning the young kids to associate this record label that has invented nothing, with the music genius of 70s’ Black America. Having established the existence of this non existent genre called acid jazz at least in their own minds they are mixing up old school Black American Soul artists with new millennial Funk bands and trying to make it look as if they all play this so called acid jazz genre. They are trying to deceive the kids into believing That the Black American SOUL of the 20th Century is somehow the same as this”acid jazz” genre they claim was invented in 1988 by Gilles Peterson so they can gradually and quietly absorb their sound and their culture.
This is all planned. Someone is sitting down and carefully plotting this out. Just like their false and mis labelling of SOUL as “absolute acid jazz” and “absolute acid jazz”, “the story of acid jazz” and other misleading titles they print on SOUL compilations. It’s acid jazz acid, jazz acid jazz, acid jazz over and over again. Even though they know it’s total lie, they are trying to embed the notion that they invented all these sounds to create confusion among this generation. Some people in their 40’s who were kids in the 90’s think FUNK is called acid jazz because of their false labelling and they are continuing with this generation. This is textbook stuff. It’s deliberate. You can clearly see what they are doing. Conditioning the kids and those who don’t know SOUL to believe they are somehow responsible for FUNK. That the words FUNK and acid jazz are somehow interchangeable or that acid jazz is some type of Funk indistinguishable from New Jack Swing, Neo Soul and Jazz funk as they claim on their fake news Wikipedia page. There is no such thing as a Black music genre called acid jazz.
Leroy Hutson plays the FUNK. He was around in the 1970’s. What aspect of his sound is “acid jazz? Invented here in mid 1980’s London by Gilles Peterson? Ask him.
Ask them to tell you what part of Leroy’s sound do we have acid jazz records to thank for. Old school Funkster Leroy-hutson is well known to us AUTHENTIC U.K funksters of the 70’s and 80’s. He does not and has never playeda Black music genre called acid jazz because there is no such genre. Nothing of his distinctivesound was invented by anyone in thiscountry althoughquite a few rare groove bands playing retro 70’s FUNK copied his sound and then claimed that they invented it
Leroy Hutson is acid jazz my arse. Even if he signed to acid jazz records he would still be a Funkster. As if they are somehow relevant to FUNK music and it’s development through the 1980’s. As if they somehow had an hand in the creation of some style of Black music during the 1980’s, 1990’s and up to the present. The very idea that Giles Peterson and Eddie Pillar are somehow responsible for the Mizell Brothers sound, Jazz Hip Hop, Neo Soul etc. As if acid jazz records are responsible for some aspect of the Groove. They are NOT. And why are you constantly repeating yourself in this blog? well, acid jazz records have been repeating for thirty years that Giles Peterson and acid jazz records invented a music genre in 1988. In-fact they are still repeating it now in 2019 even though they know it’s a lie. So I will keep repeating that they invented nothing whatsoever. And any London Funkster/band who was actually there will back me up. They know this and that’s why they are trying to delete stuff from the Internet.
7) No you are not Berry Gordy, Gambel and Huff or The Mizel Brothers. You own no sound.
Well if Kay has decided he is going to be Stevie Wonder and Peterson James brown then it seems that Pillar fancies himself as some sort of Berry Gordy type character in that they and their International lie machine are trying to make it look as if they are responsible for some type of Black sound. Acid jazz records are responsible for NO SOUND WHATSOEVER and if they claim they are then ask them to tell you exactly what it is. They are trying to attach themselves to SOUL music and make it appear that they are responsible for a style of FUNK as you see on their false labeling on some of their album covers where they print the words acid jazz alongside Jazz Funk and Soul. As if they are responsible for The Pasedenas, Soul to Soul and Loose Ends. As if they are responsible for Jam and Lewis, New Jack Swing, Neo Soul and 1970’s Jazz Funk. Total rubbish (Smoke and Mirrors) . They are responsible for NO Black music or sound, neither British or American.
BERRY GORDY Is responsible for a sound not Eddie Pillar.THE MIZELL BROTHERS are responsible for a sound not Eddie Pillar
Above (1960’s) Berry Gordy of Motown and the Mizell Brothers (1970’s Creators of the Jazz Funk sound). Below; World famous Producers Gamble and Huff (architects of Disco eraSOUL) All sounds they are claiming as and culturally appropriatingas a Black music genre called acid jazzinvented here in London in 1988 just because they print the words” This is acid jazz” on the front coverof their compilations. Ask Jamiroquai which one of these sounds did they or Eddie Pillar and Gilles Petersoninvent here in London in the 1990’s.
Remember it was in the early 1990’s that they claimed Rare groove rip offs by Jamiroquai were acid jazz as if they have the right to re-classify Stevie Wonder and James Brown. And as you can see he has persisted to this day, nearly 30 years later. If you’ve been lying for all these years then you are determined.
7) Nu acid what? -Changing the skin color of SOUL/R&B
What the hell is NU acid jazz?……..It’s a bloody Soul mix!
So now apparently we have NU acid jazz. Whats that? I don’t have a clue. Ask Eddie Pillar. Acid jazz didn’t exist in the first place so what the heck is NU acid jazz. For something to be a new genre (“NU”) there has to have been some pre-existing genre there in the first place, but there never was an acid jazz genre to begin with It’s just a SOUL mix. There is no Acid or NU jazz genre and Eddie Pillar has no right to reclassify Black music. Now I don’t need to tell you that FUNK was played by everyone all races.However FUNK is Black American.
As you can see belowPillar is now trying to blur the lines and is lightening the skin color of the models! So 30 years on Pillar believes he has convinced enough people that Black American SOUL is a music genre called acid jazz invented by Gilles Peterson in 1988, so he’s gradually lightening the skin color of the models and then adding the words acid jazz alongside Jazz, Funk and Soul. He’s trying to make it look as if acid jazz is a style of Funk. It isn’t it does not exist.
Notice how they list Acid jazz alongside Jazz Funk and Soul. As if acid jazz is some type or style of Black music. IT IS NOT. As you will see from the pack of lies they have written on Wikipedia they want the new millennial to think that they are is responsible for a genre of FUNK. Well, they wanted them to think FUNK was called acid jazz , but when they realized they couldn’t fool people they switched and claimed that acid jazz is a sub genre. A Black music sub genre they falsely claim came out of London thanks to pub DJ Gilles Peterson. This is classic serpent smoke and mirrors but they no longer have anywhere to hide.
I’M HERE TO TELL YOU THERE IS NO SUCH THING AS A BLACK MUSIC GENRE CALLED ACID JAZZ AND THERE NEVER WAS. AND IF YOU CLAIM THERE IS WRITE IT IN THE COMMENT SECTION BELOW.
8) Black America, a warning from 1980’s Black Britain
SO BLACK AMERICA BEWARE OF ACID JAZZ RECORDS AND ALWAYS REMEMBER YOUR BEST DEFENSE AGAINST THEIR CULTURAL APPROPRIATION ATTEMPT IS THE ARCHIVE OF BLACK MUSIC PUBLICATIONS FROM OUR ERA. THAT AND THEY CAN’T NAME A SINGLE ACID JAZZ TRACK BECAUSE THERE ISN’T ONE AS YOU WILL SEE FROM THE SOULHEAD TALES-JAMIROQUAI PLAGIARISM LIST.
Whatever Gilles Peterson, Eddie Pillar and their crowd write they write in the Internet they do they cannot change the Soul Charts, club reports, and album reviews of the era. And they cannot change the SOUL TRAIN archive both in the original American version or our 1980’s version. Acid jazz and Club Jazz are not music genres of any kind they do not exist.
You will hear NO reference to any so called music genre or sub-genre called either acid jazz or club jazz in any Soul Train U.S/U.K broadcast. There are no such genres they do not exist.
SO BE SURE TO PRESERVE YOUR COPIES OF THESE MAGAZINES, LEAVE THEM TO A FAMILY MEMBER. BECAUSE THESE CRIMINALS WILL NEVER STOP TRYING TO STEAL THE ENERGY OF FUNK. STEALING ENERGY IS WHAT THEY DO.
Pillar and Peterson do NOT speak for Black Britain and have no claim on any style of FUNK. Indeed as you have seen above they don’t even know how to correctly categorize Black music. NONE of us AUTHENTIC London Soulheads acknowledge any such thing as a music genre called acid jazz or club jazz. In the 1990’s they started printing acid jazz over Rare Groove mixes. Then later they started printing it over all other styles of funk like New Jack Swing and Neo Soul. Now they claim just about every style of Funk is called Acid jazz. It does not exist.
THIS IS HOW SERPENTS CHANGE/REWRITE HISTORY. THROUGH LIES, DECEPTION AND SUPPRESSION OF INFORMATION. HOWEVER THEY CANNOT WIPE FROM HISTORY THE SOUL CHARTS AND THE CLUB REPORTS OF THE 1980’s, WHEN THEY CLAIM THIS GENRE WAS INVENTED
They are trying to wipe Black Britain out of History as well as Black America and in fact all nationalities.
GREETINGS. Welcome to the sounds grooves and the harmonies of original FUNK. The 20th Century Soul the Synagogue of Satan claim they invented here in London.
THE LIST THAT JAY KAY, JAMIROQUAI AND HIS SATANIC MOB ARE TRYING TO SUPPRESS THROUGH CYBERSTALKING ABUSE, CRIMINAL HARRASMENT, BLACK MAGIC RITUALS AND MURDER THREATS…AS I SAID WHEN I STARTED THIS SITE IN 2017…. THEY CAN FUNK OFF!
1.)A response to quotes (Lies) by Jay Kay.
SMOKE AND MIRRORS AY!
Yeah that’s Right! Because no one knows who Isaac Hayes is do they… I mean no one has ever heard of The Brothers Johnson, George Duke, CHIC! Or Imagination have they. I mean there were no such people as Rick James and The Stone City band, Earth Wind and Fire, or Barry White! …I mean we don’t know the sound of Roy Ayers or Confunkshun, or Tom Browne or The Commodores…. They were all a figment of our imagination weren’t they! There was no such thing as 1970’s/1980’s FUNK was there huh. You, Gilles Peterson, Eddie Pillar and your gang “invented” it all in the 1990’s didn’t you! GTFO.
Kwabena Nkwatia
FFS as if practically “his” entire so called discography isn’t stolen from someone else. And as for the ridiculous claim that he doesn’t use any outside influences.!!! I recognize all the musical identities, signatures and constructs on every one of their so called songs on every one of their so called Soul albums from the 1970’s/1980’s and you don’t have to take my word for it either. THAT is why the SOULHEAD TALES exists. Total bollocks as we say in London. As if he wrote a single song himself. Not only many 70’s/80’s Funkster but also 1990’s Funksters schooled in THE GROOVE know that to be a complete load of rubbish as many media outlets in the 1990’s will testify when you read the archives. See the amount of stick these thieves got in the press for their blatant plagiarism. Kay was about 11 years old when we were jamming in the nightclubs of the late 1970’s and early 1980’s. He was not old enough to have been a London Soulhead of the disco/post Disco era. He never set foot on a disco dance floor and came of age during the Electro era of the mid 1980’s.
I deal with this elsewhere on this site, but i
And of course you will find no club report, Album or single review mentioning this non existent genre. Neither will you find any “acid jazz” chart. You will hear no mention of this non existent genre on any Black Music Television show such as Soul Train U.S or most importantly our British version of soul train hosted by Geoffrey Daniels of Shalamar. Remember they claim that this so called acid jazz genre came out of London. It did not. No one had even heard of that record company,.Gilles Peterson unknown to anyone but a tiny group of Latin pirate radio listeners had nothing to do with any sound here in London at any time. Not with our old Brit Funk sound or our late 1980’s Americanised sound. And as I say you will see no reference to any of these lies in any Black music archive of the 1980’s. We had what they called acid House which was a different sound however at no time was there ever anything called acid jazz. Bands Playing retro 1970’s Funk were playing just that FUNK. The fact that Eddie Pillar and Gilles Peterson decided that they were going to march into Black culture and rebrand THE FUNK as their own creation called acid jazz does not as I will keep saying , constitute the existence of a music genre,
In order to change history you have to control the narrative. The seat of their deceit is Wikipedia. After people complained to Wikipedia about the lies written on this page they the deleted the comments on the talk page. They then tried to ban the I.P Addresses used to to make the complaint. This is standard practice especially on Wikipedia political pages. Anything which does not suit the globalist /serpent agenda they try and delete. When I first scrutinized the page probably around 2013/14 I saw that Jamiroquai had gotten a warning for editing their pages as it was a conflict of interests. Though now as many of you will know wikipedia has been taken over by that mob.
After they failed to stop people they brought in a Gatekeeper Michael Bink Knowles. A Man who worked at the Satanic Bohemian Grove. Acid Jazz records, Jamiroquai and those behind Daft punk are all part of this satanic mob, so they brought in one of their own to guard the page. A Californian. That’s right. Eddie Pillar and Gilles Peterson’s mob are using so called Wikipedia editors to re0write the history of Black Britain, They brought in a Californian to guard this page of lies. A page of lies which credits Gilles Peterson, Eddie Pillar and the Synagogue of Satan with Black music here in late 1980’s London. The creation of bands like Light of the World, The Pasadenas, Soul To Soul, Omar etc etc.
Michael Bink Knowles
Michael Bink Knowles. Eddie Pillars Gatekeeper.
The Californian who doesn’t seem to know where Essex is, has never heard of The Goldmine or Caister. The most famous Soul clubs in London….which art in Essex! Yet thinks he’s more qualified than us and people from Essex to write the history of music in Black London. The anonymous AMERICANS and people from places like Sweden, India, South Africa, Holland etc -rewriting Black music history and the history of Black Britain.
Disinformation being spread all over the internet by the synagogue of Satan. They are trying to wipe British Soul and the people who actually created the sound of 1980’s Black Britain completely out of History.
BACK WHERE THE LIE STARTED.
See below all these bands playing Jazz Funk and Soul were fraudulently labelled and sold to the kids of the era (early 1990’s) as 100% Acid Jazz. And now all these years later in the early 2020’s when you read what they have written on Wikipedia you can see why. It was their plan from day one.
100% ACID JAZZ? SAYS WHO? EDDIE PILLAR? GILLES PETERSON?
So according to Gilles Peterson, Eddie Pillar and the synagogue of Satan all this FUNK was invented here in London by Gilles Peterson here in London in 1988. Who also incidentally lists himself as a “notable acid jazz” artist on Wikipedia! The ego of these serpents. Below a list of bands on wikipedia whom the synagogue of Satan claim play a Black music genre called acid jazz invented by Gilles Peterson. All they have done is listed a bunch of Jazz Funk, Latin Soul, Rare Groove bands together and then claimed that they owe their sound to their Satanic record label created in 1988.
Above- some SOUL compilations being claimed as “Acid Jazz” the Invention of Gilles Peterson.Go check the Internet and see how many of these compilations they have put out…. And below- Brit Funk/Rare Groove, Jazz Funk, Soul and bands playing the Latin (South American ) sound (Bossa Nova, Salsa,Samba). All listed as so called “Acid Jazz” bands playing a Black Music genre invented here in London by Gilles Peterson! GILLES PETERSON IS A NOTED AS A “KEY ACID JAZZ ARTIST” DON’T YOU KNOW….Though He’s never had a hit in his life and he can’t tell you the name of a single acid jazz song belonging to his non existent genre because, Well it doesn’t exist. Peterson is just the front man for this cynical cultural theft exercise So these are the bands they fraudulently categorize as playing Gilles Peterson’s Acid Jazz genre. And as any authentic Funkster can see all they have done is listed a bunch of Jazz funk, New Jack Swing, Neo Soul, Brit Funk bands together to fool their target audience the youth of the 21st Century. There is nothing called acid jazz and they know this that is why They have taken over the page and delete comments as they do on the Jamiroquai page. This is a well thought out International campaign and as I mention elsewhere they have started created numerous websites all parroting the false information carried on the Wikipedia page which completely re-writes the history of Black music here in the late 29th century. Their page is a COMPLETE LIE.
More BS…As if a DJ here in London England is responsible for all these Jazz Funk and Soul acts. As If any of these bands or singers owe their existence to a parasitic record label run by Eddie Pillar and his mob. A record Label which infiltrated Black Britain in the late 1980’s and are now trying to wipe Black Britain from the history books, replacing them with the likes of Plagiarists Jamiroquai.
So you can see the extent of their deceit and you can see the Generational myth they are trying to create among the kids of today. And you can also tell they know nothing about Black Music. In another 20 years they will be claiming that FUNK is a serpent genre created by them and the likes of Jay Kay are the people who invented it. This is exactly how the serpent works across the board.
THEY HAVE TAKEN OVER THE WIKIPEDIA PAGE AND DELETE COMMENTS
As you will see in 10 Easy Ways To Debunk The Acid Jazz Lie. We have been monitoring their lies since 2016/2017, They were warned in 2018 but they continue to delete comments in their effort to re-write history. So when New millennial kids search for Acid Jazz they are being told that it is a musical genre invented by Gilles Peterson…..
So Eddie Pillar, Gilles Peterson and their International mob know exactly what they are doing in trying to Indoctrinate the masses.
3). How to spot a satanic serpent…
(I’am Automaton/ Legend of the Iroquis Serpent )
So called “Native American” Legend.
JAM……..IROQUAI
NOT ON MY WATCH SERPENT. YOU WILL CHOKE THE LIFE BLOOD OUT OF NO ONE.
Kwabena Nkwatia
THE HORNED SERPENT
Whats all this serpent” stuff that all you spiritualists and conspiracy theorists keep going on about?
And also these are NOT Jews. They have nothing to do with the African people spoken about in the plagiarised ancient texts they selected to include in what they call the Bible. Theses are people from the Iberian peninsular and from the Caucus mountains. “Sep en RA” does not refer to them as being chosen. It refers to the First People on Earth being chosen. The only beings who have chosen them are the Dark lower vibrational energy beings they worship at places like Bohemian Grove. In their masonic lodges and in their homes.
Remember also that the mainstream media, academia, politics and the so called scientific community are all controlled by this global cult.Do your own reserch and awaken yourself.And remember “Conspiracy theory” was a phrase invented by them to try and discredit people who saw through the Kennedy assassination. This same term is now being used to discredit those of us who know what the globalist agenda is.Happily after years of work the global populous are awakening. Thats another story . This is about the FUNK but connect the dots. This mob are not just connected to the globalist serpent they are of the same Ilk. Psychopathic, lying murderous criminals.
The wolf in sheeps clothing………. says it all does kin it.
The serpent proxy (These degenerate satanic criminals) and any negative service to self type embarking on a major project of deceit has to tell you what he is and what his intentions are. That, he thinks absolves him from any Karmic , kickback. If I warn you and you take no action to stop it then I can take it. Now I said they think that it will absolve them from Karmic Kickback. It won’t.
Smoke and mirrors—(The art of obscuring things)……
When you get a group of people working together steadfastly towards a particular goal if no one intervenes then the Universe must give you what you seek. The New world order is working on the same principle. A global cult of millions all working together to bring about the Global Police State you can see being erected right around you.
Smoke and Mirrors, Wolf in sheep’s clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpents who work with low vibrational energies. The ones that John Lamb Lash, Controlled opposition leader David Icke and many others have been telling you about for years. But hey we’re crazy spiritualists and conspiracy theorists. There is no such thing as generational satanism is there. No censorship by Globalist corporations like Facebook, Youtube and the like. No removal of truth speakers from forums. No 13 families, no Sabbatean Satanic global cult. People like Jay Parker and hundreds of other satanic abuse survivors just made it all updidn’t they.
Automata
So remember the Automaton Album…. I AM AUTOMATON..how do ancient texts describe these serpents?
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. They are what we can describe as an AUTOMATON. They don’t just commune with these creatures. They become them. The serpent proxy, these murderous, psychopathic criminals are real and they walk among us.
-John Lamb Lash–
(Founder of the KALI-KA War party)
“I’m Automaton”- Jay kay 2016
I know what he is. So will any Tarot Oracle reader Diviner worth their salt. Plus He’s even telling you what he is….. got it yet?
So unluckily for Peterson and his International disinformation cabal them there are hundreds and thousands of London Funksters still about INCLUDING the bands that invented the British Sound that the synagogue of Satan claim credit for. And No one, NO ONE over here will credit Acid Jazz records of Gilles Peterson with the Invention of any music genre
THE SOULHEAD TALES
As reviewed by an authentic 1970’s/1980’s London Jazz-Funkateer (SOULHEAD)
So lets see if you can find anything “invented” by Gilles Peterson on this Album!
FRAUDULENT RE-CLASSIFICATION OF BLACK MUSIC BY JAMIROQUAI ACID JAZZ RECORDS AND THE synagogue OF SATAN ON WIKIPEDIA…………
Emergency on Planet Earth is a SOUL ALBUM. It can be classified a Soul, R&B or FUNK. There is nothing on this album called acid jazz or Club Jazz. Both names created by The Synagogue of Satan to culturally appropriate 20th Century Soul. No such genres exist. If you claim that there is a so called acid jazz song on this album then tell me which track below I have got wrong. Tell me which track is so called acid jazz and not what I classify it as Below.The correct classifications for the songs on The Emergency on Planet Earth Album are as follows…….
When you Gonna learn and Too young to die
…Are straight forward 1970’s/1980’s SOUL tracks,which copy sounds from Earth Wind and Fire, Herbie Hancock, Roy Ayers, Curtis Mayfield, Stevie Wonder, Bob James, Johnny Hammond and others.
Hooked up Is a James Brown style FUNK track featuring elements of Roy Ayers, Earth Wind and Fire, Brass construction and of Go Go DC the sound of Washington DC during our era (70’s/80’s).
If I like it I just do it, a SOUL track which copies Earth Wind and Fire, Stevie Wonder, and others.
Music of the mind Is a JAZZ-FUNK track featuring SAMBA percussion Black South American (So called “Latin”) copied from Hammond Smith and the Mizell Brothers sound of the early to mid 1970’s.
Emergency on Planet Earth Is a Late 1970’s early 1980’s Disco/post Disco era FUNK track featuring elements of Kool and the Gang, Curtis Mayfield, The Isley Brothers, TheBrothers Johnson, Rick James and others.
Whatever it is I just can’t stop Is a late 1960’s, early to mid 1970’s style FUNK track featuring elements of James Brown, Parliament Funkadelic and others.
Blow You mind is a 1970’s JAZZ-SOUL (TWO STEP) groove which copies Roy Ayers, The Blackbyrds and others.
Revolution 1993 Is a JAZZ-FUNK/GOSPEL track which copies Ronnie Laws plus the sound of Larry Graham, and others…
Didgin out Is the sound of early 1970’s experimental JAZZ-FUNK which copies the groove of Roy Ayers,Herbie Hancock, Patrice Rushen and others adding the Didji sound of Earth Wind and Fire.
So the correct classifications for the songs on Emergency on Planet Earth are Funk, Soul, Jazz-Funk,Gospel, Samba (So called Latin) and Jazz Soul aka Two step. Note Jazz Soul can be fast as well a slow. Two step is the slowed down mid tempo groove popular in the mid 1970’s and the mid 1980’s. There is nothing on this album invented here in London England in 1988 or at any time not by Gilles Peterson or anyone else. So ask Gilles Peterson, Eddie Pillar and Michael Bink Knowles exactly what track on this album is acid jazz.
The correct classifications for the songs on The Return of the Space Cowboy Album are as follows….
Just Another Story (COSMIC FUNK/JAZZ FUNK) is 1970’s Funk. It sounds like a pastiche of incorporating the musical Identities of Parliament Funkadelic,Bernie Worrel and Bootsy to be precise, Roy Ayers,The Brothers Johnson, Herbie Hancock, Rose Royce,The Commodores, Grandmaster Flash and the Furious five and Jack Mc Duff...
Stillness in Time is a 70’s/80’s LATIN (Black South American) tinged, track which sounds like Stevie’s Another Star, has elements of Earth Wind and Fire, David Joseph /Lonnie Liston Smith and Donald Byrd.
Half the Man Is a straight forward 70’s/80’s (SOUL) ballad. Basically a replay of Patrice Rushen (Giving up is giving in) and E.W.F’s (Dreams) incorporating elements of Sly Stone.
Light Years(FUNK) A straight forward Funk that track that rips Tom Browne and the Queens NY Sound of the late 1970’s (Bernard Wright, Marcus Miller, Don Blackman etc), has elements of the Gap Band and Parliament-Funkadelic
Manifest Destiny(JAZZ FUNK & SOUL) An early to mid 1970’s Johnny Hammond style track along the lines of (California Lovers) has elements of The Commodores and Pleasure.
The Kids (ROCK/R&B) A Jimmy Castor groove with what sounds like FAZE-O’s Chorus in the track (Let’s Rock)
Mr Moon(FUNK) A straight forward Post disco era FUNK track done in the old Britfunk style of Shakatak, Incognito, Atmosfear, Freeeze and the like. The intro sounds like the intro to Parliaments get off your ass and jam. This sound goes back to America to Roy Ayers, Captain Sky (Moonchild). The Gap Band (Can you feel it) and others especially Patrice Rushen in the mid 1970’s. Its nothing invented over here in London in the 1990’s.
Scam A FUNK track with so called LATIN elements. Steals elements of Idris Muhammad, Jam by L.T.D and Garden Party by Mezzoforte. A total scam.
Journey to Arnhemland A 80’s Brit FUNK groove from Sahara (Love so Fine) done in the early 70’s experimental Jazz Funk Style of Herbie, Miles, Patrice Rushen and many others, with what sounds like elements of Mavin Gaye and Roy Ayers.
Morning Glory (SOUL) A standard 70’s/80’s ballad track with so called “Latin”elements Basically a copy of Stevie Wonders (Visions) and what sounds like elements of Loose Ends (choose me rescue me).
Space Cowboy (FUNK/TWO-STEP) Sounds like an Isley Brothers track, has elements of Arnies Love (I’m out of your life) copies Parliaments (No head no backstage pass) and Bootsy’s (Bootzilla) in the chorus then goes in to a two step groove along the lines of Roy Ayers, Renne and Angela and others.
We Gettin Down (FUNK) A remake of Weldon Irvines (we getting down)
Space Clav (JAZZ FUNK/LATIN-TWO STEP) This sounds like Herbie Hancock and Loose Ends
So those are the correct classifications for the tracks on Return of the Space Cowboy. It’s a straight forward Soul album full of recognisable grooves. Return of the Space Cowboy contains Jazz, Funk, Soul, Latin, Two Step and Rock. There is nothing on this album called “acid jazz” invented here in London in 1988 or at anytime. Acid Jazz does not exist. All of these sounds were in existence before Acid Jazz records infiltrated Black music in 1988.
Again there is nothing called “Acid Jazz” on this album. Note again below those who have taken ovwer the History of Black Music on Wikipedia (Acid ajzz records/Jamiroquai etc) claim that Jamrioquai are a Jazz Funk and an Acid Jazz band. Inference being that “Acid Jazz” is a style of Black Music in its own right apparently invented here in London in 1988 by then Pirate Radio DJ Gilles Peterson. There is no such genre. Needless to say ask Gilles Peterson which style of Funk he is responsible for here. Funk and acid jazz?
So below they shout out on Wikipedia that this is the best selling FUNK album in music history. REALLY? well firstly I though you were telling us that this is a music genre called “acid jazz” invented by Gilles Peterson in 1988. The very idea that this 1990’s copycat album is being advertised as if it was some fantastic benchmark of SOUL or is relevant to Black Music history will be absolutely preposterous to any AUTHENTIC 1970’s/1980’s Funkster. There is absolutely nothing special about this album.
FUNK……AND ACID JAZZ. The latter apparently invented by Gilles Peterson!
Virtual Insanity (FUNK-TWO STEP)Stevie and Djavan Luz (Samurai). This is late 70’s /early 80’s along the lines of Queens NY sound, It incorporates elements of Marvin Gaye ,Johnny Hammond and The Gap Band.
Cosmic Girl (FUNK) this is 1970’s/early 80’s Disco/Post Disco Era FUNK containing elements of Hyldon, Phil Fearon and Galaxy, CHIC!Deodato, The Commodores, and others.
Use the Force (FUNK) A Straight forward 1970’s/1980’s track featuring elements of what sounds like Forrest, Cameo, Al Hudson with a chorus from Idris Muhammed
Every Day ( SOUL) A standard 1970’s/1980’s Ballad which copies Teddy Pendergrass (Love T.K.O) and Foxy
Alright, Another 70’s SOUL Track which mimics Candido, Idris Muhammed and others.
High Times (ELECTROPHONIC PHUNK) A standard 70’s/ 80’s Synth Funk track which copies the Intro of Pleasure (Universal mind), comes over like the early 1980’s early Johnny Gill (Half Stepping) and others, It also brings in the Keyboard sound of the The Commodores
Traveling Without Moving (FUNK) A 1970’s track which mimics Larry Graham and mimics the sound frequencies of Aurra/Slave, Patrice Rushen, Leroy Burgess and others.
Drifting along (REGGAE) This is commercialised Reggae Music.
Didjgital Vibrations (JAZZ FUNK/TWO STEP) Which mimics a Herbie Hancock track via Barry White and incorporates elements of Jimmy Smith/ Earth Wind and Fire.
You are my Love (FUNK) A 1970’s track incorporating elements of Quincy Jones,Pleasure, Jeff Lorber, Marvin Gaye and others.
Spend a Lifetime (SOUL) A 1970’s/80’s track which sounds like Stevie and Parliament
Funktion (FUNK) A 1970’s track which copies Vernon Burch, The O’jays, Idris Muhammed and others.
Slipping and Sliding (FUNK) 70’s/80’s gives the impression of the old Shuffle Groove. Copies Stevie, Johnny Guitar Watson,The Gap band and has Roy Ayers style horns.
Bullet (FUNK) 1970’s FUNK track containing elements of Roy Ayers, Johnny Hammond, The Brothers Johnson, Marvin Gaye and others. A bit of scratching makes it more 80’s then 70’s.
Titan/Everybody’s going to the Moon, (ELECTROPHONIC PHUNK) late 1970’s early 1980’s Sounds like a Brothers Johnson (Light up the night) loop with what sounds like the vocal style of Blondie.
Do You know where you’re coming fromUK/D&B..
Hollywood Swinging (FUNK) A remake of Hollywood Swinging by Kool and the Gang.
Our Time is Coming (No it ain’t)—(FUNK) A 1970’s groove which plagiarises Roy Ayers and Earth Wind and Fire.
Radio (R&B.ROCK) This is sounds a bit like early Prince.
Those are the correct classifications for the songs on Traveling without moving. Again the only people who will tell you this album is so called acid jazz are those who don’t know what any of these sounds actually are. Or have read the wikipedia page crafted by Acid Jazz records.
As reviewed by an authentic 1970’s/1980’s London Jazz-Funkateer (SOULHEAD)
SYNKRONISED- WHY THE CHANGE IN SOUND?
I have seen them try to create all sorts of fake BS and silly myths and legends about their change in sound. Ignore them. Once younger readers get to understand all these sounds and the difference between the sound of the early 70’s and the Disco post disco era of the late 70’s/early 80’s, then you will realise that all they are doing is hoovering up the different sounds of FUNK history. This will be apparent to any 1970’s/1980’s Funkster who listens to these albums back to back. Run it by your elders who grew up in the late 20th century. They will know the difference between old school Funk, 1970’s Disco era Funk and the 1980’s Electro-Funk sound.
In the early 1990’s jamiroquai mostly mimicked the sound of the early 1970’s. The Rare Groove sound which was basically a summary of Black American Jazz Funk from the first half of the decade (1970’s). Sounds that they are now trying to claim were invented here in London in 1988 and are called “acid jazz”. So having copied most of the early 1970’s Jazz Funk sounds in the early 1990’s, at the turn of the decade 1999/2000 Jamiroquai moved (With the Timeline) into the Post Disco era. Synkronised is a SOUL/R&B Album which mimics the sound of a post Disco (1980-83) album. It sounds different because the sound of FUNK is different in this time period. from late 1978 into 1980 FUNK began to change as it became more and more Electrified (Synthesised). The disco era around reached it’s peak in the golden years of 1979/80 . I will take you through all the sounds on my Synkronised review. Click below or read on if you wish to make a quick check the different styles of Funk on the album.
More Disinformation and fraudulent re-classification of 20th Century Soul So as you can see they claim that this Post Disco album contains FUNK, Rock AND Acid Jazz. Well as someone who actually knows what Rock is I can tell you there is no Rock on this album. And as one who know the FUNK I can tell you that there is no Acid Jazz on this album either. And taht is because there is no such thing as a Black music genre called acid jazz. It does not exist.
This is Late 1970’s/early 1980’s Disco/post Disco era styled track featuring the groove of George Duke, CHIC, The Brothers Johnson and others.
Planet Home ELECTROPHONIC/ELCETRIFIED PHUNK
Late 1970’s early 1980’s FUNK featuring among others the sound of The Barkays, Parliament/Rick James/Stone city band/Cameo, Shalamar, Earth wind and fire/Mandrill.
Black Capricorn Day (FUNK)
Mid 1970’s FUNK. The sound of the Blackbyrds, Roy Ayers and others.
Destitute Illusions (JAZZ-FUNK)
A 1970’s/1980’s track featuring the sound of MAZE
Supersonic (FUNK)
A 1970’s track copied from Roy Ayers,
Where do we go from here (JAZZFUNK)
Post disco era (1980-83) featuring grooves from Bill Brandon, The Isley Brothers, Tom Browne,Skyy and others. You could also classify this as Sophista-Funk.
Soul Education (JAZZFUNK)
Mid to late 1970’s sounding Jass Funk in the groove of The Commodores, Isaac Hayes, The Brothers Johnson and others. This could also be classifed as Sophista-Funk
Falling (SOUL)
A 1970’s/1980’s SOUL ballad straight out of Stevie Wonder and Jermaine Jacksons groove.
King for a Day (SOUL)
SOUL with 1970’s Ecclesiastics from Stevie Wonder
Deeper Underground (ELECTROPHONIC PHUNK)
Based on the mid 1970’s this is a Late 1970’s/ 1980’s Stevie Wonder, The Isley Brothers, Prince, The Jackson Five, and Black Britain’s (Ain’t no Rockin in a Police state.)
Butterfly (ELECTROPHONIC PHUNK)
1980’s Electrified Phunk featuring the sound of Roy Ayers and a groove by The Rah Band (Clouds Across the Moon)
Getting Funky
Late 70’s early 80’s ELECTRO along the lines of Clinton/ Zapp
Wolf in Sheep’s clothing (ELECTROPHONIC PHUNK)
Dominoes. (Donald Byrd’s) Synthesised up
King for a Day and Black Capricorn day belong in the mid 1970’s. Not to say you wouldn’t have heard them at the odd party but in the post Disco era these pre-disco era sounds are old fashioned. So those are the correct styles of FUNK on Synkronised. Please click on the link below for my full review of this album. You will love the reccomendations.
On 2001 A Funk Odyssey we are still in the Post Disco era.(1980-83) If synkronised would have been released in 1980/1981, then this album would have been released in 1982/1983. It has a slightly later sound though you would have heard tracks like Feels so Good and Little L at the same time as Canned Heat in the post Disco era.
They are though still pastiches of other peoples sounds, so to call these albums in the traditional sense of people creating self written albums is a misnomer. These albums are non credited replays by people who think that no one will recorgnise all the music they have stolen. Please click for my review or read on.
2001 A Funk Odyssey-The correct Classifications of the songs on this album are as follows…
Feels so Good (ELECTROPHONIC PHUNK)
A post Disco era Pastiche featuring the sounds of Gwen MC Crae, Beverly Johnson, Nick Straker, High Fashion and others.
Little L (ELECTROPHONIC PHUNK)
Another Post Disco era Pastiche with the groove of Prince, A Taste of Honey, Evelyn champagne King, Dexter Wansel and others.
You give me something (FUNK)
A Staight forward FUNK track with a familiar bassline from the 70’s/80’s. This track features the sounds of Earth Wind and Fire, Stevie,The Jackson Five and others.
Corner of the Earth (BOSSA NOVA)
A 1970’s/ 1980’s track along the lines of Earth Wind and Fire (Mom), Patrice Rushen (She will take you down to love) etc featuring what sounds like (Mars the Bringer of War) by GustavHolst.
Stop Don’t panic. (SYNTH-POP/ ELECTRO)
A 1980’s track featuring elements of “Dance off“ style Electro. The hardcore Electrophonm#ic Phunk sound that Breakdancers and body poppers used to dance to in the early 1980’s. This is commerciallised (Mainstream) so it borders on Synth Pop
Love Foolosophy (FUNK)
A late 1970’s Gambel and Huff style Disco era FUNK track copied from Roy Ayers, and The S.O.S Band among others
2001 (SYNTH-POP/ ELECTRO)
Another 1980’s Commercialised Electro Track.
Black Crow (SOUL)
A standard 1970’s SOUL ballad which sounds like it’s copied from Marvin Gaye and Wayne Henderson.
Main Vein (FUNK)
Early 1970’s copied from Randy Muller (BT Express) featuring the style of Curtis Mayfield, Isaac Hayes, the Barkays and others. You could also call this early 1970’s Jazz-Funk. Many of these guys were ex-Jazzmen.
Do it like we used to (FUNK)
Another early 70’s SOUL track, basically Mein Vein 2.
Picture of my Life (BOSSA NOVA)
Another 1970’s/1980’s South America (Aka Latin) track.
So good to be real (FUNK)
A 70’s FUNK track copied from L.T.D ‘s Time to be real
So as I said A Funk Odyssey is a post disco album. Please Click below for my opinions on this album
This album contains Pop, Rock and Synth pop as well as SOUL/R&B. By now they have run out of FUNK to copy. They go for the old Post Disco Brit Funk sound in Runaway and don’t give hate a chance, plagiarise Stevie and a few others then as far as the Groove is concerned that’s it. They then switch their attention to Synth pop and Rock. I am not all that concerned about these other genres of music, Its their attempt to steal The FUNK through their serpent deception that is my primary concern. However I can tell you what the different styles of Music are,
Soft Rock. Obviously there were many style of Rock. Jazz Rock, Funk Rock fusion or the stuff which still sounded like the Blues. We never really used the term soft rock back then. Or at least I never heard the term. Then again I wasn’t a Rocker. It was just Rock and Hard Rock. Hard rock being the more Headbanging stuff. It was the same principle with SOUL. We never really called the likes of Cameo or The S.O.S Band Electrofunk in the 1980’s. We just called it FUNK the only time we used the term Electro at least after 1981 was to describe the hardcore breakdancing stuff. So it’s just Rock really.
So anyway to avoid any chance of them trying to claim that one of these sounds are acid jazz to new millennials I have categorised all the grooves in to their correct genres and as such have given them no hiding place. So that can’t come back and say “oh well that synth pop sound is acid jazz”. Their deception depends on ambiguity so I leave them no way to slip that lie in anywhere. There is nothing here called acid jazz either as acid jazz is not a musical genre. Like all the other albums there is nothing new or innovative. We heard all these sounds and grooves in the 1970’s and the 1980’s. These are the correct classifications for the styles of music on Dynamite…
Feels just like it should (ELECTROPHONIC PHUNK)
An Electrophonic track which copies The Commodores Fancy Dancer and the style of Cameo, The Barkays, Prince and others.
Dynamite (ELECTROPHONIC PHUNK)
Early 1980’s track sounds like Randy Jackson and Dynamite by Euro Funk.
Time won’t wait (FUNK)
Late 1970’s Disco era FUNK track along the lines of Roy Ayers Rose Royce and others.
Seven Days in sunny June (SOUL)
1970’s SOUL Stevie Wonders Golden lady, Summersoft and others
Smile (SOUL)
1970’s SOUL which sounds like Minnie Ripperton, The Stylistics, Johnny Mathis and others.
Star Child (FUNK)
1970’s Basically fight the power by The Isley Brothers and elements of Heatwave.
Don’t give hate a chance (FUNK)
Late 1970’s Disco era FUNK Sounds like The Olympic Runners (Keep it up/whatever it takes) with elements of Rod Stewart and of Prince.
Runaway (FUNK)
Late 70’s early 1980’s Disco/Post Disco Era The sound of Roy Ayers, Light of the World and others.
Tallulah SOUL (TWO STEP)
1970’s/1980s SOUL along the lines of Stevie Wonder/Carl Anderson.
Electric Mistress (SYNTH POP)
1970’s/1980’s from Mandre/Morroder/Cerrone etc to 1980’s Brit synth pop.
Thats the Funk on the album, This is the rest……
World he wants (R&B/POP)
1970’s/1980’s commercialised SOUL along the lines of Elton John.
Black Devil Car (ROCK)
1970’s/ 1980’s ROCK along the lines of Cheryl crow all I wanna do is have some fun
FAKE HISTORY- On wikipedia they claim that Jamiroquai they started off playing this non existent “Acid Jazz” genre. No they didn’t they were a 1970’s/1980’s Funk tribute band playing retreads. They then claim they decided to explore different Avenues! Absolute and total BS. No, when they had run out of FUNK to copy they then turned their attention to 1970’s/1980’s Rock, Pop and synth Pop. Then plagiarised people like Bryan Ferry and Roxy Music.
Rock Dust Light Star
This album also contains Pop, Rock and Synth pop as well as SOUL/R&B There is nothing here called acid jazz either as acid jazz is not a musical genre. These are the correct classifications for the styles of music on Dynamite.
She’s a fast persuader
1980’s R&B/POP/ROCK Sounds like the type of stuff Nick Kershaw, Howard Jones etc used to do in the early 80’s..
Just cant get enough
Early 1980’s FUNK with what sounds like grooves from Peaches and Herb,Roy Ayers and Forrest.
Goodbye to my Dancer(REGGAE)
Late 70’s & 1980’s Commercialised REGGAE
Blue Skies
1970’s/1980’s SOUL (TWO STEP). Stevie Wonder /Carl Anderson and others.
Hang it over
SOUL (1960’s Psychedelic Soul, featuring the Charleston) Straight off a Stevie Wonder or Earth Wind and Fire Album.
Hey Floyd
1980’s SOUL/POP/REGGAE with so called “LATIN” Percussion.
Hurtin
ROCK/R&B along the line of Beautiful South.
Lifeline
Commercialised British SOUL along the lines of Elton John, Paul Mc McCartney and others.
All Good in the Hood
Late 1970’s early 1980’s POP and commercialised SOUL
Snooze you loose
1980’s REGGAE/SYNTH FUNK/ROCK
Rock Dust Light Star
This is a 1970’s/1980’s POP/”SOFT ROCK”
Never Gonna be another
This is 1970’s/1980’s R&B / “SOFT ROCK”
Smoke and Mirrors
This is POP/ROCK/R&B
White Knuckle ride
A late 1970’s FUNK Bassline which sounds like Kwick incorporating a TECHNO/HOUSE Chorus.
Natural Energy
A FUNK track which sounds like the mid to late 1980’s when people were sampling James Brown drum patterns.
Brothers like your- Not
A 1970’s FUNK track which sounds like Parliament, Pleasure/ Melle Mel and others.
Angeline
A FUNK track sounds like The Temptations (Papa was a rolling stone) the chorus of Beat It by MJ, Pleasure and others.
Here Kay cuts the rest of the band loose to try and gain some credibility after The original SOULHEAD TALES Called Jamiroquai’s Influences from 70’s & 80’s Funk Showed him up for the fraud that he is. This album also contained stolen artwork as well as music taken from the original Soulhead Tales Jamiroquai’s Influences.
What is AUTOMATON? This is Basically a 1980’s Synth Funk and Synth pop album.The correct classifications for this album are as follows….
Nice and Spicy (ELECTROPHONIC PHUNK)
An 1980’s track which copies Manhattan Rhythms (Sweet Lady) and The Barkays.-Reccomemnded on the Original SOULHEAD TALES
Vitamin (ELECTROPHONIC PHUNK)
A 1980’s track which copies Loose Ends, Roy Ayers and Stevie.
Automaton
A 1980’s SYNTH POP track which sounds like its copied from Alphavilles sounds like a melody.
Something about you
A SYNTH POP Commercialised Soul track which copies Junior Giscombe, Michael Mc Donald, CHIC, Barry White and others.
Dr Buzz
A 1980’s SYNTH POP Track which copies grooves from Cymande, Incognito, Loose Ends,Barry White, Van Mc Coy and D Train.
Carla
A 1980’s SYNTH POP track sounds a bit like Denise Williams, Unlimited touch and others.
We can do it
A 1980’s style commercialised REGGAE track using grooves from James Brown and along the lines of The Specials.
Shake it on
A 1980’s SYNTH POP track, from Herbie Hancock and Mandre to Morroder and Yazoo.
Nights out in the Jungle.
A 1980’s Commercialised SOUL track Stevie’s Part Time lover bassline with what sound like elements of Ray Parker Junior, Herbie Hancock and others.
Summer Girl
1980’s Commercialised SOUL track which sounds like a groove from Harvey Mason and others.
Superfresh
Early 1980’s SYNTH POP track, again from Mandre and Morroder to Cerrone
Hot Property
1980’s FUNK/SYNTH POP. featuring groove from Unlimited Touch, The Human League, Soul Sonic Force and others.
SO, SEEN ANYTHING UNIQUE, NEW OR INNOVATIVE ON ANY JAMIROQUAI ALBUM? HOW MUCH WOULD YOU SAY THEY WROTE THEMSELVES AND HOW MUCH WOULD YOU SAY THEY STOLE WITHOUT GIVING CREDIT. WHAT DO YOU THINK OF THESE QUOTES BY JAY KAY NOW THEN? OH AND DID YOU SEE ANY “ACID JAZZ”? NO YOU HAVEN’T. BECAUSE THERE IS NO SUCH THING AS ACID JAZZ. WHAT DO YOU THINK OF THE LIES BEING SPREAD ALL OVER THE INTERNET BY EDDIE PILLAR /GILLES PETERSON AND THEIR INTERNATIONAL CABAL OF DIS INFO AGENTS AND CULTURAL THIEVES TRYING TO RE-WRITE BLACK MUSIC HISTORY?
BLACK AMERICA GUARD YOU HERITAGE FROM THE SYNAGOGUE OF SATAN
No one here in London is responsible for any style of Jazz, Funk or Soul. There are no such things as Acid Jazz, Club Jazz or E.D.M, All are names dreamed up by the Synagogue of Satan to steal the 1970’s Jazz Funk and Soul and 1980’s Electrophonic Phunk respectively.
“We’re untouchable we’re Jewish” former Invicta F.M DJ Gilles Peterson is a criminal and is being protected by corrupt metropolitan police officers.
MEET GILLES PETERSON. THE ARROGANT MANIPULATIVE MURDEROUS DJ, CO -FOUNDER OF ACID JAZZ RECORDS WHOM ALONGSIDE JAY KAY OF JAMIROQUAI AND OTHERS HAS BEEN INVOLVED IN YEARS OF CRIMINAL HARRASMENT. HE IS AWARE OF THIS WEBSITE AS ARE ALL HIS MOB. HE CANNOT SUE ME BECAUSE EVERYTHING I SAY IS TRUE.
[We’re untouchable] “Most Judges and Lawyers are Jewish”
What’s the matter Gilles? Thought you were safe trolling me behind your computer didn’t you? Weren’t you all bragging about belonging to the “Dark side”about “reptiles” (low vibrational entities), remote viewing and all that stuff a few years ago?! There are far more powerful things out there than that mate. Gilles “Literally not a shill” doesn’t look too confident does he. He knows that people know all about him, don’t you Gilles Peterson you arrogant ugly looking serpent. You are a murderous criminal bully Gilles Peterson. Sue me if you dare.
Mr “Literally not a Shill”. Literally not a shill was one of the statements made by Gilles Peterson when he was engaged in Cyberbullying me a few years ago. When I accused him of being a paid “shill” for acid jazz records he couldn’t resist bragging about owning a record company. In addition to Jay Kay and Gilles Peterson, other people involved in criminal harassment, gangstalking and death threats include Lech Mazur ceo of Advameg and actor American actor Melvin Huffnagel.
A Gang of cyberstalking murderous criminals; Left to right. Jay Kay, Gilles Peterson, Lech Mazur CEO of Advameg and actor Melvin Huffnagle.
Now calling people criminals is libelous. Libel is an offense. So ask yourself why they can’t or won’t sue me. They can’t because what I say is true.
Provable in a court of Law.
Criminality undertaken against me by Gilles Peterson, Jay Kay of Jamiroquai, Lech Mazur CEO of Advameg and Actor Melvin Huffnagle- Gangstalking, Cyberbullying, Racial abuse, Hacking, Theft of Artwork, Murder threats.
Not provable in a court of Law-
But provable by Tarot and Divination
Conspiracy to commit murder and several counts of attempted murder using electronic Interference, assassins and Record Industry Black Satanic Rituals.
So I would invite those of you who know how to access the energy field through Tarot/ Oracle cards, through bone, water, fire, feather divination etc to do your readings on the characters of these people. You will see that I am telling the truth.
So lets take a look at why these people would be involved in such criminal activities. There is a massive campaign of disinformation going on behind the scenes and like all criminals, they wish to suppress the truth.
1.) Since when was this criminal responsible for Black American and Black British Soul of the 1960’s/1970’s, 1980’s and 1990’s?
2.) Criminal Gilles Peterson engages in Criminal Cyberbullying and Gangstalking then tries to play the victim.
3) Why Would Jay Kay, Gilles Peterson and others be involved in Cyberbullying and Criminal harrasment?
4) Jay Kay. Consummate Plagiarist, thief criminal gangstalker and murderous criminal.
THE GREAT THEFT OF FUNK.
Gilles Peterson. The front man for so called “Acid jazz” The systematic rebranding and the cultural appropriation of Black America and Black British Jazz, Funk and Soul of the 20th Century.
THERE IS NO GENRE OF BLACK MUSIC CALLED ACID JAZZ OR CLUB JAZZ THEY DO NOT EXIST. GILLES PETERSON IS NOT RESPONSIBLE FOR ANY STYLE OF FUNK.
Jazz, Funk and Soul aka “THE FUNK” comes from Black America and not from a Satanic record Label based here in London formed in 1987.
Gilles Peterson is the front man for what I call THE GREAT THEFT OF FUNK. The systematic and ongoing attempt by the Synagogue of Satan to re-write Black music history. They are trying to create a generational myth. A myth that 20th Century Soul music was invented here in the U.K in 1987 by their front man Gilles Peterson. Ridiculous you say. Not so. First take a look at the acid jazz Wikipedia page. On it you will see Gilles Peterson credited with inventing this non existent genre. Then run a search for acid jazz and you will see page after page of disinformation claiming that a Black music genre called acid jazz came out of London in the late 1980’s. It is a total lie. All they are doing is trying to rebrand Black American Soul music as a so called “Jewish” music genre invented here in London. NONE of us authentic London Funksters (SOULHEADS) of the 1970’s or 1980’s have ever heard of a music genre called acid jazz. None of these sounds on any so called acid jazz compilations was invented over here. Since when was Black American Jazz Funk and Soul of the 1950’s,1960’s 1970’s 1980’s and the 1990’s Invented here in London by a DJ and a record label that infiltrated Black Britain in 1988?
Gilles Peterson is a DJ he has never had a hit in his life and is not responsible for any style of Black music. And no one who knows anything whatsoever about Black American or British Soul music of the 1970’s and 1980’s will tell you that he is. Those who have even heard of him that is. When you run a search for acid jazz you will also see page after page of Jazz Funk, Disco era Funk, New Jack Swing, Neo Soul, Brit Funk, South American “Latin” Soul compilations all fraudulently re labelled as so called “acid jazz”, “Legends of Acid jazz” “the story of acid jazz” , “Absolute acid jazz”, “acid jazz classics” and anything Eddie Pillar Gilles Peterson and his mob can come up with.
They are plastering the Internet with disinformation and flooding the market with mix after mix of as I said fraudulently labelled Soul music then claiming it as acid jazz. This is nothing more than a cultural appropriation exercise, a secret war being waged against Black America by The synagogue of Satan. An attempt to once again rob them of their creation. Criminal Gilles Peterson is the front man and the leading light in this THEFT of Funk. Even though he is trying to masquerade as a supporter of Black culture he is not. Like all serpent’s he’s a wolf in sheep’s clothing.
ALL ABOARD GILLES PETERSON’S “ACID JAZZ” TIME MACHINE!
As you can see below Gilles Peterson Invented the music of people who were famous when he was a baby or before he was born.
So lets delve further into this attempted theft of Black Culture for which Gilles Peterson is the increasingly not so secret frontman of. lets take a closer look at some of their deceit and the work they have put into it…..
1.) Since when was this criminal responsible for 20th Century Black American and Black British Soul?
Below are just some of the Jazz, Funk and Soul compilations rebranded as so called “Acid Jazz” the apparent “Invention of a Dj called Gilles Peterson who has nothing to do with any of these Black American sounds some of which were created before he was even born. Run a search for acid jazz and see how many returns you get . All claiming this criminal as the architect or creator a non existent genre of Soul music.
Gilles Peterson was a Pirate Radio DJ back in our Day on Invicta FM. Invicta was one of the tiny Pirate stations of the post Disco era playing Soul Music here in London at a time when the FUNK was almost impossible to hear on mainstream radio other than the now legendary shows of Robbie Vincent and Greg Edwards, He was NOT well known and was just one of thousands of DJ’s working the London Soul underground of the 1980’s.
Now fast forward to the early the 21st Century and (According to the synagogue of Satan controlled globalist music media ONLY) Gilles Peterson is apparently a music genius on par with Quincy Jones, Gambel and Huff, The Mizzel Brothers, Randy Muller, Jam and Lewis, Kashif, Leon Sylvers and just about any 1970’s FUNK producer you can name. He has never produced a song in his life. In addition to this he’s apparently “responsible” for the sounds of Stevie Wonder, James Brown, Johnny Hammond, Herbie Hancock, Roy Ayers, Lonnie Liston smith, Patrice Rushen, Donald Byrd, The Brothers Johnson, Rick James/Stone City, Parliament Funkadelic and all the other 1970’s/1980’s Funk bands ripped off by Jamiroquai in the 1990’s into the 2000’s.
Apparently Jamiroquai are playing a Black music genre called “acid jazz” Invented by Gilles Peterson. Oh yes Gilles Peterson of Invicta FM is responsible for Stevie Wonder! No such genre/sub genre or style of Black music exists or has ever existed. But wait there’s more. As he is also apparently responsible for the British Jazz Funk sound of the Disco/ post Disco era bands like Delegation, Hi Tension, Level 42, Atmosfear, Shakatak, Linx, Central Line, Imagination or Light of the World/I Level/Incognito, Incognito etc. He has nothing to do with the sound of any of these bands and no one had ever heard of him in the 1980’s other than a handful of Jazz enthusiasts who read Blues and Soul.
Oh, and I forgot, He also is responsible for our mid to late Black British sound of the 1980’s. Acts like Loose Ends, Five Star and old school favorite Billy Ocean. He has nothing to do with any of these world famous bands. Again no one had even heard of him. And of course, yea there is more…. most importantly he is now apparently responsible for our Rare Groove (Retro 1970’s Funk) sound of the late 1980’s created by people like Soul To Soul, The Pasadena’s, Omar Lye Fook, and especially the 1980’s mid to late 1980’s too. Yup. People like Jazzie B and Soul to Soul, The Young Disciples and many more.
Oh sorry I forgot this too. Gilles Peterson of Invicta F.M is listed as a notable “acid jazz” artist alongside the likes of 1970’s Latin Giants Azymuth and a whole load of bands playing Rare Groove (retro 70’s Funk), Jazz, Jazz Funk, Brit Funk, late 1980’s Black American New Jack swing and 1990’s Neo Soul and even Techno. All of whom are apparently now playing a music genre called acid jazz which does not and has never existed.
Acid jazz is nothing more than a satanic record label which jumped on the FUNK bandwagon back in the late 1980’s and is trying to attach itself to the legacy of FUNK by rebranding 20th Century Soul music as “acid jazz”. The claiming that it’s a new music genre which came out of London. Ask them to tell you the name of an “acid jazz£ track they can’t Because it’s just fraudulently labelled Jazz Funk, The Pan African sound, Disco era Funk, Brit Funk , Rare Groove, New Jack swing, Neo Soul, Bossa Nova, Samba etc ect….
Below a list of bands featuring “Godfather of Soul” Invicta FM’s Gilles Peterson right at the top! On wiklpedia we are told that these are “acid jazz” bands playing a music genre invented by .Gilles Peterson who has never had a hit in his life. Because these serpents think people are too stupid to recognize the same music we grew up with in the 1970’s/1980’s.
CULTURAL THEFT THE REBRANDING OF 20th CENTURY SOUL
You’re a notable acid jazz artist are you Gilles Peterson? Err Erica Badu is Neo Soul, Azymuth are “Latin” (South American) Soul. Jamiroquai are 70’s/80’s FUNK plagiarists. Which aspect of these bands did you invent Gilles Peterson? How are these bands playing your acid jazz genre?
Infiltrators of Black culture Gilles Peterson, Eddie Pillar and Acid Jazz records are not responsible for any sound here in London at any time as all the music archives of the 1980’s such as Blues and Soul Magazine, Jet, Black Echoes, Ebony etc will testify. As will all the Radio archives and T.V shows of the 1980’s such as U.S and the U.K’s version of Soultrain. You will find no reference to any Black music genre called acid jazz anywhere on radio, television or in print in the 1980’s.
The only time you will begin to see any style of Black music desribed as “acid jazz” is in the mid to late 1990’s by people who don’t know what 1970’s/1980’s Jazz, Funk and Soul is. And the only place you will see the calim that there is a black music genre called acid jazz is on the front cover of fraudulently labelled soul mixes. Or in their global disinformation campaign on Wikipedia, Everipedia and all across the Internet. They are trying to create a genreational myth that the serpent is responsible for FUNK. And Gilles Peterson is the Frontman for this myth which is why he is involved in criminal activities to silence the truth.
2. Criminal Gilles Peterson engages in Criminal Cyberbullying and Gangstalking then tries to play the victim to fool the search engines
As this unadvertised site was getting a little bit of traffic and people were becoming aware of the actions of Jay Kay, Peterson and his mob. They finally realized they couldn’t intimidate me into silence no matter how much they tried. So they came up with a plan. A pathetic attempt at a bit of childish reverse phychology. In keeping with their deceitful nature.
How to try and get out of it…?Accuse others of doing to you what you are doing to others. That way when people see the words “gang stalking” , “racism” and “criminal harassment” associated with your name Gilles, then they will think you are the victim. No one will suspect that you’re the perpetrator.
Hey Presto! Woman jailed for stalking Gilles Peterson hahahaha! How much did you pay her Gilles? Who they hell is going to stalk you?
Gone grey overnight haven’t you Gilles Peterson. Why is that I wonder.
SMOKE AND MIRRORS! NICE TRY GILLES PETERSON. WHAT WOMAN IN HER RIGHT MIND IS GOING TO STALK SOMEONE WHO LOOKS LIKE YOU! LOL. YOU ARE THE CRIMINAL GILLES PETERSON
Acid Jazz records is a serpent organization so of course they are backed by the globalists. They are employing all the disinformation and censorship tactics that people are gradually becoming aware of worldwide. “Jewish gangstalking” is one of the methods being used across the globe to frighten intimidate or silence anyone who speaks out against the emerging Globalist Police state. Think of places like 1960’s Communist Czechoslovakia and you will get some idea of how they want this Planet to look. Not that these criminals are exclusively so called Jewish.. Not that they are real Jews either. They converted to the religion back in the 8th Century. These are Synagogue of Satan and they are hated by real people of that faith. This is a global dark Occultist cult and they come in all races. There are plenty of what we call “Black devils” in our community too. Like Melvin Huffnage who is one of their gang.
These people and their Ilk are basically trainees for what they think is going to be their N.W.O. One of Jamiroquai’s tracks is called our time is coming. Well it will but it won’t be what any of you think. They cyberstalk, bully and try to intimidate people If after a while this doesn’t work then they pass it on to another department who then take steps to try and silence you some other way. Did you know that they actually have a guidebook for their paid trolls/gang stalkers and sit in classrooms being taught how to cause trouble and not be suspected. All these things are in the public domain though the globalists are trying their hardest to delete as much material as they can find.
I notice also how Gilles Peterson used certain KEY PHRASES in his accusations against this Woman. Key phrases designed to alert “certain” people. One of the most interesting is accusations of racism. racism.?! This is strange because you Jay Kay and others refer to Black people as monkeys and baboons in your several years of trolling. If Black people are monkeys then what are you, you ugly bunch of parasitic mutants. Why are you in Black culture? and more importantly why are you trying to claim that you are responsible for any style of Black Music when you have created nothing. Created nothing because you have no ability to create. The likes of you and your degenerate serpent bloodlines are superior to no one here on the Earth plain.
See Below. Does this look like a compilation of bands playing FUNK or are these bands playing a non existent called acid jazz music genre invented by Gilles Peterson?
You will find NO REFERENCE to any of the complete BS written on this page above in any Black Music publication of the 1980’s. At no time and at no stage was there ever a music genre called acid jazz here in London or anywhere else. The fact that Gilles Peterson and Eddie Pillar decided they were going to re-classify the music of someone elses culture as acid jazz does not constitute the existence of a Black Music genre.
So no matter how much they lie on the Internet about what happened over here in London during the 1980’s in terms of Black music there archives are still there! The first mention of “Acid Jazz” is in 1988 in a tiny column announcing the formation of a record label called acid jazz records. So much for you imaginary 1980’s acid jazz genre huh! No one even knew who acid jazz records were until the mid 1990’s and that was just a few kids. The first time I even saw the word was in 1999
THE FIRST EVER MENTION OF ACID JAZZ THE FORMATION
THIS IS MY PERSONAL COPY . I have all my Blues and Soul mags covering the time period they claim acid jazz was supposed to be a genre. Note Jack and Acid House were grooves. You can read about that in any 1980’s Black music mas. But there was no such thing as “Acid Jazz or Club Jazz”. Names cooked up by Gilles Peterson and his mob. So as you can see Gilles Peterson is heavily Invested in THE GREAT THEFT OF FUNK. He will lie all he can. He has to. Those beings don’t like faliure!
MURDER THREATS by jay kay Gilles peterson and their gang
Below just one of the Murder threats they left all over the Internet and on Videos of Music recomended by me in THE SOULHEAD TALES.
I have plenty of others including the ones that the MET claim they have lost! This goes back quite a few years and was witnessed by many.
You can kill no one you murderous bunch of serpents
Above is just one of the threatening messages left for me during the days when they were subjecting me to cyberbullying, harassment, stalking and trolling. The Metropolitan Police as I said are fully aware of what’s been going on and have been monitoring people. The corrupt Officer who refused to investigate these crimes has been allowed to resign. They claim they do not know the Identity of a Female officer who is another criminal. And one low ranking so called Police officer finds it amusing. However corrupted officers claim to lost the evidence some of which appears on this site. So the Metropolitan police are complicit. For those of us who were around at the time of the Brixton riots know that rampant institutionalize racism still exists in the Metropolitan Police.
So as i keep saying If you’re a skilled Intuitive, Tarot/Oracle reader etc then you will see what this evil “inverted emperor /seven of swords” criminal and his mob have been up to. And if you are especially skilled you will see that they actually think they are going to get away with it. You will of course also know that they won’t. Some of them know this already.
3) Why would Jay Kay , Gilles Peterson and Acid Jazz records be involved in criminal harassment?… Ego, Money and Black Music History.
Well you have already seen why. The rest is Simple. Their gigantic ego’s will be destroyed, they may lose money and they will be unable to re-write Black Music History. The SOULHEAD TALES destroys the lies of Jay Kay and 10 Easy Ways to Debunk the Acid Jazz lie destroys the lies of Gilles Peterson and Eddie Pillar. It defeats what I call the Great Theft of Funk. Essentially this work stops them and their criminal International “Mastermind group” (See the works of Napoleon Hill) from re-writing History in the way that they wish to. It prevents them from culturally appropriating Soul Music by giving the new generation of 21st Century journalists, DJ’s and authentic music writers In America, the U.K and the World over all the Information they need to destroy their cultural appropriation campaign.
I have been fighting a massive campaign designed to re-write history for many years, This International cabal are trying to rob people/bands not only of money they owe them for stealing their music but to completely disenfranchise the Black Americans from the legacy of Soul Music. They are trying to use 1980’s London England and our Soul community of the day as a means to steal the legacy of 20th Century Soul Music from Black America. I am a Londoner of that era and they are responsible for NONE of these sounds. I was there and they know it. They don’t want people finding out about what they are doing. Especially Black America!
GIANTS OF BRITFUNK. SOME OF THE BRITISH SOUL BANDS THAT GILLES PETERSON AND HIS MOB ARE TRYING TO WIPE FROM HISTORY ON WIKIPEDIA.
These are some of our more famous Bands but there were many others. These are the people who created our sound. NOT their (Acid Jazz records) signings Plagiarists Jamiroquai or the brand New Heavies. And criminal Gilles Peterson has NOTHING to do with the creation of any sound regardless of what the globalist music press tell you. As anyone can see when they read my work I am Authentic. You will find No Aiuthentic London Funkster, band, singer or act of the 1980’s who will credit that label with creating anything.
They are infiltrators who came into Black music with a predefined mission. They came to do what they are still doing now STEAL. They didn’t say this is a Funk mix by acid jazz records they said This is 100% Acid jazz. They knew exactly what they were trying to do from day one. They can’t fool me on any of the styles of Black Music on any Jamiroquai track or that of anyone else. They are seeking to steal the legacy of FUNK through deception but I know the FUNK better than any of them do so they can’t argue with my correct classifications of Jamiroquai’s tracks and neither can they deny the music they have stolen because I remember where all those sounds from original 1970’s/1980’s FUNK . I go through all their tracks and take them to bits. I leave them nowhere to hide. It’s in the SOULHEAD TALES!
3) Why Would Jay Kay, Gilles Peterson and others be involved in Cyberbullying and Criminal harassment?
Murderous Plagiarist Jay Kay ofJamiroquai and band members are also involved in criminal activityto hide their music theft.
Jay Kay of Jamiroquai is another murderous serpent you want to do your Tarot readings on. This murderous little Man has done a lot in the background including, cyberstalking, threats hacking and theft of Artwork which was used on the Automaton Album. He was the original and has been involved in these murder attempts All provable in a court of Law. The little crook knows this which is why he cannot sue.
So when Jamiroquai band members had been stalking me on the Internet since I started speaking out about their music plagiarism. Unbeknown to anyone at the time they had a massive campaign going on in the background to cover up their blatant plagiarism. They were on websites like Prince.org and other places uploading music lists and claiming them as the bands that inspired Jamiroquai when of course they left out all the stuff they had stolen. The music you can see on the Soulhead Tales. And as you have seen they were also on Wikipedia deleting protests over the fact that there was no mention of all the music they had stolen on Wikipedia. They deleted their profiles as soon as I mentioned it on this blog as they know that their history can be checked. As you can see below but note Jay kay used a different profile name which is why he is still there.
Jamiroquai band members close down their profiles on Wikipedia to hide the fact that they have been involved in deletion of material. Rob deleted a copy of the Soulhead tales in 2017.
Notice there are only three profiles in Blue. The others have been deleted. Jay Kay ever the clever crook used a different profile. They have since replaced their profiles with fresh ones to hide what they have been doing. But not before I took screen shots! So we know the guilty ones.
One of them paid to have my phone hacked to find out who I was then they followed my around youtube marking the lists of Jamiroquai plagiarism as spam so that it got deleted. Anyhow Gilles Peterson was part of their gangstalking crowd. So i started speaking out about the fact that acid jazz was not a music genre. Gilles Peterson who was part of the gang that had hacked onto my Internet connection and were trolling my comments as they do in Jewish stalking.
Peterson as you have already seen is trying to go down in history are some sort of Giant in Black music history when he has created nothing and is totally irrelevant to any one except the globalist media. Jay Kay is seeking to steal and claim credit not only for the musical genius of Stevie Wonder but all the other bands he ripped, stole from and plagiarized. Bands that you will see in THE SOULHEAD TALES. As you can see in quotes by Jay Kay he claims that all his music is self written.
Do you think he wants Black Americans or Disco era Funksters, Journalists and all the 70’s/80’s bands he robbed many of whom are still around to hear that.? A lot of Americans don’t know who Jamiroquai were and a lot of young Americans who do won’t recognise any of the 1970’s/1980’s Funk bands and sounds. Some of the kids seem to think Black music started in the 1990’s with Tupac. They don’t have a clue who Grand Master Flash, Melle Mel or Curtis Blow were. Even in the 1990’s so called mainstream media called Jamiroquai’s plagiarism ground breaking or unique! and that was just a decade later. So what chance will peole have in another 20 or 30 years time.
You see that is the plan, Remember they work generationally. When our generation has gone this mob will try to reintroduce FUNK in the late 21st Century and then claim that it’s was invented by them. And there will be no one around to argue. That’s what the serpent does. They are as you can see already trying even though we are still here. This is how generational myths work. They know that I have created something that they cannot defeat. They know that my work ruins their plans. And they know that they could can end up in Jail if they can’t bribe enough corrupt Police for their criminal abuse. So of course like the criminals that they are they are going to threaten me. All these satanic record Industry types think they are gangsters.
Do you think Jay Kay wants Black Americans or Disco era Funksters, Journalists and all the 70’s/80’s bands he robbed many of whom are still around to hear that. Do you think he wants to hear all his misguided fans of the 1990’s ask for their money back! Do you think he wants to hear people tell him to give back all the prizes he fraudulently won off the Back of other people’s talents?
Interestingly when he was totally humiliated by the original Soulhead tales (created on the old Jamirotalk fansite in 2017) and all the people on that site saw him for the plagiarist that he was. He was offered a prize. Knowing that he had been totally debunked. Knowing that everyone on that site and journalists who were watching, knowing that just about every single thing he had stolen was known … He STILL accepted the prize! So this serpent’s ego is massive. The last thing he wants is to go down in history as well the greatest fraud in Music history which in my view is what he is. Now I am sorry but if you make millions out of robbing people, parade as though you are a musical genius and deny that you have taken anything from anywhere then you deserve all the stick which comes with it.
When you then accuse people who criticize you as living in huts, admonish what he calls “Black Guys” for wanting to cover his tunes when he has stolen them, create a song called Wolf in sheep’s clothing, then admit you’re a serpent by creating a song called I’am automaton…..This is a nasty little piece of work. And as I say he is also a murderous criminal who has with Gilles Peterson and others been involved in many years of criminal harrasment. Would you let someone slander your name and not take action against them? No. Well he has tried to take action but their satanic rituals didn’t work.
THEFT OF ART WORK BY JAY KAY.And speaking of Automaton. During his hacking and cyberbullying campaign Jay Kay stole artwork and used on the front cover of that album. (Again those who practice the craft do you Energy/Tarot/Bone readings etc). He actually released the album the next day after I pronounced the soulhead tales on Jamirotalk completed.
So my work THE SOULHEAD TALES totally shows him up for the crook that he is. It destroys the image that his band and him are trying to craft for the new generation.
That they were a bunch of crooks and plagiarists who never wrote anything they didn’t steal. They know this and that is why band members took over their Wikipedia web page and deleted the truth.
When you go through the SOULHEAD TALES and see you will see why Jay Kay and his mob are so scared of Me that they have gone to the extremes that they have. Including as I say attempted murder.
I have totally debunked their entire 1990’s early 2000’s discography. All the Music they made their name with is returned to the people they stole it from. So when you ask why would Jay Kay of Jamiroquai be trying to silence me then now you have your answer.
When you go through THESOULHEAD TALES having read the lies being pushed by Jay Kay. Lies claiming that he wrote all this music by himself then see where he has stolen it from. Do you think that isn’t a threat to him? Do you think someone with such a massive ego wants to be publicly humiliated with the truth. I actually gave them a chance when they used to troll me. I told them to give credit to the bands they had stolen from. Instead they decided to come after me threaten me then try to silence me. This is the result had they taken on board what I had said then the SOULHEAD TALES would not exist. The truth will always out and I am an agent of Justice.
Likewise Gilles Peterson who has spent many years secretly accepting accolades for a nonexistent Black music genre, massaging his massive ego is set to lose everything. Including his credibility. He masquerades as a supporter of Black Culture nut he is in fact an ENEMY of Black culture. Do you think he wants to be exposed for what he is? A Wolf in sheep’s clothing. A two faced satanic plant in Black culture performing the role set out for him by the Synagogue of Satan. Deceit, and Stealing from people is highly regarded by Dark Occultists. Peterson was set to be a hero. Now he’s being exposed. Satanists don’t like being exposed they HATE it. Everyone will know that Gilles Peterson is a liar and a Criminal many already do. Everywhere you go on Wikipedia , and all the other websites like Everipedia and many more Gilles Peterson is credited with inventing a genre that does not exist.
Gilles Peterson’s Satanic Petition.
So below This is essentially Gilles Peterson’s petition to the Universe..
I am credited with originating Black American Soul Music. Rare Groove isn’t Black music it is a music genre called acid jazz and was invented by me, I am responsible for Jazz Funk and Soul. Everything with the words Acid jazz on it is my Invention. I am Gilles Peterson I am the Godfather of Soul Music.
You can debunk Eddie Pillar and Gilles Petersons Fraudulent theft of Black Culture ans their Disinformation by clicking on the link below.
Peterson and his mob have gone to great lengths to keep their false version of Black Music history the Acid Jazz on Wikipedia up. They are also deleting the truth but quite a few people now know about it. Up now know about it too. See below where they are deleting the truth to preserve their Cultural theft disinformation campaign…..
This was around 2017/2018. This page of complete disinformation which writes out of history Black British Soul music then replaces the Likes Soul to Soul, Loose Ends, Omar Lye Fook, The Pasadenas, Five Star, Billy Ocean, Sade and all the Black British superstars of the 1980’s with acid jazz record signings like Jamiroquai and the brand new heavies. Then tries to portray them as some sort of representatives of Black Britain. This page is policed by Gilles Peterson and his mob.
And as for Gilles Peterson In terms of his massive ego as you can tell from what is basically a satanic petition on the Acid Jazz Wikipedia page He wants to go down in music history as the one responsible for not only the sound of Black Britain but the sound of Black America. In the same way as his partner in crime Jay Kay wants to go down in history as a musical genius who wrote all the music he stole. That which you see written on the Soulhead Tales. There was/is a lot at stake. Money and that is all they care about. They will happily try to murder someone to silence or steal from them. But there are much bigger forces out there than any of them or what they represent. I am proof of that.
These Infiltrators/Usurpers Are Trying To Re-Write History! And they are targeting the youth of the 21st Century with their generation myth. They know that I can stop them. So when you ask why are people Involved in criminal harassment well now you have your Answers. And you will have caught up with the Tarot readers who did their divination at the start of this page. What else do you expect from these evil greedy Dark Occultist Serpents but to try and intimidate people.
SO SPEAK UP OH GODFATHER OF SOUL MUSIC IN THE U.K AND IN THE U.S.A. THE CREATOR OF A BLACK MUSIC GENRE BEING PLAYED BY JAMIROQUAI, THE BRAND NEW HEAVIES, INCOGNITO AND EVERYONE ELSE FROM AZYMUTH TO ERICA BADU!
I SAY AGAIN GILLES PETERSON. YOU ARE A CRIMINAL. THAT IS A LIBELOUS STATEMENT. YOU HAVE COMMITTED CRIMES AGAINST ME GILLES PETERSON NOW SUE ME IF YOU DARE
And as for you you nasty jumped up murderous little bitch you can do the same.
Sue me if you dare you ugly evil little satanic troll.
Who are you sitting in Australia to give us Lectures on Black Music in London?
Edit Dec 2021-The coward has reorganised the page, deleted a lot but still won’t give his or her namd and still hasn’t mentioned THE SOULHEAD TALES. So for sure He/She is in League with Kay and his mob.
s
ABC Australia (Double Jay)
Australia Double J. Have you heard of them? No neither have I. Yet they or at least one of them thinks He or She has the authority to speak on Black London of the 1980’s.
EDIT OCT 2021; The coward deleted the Article then replaced it with an edited version leaving out any mention of this Acid Jazz genre he thought existed;
ABC AUSTRALIA-
Take Your Dirty Rotten Satanic Globalist Divide And Rule BS And Shove It.
04/03/2019- Well what do we have here. The website isn’t even completed, proof read, advertised or anything yet but t they are already starting their PR. I mentioned Russians, Israelis, South Africans, Germans , Swedes etc who are part of the acid jazz hostile take over of Black music and Jamiroquai’s attempt to take ownership of all the music they stole. I should have mentioned Australia as well. Yes Aussie land that hotbed of Black American SOUL. Well, I suppose they needed something to compete in the search engine. Acid jazz and Jamiroquai as I mention have it all set up. They have their Youtube trolls, they have their Internet trolls hacking and stalking people and as you can see they have their media trolls.
So at the time, this blog was top of the rankings when it came to the keywords, Jamiroquai and Plagiarism. So I knew that sooner or later they would try and deflect attention from THE SOULHEAD TALES. That’s how the global cult works and as you know they control most of the media. They have their agents in all Media outlets. anyhow noticed I was getting quite a few hits from Australia and became suspicious. The I was directed to this website. Then I came across this article. This article designed to troll this website.
A “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots. You can see them in this blog.
SO THE HEADLINE OF THIS STUPID ARTICLE SCREAMS
Travelling Without Movin “nullifies” Catcalls of Cultural Appopriation?
So why don’t you tell us who you are? 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.
There is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on
WHAT THE FUNK ARE YOU TALKING ABOUT ABC AUSTRALIA
First off I was there in London at the Times and NO ONE ever made the claim of cultural appopriation so that is a straightforward lie. Who has ever accused Jamiroquai of Cultural appopriation?! Are you people stupid? Do you even understand what SOUL MUSIC is? Acid Jazz is cultural appopriation because they are systematically stealjng somone elses culturem through deciet and fraudulent labelling. That has nothing to do with people of other cultures playing FUNK. Since when have only Black people played FUNK! Were you even alive in the 1970’s and the 1980’s? That stupid comment in itself proves that this person isn’t qualified to write for a school music magazine let alone on THE FUNK. You can see what he’s trying to do straight away though can’t you. Trying to twist things in typical serpent manner, Trying to start fights between races. This is what this mowb are trained to do. And as for Cultural appopriation
AN AUSTRALIAN RACE BAITING COWARD WHO KNOWS NOTHING ABOUT FUNK
ABC AUSTRALIA LET ME EDUCATE YOUR MUSIC JOURNALIST ON BLACK MUSIC
Cultural appopriation? Do you even know anything about THE FUNK?
Do you know who this is ABC AUSTRALIA? EXPERTS ON BLACK MUSIC?
HAVE YOU EVER HEARD OF THIS MAN ABC AUSTRALIA?
As you can see they are so incandescent with rage at KC playing Disco era Funk that they move about in jerky angry fashion in order to mask their fury in front of the Camera…….
HOW ABOUT THESE BOYS WHO COME FROM SCOTLAND?
YEAH I MEAN YOU CAN SEE HOW ANGRY ALL THE PEOPLE ARE AT THESE GUYS PLAYING BLACK MUSIC HUH? LUCKY THEY HAD AMPLE SECURITY THERE HUH?
1975-The Average White Band playing in absolute terror on SOULTRAIN. There was only one real singer. The rest were Scots Gaurds, SAS and MI5 there to protect him from Black Americans in the audience furious at hIm entertaining them with SOUL.
EVER HEARD OF THIS BLOKE ABC AUSTRALIA. ANOTHER SOUL TRAIN APPEARANCE. HAVE YOU EVEN EVER HEARD OF SOUL TRAIN ABC AUSTRALIA?
In scenes remeniscent of The riot at end of Marvin Hagler-Alan Minter fight, Elton John had dodge cups, bottles and bullets as he sang to angry Afircan Americans on Soul Train back in the 1970’s!
Cultural appopriation for playing Black Music. Are you dumb? Do you know how much airplay you had to have and how many thousands of record you had to sell into the SOUL charts. What colour are the people on stage and what colour do you think were the hundreads of thousands of people who bought their records back in the 1970’s ABC AUSTRALIA? Have you ever heard of Level 42? Simply Red? Shakatak? ABC, and DURAN DURAN were on SOUL TRAIN. You see if you are going to try and start talking rubbish about Music you understand nothing about and a culture that yoo were not even there to experience then it would pay to at least do a bit of research. You didn’t though did you. Because you know full well what you are trying to do. You are a discrace to journalism.
Beware of the Press as they say. Especially when it’s clear that they haven’t got the first clue about that which they speak..Jamiroquai are consumate plagiarisrs who are desperately trying to cover up their Music theft. Even this article mentions the stick Jamiroquai took for their blatant music theft Theft that What this stupid article tries to do is turn it into some sort of Race War. The silly writer of this article knows nothing about the London SOULHEAD movement for if he /she was then firstly He/She would know that the vast majority of London Soulheads were White. He would know that the most famous Soul Dj’s like Robbie Vincent, Chris Hill, Froggy Steve Walsh were actually White white.
No one in our day complained about cultural appopriation when it came to playing Black music so you Take Your Dirty Rotten Satanic Globalist Divide And Rule BS And Shove It. JamiroquaI get stick because they are Theives. Not because they plat the FUNK. And Gilles Peterson/Eddie Pillar and Acid Jazz records get stick from me at leats because they are trying to clim that the stolen FUNK Jamiroquai play is not FUNK buit a serpent genre called acid jazz. You are a typical media sepent which is why you are supporting them.
So this was from Two years ago- The Article is still there
These people (Infiltrators) don’t like being exposed so this journalist didn’t sign his or her name to their disingenuous piece. After several visits from Australia this article suddenly appeared from Down under. An Australian Radio website I’ve never heard of. Dated Nov 2018 when this site was under attack, It speaks about TWOM released in 1997. The article claims that a prize given in 1997 somehow nullifies what they describe as “cat calls of cultural appropriation”. And in who’s estimation exactly? That of an African American? No that of a new millennial Australian who won’t tell us who he/she is. So the article claims:
Jamiroquai takes part of its name from the ‘Iroquois’, a Native American Confederacy, and Kay has often favored performing in sacred cultural headwear and printed garments, despite not having any Native American heritage.
eeRRR We know what the name means..it’s a SATANIC (Metaphysical) ADMISSION of his and Acid Jazz records intent. But nice try. THIS IS A REMINDER OF WHAT IT REALLY MEANS:
Legend of the Iroquois serpent.
The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
STEVIE WONDER DOESN’T RECOGNISE HIS OWN PLAGIARISED SONGS?
The article also makes a claim about a meeting with Stevie Wonder but the link given shows no such interview…. Such was the weight of the endless comparisons and criticism from press that Kay approached a chance meeting with his idol with some resignation in his heart, as he told Paper in 1997. “I said to him, ‘I’m that guy you must keep hearing about; the little white guy who’s copying your stuff,’” Kay recalls. “He [Wonder] started humming ‘Virtual Insanity’ and said, ‘No, man, you’re doing it.’” ……………..???
So Where is this recorded? I wonder. Because Virtual insanity is actually stolen from Stevie and Djavan Luz. It’s PLAGIARISED from the end of the track like so many Jamiroquai rip offs. It’s the late 70’s early 80’s New York Queens sound. Don Blackman and Queens NY. Some of it’s pinched from Marvin Gaye. Do you seriously think Stevie Wonder wouldn’t recognise his own song. If this conversation actually took place and going by what I know of the Jamiroquai/acid jazz crowd I very much doubt it. Then Stevie was just being polite.
Now in keeping with the cowardly nature of this cult the Journalist and I used that Phrase loosely doesn’t give his or Her name. These were the Journalists listed so I can’t say who if anyone from the group wrote this shoddy piece.
…..So the Article goes onto say;
“The best song I’ve ever written in terms of [being] ahead of its time is ‘Virtual Insanity’… !”
…Errm No, you stole it from DJAVAN & STEVIE. Stevie would know the origin of every track on every stolen jamiroquai song. Lisa Markwell speaks of the same “interview” I believe and makes no mention of such a conversation. Not in the way it is described. I’m calling BS. And below is where everything on Travelling without moving is stolen from.
Perhaps you could mention the SOULHEAD TALES in your next piece Double J/ABC. Maybe mention all the bands they stole from. You seemed to miss out that bit in your article.AUSTRALIA DOUBLE JAY.
Doesn’t suit your agenda though does it. I’m assuming you are the Aussie equivalent of our satanic n.w.o mouthpiece the BBC whom themselves left out the SOULHEADS when speaking about the musical tribes of Britain. All working for the same agenda aren’t you. You can hear where I say Kay and his mob stole all the music from on that album in the SOULHEAD TALES-Jamiroquai’s Plagiarism-A response to quotes by Jay Kay CLICK BELOW
WHY DON’T YOU MENTION THIS IN YOUR BS ARTICLE DOUBLE JAY?!
Ever heard of Parliament Funkadelic, Roy Ayers, Pleasure, Bernard Wright and Don Blackman? Do you know that the post Disco Piano sound was?. Who are the Ojays? Who’s Idris Muhammed? George Duke?
Why don’t you educate yourself on Black music of the 1970’s.
“The best song I’ve ever written in terms of [being] ahead of its time is ‘Virtual Insanity’… !” REALLY ? YOU SURE YOU DIDN’T STEAL IT FROM THIS?
So anyway, why would you visit this half completed website and then try and drag up any old interview that you can find to try and show this total plagiarist in a good light. A wolf in sheep’s clothing by his OWN admission one may ask. Funny how you didn’t mention his other statements where he mocks Black people for wanting to cover what he describes as his tunes and claims he uses no outside influences, a claim that has been made more than once. Didn’t mention that did you DOUBLE JAY.They were basically looking for something anything that could come up with. The other question one might ask the unnamed author of the piece is exactly what knowledge do you have of the FUNK to make the sweeping statement that cultural appropriation is somehow nullified just because someone gave him a prize for an album full of stolen music. Did the people who gave him the prize know where all the music was stolen from? I do. So maybe ABC.NET.AU can point out which track on TWOM and any of the Jamiroquai Soul tracks isn’t stolen/culturally appropriated from Black America.
Anyhow in true disingenuous N.W.O. style (ignore the truth) reporting He/she then goes on to describe incredible “songwriting” musicians completely ignoring the fact that they are nothing more than 90’s Funk tribute band playing retreads of other peoples songs. They are well aware of where they stole the songs from because they have visited this site. Strange how they didn’t mention all the bands they robbed and stole from, then again when you think of the way people in that country have treated the tragic Aboriginal tribes, you shouldn’t expect them to give a damn about the welfare of old Black Americans. “Bossing basswork?” Ever heard of 70’s Funk? Bossing basswork, Shiny guitar licks, crisp percussion! Mor epfoof that thie writer doesn’t kknow what htyue are talking about…….
OH NO, NOT 1990’s Kids ZENDER myth again….”Bossin basswork!!!?
There is nothing bossing about Stuart Zender other than his ability to try and mimick others. Have you ever heard of Larry Graham, of Pleasure, of The Brothers Johnson? Do you know T Connection, The Bass players of CAMEO or of SLAVE and Aurra? Lakeside? Do you even know what Britfunk was in the post Disco Era? Do you know Freeeze, Light of the World, Sketch from Linx, Atmosfear,Level 42? Bossin Basswork? Do you have any Idea who Sekou Bunch is or Marcus Miller? And no disrespect to this bassist but Zender doesn’t make to 50 in England let alone bringing in the Americans of the day. This is just play by numbers. These are just weak copies of other people basslines from the 1970’s. You think they are bossing because you don’t know who any of these 1970’s FUNK giants are. People might say I;m being harsh but I just cannot stand shoddy lying so called journalists spouting rubbish. You do not know what you are talking about Mate.
Go to Nights of “Thunder Funk” gods of 1970’s/1980’s Bass Slap on the SOULHEAD TALES That is what you call bossing bassplayers “Jamiroquai’s” so called basslines are ALL nothing but weak copies of other people basslines from REAL bosses of 70’s FUNK like Bootsy Collins, of James Brown and Funkadelic, “Thunder thumbs Johnson” of the Brothers Johnson, Nate Phillips of Pleasure, Robert “Kool” Bell of Kool and the Gang,Bernard Edwards of CHIC and countless others. 1990’s SOUL is a replay of 70’s FUNK
This is wher the style in the so called Zender Chorus comes from. BOOTSY. He used to be the bassist for some bloke called James Brown. Ever heard of him?
Jamiroquai are a tribute band regardless of how mainstream media “music experts” like this person try to spin things. These Jamiroquai albums are nothing more than retreads of old school FUNK songs but then again it would take a real music journalist to know that. #
What was this ” Acid Jazz Crash?”
EDIT 2021;THAT BIT WAS DELETED!- He/she describes the “acid jazz crash” which Jamiroquai apparently survived according to the anonymous writer. So he thinks FUNK is called acid jazz because someone wrote it on Wikipedia and printed it on CD Covers! I rest my case. I suppose one shouldn’t be surprised, it looks like the New World order have taken over that country as well. Tellingly David Icke has just been banned from entering Australia by the communist global cabal.(2019). If they can’t stop people telling the truth they will lie. Take a look at the quality of journalism down under and you will find it’s just as bad as all the controlled N.W.O western mainstream media nowadays. Keep this in mind when you read that article.
THE OLD AUSTRALIA
Skippy the Bush Kangeroo was the program that introduced our generation in the U.K to Australia back in the 60’s & 70’s. In the 80’s the younger generation knew Australia thanks to Paul Hogan and soaps like Neighbors. The thing I will add is this. Australia in our day (70’s/80’s) knew the FUNK, there was often talk of the Aussie Soulheads in London, in Blues and Soul magazine or on Pirate radio.
In fact the only accurate review of a jamiroquai album I ever saw on line actually came from Australia. It described Funk Odyssey (2001) as being a series of pastiches and that people shouldn’t see the album as belonging to Jamiroquai although he didn’t say which tracks. He was right, I heard them too and I can tell you were all those songs come too.
So if you’re a younger person don’t judge the Aussies knowledge of the Groove on this PR BS. There will be plenty of old school Disco era Aussie Funksters out there who can pick apart any Jamiroquai song. And they too will laugh in your face if you try and tell them that Jazz FUNK is called acid jazz and was invented in 1988 by a London DJ as acid jazz records are trying to claim. They know who Stevie Wonder James Brown and Roy Ayres are. They know what Motown, Beebop and the Blues are. Trust me you won’t find any old school Aussie who will refer to the FUNK as acid jazz. Ask them. They will be in their mid 50’s and upwards. And they too will not want to see their heroes robbed or die in poverty because of greedy record companies. And i’m sure they won’t take kindly to some anonymous kid claiming Jay Kay has had the last laugh on Black American. He Hasn’t. (The kid I wouldn’t call the person a journalist reworded what he had written)
AND THESE ARE WHAT WE CALL BOSSING BASSLINES. NOT JAMIROQUAI’S WEAK COPIES OF BASSLINES FROM THE 70’s/80′s
So we wait to see who this so called journalist is….
The Jamiroquai/acid jazz cabal hold Soul/R&B hostage, call in the Jewish gangstalking mafia and use electronic harassment as well as Black magic to try and commit murder……..because of a list of music.
Trolled by satanic New world order Zionist Jewish gangstalkers on Youtube
Trolled by Jay Kay & Jamiroquai band members, deleted from the Wikipedia talk page by ROB who then deletes his profile from Wikipedia along with other band members (They know the Police will trace them if this matter goes to court). Eddie Pillar and Gilles Peterson bring in an American Satanist to stand guard over their lies, BING/YAHOO censor this page on their search engine, ABC Australia (Double Jay) Troll this website, Trolled by the Satanic B.B.C, Jamirotalk fansite owner deliberatelydeletes the forum then creates a new oneto censor the Jamiroquai Plagiarism list Soulhead Tales and hide an appeal. She creates a new site then switches the Urls to fool journalists, YOUTUBEdelete lists of Jamiroquai Plagiarism tries to block accounts form communicating then falsely accuses accounts of spam (Lists of music), Music Banterowner criminal gangstalker Lech Mazurdeletes Jamiroquai plagiarism list then bans the account,
She creates a new one then she switches the U.R.L to hide a message to journalists an Black music writers
Trolled by an anonymous idiot “journalist” from Australia ABC
The subject of harassment abuse, and threats by IDIOT Jay Kay, and people connected to acid jazz records.
Trolled by the disgusting Criminal Fake News BBC (The Jimmy Saville pedo supporting n.w.o mouthpiece)
Racial abuse. Refereed to as a Monkey and a baboon….By an ugly bunch of quasimodoes as ugly as the lizards they serve. An assortment of short arses, Bent nosed, diminutive mountain savages and their underlings. So jealous and desperate to be Black that they have spent over 25 years reclassifying Jazz Funk and Soul as Acid jazz/and Electrophonic Phunk as Edm then claiming on Wikipedia that it’s their invention.
There is a massive campaign going on by jam-iroquai and acid jazz record to not only steal the Black American Legacy of James Brown, Stevie Wonder and of the Funk. This is just a bit of my 10 year journey for justice……
Criminal thief Jay Kay and other jamiroquai band members who have engaged in cyberstalking, racial abuse, hacking, stalking and implied death threats. Murderous little lizard Jay Kay also stole artwork from a computer 2016/17 and used it on the Automaton album. He also stole and plagiarised bands and music recommended on the original version of the SOULHEAD TALES on jamirotalk then used it on the Automaton album….
WIKIPEDIA- Michael Knowles,Eddie Pillar/Gilles Peterson’s American Wikipedia gatekeeper. The seat of their lies and disinformation is on Wikipedia. Here’s where they are spreading false information about Soul/ R&B and about the History of Black music. Replacing Stevie Wonder and all of the bands Jamiroquai stole from with Jay Jay who claims he wrote all the stolen music you see in the Soulhead Tales. And it’s also where they are trying to create the myth that 60 years of Soul owes it’s existence to a criminal London pub dj who has never had a hit in his life. They are basically crediting Invicta fm dj Gilles Peterson with the achievements of the British Soul invasion featuring people like Loose Ends, Five Star, Billy Ocean, Sade, Soul to Soul and so many others. This is a complete lie and they know it. When they couldn’t stop us questioning the truth on Wikipedia about this acid jazz lie, They brought in a so called “Wikipedia editor” with 250,00 edits who worked at BOHEMIAN GROVE SATANIC RETREAT. Who locked down the page, assisting acid jazz records in rewriting the history of Black Britain deleting comments of those who protest……
BING/YAHOO search engine assisting kay in covering up his criminal actions theft and death threats by removing this website from their search results. Microsoft Blocked the account.
SERPENT CENSORSHIP Some of those assisting the Jamiroquai/acid jazz cabal in suppressing the truth, ie the information in this blog are..
Censored by bing/Yahoo for telling the truth_{Now restored}
Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
SERPENT CENSORSHIP Some of those assisting the Jamiroquai/acid jazz cabal in suppressing the truth, ie the information in this blog are..
Censored by bing/Yahoo for telling the truth_{Now restored}
Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the reticle. But not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770 There is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are? Well the website isn’t even completed, proof read, advertised or anything yet but the they are already starting their PR. I mentioned Russians, Israelis, South Africans, Germans , Swedes etc who are part of the acid jazz hostile take over of Black music and Jamiroquai’s attempt to take ownership of all the music they stole. I should have mentioned Australia as well. Yes Aussie land that hotbed of Black American SOUL. Well, I suppose they needed something to compete in the search engine. Acid jazz and Jamiroquai as I mention have it all set up. They have their you tube trolls, they have their Internet trolls hacking and stalking people and as you can see they have their media trolls. These people don’t like being exposed so this journalist didn’t sign his or her name to their disingenuous piece. After several visits from Australia this article suddenly appeared from Down under. An Australian Radio website I’ve never heard of. Dated Nov 2018 when this site was under attack, It speaks about TWOM released in 1997. The article claims that a prize given in 1997 somehow nullifies what they describe as “cat calls of cultural appropriation”. And in who’s estimation exactly? That of an African American? No that of a new millenial Australian who won’t tell us who he/she is. The article also makes a claim about a meeting with Stevie Wonder but the link given shows no such interview…. Such was the weight of the endless comparisons and criticism from press that Kay approached a chance meeting with his idol with some resignation in his heart, as he told Paper in 1997.“I said to him, ‘I’m that guy you must keep hearing about; the little white guy who’s copying your stuff,’” Kay recalls. “He [Wonder] started humming ‘Virtual Insanity’ and said, ‘No, man, you’re doing it.’” ……………..??? Where is this recorded? Virtual insanity is stolen from Stevie and Djavan Luz. It’s plagiarised from the end of the track like so many Jamiroquai rip offs. It’s the late 70’s early 80’s New York Queens sound if Don Blackman and Queens NY. Some of it’s pinched from Marvin Gaye. Do you seriously think Stevie Wonder wouldn’t recognise his own song. If this conversation actually took place and going by what I know of the Jamiroquai/acid jazz crowd I very much doubt it. Then Stevie was just being polite. THE AUTHOR OF THE PIECE DOESN’T GIVE HIS OR HER NAME ALTHOUGH ALL THE OTHER ARTICLES SEEM TO MENTION THEIR RESPECTIVE WRITERS. I CANNOT SAY WHO IF ANYONE FROM THIS GROUP WROTE THE ARTICLE WHICH GOES ON TO STATE.. The best song I’ve ever written in terms of [being] ahead of its time is ‘Virtual Insanity’… …No you stole it from DJAVAN & STEVIE Stevie would know the origin of every track on every stolen jamiroquai song. Lisa Markwell speaks of the same “interview” I believe and makes no mention of such a conversation. Not in the way it is described. I’m calling BS. And below is where everything on Travelling without moving is stolen from. Perhaps you could mention the SOULHEADTALES in your next piece Double J/ABC. Maybe mention all the bands they stole from. You seemed to miss out that bit in your article.Doesn’t suit your agenda though does it. I’m assuming you are the Aussie equivalent of our satanic n.w.o mouthpiece the BBC whom themselves left out the SOULHEADS when speaking about the musical tribes of Britain. All working for the same agenda aren’t you. You can hear where I say Kay and his mob stole all the music from on that album in the SOULHEAD TALES.
So why would you visit this half completed website and then try and drag up any old interview that you can find to try and show this total plagiarist in a good light. A wolf in sheep’s clothing by his OWN admission one may ask. Funny how you didn’t mention his other statements where he mocks Black people for wanting to cover what he describes as his tunes and claims he uses no outside influences, a claim that has been made more than once. They were basically looking for something anything that could come up with. The other question one might ask the unnamed author of the piece is exactly what knowledge do you have of the FUNK to make the sweeping statement that cultural appropriation is somehow nullified just because someone gave him a prize for an album full of stolen music. Did the people who gave him the prize know where all the music was stolen from? I do. So maybe ABC.NET.AU can point out which track on TWOM and any of the Jamiroquai Soul tracks isn’t stolen/culturally appropriated from Black America. Anyhow in true disingenuous N.W.O. style (ignore the truth) reporting He/she then goes on to describe incredible “songwriting” musicians completely ignoring the fact that they are nothing more than 90’s Funk tribute band playing retreads of other peoples songs. They are well aware of where they stole the songs from because they have visited this site. Strange how they didn’t mention all the bands they robbed and stole from, then again when you think of the way people in that country have treated the tragic Aboriginal tribes, you shouldn’t expect them to give a damn about the welfare of old Black Americans. “Bossing basswork?” Ever heard of 70’s Funk? He refers to “bossin’ basework”. I seem to hear this a lot from Jamiroquai experts who don’t know what 70’s FUNK is or don’t know where they lifted all the music from. And no disrespect to this bassist but this is just play by numbers. These are just weak copies of other people basslines from the 70’s. Scroll down to Nights of “Thunder Funk” gods of 1970’s/1980’s Bass Slap. That is what you call bossing bassplayers “Jamiroquai” basslines are ALL nothing but weak copies of other people basslines from REAL bosses of 70’s FUNK like Bootsy Collins, of James Brown and Funkadelic, “Thunder thumbs Johnson” of the Brothers Johnson, Nate Miller of Pleasure, Robert “Kool” Bell of Kool and the Gang, Bernard Edwards of CHIC and countless others. 1990’s SOUL is a replay of 70’s FUNK. And that’s what Jamiroquai are a tribute band regardless of how mainstream media “music experts” like this try to spin things. These Jamiroquai albums are nothing more than retreads of old school FUNK songs but then again it would take a real music journalist to know that. He/she describes the acid jazz crash which Jamiroquai apparently survived according to the anonymous writer. So he thinks FUNK is called acid jazz because someone wrote it on wikipedia and printed it on CD Covers! I rest my case. I suppose one shouldn’t be surprised, it looks like the New World order have taken over that country as well. Tellingly David Icke has just been banned from entering Australia by the communist global cabal. If they can’t stop people telling the truth they will lie. Take a look at the quality of journalism down under and you will find it’s just as bad as all the controlled N.W.O western mainstream media nowadays. Keep this in mind when you read that article. The old 70”s “Skippy” Aussie of my era Skippy the Bush Kangeroo was the program that introduced our generation to Australia back in the 60’s & 70’s. In the 80’s the younger generation knew Australia thanks to Paul Hogan and soaps like Neighbours. The thing I will add is this. Australia in our day (70’s/80’s) knew the FUNK, there was often talk of the Aussie Soulheads in London, in Blues and Soul magazine or on Pirate radio. In fact the only accurate review of a jamiroquai album I ever saw on line actually came from Australia. It described Funk Odyssey (2001) as being a series of pastiches and that people shouldn’t see the album as belonging to Jamiroquai although he didn’t say which tracks. He was right, I heard them too and I can tell you were all those songs come from because like him I know FUNK, Just scroll down. So if you’re a younger person don’t judge the Aussies knowledge of the Groove on this PR BS. There will be plenty of old school Disco era Aussie Funksters out there who can pick apart any Jamiroquai song. And they too will laugh in your face if you try and tell them that Jazz FUNK is called acid jazz and was invented in 1988 by a London DJ as acid jazz records are trying to claim. They know who Stevie Wonder James Brown and Roy Ayres are. They know what Motown, Beebop and the Blues are. Trust me you won’t find any old school Aussie who will refer to the FUNK as acid jazz. Ask them. They will be in their mid 50’s and upwards. And they too will not want to see their heroes robbed or die in poverty because of greedy record companies.
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
YOUTUBE. If I had told people 5/6 years ago about the tactics used by Jamiroquai and acid jazz records to suppress information then you wouldn’t have believe me luckily Nowadays people are ware of n.w.o tactics trolling tactics and shadow banning. As with ABC Australia, and BING/YAHOO search engine, probably insiders in you tube assisted jamiroquai and acid jazz records with deleting list of Jamiroquai’s plagiarism and comments referring to the cultural appropriation of SOUL as acid jazz. They also apparently assisted Kay and his crowd of criminals in obtaining peoples addresses in order to track them down.
MUSIC BANTER FORUM DELETED THE JAMIROQUAI PLAGIARISM LIST. The owner of this forum Lech a criminal who is also involved in their “Jewish”cyberstalking, and harassment. Satanic criminal and “Jewish” Gangstalker Lech Mazur, assisting Acid Jazz and Jamiroquai in stealing Black Music and Black culture. From Chicago are we Lech? that’s the home of MOTOWN isn’t it? Do your clients know you spend your time on the internet trolling people Lech? Do the African American residents of your City know you are assisting in wiping their culture out of history Lech?
This CRIMINAL gang-stalker is a member of their crowd. He is the C.E.O of ADVAMEG, INC. He hurriedly deleted his photo from the company website when this was mentioned several months ago.
Lech Mazur owner of Music Banter forum and part of their criminal crowd instantly deleted the SOULHEAD TALES jamiroquai plagiarism list within minuets and banned the account. There is a concerted effort going on all across the Internet to delete any reference to the plagiarism of Jamiroquai. They are trying to write from history all the bands that they have stolen from and indoctrinate the next generation into believing that FUNK is a serpent genre called acid jazz. They know full well, that my list THE SOULHEAD TALES destroys their lie which is why they are so desperate to delete it anywhere they find it.
One of the trolling comment they mad in addition to the racial abuse is the ol you’te gay commentGay am I Lech? Really. Well, have you or anyone of your degenerate satanic mates has ever seen me go anywhere near a man with your remote viewing, scrying etc? I can guarantee you haven’t and so can anyone else with a simple Yes or no reading. Does he sleep with Men and does he go out with Men. Yes or no. Are you sure you’ve been monitoring the right Internet address Lech you criminal? You have never seen me physically tough anyone of my own sex and nor will you ever. And as I said to one of your trolling profiles I think it was ZAPP ROGERSTEIN. I have nothing against gay people so calling me that is no problem infact I don’t even regard it as a slur.
There are androgynous spirits and some of these transgender people are actually very ancient Souls. A Gay, Lesbian or Trangender as long as they aren’t satanic filth outrank a low vibrational being like you and your mob in every way. They too are Children of the Mother Planet unlike parasites like you whom She is going to deal with…. but wait a minuet Lech! If people were to do a reading on a satanic lizard like you what would it tell them? You’re in the SYNAGOUGE OF SATAN Lech! Oh what Irony. And pray tell me Lech what are YOU and the reat of yout gang sexually attracted to you ugly bent nosed serpent huh? What does you lizard demand of you you disgusting satanic pos. Do you think we don’t know what you lot get up to at your degenerate ceremonies. 10 years ago everyone would have said we are mad if I told them what you do but now the public are becoming aware .
And Isn’t homosexuality part of the darksiders land? You all do it and other things I won’t mention. Iknow what you drink and what you eat too LMFAO!!!! You lot are the ones in the closet not me. And pray tell me who was it that dressed up in women’s clothes and wouldn’t stop trying to fondle a dwarfs bottom. Ive seen the making of the feels just like it should video. Why would you fondle a male dwarfs bottom!? lol. that not only proves homosexuality it also suggests something else. Satanists should be very careful when speaking about sexuality. I know what the sacrament of the satanic church is. And I know all about what happens during satanic ritual child abuse. And people like you and especially you Lech should be very careful because I am one who will talk as you have found out. Anyway welcome to my blog lech. Its been a long time coming hasn’t it. Justice is starting to be served. Oh I’m sorry Natural Law doesn’t apply to you does it hah. You’re a criminal and a ganstalker Lech now sue me. I’ve been calling you that or over a year. No legal action? Get out of it you arrogant bent nosed serpent.
At the same time acid jazz hid the WHOIS data on one of their websites. Like all these bullies Lech is a coward. This is the same tactic he uses in his gangstalking.Except now we know who he is!
11.
Idiot criminal Actor Melvin Huff FAIL-gle-IN PROGRESS
THEY CAN GO FUNK THEMSELVES. JUSTICE WILL BE SERVED
DEFENDING THE LEGACY OF 20th CENTURY SOUL FROM LITTLE EDDIE PILLAR, GILLES PETERSON, ACID JAZZ RECORDS AND THEIR INTERNATIONAL CABAL OF CULTURALTHEIVES LIARS, DISINFO-AGENTS, BLACK MAGICIANS, ASSASINS AND MURDERERS. THEIR NUMBER ARE FEWER. IAM STILL HERE
Acid jazz types Jamiroquai members and their mob haven’t sued me for libel or defamation of character in all these years as everything I ve said is true. Isn’t that right it Kay and Peterson? They won’t dare try any more record industry satanic murder rituals against me because they know what happened to some of their mates will happen to them. So now they are just relying on corrupt and bent members of the metropolitan police to shield them by deleting the evidence they think we don’t have.
THE GREAT THEFT OF FUNK…..THE STORY CONTINUES….
As I wrote back in August 2023……The Story Continues. Been watching the News recently? Notice how all these BBC and or former BBC types being are now being arrested /prosecuted/sacked for all manner of disgusting criminal activities. Stalking, Sexual misconduct etc etc. You will also see a number of bent/ corrupt Metropolitan Police officers being dismissed for misconduct. Well, amazingly Gilles Peterson is still at large and being protected by corrupt metropolitan Police officers. Aren’t you Gilles Peterson. YOU ARE A CRIMINAL GILLES PETERSON. AND SO ARE YOU JAY KAY YOU UGLY MURDEROUS LITTLE SERPENT. Speak up! Your “Jewish Gang stalking” hasn’t worked. You and your mate’s record industry Black magic rituals have rebounded and killed some of you. Why don’t you take legal action against me you ugly degenerate satanic filth. This story is well known now. It’s only a matter of time……Justice will be served.
Where have you been, you’ve been promising this website for ages? Well, believe it or not people like me have many other battles to fight in the World. all the information you need to stop these serpents from stealing someone else’s culture, rebranding the Funk whilst trying to re-write history is already uploaded. They cannot defeat the SOULHEAD TALES. Jamiroquai can never claim to be anything other than the bunch of plagiarists and music thieves those of us who lived the Disco years know then to be. And neither can their mates in Acid Jazz records argue with or delete the musical archives of the 1980’s. And of course they can’t tell you the name of an acid jazz track. Their attempt to Rob the African Americans of their musical legacy by reclassifying it as so called “acid jazz” will fail. There is no such genre and these 1990’s Serpent Infiltrators of our culture do not speak for the legacy of Black Britain or Black British music of the 1950’s, 60’s, 70’s and 80s’. Acid Jazz records, Jamiro-CRIME and the Globalist serpent does not speak for the FUNK.
Apparently……Handbook of Masonry, page 183
You must conceal all crimes of your brother Masons…and should you be summoned as a witness against a brother Mason be always sure to shield him…It may be perjury to do this, it is true, but you’re keeping your obligations.
Where are you Gilles Peterson you degenerate satanic criminal?
EDIT MAY 2015….
WHERE ARE YOU OH GOD OF 1980’S BLACK BRITISH SOUL WHO NONE OF US HAD EVEN HEARD OF IN THE 1980’s? INVENTOR OF A BLACK MUSIC GENRE YOU CAN’T NAME A SINGLE TRACK OF…..BECAUSE THERE IS NO SUCH GENRE….BECAUSE YOU THINK PEOPLE ARE SO FUNKING STUPID THAT THEY CAN’T RECOGNISE THE 1970’S FUNK ON JAMIROQUAI ALBUMS THAT YOU CLAIM YOU INVENTED!!
So where were we, Oh yes….Gilles Peterson, Jay Kay and others involved in criminal harassment Protected by corrupt elements in the Metropolitan Police. Gilles Peterson is a criminal who has been involved in several years of cyber stalking criminal threats and criminal harassment along with members of Jamiroquai to suppress the Information on this blog. Gilles Peterson Murderous duplicitous criminal and the front man for the great theft of FUNK.
Gilles Peterson along with others has been involved in a nearly a decade of criminal harassment, Cyber bullying, trolling and murder threats to try and suppress the information on this blog. And as those of you who read tarot will see he colluded to try and have men murdered just for speaking the truth.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM-
A Response to quotes (Lies) by Jay Kay
David Icke is controlled opposition. However take what he says seriously.
According to a Wikipedia page written by Gilles Peterson and his mob. Gilles Peterson apparently”invented” a Black music genre in 1988 which spread across the globe thanks to Jamiroquai , The Brand New Heavies and Incognito. They don’t name a single track belonging to this genre because there isn’t one. There isn’t one because there is no such thing as a Black Music genre called acid jazz. As the Black Music archives, Soul charts, club reports, Album reviews, T.V Shows of the 1980’s will prove. Its a complete crock of BS.
The systematic theft of 20th Century Soul Music by Eddie Pillar, Gilles Peterson and acid jazz record label created in 1988
Eddie Pillar and Gilles Peterson are infiltrators of Black music here with an agenda. Peterson is irrelevant to our culture. He’s an overrated pirate radio Jazz DJ who has never had a hit in his life. Yet all over the Internet, on Wikipedia and in the serpent controlled mainstream media he’s being pushed forwards as the “inventor” of a Black Music genre which doesn’t exist. As any Authentic 1970’s Funkster who knows what these sounds are will tell you there is no such thing as a Black music genre called acid jazz. It is not a genre a sub genre or a style of Jazz, Funk or Soul.
AND YOU CAN SHOVE YOUR THREATS
We work for the dark side….”Reptiles are very real”
The satanicJamiroquai/Daft Punk/ Acid jazz gangstalking cabal
I Know that. Your reptile couldn’t save any of you, your murderous Black magicians the last time though could he!? and your Masonic assassin never reached his target did he. You evil parasitic murderous degenerate filth.
THE SUPREME BEING IS VERY REAL TOO.
The Ntoroh/Neteru of ancient Egypt today called The Abossom, The Orishas, The Voduo, The Nkisi, The Loa, The Arussi havent gone anywhere! Are not metaphores or spirits or “Powerful African energies” feared by occultists the world over. They are living thinking comunicating extensions of The Supreme Beings. Not the fake Abrahamic Male lunatic god cooked up by your SERPENT mob 2000 years ago the REAL supreme beings.
AMEN AND AMENET
Do they not teach you generational serpents from childhood what primordial energies are? Do they not warn you to steer clear of these energies or of certain ancient bloodlines who are still connected to them? You have no defence against any ritual sanctioned by these deities. What makes you think that signing bloodline contracts or entering into agreements with low dimensional low vibrational “bacteria” for fame or money puts you in charge of the universe or gives you the right to decide who lives and dies. Those beings are sacred and they exist for a purpose. you’re all just too greedy and stupid to understand what that purpose is.
“Those creatures live for thousands and thousands of years. They are older than you, smarter than you and wiser than you. If you conjure up one of those creatures and you think he has come to help you then you’re an idiot”
.– Jay Parker Satanic Abuse Survivor
Targeting the wrong individual
Dr Eric Karlstrom (Gangstalking Mind Control Cults)
“They use teams of dark occultists and low ranking black magicians to target people. Sometimes they target the wrong individual”
The one they (Globalist satanic Illuminati) fear the most is KALI- Jay Parker
“What do they fear? they are concerned about some of these energies
The one they fear the most is KALI”.- Jay Parker
“You had better be careful with that which we serve because what we serve isn’t human either”
-Field Mc Connell
“Well, If they want to use rituals against us well then we certainly know how to respond”-
John Lamb Lamb Lash
Literally not a cat. Another energy whom like KALI-MA is known to deal with idiot Satanic filth stupid enough to Provoke them (make their energy stream aware of them).
This is a work in progress however the most important Information THE SOULHEAD TALES Jamiroquai’s Plagiarism, And 10 Easy Ways To Debunk The Acid Jazz Lie are still here.
They both still need a bit of tidying up and I have more music to add when I get round to it. However all the major information you need to destroy this ongoing satanic acid jazz campaign against Black culture and debunk the lies of Jay Kay and Jamiroquai is present. Neither party can defeat what I have written which is why of course they have committed the crimes that they have against me some of which is detailed on this blog. Including several attempts at ritual murder. Do your Tarot /Orcale readings on these evil murderous satanic bitches and see for yourself.
I have placed the links below so please scroll down and Ignore the rest. That is the story of how this site came to be and the Criminal methods used and being used by that stupid little satanic “serpent” Jay Kay of Jamiroquai, Gilles Peterson, Lech Mazur of Advameg, Actor Melvin Huiffnagle and the rest of their gang of satanic knobheads in an attempt to silence me. As I said back in 2016 THEY CAN COLLECTIVELY FUNK OFF.
The SoulHead vrs The Serpents
Truth vrs Deception
MUSIC THIEF AND CRIMINAL JAY KAY OF JAMIROQUAI CLAIMS THAT HIM AND HIS BAND OF TALENT LESS CROOKS WROTE ALL THE MUSIC THEY STOLE BY THEMSELVES. WELL I LIKE ALL 1970’s/ 1980’s FUNKSTERS SAY OTHERWISE. HERE’S THE PROOF.
Celebrating 25 years of cultural theft. A silver Jubilee of STEALING, rebranding and culturally appropriating FUNK.
THERE IS NOTHING IN BLACK MUSIC CALLED ACID JAZZ. IT DOES NOT EXIST. IT IS NOT A GENRE OR A SUBGENRE. IT IS THE NAME OF A SATANIC RECORD LABEL WHO’S SOUL PURPOSE WAS/IS TO TAKE CREDIT FOR AND TO CULTURALLY APPROPRIATE FUNK. THROUGH MISLABELING, REBRANDING AND FALSE INFORMATION.
Whichever idiot thought they could re-write the History of Black London and get away with it obviously forgot about the Black Music publications of the era!. You will find NO RECORD of anything that the Synagogue of Satan have written on Wikipedia ever taking place here in 1980’s London as the Music mags, Soul charts, club reports and Soul TV Shows will prove.
Gilles Peterson “often credited” with originating the genre..WHAT GENRE?
CREDITED BY WHO?……….. WHAT GENRE?………… IT’S CALLED FUNK
Gilles Peterson still at large. Invicta F.Ms “godfather” of Black British and Black American Soul”..according to the synagogue of Satan. Even though he’s never had a hit record in his life and hardly anyone has ever heard of him in Black London REGARDLESS of what their media shills will have you believe. This ugly looking satanic criminal has been involved in several years of cyber bullying criminal harassment and has conspired to commit murder to try and silence people .
JAY KAY AND GILLES PETERSON PROTECTED BY CORRUPT METROPOLITAN POLICE OFFICERS.
Coming Soon- Evidence that the Metropolitan Police claim has gone missing!
Jay Kay of Jamiroquai and Invicta FM’s Gilles Peterson involved in Hacking , cyberbullying and Murder threats. They claim they are untouchable….Because apparently “Most Judges and Lawyers are Jewish”
Shall we say “elements” both corrupt and non corrupt in The London Metropolitan Police have been aware of these crimes for several years. Both of these criminals are being protected by Corrupt Masonic Metropolitan Police Officers. Both of these criminals are being protected by Corrupt Masonic Metropolitan Police Officers Who claim that Evidence (Some of which is featured on this site has gone missing). In other words they deleted the evidence (Screenshots) from the report.
They are fully aware that Gilles Peterson, Jay Kay, Americans ADVAMEG CEO Lech Mazur and Actor Melvin Huffnagle are guilty of Criminal harassment, cyberstalking and murder threats. You cannot prove attempted murder by rituals in a court of Human Law but there are many of you out there with enough knowledge of real science to do just that through your Water, bones, feathers Tarot and other divination’s.
MURDEROUS SATANIC CRIMINAL GANGSTALKERS
Criminals From left to right; Jay Kay, Gilles Peterson, Lech Mazur and Melvin Huffnagle. These are Libelous comments sue me if you dare!
You DARE to threaten me you degenrate low vibrational satanic filth.
You couple of evil ugly looking murderous swine.
JAY KAY OF JAMIROQUAI, GILLES PETERSON YOU ARE BOTH CRIMINALS AND HAVE BEEN INVOLVED IN HACKING, THEFT, CRIMINAL HARRASMENT, CYBERBULLYING
(Provable in a court of Law)
AND SEVERAL COUNTS OF ATTEMPTED MURDER USING BLACK MAGIC RITUALS AND ASSASINS TO MURDER A MAN IN COLD BLOOD JUST SO THAT YOU CAN STEAL. (Provable by Intuatives, Tarot , Oracle readers …)
I have been daring Kay of Jamiroquai and Gilles Peterson to sue me for Libel for several years now. Kay since 2017 and Gilles Peterson since 2019. Of course they cannot. One of them has continued to try and commit murder using a so called Masonic Black Magician who has been taking the money but not daring to perform the rituals. Probably because he has found out what happened to the now nearly 20 people who have tried in the Past. Black Magic is a dangerous thing to try as some people in this Jamiroquai acid jazz cabal discovered a few years ago.
HOW TO DEBUNK THE GREAT THEFT OF FUNK
THE ONGOING SYTEMATIC RE-CLASSIFICATION (THEFT) OF 20TH CENTURY R&B BY EDDIE PILLAR , GILLES PETERSON AND THE SYNAGOUGE OF SATAN.
THE GLOBALIST SERPENT IS TRYING TO STEAL THE FUNK. THROUGH DISINFORMATION AND THE MASS RELABELLING OF ALL STYLES JAZZ, FUNK AND SOUL AS SO CALLED ACID JAZZ.
The fact that these two satanic cultural thieves Gilles Peterson and Eddie Pillar decided they were going to walk into Black musical Culture in the late 1980’s and re-classify rename THE FUNK after their Zionist record label Acid Jazz does not constitute the existence of a Black Music genre called acid jazz. There is no such genre. Infiltrators of Soul Music Gilles Peterson and Eddie Pillar to do not speak for or represent Black Music here in London England or anywhere else.
There is no such genre as Acid Jazz. Acid jazz is the name of a satanic record label which infiltrated our Soul movement way back in 1987 and shortly there after began printing the words “this is acid jazz” on the front cover of Soul compilations. Now over 20 years later they fraudulently claim that “Acid Jazz” is not just a record label but acteually a Black music genre which came out of this city London in 1987. Apparently invented by a criminal DJ Gilles Peterson who was practically unknown at the time and has never had a hit in his life. Well regardless of what so called 1990’s and new millenial so called “Black music experts” who clearly know jack s**t about 1970’s/1980’s FUNK claim on Wikipedia . Iam here to tell you that there is no such thing as a music genre called acid jazz. It does not exist . And no Satanic DJ or his pparacitic record label based here in London is responsible for any style of Black Music here in London at anytime.
TEN EASY WAYS TO DEBUNK THE ACID JAZZ LIE
They are trying to re-write Black Music History. They are trying to claim that they are responsible not only for the sound of Britsh Soul but for literally every style of Black AmeriCan Soul of the 20th Century.
This is THE GREAT THEFT OF FUNK,
As an AUTHENTIC London Funkster of the 1970’s/1980’s I will show you how to completely destroy the cultural myth being created across the Internet by Eddie Pillar, Gilles Peterson, Acid Jazz records and their gang. An International “mastermind group” as Napoleon Hill once put it, from places like Eastern Europe, Germany, Israel, Holland, Canada, Sweden the U.S and here in England all working together to essentially disenfranchinse Black America and Black Britain from their musical legacy. This is nothing less than a hostile attack on Black culture by The Synagouge of Satan who think that they can use the same tactics of smoke and mirrors, deciet, subterfuge and lies to fool people on the music they grew up with in the 1970’s/1980’s! Well none of that mob knows anywhere near enough about THE FUNK to fool me on my own groove I will show you how to completely destroy the cultural myth being created across the Internet by Eddie Pillar, Gilles Peterson, Acid Jazz records and their mates in their Globalist cabal.
ACID JAZZ RECORDS. THE SATANIC LABEL TRY TO WIPE 50 YEARS OF BRITISH SOUL OUT OF THE HISTORY BOOKS AND CULTURALLY APPOPRIATE ALL STYLES OF 20th CENTURY SOUL MUSIC. HERE’S HOW TO DESTROY THEIR CAMPAIGN.
Please Click Below for all the Information you need to destroy this now 30 year campaign of Cultural Theft by this INFILTRATOR Satanic record Label. Neither Gilles Peterson, Eddie Pillar nor Acid Jazz records are responsible for ANY style of Black Music here in London England during the 1980’s or at any time. I was there and so were thousands of us ORIGIONAL 1970’s/1980’s London Soulheads and at no time did any of us ever refer to any style of Jazz Funk or Soul as “acid jazz” or Club Jazz. Regardless of the lies they have written on their Wikipedia page
Printing this is acid jazz on the front cover of SOUL/R&B compilations does not constitute the existence of a Black Music genre called Acid Jazz it does NOT exist. Acid Jazz and Club Jazz are both names invented by Peterson, Pillar and the Synagogue of Satan to culturally appropriate THE FUNK. They think that they can use their traditional tactics of Smoke and Mirrors to steal someone else’s cultural. However Smoke and Mirrors do not work in Music! Further more they cannot tell you the name of a single so called acid jazz track belonging to a non existent genre they claim was invented by Peterson! They have created nothing and neither do they have any right to re-classify the Legacy of Black American Soul.
THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A Reponse to quotes (Lies by Jay Kay)
“Taking other peolpes Music, That’s Plagiarism”. Say the biggest, lying, thieving Plagiarist in Music history!
Music theif Jay Kay of Jamiroquai has been involved in nearly a decade of Criminal harrasment, cyberbullying, theft. Numerous websites have deleted this list including Music Banter in an attempt to supress the Music theft of Jamiroquai. He they have also made sever attempts to commit murder using Sdatanic Rituals and Masoonic assasins. I am Still here (Do your Tarot/Orcacle Divinations)
“Quotes by Jay Kay”-“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
An old “Native” American Legend” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
You Will Choke No One. The Abossom And The Ancestors Will Choke You First.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s? Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
There is nothing in Black Music called Acid Jazz except for an Infiltrator record Label. They claim on the Internet that Gilles Peterson Invented a Black music genre called acid jazz. No such genre exists. They claim that this imaginary genre broke into the mainstream and spread to America thanks to Jonathon Rudnick and Maurice Bernstein who none of us have ever heard of Thanks to Jamiroquai and The Brand New Heavies. Those two bands played THE FUNK. So ask Gilles Peterson what aspect of their sound does he claim credit for. NONE of those sounds were invented here in London ion the 1980’s and anyone who tells you they were knows NOTHING WHATSOEVER ABOUT BLACK MUSIC.
PILLAR AND ACID JAZZ RECORDS,1990’s INFILTRATORS OF BLACK BRITAIN ARE RE-WRITING 1970’S/1980’S BLACK BRITISH SOUL OUT OF HISTORY ON WIKIPEDIA
THE GREAT THEFT OF FUNK
On the Jamiroquai and Acid Jazz Wikipedia pages which they have taken over against the rules of Wikipedia (Conflict of interests),they delete comments, delete accounts and even ban I.P adresses. Eddie Pillar brings in a Gatekeeper to guard his page of lies which re-writes Black Music history.
THE SATANIC RECORD LABEL BEHIND THE FRAUDULENT MASS RECLASSIFICATION OF 20TH CENTURY SOUL MUSIC INTO SO CALLED “ACID JAZZ” WHICH THEY CLAIM ON WIKIPEDIA IS A BLACK MUSIC GENRE INVENTED BY CRIMINAL GILLES PETERSON.
THIS IS ACID JAZZ?…… SAYS WHO?…YOU?
BING SEARCH ENGINE ARE ACTIVELY ASSISTING JAY KAY OF JAMIROQUAI AND ACID JAZZ RECORDS IN COVERING UP THEIR CRIMINAL THREATS, CYBERSTALKING AND HARASSMENT
In order to try and silence people Gilles Peterson has been involved along with Jay Kay and other idiots in a campaign of criminal harrasment. Including racial abuse, Cyberbullying, hacking and murder threats.
Not looking to confident now are you bully boy. Scared of the evil eye are we Gilles Peterson. Know all about the occult don’t you. The satanic criminal who has never had a hit in his life is apperently The creator of the Black British sound of the late 1980’s which they claim is called “acid jazz”…. according to the Synagouge of Satan on wikipedia and all over the Internet. There is no such genre.
You are a nasty racist criminal bully Gilles Peterson. A fraud and a liar. You masquerade as a nice bloke whereas in fact you are an evil nasty piece of work Gilles Peterson. You are an arrogant satanic criminal Gilles Peterson. Whats the matter? a couple of years ago you and your mob were bragging about belonging to the Dark side and telling me that Reptiles are very real! You have been involved in criminal activities including harassment, cyber bullying and death threats Gilles Peterson. You are an arrogant criminal Gilles Peterson. Go on sue me. Jay Kay hasn’t done so in nearly three years. You can’t though can you Because everything I said is true. …. And you know it can be proven.
You lot claim in your trolling that most judges and Lawyers are Jewish. You’re untouchable aren’t you Gilles Peterson?And what’s this Black music ”genre” you supposedly invented, according to American Satanists and Zionists on Wikipedia and all over the Internet. Which exact style of Black music on Jamiroquai albums do you claim is your invention, former invicta F.M DJ, Gilles Peterson. Why are you listed as a “notable acid jazz artist” alongside Jazz, Funk, Soul, Latin Rare groove, New Jack Swing and Neo Soul acts whom you and Eddie Pillar claim play a music genre invented by you in 1988.
LIES LIES LIES- The Synagogue Satan hold Black Music and the History of Black British SOUL and 20TH Century SOUL/R&B hostage on Wikipedia.
“Acid Jazz”-The INFILTRATION and the systematic fraudulent mass reclassification of 20th Century Soul. Below the fraudulent history of FUNK in 1980’s Black London which claims that Gilles Peterson is essntually resonsible for the Rare Groove Tributw sound of Black Britain. Created by bands like Light of the World, The Passadenas, Soul To Soul, Omar, The young Disciples and many others. You will find no reference to anything they have written above on their wikipedia page in any Black Music publication, Soul chart, club report or Black Music T.V show of the 1980’s. It is a total LIE. There is no such thing as a Black music genre called acid jazz that originated in the “Rare groove London club scene” and that is NOT how the London underground worked anyway.
Taking other peoples Music, That’s Plagiarism-Jay Kay
THE SOULHEAD TALES-A response to lies by Jay Kay
Now we come onto the other part of this story. Satanic Acid Jazz records and satanic Jamiroquai (Who made the good old deal with the devil) are working hand in hand. Arrogant little serpent Jay Kay of Jamiroquai is a notorious music thief and pickpocket. He is known for it. But not only that he is a criminal who has been involved in several years of criminal harassment against me to try and intimidate me. Now this stupid silly little satanic idiot seems to thing he can intimidate people. He can’t.
When you go through the SOULHEAD TALES see how many of the bands they stole from are given credit. I can see none. Jamiroquai are/were an intrinsic part of this cultural grab. I saw were. Well they can no longer claim they play this non existent acid jazz genre any-more because of THE SOULHEAD TALES which classifies all their songs and basically debunks their Discography with the truth. The idea was to use Jamiroquai to assist them in culturally appropriating Soul music by claiming that they were playing this so called acid jazz genre invented by Gilles Peterson.
This B.S coupled with their systematic fraudulent mislabelling of THE FUNK and their fake version of history duplicated all across the net and their campaign of censorship would gradually Indoctrinate the global masses over a period of years. Give it another 20 years and they will start claiming that they invented Soul and that the African Americans are only capable of rap! In fact they already have, See Jay Kay’s comment in which he castigates Black Kids for wanting to Rap over” our” tracks when he’s stolen just about all of it
“Where am I a Plagiarist? There’s not one thing on that album we have taken we don’t do that,-Jay Kay
So Then Explain THE SOULHEAD TALES—Kwabena Nkwatia
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else- Kwabena Nkwatia
As a decicated and Authentic. Soulhead who was actually Jammin’ in the night clubs of London in the Post Disco era, sounds of which Synkronised mimicked neary 20 years after the fact, I can show you exactly where he is a Plagiarist. Not just on that album but on all their Albums. It should be noted also that Jamiroquai are the major band that Eddie Pillar and his crowd claim are playing This so called “acid jazz” genre which they claim was invented by Gilles Peterson. Thats because they think they can fool us on our own sounds. There is no such genre.Well see how well they fool me on THE FUNK in THE SOULHEAD TALES. Then ask Gilles Peterson or Eddie Pillar to tell you exactly what is “acid jazz” and not the 1970’s/1980’s Funk, Jazz Funk, Two Step, Cosmic Funk, Go Go, Electrophonic Phunk, Electro, Latin Bossa/Samba That this AUTHENTIC Jazz Funkateer of the 760’s/80’s Classifies it as.
Thats right the silly little bastard thinks he has the right to kill someone simply for writing a list of music to give credit to the bands he stole from. This from the biggest crook and plagiarist in the history of Music. like all serpents he lies everytime he opens his mouth. And anyone who grew up in the 70’s knows he’s the biggest pickpocket there ever was. So seeing as he is also trying to claim ownership of what does not belong to him I created THE SOULHEAD TALES.
In this document I go through all of their albums song by song, line by line and shows where I think he stole all these sounds from. Eddie Pillar, Gilles Peterson and their global disinffo agents still claim that Jamoiroquai’s 70’s/80’s Funk retreads are actually a music genre invented by Invicta FM DJ Gilles Peterson another criminal who has also been involved in criminal harrasment. That is because Eddie Pillar Gilles Peterson and their Mates ion the synagoouge of satan think they can fool people on Black Music with their serpent smoke and mirrors! Well Smoke and Mirrors don’t work in Music. We can hear it.CLICK HERE FOR THE SOULHEAD TALES
THE SOULHEAD TALES IS ALSO A RESPONSE TO THEIR LATE NIGHT TALES
Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from. They just copied and pasted other people music.Jamiroquai albums are basically snapshots. Pastiches of the different frequencies and grooves of 70’s/80’s FUNK. Don’t take my word for it just go through the SOULHEAD TALES
Acid jazz is not a Black Music genre becuase the synagouge of satan claims it as such. Eddie Pillar and Gilles Peterson have NO business walking into Black cultire and reclassifying the legacy of James Brown and 20th Century Soul/R&B.
WHO DO YOU THINK SPEAKS FOR BLACK BRITISH SOUL? THE BANDS WHO CREATED IT? OR EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS
THE ACTUAL CREATORS OF ONE OF THE SOUNDS EDDIE PILLAR AND GILLES PETERSON CLAIM CREDIT FOR ARE STILL AROUND. IF YOU WERE NOT AROUND IN THE 70’s/80’s I WILL SHOW YOU WHO SOME OF THEM ARE SO YOU CAN ASK THEM FOR YOURSELVES. MANY OF THEM ARE AWARE OF WHAT IS HAPPENING. AWARE THAT ACID JAZZ RTECORDS AND THEIR GLOBALIST MATES IN THE SYNAGOUGE OF SATAN ARE TRYING TO ERASE THEM FROM HISTORY.
Jazzie B and Caron are still around, So are Carl and Nick from Loose Ends.
Infiltrate then take over from within Who do you think is responsible for Black British Soul? Eddie Pillar and Gilles Peterson?
BRITISH BANDS
Everyone from Delegation, Hi Tension and Junior Giscombe, The first Brit to score a no1 in The States to Soul To Soul , Loose Ends and Billy Ocean, People who made our sound famous worldwide are being wiped form history by Acid Jazz records and their mob of history revisionists. As if they are responsible for an style of Black Music. Other than the fact they print their names allover SOUL MIXES.
In a completely bogus version of History Eddie Pillar Gilles Peterson and their International cabal of people from Places like Eastern Europe, France, Holland, Israel, Germany and even here in the Are rewriting the history of British Soul.
PILLAR PETERSON ACID JAZZ RECORDS RE-WRITE THE HISTORY OF BLACK LONDON AND THEN BRING IN A “BOHEMIAN GROVE” GATEKEEPER.
MICHAEL BINK KNOWLES THE AMERICAN RE-WRITING THE HISTORY OF BLACK LONDON AT THE BEHEST OF EDDIE PILLAR AND ACID JAZZ RECORDS.
Above Micheal Bink Knowles. An AMERICAN from California who doesn’t seem to know where Essex is yet deems himself qualified to preside over a page about Black London of the 1980’s. I was there, So were hundreds of thousands of Funksters. Knowles comes from California. What does he know about 1980’s Brixton, Peckham, Brockley, Tottenham, Seven Sisters, Camden, North London. What does he know about London blues parties and the West end clubs of the London Soulhead underground of the post disco era and the 1980’s?
Michael Bink knowles set the sound system up at Bohemian Grove the satanic retreat exposed by globalist shill Alex Jones. Yes he’s the right Man to speak for Black London of the 1980’s isn’t he.
The dull care ritual is where psychopathic dark occultists (Aka Satanists) go every year to shall we say pay tribute to Moloch. The dark entity they used to sacrifice babies to. These dark entities feed off of negative energy and fear. And these are the creatures and their “human” proxies have been controlling the Planet behind the scenes for thousands of years. Now regardless of if you think people like David Icke, Jay Parker John Lamb Lash are controlled opposition or not. Take what they tell you seriously because I know what these creatures are too. The Serpent being is no stranger to ancient African bloodlines of previous civilisations. What the Zulu Shaman Credo Mutwa calls the Chitahuri, The Akan call the Nkitrema. Serpent Children. I know what they are. I have been dealing with some of them for the past decade.
MEET THE AMERICAN ASSISTING EDDIE PILLAR, GILLES PETERSON & ACID JAZZ RECORDS IN REWRITING THE HISTORY OF BLACK BRITAIN, All the bands of the 1980’s are being replaced by 1990’s Acid Jazz records like the Brand new heavies or Jamiroquai who did nothing but Steal as you will see from the SOULHEAD TALES. They know its a lie which is why they have brought in Wikipedia Gatekeepers.
I WILL SHOW YOU WHERE THEY STOLE MOST OF THEIR MUSIC FROM AS I SEE IT IN THE SOULHEAD TALES Jamiroquai’s Plagiarism-A response to quotes (Lies) by Jay Kay
Those who came for THE FUNK. This site is being reorganized at the moment and updated, owever the two most important parts of this blog, Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation and Jamiroquai’s Plagiarism list aka THE SOULHEAD TALES-A response to quotes (Lies) by Jay Kay is above.Or you can scroll down for the Individual albums.
Its still being tidied up a bit but you have more than enough information to both destroy Acid Jazz records attempt at cultural theft and to restore all the music stolen by Jamiroquai to the actual creators whom they are trying to rob and write out of history all over the Internet. They have given no credit to any of these bands and as you have seen Jay Kay claims they wrote all this music themselves
So you can play your part in restoring JUSTICE.There is no such thing as a genre called “Acid jazz” or “Club Jazz” in Black Music. Regardless of what any outsider decided they were going to start calling THE FUNK.
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN. A clueless New Millenial Journalist fom Autralia trying to give lectures on music here in 1980’s Black London.
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. there is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
A new Millenial AUSTRALIAN Journalist lectures on 1980’sBlack London
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees, Rod Temperton, David Bowie, Elton John, The Average White Band, komoko, Jeff Lorber, KC and the Sunshine Band, Simply Red and all the other countless non Black Bands who contributed to 1970’s/1980’s FUNK. I mean what music does this idiot think that The Beatles, The Rolling Stones, The Animals and all our 1950’s/1960’s R&B bands were playing.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7)No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH? When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread and got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk. net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
THE SOULHEAD TALES-
JAMIROQUAI’s PLAGIARISM A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies!
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s {Black Britain or Eddie Pillar, Gilles Peterson and The Synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David Icke has been telling you about for years. qAnd John Lamb Lash before him.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Level 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s whom Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool authentic 1970’s Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charle
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai /daft punk/ acid jazz cabal. Remember they belong to the same globalist crowd.
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. NO mention of Earth Wind and Fire.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, Roy Ayers, Rick James, Isaac Hayes etc etc. YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES. Well of course that’s the plan.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OF
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s. They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice- Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK ARE A PART OF THIS CROWD
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal
THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY
Everyone from the late great Kenny Lynch to Omar Lye Fook secretly being erased from history on wikipedia and all over the Internet by Gilles Peterson, Eddie Pillar and their International mob. Whilst in public they parade as if they are fans of Black music and of Black Britain. They are not. They are as they prove on Wikipedia nothing more than frontmen for the GREAT THEFT OF FUNK.
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules. Then of course the globalist serpent totally took over Wikipedia as the origional founder has said.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed “expert ” on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
“Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”
…SAYS AN AMERICAN who set up the sound system at the infamous Satanic retreat of Bohemian grove, doesn’t know where Essex is and yet thinks he’s qualified to speak on my city, my community and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICHAEL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA?
You do know, that Caister is the longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, not just in the United States but globally to the school of Funk who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write out of history Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band members restore Wikipedia profiles
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
And NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar, Peterson, Jay Kay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century.
Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS. Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with. They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law. Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include…..
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation”
….Say the idiot new millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees !.
Australian serpent tries to twist things. There is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy idiotic article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims that Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS “HIS” BLACK MUSIC GENRE ACID JAZZ … AND NOT THE STYLE OF FUNK, JAZZ FUNK, LATIN SOUL, NEO SOUL, NEW JACK SWING SOUND I CATEGORISE IT AS.
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOONPart 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH? When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk. net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies!
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can’t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit.They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
Legend of the Iroquois serpent.
JAM-IROQUAI
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two:
“It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:
FROM THE FACE MAGAZINE MAY 1993
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.
“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Jan 2022
—————————————————————————————————————–
Criminal cyberbully Gilles Peterson still at large
YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .
WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.
You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE
LATEST NOV 2021
My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.
Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………
…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!
Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”
French disc jockey invented the term acid jazz?
Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.
There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.
Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!
The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records
As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.
You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK
Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.
BEFORE (BELOW) and AFTER (ABOVE)
Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.
Peterson wanted to go down in history as the Godfather of SOUL!
Acid Jazz known as club jazz says who? There are no such genres. Name a track.
Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre?You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you.Now why would that be I wonder.
I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.
Jamiroquai band member restores Wikipedia profile
THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI
You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.
EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it
An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!
2. Targeting the wrong individual
DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.
KALI -MA
“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”
– Jay Parker (Satanic abuse survivor)
Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.
Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.
CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.
Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.
So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.
Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include
Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI and HACIDIC JAZZ
Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.
“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay
(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)
AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK
Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s
I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.
THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!
Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture
Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?
GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s
Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.
So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.
Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.
THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?
Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…
From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.
On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.
Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum.Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.
Pillar and Peterson s secret War on Black Britain and British Soul History
Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!
The Californian re-writing the history of Black London in the 1980’s!
They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!
WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.
IN PROGRESS….please scroll further down
T1 Part 1.) AUTHENTIC BRITISH SOUL
T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.
T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.
Part 4.) The Great Theft of FUNK
Part 5)Websites and Institutions assisting in The Great Theft of Funk
TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.
The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.
On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.
BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called
LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN
“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.
Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?
Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,
Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.
Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.
How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!
In Part Four
The Pillar Peterson International lie machine are gradually trying to Indoctrinate the global masses all over the Internet into believing Soul music is Zionist genre called Acid Jazz, which originated here in London in the mid 1980’s. That because he thinks he can fool people on Black Music! Pillar is feverishly churning out churning out mix after mix with falsely labelled, Jazz Funk and Soul mixes .
Some of the subjects I deal with in Part Four…
When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!
ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS ACID JAZZ AND NOT HOW I CATEGORISE IT
7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.
8) Nu acid jazz what? Changing the skin color of SOUL/R&B
Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.
*THE REST WILL BE BACK UP SOON
Part 5)Websites and Institutions Assisting in The Great Theft of Funk
v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records
Now whilst Eddie Pillar is feverishly reclassifying every style of Black Music he can get his hands as acid jazz and his history revisionist International cabal of Disinfo agents are posting their lies on every music site they can find Jamiroquai are also doing as much as they can to wipe their plagiarism out of history. These are some of the websites who are assisting them by deleting information covering up their music theft or trying to mislead people. Music Banter Forum, Jamirotalk fansite, The Jamiroquai sub Reddit. Jamiroquai also took over their Wikipedia page and deleted comments, then ran when they were exposed on this website deleting their profiles because they know their movements can be tracked.
THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?
When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!
Deleted from the Jamiroquai subreddit
They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.
“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about
So said Zacktastic- Troll and Mod of the OFFICIAL Jamiroquai subreddit, shortly before he deleted the original Soulhead tales from their site. They do a lot of deleting as you will see below and have hacked this site on several occasions. Each time they do so I add more information.
Deleted /Hidden from Jamirotalk fansite
The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.
Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.
Jamirotalk net and V1 Jamirotalk.net
“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“
All the fans and youngsters on the site who had been lead to believe that Jamiroquai had written their own material were shell shocked as everything they had stolen was revealed in the original Soulhead Tales. Jamiroquai band members were there too and some of the music recommended appeared on the Automaton Album. Including art work stole from me by Jay Kay. He cannot sue because what I say is true.
That was my parting message on Jamirotalk. The very next day The Automaton album was released featuring Artwork stolen from me by Jay Kay of Jamiroquai. Shortly after that in 2017 Jay Kay and several others.
THE FUNKIN SITE ALSO MISLEADS
Funkin Site or someone connected to it is in the loop. Note the date 2005. This list only appeared AFTER the Soulhead Tales was posted on Jamirotalk In 2016 but they have left the date there to make it look as if it had been there all along. Before then there was no mention of these acts. This list was altered around the same date that ‘Rob’ deleted the plagiarism list on the Jamiroquai Wikipedia band page to try and hide it. The very next day saw the sad death of A Band Member. If you’ve been on the site before and many of you will have you will note also that any references to this Fake News Acid Jazz genre have also disappeared.
More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!
The date last updated 2005 is incorrectThe date is a lie THE REAL DATE IS APRIL 2017.
They state these are the people members of the band have among other’s praised they didn’t admit that music from Stevie Wonder, Roy Ayres, Earth Wind and Fire, Patrice Rushen, Fatback, Marvin Gaye, Donald Byrd, Sly And the Family Stone, Pleasure, and Herbie Hancock appeared on their albums. That’s because as far as I can see they have never given any credit to any of them on their album/CD covers as you will see from the Soulhead Tales Below. Although I do understand Johnny Hammond gave permission and I remember seeing Vernon Burch mentioned on the inside of a cd cover. It’s probably TWOM as Funktion sounds like Vernon Burch in the O’Jays groove.
Musically speaking of interest is Fredrick Chopin. There was mention that Virtual insanity used a piano sample from a classical music song. I’m assuming it was him. Virtual insanity is basically Stevie Wonder and the New York Queens sound as you will see from THE SOULHEAD TALES. At the bottom they refer to Late Night Tales which was marketed when it came out as where Jamiroquai supposedly got their influences from. It totally ignores of course all the songs they copied or plagiarized. Those are not the bands where they got their sounds from. And neither is THE LATE NIGHT TALES compilation for which they claim they took their inspiration from.
v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM
A response to quotes (Lies) by Jay Kay
Legend of the Iroquois serpent. ” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People. JAM-IROQUAI
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC
Cultural Thief Eddie Pillar, Gilles Peterson and their International Cabal American Germans, Czech’s Swedes, Dutch, South African write Black British 1970’s/1980 SOUL out of History on Wikipedia, then claim that former Invicta FM pirate radio DJ Gilles Peterson invented a Black Music genre called Acid Jazz which spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies! Anonymous
MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.
An American Wikipedia “editor” with 300000 edits who thinks he can speak for Black Music in London. See the Philip Cross Affair to understand how the serpents control the narrative. Acidic Jazz is a serpent organization and as such their lies are being protected.
Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?
Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?
Who do you think is responsible for the sound of 1980’s Black Britain?
The U.K SOUL bands who conquered America in the 1970’s and 1980’s?
or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar
Back in 1988 The Synagogue of Satan in the form of Eddie Pillar Gilles Peterson and Acid Jazz records infiltrated Black Britain and started printing lies such as 100% Acid Jazz on Rare Groove, Jazz Funk and Brit Funk Music compilations.
Over 30 years later we are now being told on a Wikipedia page written by them, (Not Authentic Black Brits) that Acid Jazz is a Black music genre invented here in London by co-founder of Acid Jazz records former Invicta FM DJ Gilles Peterson.There is no such genre.
THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET
TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s
ACIDIC LIES.…”Acid Jazz Known as Club Jazz.” There is no such thing as a Black Music genre called Acid Jazz and neither is there a Black music genre called Club Jazz. Ask Gilles Peterson to name an Acid Jazz track and a Club Jazz track. At no time and at no stage did we ever refer to any aspect of the Groove as acid jazz or club jazz during the 1980’s when they claim this so called genre was created by a DJ hardly anyone had ever heard of except maybe a small group of Soulhead pirate radio listeners. As you will see in 10 Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie, you will find absolutely no mention of this Imaginary genre in any Black Music publication of the era Such as Blues and Soul Magazine or Black Echoes.
MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia
On their fake News Wikipedia page what they have basically done is take the words, “The Britfunk/Rare Groove sound “ started by U.K bands like the Pasadenas and Soul To Soul in the late 1080’s. Replaced those words with Acid Jazz the name of their record label. And then claimed that Acid Jazz was a new music genre invented in 1988 That way they could claim that all the Rare Groove retreads (1970’s Funk) on Jamiroquai’s 1990’s albums was in fact an English genre from here in mid 1980’s London. There is no such thing as a black music genre called acid. The only people who claim there is are Eddie Pillar, Gilles Peterson and the Synagogue of Satan
EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY
And it’s not just British SOUL. It’s the sound of the Creators. The African Americans. As Pillar and his mob are systematically re-categorizing all styles of 20thCentury R&B Acid Jazz. There is no such thing as a music genre called acid jazz.
Everything from Jazz Blues, Doo wop, James Brown and MOTOWN to Jazz-Funk, New Jack swing and Neo Soul is being systematically re-classified into a FAKE genre they claim came from here in London in 1988. Even though these styles of music predate the formation of Acid Jazz records.
BLACK MUSIC “INVENTED” BY GILES PETERSON!
THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!
SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND
Implied murder threats “LOST” BY THE METROPOLITAN POLICE
HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate
I KNOW WHERE YOU LIVE!
T
WHEN SATANIC COWARDS RUN
Jamiroquai who have made millions stealing music and claiming ownership of it are also part of this gangstalking crowd.Guilty Jamiroquai band members suddenly deleted their Wikipedia profiles. JAY KAY USED A DIFFERENT NAME!
They knew I was on my way. They kept deleting my protests or deleting profiles we had set up to complain. They tried to ban my I.P address, several times. Eventually they were warned by Wikipedia as it’s a conflict of interests to write your own reviews but both Jamioquai and acid jazz records ignored them. Then they brought in a “gatekeeper”.
When I remarked that Jamiroquai band members were on also Wikipedia deleting information and called them out on my blog, they suddenly deleted their profiles on Wikipedia. thats because they know their actions can be traced! Kay used a different profile once remarking that he wasn’t sure it they could use acid jazz as the overall genre as it’s contentious and loaded. Well it’s loaded because it’s a cynical attempt to steal someones culture and as for contentious, it isn’t contentious at all there is no such genre except in the minds of your mates Eddie Pillar and Gilles Peterson.
By deceit you may win wars but by deceit you cannot steal the FUNK.
Criminal Abuse involving idiot satanic serpent Jay Kay of Jamiroquai, former Invicta FM Dj Gilles Peterson another satanic serpent, Jamiroquai band members, An American CEO Lech Mazur an American actor Melvin Huffnagle and many others. They can’t sue because everything I say is true. They can’t intimidate or frighten me so they are just ignoring me.
WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….
..
[Jay Kay]
THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS
BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK
Music copied and stolen by Jamiroquai
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.
.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.
AutomataThe ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you…. got it yet?
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
THE SOULHEAD TALES IS A RESPONSE TO
Quotes by Jay Kay and a challenge to KAY to withdraw his lies.
I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.
“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.
WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES
“Quotes by Jay Kay”- Quote One:
“Taking other peoples music that’s plagiarism”-Jay Kay
SAID THE GREATEST PLAGIARIST AND THE BIGGEST MUSIC THIEF/PICK POCKET IN MODERN MUSIC HISTORY. NAME A SINGLE SONG ON ANY OF THE SEVEN “JAMIROQUAI “ALBUMS, FROM EMERGENCY ON PLANET EARTH TO AUTOMATON THAT YOU HAVEN’T STOLEN. NAME ONE SONG THAT YOU ACTUALLY WROTE AND DIDN’T STEAL FROM SOMEONE ELSE.
“Quotes by Jay Kay”- Quote Two: “It’s ironic how it’s gone full circle I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”
Jay Kay
No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.
KWABENA NKWATIA
Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.
“Quotes by Jay Kay”- Quote Three:FROM THE FACE MAGAZINE MAY 1993-
Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…
NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Level 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial? Who is Jeff Lorber? Who is Bob James? You should know you ripped him off. Who is KC and the sunshine band? Who ar e THEBEEGEE’S GTFO .
That was in 1993. Emergency on Planet Earth was full of plagiarised 1970’s FUNK or rare groove as the kids called it back then. So tell us which songs did you “write yourself” and not STEAL from other people without giving them any credit. Then do the same for the rest of the albums. What isn’t stolen?
Music stolen on Emergency on Planet Earth which includes grooves stolen from Curtis Mayfield, Roy Ayers, Herbie Hancock, Earth wind and Fire, Kool and the Gang, Donald Byrd ans many others. Ask Kay which sound on this album is not stolen or copied.
“Quotes by Jay Kay”- Quote Four:
“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”
[Jay Kay]
THEY ARE FREE FROM COPYWRITE STRIKES?!!!
Despite the fact that they have stolen just about everything on all their albums I notice they appear to be from copywrite strikes. The Soulhead Tales is an “A to Z” of Jamiroquai’s total plagiarism. All the Jazz Funk, Soul, Latin (Bossa Nova/Salsa), Electrophonic Phunk, Electro, P Funk, Rock, Reggae and synth pop stolen by Jamiroquai on all their albums. These are they. All the plagiarised albums.
TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY
THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY
t1
Not only did Kay steal their music he also stole their styles…..
In addition to stealing, sampling and robbing all the soul tracks on jamiroquai albums and trying to take credit for the music of other’s, you also appropriated all the 70’s/80’s FUNK fashions like the Soul hats we used to wear. Kay was not old enough to have been a Soulhead in the late 70’s. He also copied the Native American Head dresses worn by Black American Funksters of the era, The Poncho’s, some funksters used to wear and of course the Parliament Funkadelic Headware.
Many African Americans have so called Native American Descendants. They often paid tribute to their heritage by wearing their traditional headware back in the 1970’s/1980’s. So Kay didn’t invent that either. He’s just mimicking others as usual. Parlaiment Funkadelic were known for their outrageous head ware back in the era.
U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.
Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!
GIVE THEM BACK THEIR LOGO
And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.
Africa Bambaata of the Soul Sonic Force
So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.
They think all of this was invented in the 1990’s by Rare Groove bands such as Jamiroquai because they don’t have a FUNKIN’ clue what FUNK is. . So as I will keep repeating, anyone who calls them an “acid jazz” band either don’t anything about THE FUNK. Or is part of their International mastermind group. They have quiet a few journalists on the payroll you will know who they are by the way they describe their groove. They will continue to refer to them as acid jazz even though they know it to be false.
ALL Jamiroquai albums follow the same pattern, They are pastiches of other peoples music from my era. 1970s and 1980’s. Jamiroquai are a FUNK TRIBUTE ACT, Their entire Discography is composed of retreads, rips and rehashes. Any one who says they aren’t or claims they are a band the same as any other or tries, heaven forbid, to compare them with REAL Funk bands of the 70’s and 80’s simply doesn’t know what they are talking about. They know nothing about Jazz Funk, Nothing about Soul, they don’t know any of the sounds of the long musical decades of the 1970’s or 1980’s, have never heard of any of these bands, singers or acts.
Scratch a lie find a thief-Ray Charles
When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.
Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI
He chose the name of the band because he knew what his/their motivation was. And you can see it on their heavily patrolled Wikipedia pages and their ongoing reclassification and attempted cultural appropriation of SOUL . Turning FUNK into a fake and non existent “Jewish” genre called “acid jazz” which they claim was invented by Gilles Peterson.
The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.
Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these neagtive serpent beings. The ones that David icke has been telling you about for years.
Automata
The ancient gnostics describe the serpentsas locust like reptilianautomata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.
“I’m Automaton”- Jay kay 2016
I know what he is. He’s already told you. got it yet.
“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”
Jay Kay SYNKRONISED.
Oh Yeah?
1.) Censored by BING search engine
The one I’m most proud of! Censored by Bing/Yahoo for telling the truth_{Now restored} Without contacting me Insiders in BING/Yahoo removed this website from the search engine results. When it was restored using their webmaster tools they AGAIN deleted it and locked the account demanding a cellphone number. When the request was ignored they then suddenly reinstated it but are still censoring key words. They have given no explanation as to why they censored the truth in the first place. So they are assisting Kay Pillar and his crowd in covering up their criminal gang-stalking and threats.
2. Trolled by an anonymous Idiot journalist from ABC Australia
Lectures on The FUNK, Black Music and Black London…….From an Australian!
ABC Australia (Double Jay). Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). A coward who wouldn’t give his or her name, and who seems to think they have the authority to speak for Black Britain, Black America and for Soul music. A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. The headline screams
BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;
The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.
Total and absolute rubbish written by an Australian who knows about Black London and nothing about 1970’s FUNK. Firstly there were NO cries of cultural appropriation from the London SOUL Community at the time. I was there you were not. You liar. They were castigated only because we all knew they were total crooks who had plagiarised everything on that and their previous albums. As I have proven in THE SOULHEAD TALES. If you knew anything about FUNK you would know that too. You weren’t even alive in the 70’s/80’s otherwise you wouldn’t call Jazz, Funk and Soul “acid jazz”. You’re a 90’s kid who knows nothing about music let alone SOUL music. Cultural appropriation?! Who has ever accused White SOUL artists of cultural appropriation! Do you have any Idea how many White artists there were playing the Funk back in our day? Did you know Elton John, David Bowie and The Average White band were actually on U.S Soultrain in the 1970’s? Duran Duran and ABC in the 1980’s. What color were they?They were British too. Do you even know who Rod Temperton Is? any idea what he did alongside Quincy, The Brothers Johnson and Michael Jackson? Ever heard of Shakatak, Level 42? Simply Red? What the hell are you talking about cultural appropriation. Kay was hated by the Soul community not because of his color but because we all knew that he was a lying thieving plagiarist who claimed he don’t take anything form anywhere. You liar
The One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article but not before I took screenshots! You can see them in this blog, 04/03/2019- PR has already began. ABC AUSTRALIA JOIN THE ACID JAZZ CABAL AND MOCK THE AFRICAN AMERICANS.https://www.abc.net.au/doublej/programs/classic-albums/jamiroquai-travelling-without-moving/10273770
Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!
Read my response to this idiot here
3) Deleted from Music Banter by Gangstalker Lech Mazur,
4) Deleted by the owner of Jamirotalk
Jamirotalk (Old fansite) When the Jamiroquai plagiarism list was posted on fansite Jamirotalk which destroyed the careful image Jamiroquai had been trying to build up about themselves, The owner deleted the entire website, create a new one and then switched the URL to confuse journalists who might turn up having been alerted to “appeal for old school funksters”. They then stole my original design for this Blog. As Icke says they can”t create anything.
Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!
They then hid the link to the old site right at the bottom where they hoped no on would ever see it. Hidden in plain site like just like their buddies in the New world order. These are the lengths the Jamiroquai /acid Jazz cabal have gone to and are going to to hide the truth.
“When the truth stands against you the messenger must not be heard”
The original SOULHEAD TALES.
WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD. A new world order motto adhered to by the Jamiroquai acid jazz cabal
SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.
5) Deleted from the Jamiroquai subredit
Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders
Deleted from youtube by insiders-(account falsely accused of posting spam)
Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.
10 years of harassment, cyberstalking.
CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.
A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage
YOU CAN COLLECTIVELY FUNK OFF.
Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK
This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)
Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times.In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNKwhich lasted most of the 1980’s.So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Justice Not race
On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.
As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was theonlytruly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .
So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.
And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.
Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk
In the 1990’s Jamiroquai followed the 1970’s FUNK timelineplagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco eraon Sykronised, A Funk Odysseyand most of Dynamite.They copied all the Funk frequencies of the eraincluding that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”.Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.
Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author
DAFT PUNK
Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.
Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?
Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.
For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK
BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.
Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States
They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.
INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.
JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.
For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.
Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.
THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..
Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;
Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London
EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?
You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?
You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!
Do you think you know more about the London Soul Scene than we do Mr Knowles?
WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST
And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES
There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.
So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…
A) Why did they not and cannot name a single track which belongs to this imaginary genre?
B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie
IN PROGRESS———-Sept 2023
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Posted on
AUTHENTIC BRITFUNK
THE 1970’s/1980’s U.K SOUL BANDS THAT ACID JAZZ RECORDS ARE TRYING TO WIPE FROM HISTORY AND REPLACE WITH THEIR 1990’s SIGNINGS JAMIROQUAI.
THIS IS A WORK IN PROGRESS….
FIFTY YEARS OF BLACK BRITISH SOUL BEING WIPED FROM THE INTERNET BY EDDIE PILLARS INTERNATIONAL CULTURAL THEFT CABAL.
If Eddie Pillar, Gilles Peterson, Jamiroquai and the synagogue of Satan get their way the achievements of these Bands will be written out of History and replaced by 1990’s criminals and total plagiarist like Jamiroquai, whom their controlled media are pushing forward as some sort of representatives of British SOUL. They are not. These are the people who made British SOUL famous in the 1970’s and the 1980’s. Many of them were known on both sides of the Atlantic, some topped the U.S Soul charts and appeared on US Soultrain. So if you’re a Music Journalist and you want to know about REAL Brit Funk of the 70’s/80’s and not the plagiarized /stolen Funk retreads of the 1990’s they claim as Gilles Peterson’s Imaginary acid jazz genre, then read on. I will introduce you to some of our heroes of yesteryear and most of them are still around.
WHATEVER HAPPENED TO THE 1980’s BRITISH SOUL INVASION OF AMERICA?
When I started to create this blog I could find little or no information about these gods of our era. I ran a search for Brit Funk and all I saw was Level 42, Spandau Ballet and Jamiroquai. I nearly burst into tears and I mean that literally. Where were the giants of British Soul? It was as if the 1970’s and the 1980’s never happened. What happened to the British Soul Invasion of the States I shouted at the P.C. There was NO MENTION of it. And what the hell were Jamiroquai being mentioned as some sort of representation of Black Music here in London in England when all they are is a 1990’s FUNK tribute band who’s discography is plagiarised mostly from Black American Soul. How were they Brit Funk?
What about the bands who actually created the Black British sound in the 1970’s and 1980’s I asked. Sure you could find their songs on Video and music sharing sites if you knew who they all were but there was little or no Information about these bands. What about the multitude of Jazz Funk bands in London underground Soul scene of the Disco and Post Disco era?What about the fantastic super talented acts like Loose Ends, Soul to Soul and Five Star. Giants of FUNK who topped the American charts alongside others like SADE and old school Funkster Billy Ocean? It was as if the 1980’s Never happened.
All I could see were clueless so called music writers pontificating about Jay Kay as if he were some sort of British musical genius and not the crook that all authentic Funksters and indeed many mainstream music writers know him to be. Jamiroquai are NOT an authentic Brit Funk band. They are an English band playing Rare Groove (Retro 1970’s Funk) retreads. Lauded over only by those who know nothing about the original bands that they robbed or failed to give credit to. They were put together for a specific purpose just like their colleagues in Daft Punk.
SO BLACK AMERICAN AND BRITSH SOUL IS ALL DOWN TO GILLES PETERSON IS IT?
Below The Acid Jazz Wikipedia page clonned all over the Internet aon every music site they can find The page of disinformation which wipes Black British Soul from the History books. And CVredits satanic criminal Gilles Peterson with inventing a non existent genre.
There is NO -SUCH-THING as a Black Music genre called Acid Jazz.
According to Wikipedia Soul music in Black London never existed until the Synagogue of Satan’s “godfather of Soul” Gilles Peterson “invented” British Soul and Black American Rare Groove….I’m sorry I mean Acid Jazz. Then exported his creation to America then all over the Planet thanks to plagiarists Jamiroquai, Rare Groove/Brit Funk band The Brand New Heavies and the remnants of Post Disco era band Incognito.
I mentioned above that it was as if the 1980’s never happened and that my friends is what Gilles Peterson, Eddie Pillar and their global cabal want to world to think. That is why they have wiped all these bands out of history on their fraudulent Wikipedia page debunked on this site. They would have been very happy to see the state of play on the Internet when I looked for Brit Funk and found Jamiroquai an practically no one else. As you can see on their Fake New Wikipedia page, they want history to think that nothing happened here in London in terms of FUNK until they “Invented”Soul music in 1987 and the 1990’s where they claim Gilles Petersons Imaginary acid Jazz genre “spread to America” thanks to Jamiroquai and The brand new heavies! When “the godfather of Soul” introduced Black America to Roy Ayers, Earth Wind and Fire and Stevie Wonder….In the 1990’s! Haha! Their Satanic illusion falls apart when Original AUTHENTIC bands who created our sound like Delegation, Hi Tension, Junior Giscombe, Cental Line Imagination and the rest are well know to Funksters interested in FUNK and British Soul on the Internet.
THE WORD IS GETTING OUT
Fast forward over now half a decade later and thankfully I can see whole load of Information out there so the message got out to London Soulheads and some of the bands who have been unaware of what Gilles Peterson , Eddie Pillar and the Synagogue of Satan have been trying to do in terms of wiping Black British Soul and it’s achievements out of History. Delete or ignore as much as they can so that Acid Jazz signings Jamiroquai and the Brand New Heavies can they can take credit for the legacy of the Black British Soul movement they infiltrated. I had intended to spend a lot of time on this part of the sits as I was not about to sit by and let this Infiltrator mob wipe out the bands of my youth as if they never existed. However as I say now many bands have become aware of Peterson and Pillars goal and are flooding the net with Information about our bands So I won’t go into too much detail here except to show you who some of our bands were. These are the original. AUTHENTIC BRIT FUNK BANDS who created their own sounds. 1990’s plagiarists Jamiroquai are not to be considered a Brit FUNK band because they are not. These are…
THEY DON’T EVEN UNDERSTAND THE FUNK!
It’s become apparent over the past decade or so I have been fighting these satanic cultural thieves is that the people tasked with robbing the African Americans of their sound know very little about the groove. And they know even less about Black Britain. I know for a fact that some of their trolling gang had never even heard of the Brit Funk invasion and didn’t know who SOUL to SOUL were! These people think they can fool us on our own sound! Think they can fool us on 1970’s Jazz Funk when they are some of them were not even old enough to remember the 1980’s and know jack s**t about The Groove. But yet these same anonymous Americans, Swedes, Germans, Eastern Europeans re-writing the history of Black Music in London and Black music in general on Wikipedia. Californian Michael Bink Knowles being a case in Point. The American guarding the fraudulent version of Black British History
On their fake news Wikipedia page the acid jazz cabal write out of history all these bands. They claim that the retro 1970’s Jazz Funk sound is a music genre invented by their record company front man Giles Peterson, then as I have said claim this “acid jazz” genre reaches America in the early 1990’s. That is a total and complete load of tosh. Here’s what really happened in 1980’s London. You can take it from me, the British Funk bands mentioned above, The London Soulheads mentioned above, The African Americans, Blues and Soul magazine and all the Black music publications of the 1980’s or you can take it from the International cabal of Jamiroquai/Daft Punk and acid jazz records.
They are using France to culturally appropriate The 1980’s Electrophonic Phunk sound using Daft Punk who are part of this same crowd and it looks like they thought they could use England to steal Jazz, Funk and Soul.They clearly probably thought if they based the lie in the UK there would be nobody there to speak out against it. That’s unfortunate for them because if they were around in the 70’s and 80’s then they would remember these bands. And trust me on this one, nobody but nobody over here is going to credit acid jazz records with the invention of ANY musical genre. And on the topic of Daft Punk there is nothing new unique or origional on any Daft Punk Track . They are ripping off Mandre from who they stole the crash Helmet Idea, Clinton and Parliament , Roger and Zapp, Jozun Crew and many more. Infact they are worse than Jamiroquai when it comes to robbing people.
The original British Funksters are still about. You can ask these and the others I mention in this blog if Giles Peterson invented their sound. If Giles Peterson had anything to do with the invention of the British Jazz Funk sound. When a similar comment to this was posted on Jamirotalk. the jamiroquai/acid jazz cabal were so terrified of people/ journalists/ London Funksters finding out about this scam, that they deleted the entire website and changed the URL as you can see elswhere on this site.
HI/TENSION
Hi- Tension probably kick-started what we call the later Brit Funk era. Obviously people refer to any band from England playing FUNK as BritFunk but what we authentic London Soulheads called BRIT FUNK was the Disco era and the post Disco era sound. so we’re going from say1974/75 up to about 1982/83 when the ElectroFunk takes over the Groove. After that then our sound became more Americanised. Though Level 42 and Shakatak kept the old Britfunk sound going through most of the 1980’s. Real Brit Funk to us is our era however we didn’t start anything and always bow to those who came before. Like the Chants who later became the Real Thing, Pan African (World sound) bands like Osibisa and Cymande, who jammed with Parliament Funkadelic and Mandrill their American equivalents, The Average White Band, Hot Chocolate, Komoko and others. Though Hot Chocolate were more Pop/Rock and Funk
HI Tension were around in the early 70’s and their tracks like the British Hustle and Happy are world famous FUNK classics. These are some of Godfathers of British Soul. Ask them if acid jazz records or a Dj who they probably have never heard of called Giles Peterson has anything to do with any Black British Sound of the 1980’s.
JUNIOR GISCOMBE
We grew up watching James Brown, MOTOWN and Black America as children in the 60’s. Many of our bands were known in the states during the 1970’s but getting to number one in America? No chance we weren’t that good…..Then some super talented young kid from South London Junior proved otherwise going straight to the top oif the U.S Charts. And how dare the likes of Eddie Pillar and Gilles Peterson try to wipe people like him and all the other 80’s Brit Funk stars who followed later on during the decade from history. He forms part of the British collective spoken about earlier so you know where to find him. Ask him what acid jazz records and a DJ caLled Gilles Peterson have to do with his talent.
David Joseph formerly of Hi Tension went on to have solo hits with (You can’t hide your Love) and a remake of Lonnie Liston Smiths Expansions. One of the many 70’s Jazz-Funk grooves Jamiroquai claim credit for. You can hear aspects of that track on Stillness in time alongside Stevie Wonder of course (Another Star). See the SOULHEAD TALES
LIGHT OF THE WORLD
Light of the World were/are one of the most talented collection of Soulheads we ever had. It’s a travesty that they like many of our BRIT-FUNK bands got little or no airplay on mainstream Radio. You only have to listen to a stunning Jazz funk track like SOHO! to hear what talent these guys had back then. Tell me that horn section isn’t right up there with Confunk-shun, That Bass slap up there with Pleasure, that voice right up there with JT Taylor. Sadly we lost Bassist Tubbsybut the boys are still around and still gigging. So if you bump inito one of them. Well you know exactly what to ask them!
They are Legends of the Brit FUNK movement.
Other off shoots included I Level and of Course Incognito. A Disco era Brit-funk band whom Eddie Pillar acid jazz records and the synagogue of Satan claim is playing a music genre invented by them in 1988. I have often seen Incognito described as an Acid Jazz band. Incognito were already giant’s of FUNK way back in 1981. Neither Eddie Pillar, Gilles Peterson or Acid jazz records formed in 1988 have anything to do with their sound. As you can see the boys are still around. Ask them what acid jazz records created in 1988 has to do with British Soul or which particular aspect of their sound or that of anyone else was invented by a pirate radio DJ.
LIES ON WIKIPEDIA-
According to the Synagogue of Satan’s global disinformation media campaign Gilles Peterson is apparently responsible for the sound of Light of the World/Incognito. See below on their Fake News Wikipedia page they claim that Incognito are apparently playing a so called Jewish music genre Invented by Gilles Peterson in 1988. yeah.
Also notice how they wipe from history the DoobayTwins and the Black founder members of the band from history.
So Gilles Peterson invented the Jazz Funk sounds of Incognito. Did He?
Beggar and Co
Beggar and co came out of Light of the World and had several hit’s. Somebody help me out was one of their most famous tracks but they had some pretty good grooves on their albums. These Boys know a bit about Brit Funk because they helped create it.Gilles Peterson was an unkown DJ on pirate radio when these guys were Famous and playing on Top of The Pops. You had to sell a whole load of vinyl to be in with a chance of making it onto that show. Ask them what contribution Gilles Peterson
I LEVEL
I LEVEL from Light of the World bringing that traditional Brit Funk Bass slap.
BRIT-FUNK SUPERGROUP -BEGGAR & CO, HI-TENSION, CENTRAL LINE
The AUTHENTIC Brit Funk Bands of the post Disco era are still around and often do gigs together. See if they think Eddie Pillar and Acid jazz records created anything here in 1980’s London or at any time except jump on the British SOUL bandwagon to make money and parasite the sound.
SECOND IMAGE
Second Image were one of my favourite British bands of the era. Unfortunately they didn’t get the exposure and the airplay that others did. They should have been as famous as Imagination, Linx, Loose Ends and the rest. I have no idea why they were not. Sadly that was the case with many of our underground Funk bands. Georgie B is still doing gigs and the boys are still around.
Second Image
IMAGINATION
Acid jazz is just an illusion, Imagination are not. Internationally famous 80’s UK SOUL band of our day IMAGINATION. Tracks like Just an illusion, flashback or music and lights are all time FUNK classics. Not just here but globally. Their slow grooves were the stuff of London house parties back in the day and their sound also crossed the Atlantic long before the halcian days of the mid to late 1980’s.
Their flamboyant concerts were amazing, its easy to forget just how big they were back in the 80’s. And the famous UK “two step” doesn’t start in the mid to late 80’s during the Brit Funk invasion. It started with these guys back in the post disco era. The late 80’s Brit bands would all have been influenced by IMAGINATION so they played a major part in creating the Brit Funk groove that acid jazz records are claiming ownership of.
Unlike many of our Brit Funk bands Imagination were Household names in the 1980’s. They were on top of the pops all the time. Evewryone knew who they were and they are still about. Their signature Keyboard riff was plagiarised by Jamiroquai on canned heat as you will see from my review of Synkronised on the SOULHEAD TALES.
JUST AN ILLUSION AND FLASHBACK
LINX
Linx. Another Internationally famous Disco era Brit Funk band who’s sound crossed the Atlantic. The thundering bass slaps of sketch alongside singer David grant, who went onto have a successful solo career in the Synth Funk erawere well known to both Funksters and the Pop World. Grant later recorded memorable duets with Birmingham’s finest Jackie Graham. Jackie was already a super successful singer in her own right. They were both part of the 1980’s British Soul Invasion that the jamiroquai acid jazz lie machine are trying to wipe from history all across the internet.
David Grant is known to youngsters these days as a telvision star and a voice coach.
JAKI GRAHAM
Being Londoners of course we always go on about 1970’s/1980’s London bands but of course there were plenty of FUNK bands, acts and singers all over the U.K. And all major towns/cities like Manchester, Liverpool, Nottingham and Birmingham. Speaking of which Jaki was a massive star in the 1980’s hailing from Brummie land, She of the sweet soulful voice, another British Funkster who’s songs crossed the Atlantic during the British Soul invasion being written out of history on Wikipedia by Gilles Peterson and his mob. Birmingham was the second City of the FUNKback in the day. They had a Massive SOUL Underground as well. So if you’re a Brummy your elders will tell you all about Jaki She’s still going strong and performing.
Round and Around was one of Jaki’s many hits. and as mentioned above Her work with David Grant was extremley popular among both Funksters and the Mainstream Music world.
America had Witney, We had Jackie.
Jaki is still aroundI haven’t forgotten her, her fans haven’t forgotten her and neither should you. Let no one write her out of History.
If you wish to understand the quality of our groove in the Disco era then take a listen to the strings and the FUNK of Delegation. Darling (I think about you) is one of the greatest tracks ever to come out of the U.K In the Disco era. In the late 1970’s at a time when the CHIC! Sound reigned supreme, when I want your love and Good times were being played endlessly in the night clubs the orchestral sound of “THE” British Delegation were right there. Unbelievably many people in England think that Delegation were American! Their sound and their song writing skills were that good. You will not find more lush strings in British FUNK than Delegation. At last the U.K had an answer to the Maestro Barry White! Tracks like Darling and You and I matched the sweetness of CHIC and were massive club hits globally. But they weren’t just about the violins. Their grooves were fantastic and they were a match for anyone around at the height of the Disco era. The Americans knew Delegation though they probably didn’t know they were British. Ultimately Barry White is the major architect of the Disco Violins. We had been listening to Barrys’ orchestra since we were kids in the very early 1970’s. In the late 1970’s Disco era CHIC polished the sound in their own unique way and the Funk sounded better than it had ever been. Many tried to match the sweetness of Nile and Bernard and failed. Delegation didn’t,
Delegation also known in the States and worldwide were and still are giants of Funk. We are now being told by Eddie Pillar and his global mob of liars on Wikipedia that Jamiroquai tracks like Emergency on Planet Earth or Canned Heat are not Disco /Post Disco era tracks but infact a Black music genre invented nearly a decade later by Invicta FM’s Gilles Peterson! Yeah? So take a listen to a Disco era Delegation tracks like Heartache number nine and then tell me that we didn’t have that sound here in England until it was “invented” in 1988. These guys are still around. Ask them… if the disco violins of Barry White, and the Salsoul Orchestra were invented in 1988 by the co-founder of that Satanic record label acid jazz records just because they say so on Wikipedia
OSIBISA & CYMANDE
Our 1970’s Equivalent to Mandrill & Funkadelic
WAY BACK WHEN……BRIT FUNK GODS. Well known to American Funksters and to music lovers all around the World. These guys were around in the late 1960’s and are some of the Pioneers of the World sound of the era. Another one of the grooves acid jazz records claim ownership of even though they were making music 20 years before anyone had even heard of acid jazz records.They were known to ALL Funksters in the 70’s worldwide and are they Jammed together with the likes of Mandrill and Parliament back in the day. That’s how highly they were regarded by Funksters in the States. The boys are still around. Since many of these so-called 1990’s acid jazz sounds were created by them they would be great people to ask if they have ever heard of this imaginary so called acid jazz genre invented by Invicta FM’s Gilles Peterson.
Apparently “this is Acid Jazz”as well according to the fraudulent marketing of Black Music by cultural thief Eddie Pillar. As this sound also appears on many so called “Acid jazz” compilations.
CYMANDE British Renegades of FUNK!
CYMANDE WERE MASSIVE IN THE UNITED STATES BACK IN THE 1970’s
Mates and contemporaries of Osibisa, Cymande were absolute legends over in America. You’re beginning to realise just how much talent came out of this Country in the 70’s and 80’s aren’t you. And your also beginning to realise exactly what a disgusting crime these Infiltrators of Black Music Acid Jazz records are committing by trying to wipe these gods of Black British Soul from History on Wikipedia.
THE REAL THING (formerly called The Chants)
Sticking with the “big boys” like Osibisa and Cymande who were superstars when us disco era kids were still at school we come to the Chants. They were contemporaries of the Beatles back in the 60’s and kept the name of Liverpool in the charts all through the 70’s and most of the 80’s. Below top left you can see them pictured with the King of Rock and Roll Little Richard.
Come the 1970’s and the Disco era when we were old enough to go night clubbing we knew them as The Real thing. You to me are everything was a massive hit as was can you feel the force. One of the most famous Electro-Funk tracks of the Disco era.
. Sadly we lost one band member but the other boys are still around. Bands like the Real thing, Delegation, Cymande, Hot Chocolate and co are the bedrock of British SOUL
They were there in the R&B days of the 1960’s and when the FUNK began to Electrify in the late 1970’s they were right there banging out hit after hit. Changing with the times. The Real thing were and are THE REAL THING. So Never let infiltrators and outsiders like Acid Jazz records write them out of history and replace them with the like of Jamiroquai.
CENTRAL LINE
Central Line, London’s equivalent of the D-Train! The Central Line were well known in the States thanks to their massive hit Sunshine. Sadly they didn’t get much airplay either on mainstream radio so aren’t that well known to the masses here in the U.K. Though they did make it onto top of the pops. You can be sure however that all 1980’s Funksters know Central Line. They were an important member of the Brit Funk crowd and the remaining members are still held in high regard among UK Funksters of the era. Many Americans thought sunshine was by The Brothers Johnson. Praise indeed. None of the remaining Central line members will acknowledge any “music genre” invented in this City by Gilles Peterson or acid jazz records. Find out for yourselves.
52nd Street
Another one of our bands who were known in the U.S, ignored by the British mainstream media but famous to all Funksters on both sides of the Atlantic. They came out of Manchester. (Tell me how it feels) was a massive track Here and in America. However it is not the sound of Nick Martinelli as people who were not there have claimed . It is the sound created by Jimmy Jam and Terry Lewis who were dominating the charts with the S.O.S Band and Change at the time.
LOOSE ENDS
One of the most famous of them all. Another sound infiltrators acid jazz records formed in 1988 credit themselves with. These heroes of British SOUL need no introduction. Their new Brit Funk sound of the mid 1980’s pushed the UK SOUL Invasion into overdrive. If anyone can claim to have kicks started the sound of late 1980’s Britain (84 onward) then it’s them. They finished off being one of the biggest bands in FUNK GLOBALLY by the end of the decade and into the early 1990’s. Loose Ends are the equals of just about any famous funk band, and Black America still loves them. So Ask them if acid jazz record label have anything to do with their sound or any style of Black music here in 1980’s London.
Did you know that a DJ invented your sound according to Americans on Wikipedia?
Hanging on a string was a massive track at the time that Wikipedia claims this fake music genre was invented by Gilles Peterson. You will read all about the impact that Loose Ends had in America in 1980’s music publications. You will hear nothing about this fake music genre called acid Jazz. Guaranteed.Loose Ends appeared on U.S Soultrain and were interviews by Don Cornelius however Viacom CBS decided to remove the video someone uploaded from youtube on copyright grounds but it will be out there somewhere.
FIVE STAR
America had the Jackson Five, The Sylvers , The Laws family and more in the 1970’s. We had the Pearsons aka Five Star.Another famous British band of the 1980’s SOUL invasion being wiped from history by the Eddie Pillar lie machine. The Sylvers were a famous family in the 1970’s and Leon became a famous producer in the 80’s.This is the Americanized sound of British Soul in the mid to late 1980’s. The old post disco Brit funk bass slap is mostly gone by now. The Synth has taken over. I think Leon Sylvers produced this
Five star were massive in the United States They are still about, see what they have to say. See if they remember this mysterious music genre acid jazz records claim was invented during the mid 1980’s by Gilles Peterson.
FIVE STAR, WHO NO LONGER EXIST ACCORDING TO EDDIE PILLAR’S MATES ON WIKIPEDIA, EVERIPEDIA AND ALL OVER THE INTERNET.
SHAKATAK
Another underground Brit Funk Band who became global superstars in the 1980’s
Slick, suave and sophisticated they played in the American Jazz Funk groove we associated with Patrice Rushen 70’s albums, Captain Sky and others. A sound we adopted as our own. They were also once an unknown Brit Funk band and part of the Underground Soul movement. . Jamiroquai ripped off their sound on MR Moon. Like many of our bands they got to work with American superstars who were impressed with the FUNK coming from the other side of the pond Day by Day with Al Jarreau was a big FUNK and mainstream hit of the 1980’s.
Their sound was so sophisticated and I loved the girl’s voices. They produced some of the finest Funk to come out of this country. They had that dark romantic sound down to a tee.
Of course they claim this is acid jazz as well invented years later by Gilles Peterson. Yes Jamiroquai’s plagiarised album the Return of the space cowboy was classified as acid jazz by Eddie Pillar. Shakatak. Dark is the Night, with the dark moody sound that was the signature groove of post Disco era U.K Funk bands. See recommendations for MR Moon in the SOULHEAD TALES for more. And never let any outsider tell you this groove is “Acid Jazz”.
Now let’s come to the late 1980’s London Brit Funk /Rare Groove sound. The principle sound that Acid Jazz records claim on Wikipedia was invented by Gilles Peterson.Well I say that but of course every style of 1960’s, 1970’s, 1980’s and 1990’s Black American and British Soul/R&B is being claimed as so called acid jazz by Eddie Pillar.Who do you think is responsible for the Black British sound of the late 1980’s?The Passadenas, Jazzie B Soul to Soul and the like…or Eddie Pillar and Gilles Peterson as they claim on Wikipedia, Everipedia and all over the Internet.Lets take a look..
SOUL TO SOUL and The PASADENAS
VRS
Eddie Pillar and Giles Peterson
JAZZIE B. THE GODFATHER OF LATE 1980’s BRITSH SOUL BEING WRITTEN OUT OF HISTORY BY EDDIE PILLAR, GILLES PETERSON AND THE SYNAGOUGE OF SATAN.
TRIBUTE by the PASADENAS WAS JUST THAT. A TRIBUTE TO THE BLACK AMERICAN SOUND WE GREW UP WITH IN THE 1960’s and the 1970’s.
Now Eddie Pillar Gilles Peterson and the Synagogue of Satan claim this sound is called Acid Jazz. It is NOT. These boys made the “old fashioned£ sound of the late 60’s/early 70’s Popular again in the mid 1980’s. Infiltrators acid jazz records had NOTHING to do with this sound or any other Black sound. On Wikipedia they claim that this style of Rare Groove later copied by Jamiroquai is actually a genre invented by Gilles Peterson in the mid 1980’s called acid jazz which is strange. The Pasadenas called this song TRIBUTE. So I assume in former Invicta FM pirate DJ Gilles Peterson’s gigantic head, they were playing tribute to him.
Return of the Mizell Brothers sound UK style.
This groove goes back to peace of Mind by The Rance Allen Group 1977. Go take alisten to that track and compare it to thisone 10 years later. That is what we mean by Retro 1970’s FUNK. Bands from the U.K in the 1980’s playing tribute to the Black Anmerican sound of our youth. This sound is not called acid jazz just because a DJ called Gilles Peterson has decided that he is going to call it that.
Whats even more strange as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie is that The Pasadenas were in the Charts at the same time Acid Jazz records were created. That’s the first time you will see any mention of the words Acid Jazz in any issue of Blues and Soul. Now Acid House was a groove. but there was no such thing as Acid Jazz. They are just trying to rebrand Rare Groove as a new genre created by Gilles Peterson. Because as I keep saying they think they can fool people on FUNK.
See above-Issue 511 Blue and Soul -The creation of Acid Jazz records is announced in a tiny column here in 1988. WHEN THE PASADENAS ARE ON THE FRONT COVER!I
THOUGHT YOU CLAIMED ON WIKIPEDIA THAT YOU WERE FAMOUS IN THE MID 1980’s FOR THE INVENTION A NEW MUSIC GENRE CALLED ACID JAZZ GILLES PETERSON.
Strange Blues and Soul doesn’t remember this. And neither does anyone else. Your internet cultural appropriation myth is falling apart isn’t it. Gilles Peterson.
Gilles Peterson the godfather of Soul according to The Synagogue of Satan
NOW HERE ARE THE REAL CREATORS OF THE LATE 1980’s LATES 1980’s FUNK
BACK TO LIFE WAS MASSIVE ON BOTH SIDES OF THE ATLANTIC
Probably the most famous SOUL band we produced in the 1980’s. If the likes of Junior, Loose Ends, 5 star and co made our sound famous in the U.S, Then Jazzie B sealed the deal. You won’t find a single Funkster in America or anywhere else on the planet who doesn’t know SOUL to SOUL. Jazzie B is very important, not just because of his musical talent, and the fantastic array of talented singers and musicians he worked with, but the template he set by using the old Cymande Drumbeat from Brothers on the side, later adopted by Donald Byrd on Dominoes back in the 70’s. That drum beat became as popular as the Jam and Lewis Drum pattern you hear on No one’s gonna love you by the S.O.S Band. Lot’s of people used the S.O.S/CHANGE groove in the 1980’s including Loose Ends and 52nd Street. Though I have to say that Don’t stop the Music by Yarbrough and Peoples came first in terms of that synth sound.
When Jazzie B re- introduced that groove the whole planet of FUNK started to use it. An even more importantly for Music Historians this track is what really re-introduced the Violin back into FUNK. A sound we hadn’t really heard since 1981/82 in the last days of Disco eraFUNK at the time of the Brothers Johnson’s Winners Album. (See my recommendations for Canned Heat on the Soulhead Tales) After Back to Life everybody started using that drumbeat and the violins.Like Lisa Stransfield and Bary Whites all around the World.
This track and many others is based on the template created by Jazzie B. The drumbeat and the violins in Back to life was the template for many hits in the late 1980’s on both side of the Atlantic. Don’t expect to see him get any credit for it though.
DISTANT ECHOES OF THE MIZZEL BROTHERS LIVE AGAIN
YOU’RE NOT GOING TO FOOL US ON ANY OF THESE SOUNDS EITHER EDDIE PILLAR
This is what I mean when I say we know who the Mizzel Brothers, Johnny Hammond, Donald Byrd and all the rest are in the U.K. None of us (Those who were actually there in the 70’s/80’s) think this sound is called “Acid Jazz”. No such genre exists. The only people who claim it does is Eddie Pillar, Gilles Peterson and their International cabal of cultural thieves/History revisionists. They do not speak for Black Britain.
The difference between Influences and plagiarism.
OMAR LYE FOOK (Soundmaker)
The Equal of Rod Temperton IMO
Yet his sound is being reclassified as acid Jazz like many of our late 1980’s and 1990’s Soul acts. As if Gilles Peterson had anything to do with the creation of his sound. See below.
Omar is the closest we ever got in the U.K to the one man band musical genius along the lines of Roy Ayers, George Duke, Herbie Hancock, Lonnie Liston Smith and such like.
WHY THE FUNK IS THE SOUND OF OMAR LYE FOOK BEING CLASSIFIED AS A NON EXISTENT BLACK MUSIC GENRE CALLED “ACID JAZZ” INVENTED BY GILLES PETERSON
Being a great songwriter and composer is one thing.Creating a SOUND is another. A sound is your own unique distinct groove. I know that of Roy AyersI know that Of George Duke, Herbie and others. OMARhas his own signature.He is a sound maker. Yes I can hear the influences of the 70’s Jazz Funkateers but many of his Harmonies are layered in such a way that they constitute the genius of a soundmaker. That distinctive voice wrapped around those Psychedelic harmonies sets him apart form anything we heard in the U.K.
OMAR WITH LEON WARE AND STEVIE WONDER. NUFF SAID
Even now getting a call from Stevie Wonder is something that every Band and Singer would dream about. Here in the U.K Stevie choose OMAR. So I don’t really need to say much more then do I. Go and listen to this is not a love song and tell me it doesn’t do to you what Roy Ayers and the original Jazz Funkateers of the 70’s do to your spirit. You can go to my recommendations for Jamiroquai tracks Just Another story and for Butterfly in THE SOULHEAD TALES for more magical 1970’s psychedelic sounds.
BILLY OCEAN
British SOUL hero of the 70’s and 80’s conquered two generations in America. Another unsung hero of the UK groove being wiped from history by Eddie Pillar and the jamiroquai/acid jazz cabal on Wikipedia and being replaced by 1990’s acid jazz records signings like jamiroquai who they claim represent Britfunk.
Red Light Spells Danger –Billy Ocean was already famous Back in the 1970’s. And once again when we were old enough to go clubbing in the Disco era we were Jamming to his hits like stay the Night and Calypso Funkin.Then in the 1980’s he became one of the biggest Soul stars in the World. Billy Ocean over here and even in the U.S where he is still lauded is Funk Royalty.
In the 1980’s Billy Ocean became a massive Global star and a prominent Ambassador of AUTHENTIC BRITISH SOUL.
Never let the likes of infiltrators Acid jazz records created in 1988 tell you he never existed.
Billy Ocean tops the us Soul charts
BILLY OCEAN
Never let the likes of infiltrators Acid jazz records created in 1988 tell you he never existed.
We often say the Brit Funk sound of old died out in the post Disco era but did it really.
When the old Britfunk sound died and electro began to take over around 82/83 many bands on both sides of the Atlantic switched their groove. Thankfully for me at least Level 42 kept faith in the FUNK and carried on in the London Bass slap tradition. Something that should be considered a brave move but Level 42 kept going strong all through the 80’s and achieved their justly deserved world fame. Certainly there were still many bass slap bands in the states all through the 80’s like Slave and Aurra, T. connection and so on. Sadly over here were never again to hear the viscous bass slaps of bands like Freeze, Light of the world, Direct drive and others as electro ruined the party Jazz Funk party. You can hear some examples of the Britfunk bass slap in my recommendations below on the SOULHEAD TALES. No one in acid jazz record is responsible for their sound either.
At the start of this page I said when I ran a search for Brit Funk, Level 42 and Jamiroquai came up. Level 42 are a 100% AUTHENTIC Brit Funk Band. Part of the London underground Soulhead Tribe of the post Disco era alongside the likes of Imagination, HI Tension, LInx, Light of the World, Junior and so on. They were part of our crowd and are legitimate. A 1990’s Funk tribute band playing other peoples rehashes like Jamiroquai is not to be considered the same as Level 42 or any Authentic Brit Funk band. And no authentic 1970’s/1980’s Soulhead will tell you ant different. It’s the 1990’s/2000’s crowd in the media who know nothing about Jazz, Funk and Soul that see Jamiroquai as legitimate.
THIS is what we called BRIT FUNK. No messing evil thundering nasty bass . This is AUTHENTIC BRIT-FUNK,
Phil Fearon and Galaxy
Phil Fearon is another famous SOULHEAD of the London Funk underground who became known in the Disco era with Brit Funk band Kandidate. Phil and Galaxy girls were well known to both the Funk underground and the mainstream as they appeared on Top of the Pops quites a few times. Some of his sound appears on Cosmic Girl over a decade later in the 1990’s. Ask him if his distinctive early 80’s Britfunk sound is called acid jazz and was invented by Jamiroquai and acid jazz records in the 1990’s. Jamiroquai rip off the female vocals on Head over Heels in Cosmic Girl.
PHIL FEARON Back in the Day with Kandidate
THE COOL NOTES
The Cool Note were right there in the British Funk invasion of the 1980’s alongside Soul to Soul, Five Star, Loose Ends, Sahara, 52nd street and the rest. They gave the Mary Jane Girls of Rick James a run for their money. Back in the day they were a Reggae band but made the successful switch to FUNK and played their part in the heady days of our youth. These Funksters are also responsible fro the late 80’s British Groove. Ask them what acid jazz records had to do with crafting their sound, and ask them if they have ever heard of these “bands defined as acid jazz” a music so called music genre invented by Gilles Peterson,
IN PROGRESS
BRITISH JAZZ
British Jazz goes back to the 1950’s. Places like Ronnie Scotts where all the American jazz greats played are Internationally famous. When Jazz Funk died at the start of the 80’s, jazz went back underground in London but we still had plenty of jazz proper. Herbie, Roy Ayres, Liston Smith and all the greats were in London regularly during the 80’s. They still fly in to jam in the U.K Here are a couple of our Jazz singers and players who were well known during the 80’s.
COURTNEY PINE.
The internationally famous saxophonist and founder of the Jazz warriors. Ask him if a DJ called Giles Peterson is responsible for the underground British Jazz movement of the 1980’s. And ask the Jazz warriors too. They are still around. He was there when hip hop started and I would say he knows just a wee bit about Jazz wouldn’t you? See if he knows what acid jazz is. The mysterious Black music genre spoken about on Wikipedia.
Anyone in the audience ever heard of a London genre invented by Gilles Peterson?
SADE
SADE was another one of our Girls who’s special brand of Jazz Soul melted hearts on both sides of the Atlantic. She also formed part of the British SOUL invasion of the 1980’s, that 1990’s infiltrators from Jamiroquai and acid jazz records are trying to wipe from history.
SADE also topped the British and American Soul charts back in the 1980’s
Ask her if acid jazz records and Giles Peterson invented British Jazz.
There are of course many many other BRIT-FUNK band of our era out there still going strong. You will see many of them in my recommendations on the Jamiroquai plagiarism list below. Princess, Second image, Direct Drive, 52nd Street. Total Contrast The Antilles, Dante who worked with jellybean. The list goes on. Black Britain and people playing what they now call MOBO (music of Black origin) during the 1980’s were many and these are just a few. The British Soul invasion of the 1980’s was a fact. A verifiable fact. Giles Peterson inventing a music genre called acid jazz, and Jamirqoquai playing this so-called acid jazz genre in the 1990’s is a total LIE. A verifiable LIE.
In progress-
ACID JAZZ RECORDS CLAIM THAT INCOGNITO PLAY ACID JAZZ!?
EDDIE PILLAR AND GILLES PETERSONS GREAT THEFT OF FUNK
“JOE BLOW IS QUICK TO TAKE OUR MUSIC AND PUT NAMES TO IT”
“Slick ” Rick James [King of Punk Funk]
“Punk funk,” “We created the name, because I always thought if we were real successful, and really made a dent in the music world, we’d do it before Joe Blow titled us. ‘Cause Joe Blow is quick to take our music and put names to it. We just decided to label the music so that when it goes down in the history books, they’ll say Punk Funk was Rick James.”
What is Acid Jazz? Acid Jazz is a serpent record Label created in 1988. It is not and never was a music genre. A sub genre or even a style of Jazz, Funk or Soul . Acid jazz is an attempt by the Synagogue of Satan to rebrand and take credit for 20th Century Soul music through fraudulently labelled music mixes and a massive Internet disinformation campaign on all online encyclopaedias and any music site which they can infiltrate. They are basically trying to claim that they invented Jazz Funk and Soul.
They swap the words Rare Groove with Acid Jazz and then claim that it’s a new Jewish music genre. Then They Wipe Black British Soul from the history books. Without naming a single track on Wikipedia they claim this imaginary genre apparently invented by Gilles Peterson broke into the mainstream thanks to Jamiroquai, The Brand New Heavies and Incognito. So they are basically claiming that these the bands are not playing Funk but a Jewish music genre called acid jazz invented by Gilles Peterson in 1988.
Then apparently it “spread to America” and all over the world thanks to two promoters. This is the level of their deceit. Of course they completely wipe from history the Bands who actually created this sound like Hi Tension, Junior Giscombe, Light Of the World, Central Line, Level 42, Loose Ends, Soul To Soul Omar and all the rest. And if they mention their names then they claim that they too are playing a music genre called acid jazz invented by Gilles Peterson who no one had even heard of. As you can see from their so called essential acid jazz compilation which is nothing of the sort. Just freaudulently rebranded Funk. Then as if by Majick according to them this imaginary genre ceases to exist!
So they claim tha Acid jazz which never existed died out in the mid 1990’s and acts that “might have been defined as acid jazz” are now seen as Jazz Funk, Neo Soul or Jazz rap! Well as Blues and Soul magazine, Black Echoes, The Soul charts club reports and album reviews of the era 1980’s/1990’s will prove NO ONE ever defined Jazz Funk, Neo Soul or Jazz rap as Acid Jazz because A,) Acid Jazz is a record lable and is not and NEVER WAS a music genre, and B) No one had even heard of acid jazz record label until the mid 1990’s, No one ever defined any style of Black music as “acid jazz” except Acid jazz records in the 1990’s when they were fraudulently re-classifying Jazz Funk, Neo Soul, New Jack Swing and now just about every style of 20th Century Soul they can get their hands on as Acid Jazz. Because they think peole are to Funking stupid to recognise our own FUNK. There is nothing in Black music called acid jazz or Club Jazz. Both names are names dreamed up by Gilles Peterson, Eddie Pillar and their mates in the synagouge of satan
This is a labour of Love, a document to prevent history being re-written by an International cabal of culturalktheives backed by The Synagouge of Satan and the Globalist media lie Machine. They cannot defeat anything written here and they cannot defeat THE SOULHEAD TALES -Jamiroquai’s Plagiarism either. Whilst Pillar and his mob can lie on the Internet they cannot delete the 1980’s Blues and Soul archives nor the Soul charts, club reports and T.V shows none of which make reference to this so called “acid jazz” genre that they claim came out of London in the mid 80’s.
I am an AUTHENTIC London Funkster of the 1980’s and so I know the London Soul underground of the era very well and the/DJ’s who were part of it. I will show you who they all are as well as all our Brit funk bands of the 70’s/80’s. So if you’re a music journalist and you want to contact authentic London Funksters of the era you will know who to speak to.
SO CALLED ACID JAZZ IS AN IMAGINARY ” GENRE” THAT 1990’s INFILTRATORS OF BLACK BRITAIN AND BLACK BRITISH SOUL, EDDIE PILLAR, GILLES PETERSON AND THEIR INTERNATIONAL CABAL OF DISINFO AGENTS FROM THE SYNAGOGUE OF SATAN ( WHICH INCLUDES A GLOBAL NETWORK OF PEOPLE FROM PLACES LIKE EASTERN EUROPE, ISRAEL, GERMANY, FRANCE, HOLLAND, SOUTH AMERICA AND THE U.S) CLAIM CAME OUT OF LONDON IN THE MID 1980’s. IT DID NOT AND THERE IS NO SUCH GENRE. ACID JAZZ IS A SERPENT GENERATIONAL MYTH CAUGHT IN IT’S EMBRYONIC STAGES. HERE’S HOW TO STAMP IT OUT..
GILLES PETERSON DUPLICITOUS CRIMINAL IS THE FRONT MAN FOR THIS ATTEMPTED CULTURAL THEFT AND HAS BEEN FOR MANY YEARS. Though since 2019 he has been slowly trying to back track as people have become aware of what he’s trying to do.
There is no such thing as a Black Music genre called acid jazz. It does not exist. Acid Jazz is the name of a serpent record label that Infiltrated Black Britain and Black British Soul music in 1987. This for those of you who were around at the time will remember was when New Jack Swing was starting and the FUNK as we had known it in the 1970’s and the early 1980’s was Petering out. No pun intended. Shortly after this Eddie Pillar and Gilles Peterson took it upon themselves to start rebranding FUNK as so called acid jazz. Churning out mix after mix of Soul compilations in the early 1990’s with BS like “This is acid jazz”, “100% Acid Jazz”, “Story of acid jazz” etc etc plastered all over the front cover of brightly coloured CDs.
Now 30 odd years later they are trying to claim that acid jazz was not just a record label. But in fact a Black music genre apparently invented by the co-founder of Acid jazz records criminal DJ Gilles Peterson who has never had a hit in his life. The claim on their Wikipedia page, (a page written by them, a page they have locked down in their ongoing attempt to rewrite Black Music History) that this imaginary genre came out of London in the mid 1980’s. No it did not. I was in London all throughout the 1980’s. I was Jamming in the Soul clubs of London all through that decade. I was a dedicated London Funkster (SOULHEAD) As you will see frommy work THE SOULHEAD TALES (Jamiroquai’s Plagiarsism) I know my FUNK very well . And I never once heard of a music genre or subgenre called acid jazz. I remember no such genre. And neither does anyone else as you will find no reference to any such genre in any Black Music magazine, publication, club report album review or anything else. Neither will you find any reference to anything called acid jazz on any Black Music Soul show such as American Soul Train or our own 620 Soultrain, Solid Soul or Black current. The principle reason for this is, well it’s a total lie. Nothing more than another attempt by the serpent to take ownership of something he had no hand in creating.
Listen to any of these mixes and all you will hear is FUNK. None of these sounds came from this country and NONE of them owe their existence to Eddie Pillar and Gilles Peterson. Whether it’s the British Jazz Funk/ rare Groove (Retro 1970’s Funk) sound of the late 1980’s started by people like The Pasadena’s or Soul to Soul. The Classic Brit Funk (Disco /post Disco Era) sound epitomised by people like Hi Tension ,Central Line or Light of the World. Or our Americanised sound from bands like Loose ends and Five star All of these styles of Funk came from America. And no one who grew up in the 1970’s and the 1980’s will tell you any different. The Only People, THE ONLY PEOPLE who will ever claim that these sounds were invented in Britain are 1990’s/2000’s Kids who don’t know what these sounds are. Jazz Funk and Soul was not invented here in London by a record label. And if you think that Jamiroquai came up with all these sounds basslines, grooves and sounds by themselves then it’s because you don’t know who all the bands and singers are that they robbed. You’ve never heard of Patrice Rushe, Idris Muhammad, Larry Graham. Roy Ayers, Earth Wind and Fire or the Brothers Johnson. You don’t know who Lonnie Liston Smith, Herbie Hancock, Donald Byrd are. You don’t know the songs of Marvin Gay, Curtis Mayfield or Barry White. The grooves of people like Rick James, CHIC! , Shalamar and Dynasty, Brass Construction and many others listed in THE SOULHEAD TALES are unknown to you. That’s why you think these sounds were invented by a DJ in London and are called acid jazz!
THE RETRO WRITING OF BLACK MUSIC HISTORY
And as you will see from their so called “legends of acid jazz” compilations apparently Gilles Peterson invented music in existence when he was a baby and even before he was even born. Who would you say speaks for the sounds of the Black American Jazz Funk The people who created it in the 1970’s or a London record label created in 1988 who print “this is acid jazz” all over their legacy and claim that they invented it?
Miles Davis, The Mizzel sound, Lonnie Liston Smith, Herbie and the Headhunters, George Duke, Donald Bryd and many more invented Jazz Funk. Not a London DJ.
WHO IS TELLING YOU THAT JOHNNY HAMMOND IS A LEGEND OF ACID JAZZ AND NOT OF JAZZ FUNK? What does he have to do with a satanic record label created here in London in 1988 other than the fact that they make money out of his music?
The “gods” and the creators of Black Amercian Jazz Funk do NOT owe their exisetence to a Satanic record label who Infiltrated Black Britain and Now claim ownership of not only their sound but also the sound of late 1980’s Black Britain. The acid Jazz wikipedia page a completely false account of Black Music in 1980’s London writen by Gilles Peterson, Eddie Pillar and his mob. Policed by an American sock puppet account. They have cloned this page across the Internet.
So as you can see below this is a prime example of their systematic rebranding of Black Music. “Essential acid jazz?” Who the Funk says this is acid jazz. You Gilles Peterson?
Since when is the sound of Omar, The Young Disciples, Incognito “Acid jazz” and not straight forward Jazz Funk/Rare Groove. Who gave Eddie Pillar and Gilles Peterson the right to reclassify the London sound of the late 1980’s or 1970’s Black American Jazz Funk?
So here you see how these serpents are trying to rewrite Music History of Black Britain. These people are all playing Soul music. They are playing the late 1980’s retro rare groove sound which was a tribute to the Black American Soul we grew up with in the 1970’s. That is why The Paedenas entitled their song Tribute. This is not a so called “Jewish” music genre called acid jazz.
Bands like The Pasadenas and Soul To Soul both giants of the 1980’s were the ones who started the return of the old sound, though old school Jazz Funk purists, people like Light of the World, Central Line and others were still going throughout the 1980’s. The Idea that this DJ had anything to do with anything is ridiculous none of us had even heard of him.
THIS SOUND HAS NOTHING TO DO WITH ANY SATANIC RECORD LABEL OR ITS CO FOUNDER GILLES PETERSON. Ask him what he has to do with any of these sounds.
WHO DO YOU THINK SPEAKS FOR BLACK BRITISH SOUL MUSIC OF THE 20th CENTURY?THOSE WHO CREATED IT OR EDDIE PILLAR AND GILLES PETERSON?
WHO WOULD YOU SAY SPEAKS FOR BLACK BRITISH SOUL MUSIC OF OUR ERA? THOSE WHO CREATED IT OR EDDIE PILLAR AND GILLES PETERSON?
What do you see below. A compliation album of mostly Britsh bands playing the Rare Groove sound (Early 70’s Funk) and other styles of Black American 1970’s/80 Funk?Or a music genre called Acid Jazz just because Eddie Pillar and Gilles Peterson say it is.
THE MASS FRAUDULENT RE-CLASSIFICATION OF 20TH CENTURY SOUL
And of course it’s not just our version of Black American Soul they are trying to rebrand. Its the Legacy of James Brown. Classic Black American Jazz and Doo wop, Black American Soul, Funk , Jazz Funk fusion, The 1970’s The Pan African sound, Disco Era Funk, late 1980’s New Jack Swing and even 1990’s Neo Soul are all styles of Groove being systematically reclassified as so called acid jazz by this serpent record label. They are trying to take ownership of the legacy of All styles of Black Music of the 20th Century. When like typical thieving lying serpents they have created and invented NOTHING. They think they can fool people on our own sounds.
The London crowd of the era are still around. And No one from AUTHENTIC Black Britain of the 1980’s will acknowledge any such genre. Neither Eddie Pillar, Gilles Peterson nor Acid Jazz records are responsible for any style of Black music at any time here in this City of London. 100% Guaranteed.
We knew what Black American Jazz Funk was in the 1970’s and the 1980’s here in London. We went to the concerts and the PA’s of our heroes when they toured back in the day. And none of us authentic London Funksters of the era will ever claim that the various sounds of Black American Soul being currently appropriated by Acid Jazz records came out of London in the mid 1980’s as they claim on Wikipedia and all across the Internet. Eddie Pillar, Gilles Peterson and Acid Jazz records in no way speak for Black Britain or for any style of Black Music here in London. Acid jazz records are not relevant regardless of what you see written by outsiders of Black Music in London. They are Infiltrators of our culture who are here with a history revisionist and cultural apporpriation plan. A Plan which no AUTHENTIC Lonodn Funkster of the 1970’s/80’s will legitamize. And nor will the Black music archives of the era either. As if we don’t know what Jazz Funk is here in London……..
Its clear that whoever came up with this silly idea to try and use the U.K. to rob Black America of their sounds clearly knew nothing about Black Britain. We have known Black American Soul since we were little kids growing up in the MOTOWN era. These shores are no stranger to the likes of Roy Ayers, Herbie Hancock , Donald Byrd and the like. Take a look at some of the U.K Soul charts to see what we don’t know about THE FUNK. None of us authentic Funksters over here claim ownership of any of this music Eddie Pillar, Gilles Peterson and the Synagogue of Satan are claiming came out of London. It’s all them saying this, NOT US.
ACID JAZZ- A SILVER JUBILEE OF REBRANDING FUNK AND CULTURAL THEFT
The Silent Global War OnThe Legacy Of James Brown
If you claim that music such as the plagiarised Funk on Jamiroquai albums isn’t Funk but acid jazz, Then you are essentially claiming that 1970’s Jazz Funk and late 1970’s Disco era Funk is also “acid jazz” and was retro Invented in 1988…by a DJ! If you are rebranding all styles of Black Music not only from the 1970’s but that of the previous Doo wop, Jazz and MOTOWN era of 1950’s and 1960’s (See the so called “legends of acid jazz” compilations).
AS YOU CAN SEE GILLES PETERSON HAS A TIME MACHINE AS HE INVENTED THE SOUNDS OF BLACK MUSIC CREATED BEFORE HE WAS BORN.
Then you are claiming responsibility for 30 years of Black American Soul Music. And in addition to that they are now claiming that New Jack Swing was once called acid jazz (On Wikipedia) it wasn’t and also that 1990’s Black American Soul Neo Soul is also called acid jazz. Well then you are claiming responsibility for the entirety of 20th Century Soul . So yeah, Gilles Peterson who’s never had a hit in his life is the synagouyge of satans Godfather of Soul!
All over the Internet Eddie Pillar Gilles Peterson and their mob are re-writing Black music history. Claiming that Acid jazz is a Black music genre invented here in London in 1988. There is no such genre. Acid jazz exists only in the satanic petition of Gilles Peterson, Eddie Pillar and the synagogue of Satan. This is systematic cultural theft. In this site I will show you how to easily destroy the myth they are trying to create. There is no such thing as a music genre called acid jazz.
THERE IS NO SUCH GENRE.ACID JAZZ IS A SERPENT GENERATIONAL MYTH CAUGHT IN IT’S EMBRYONIC STAGES. HERE’S HOW TO STAMP IT OUT…….
So, back in the late 1980’s Gilles Peterson, Eddie Pillar and the Synagogue of Satan infiltrated Black music with a plan. A plan to infiltrate FUNK and then take over from within in classic serpent fashion. They first began printing “this is acid jazz” on compilations of the prevailing Rare Groove sound of the era, started by The likes of The Pasadena’s, Soul to Soul, Omar and others of the London Jazz Funk community. Then they started printing “Acid Jazz” over Neo Soul , New Jack swing mixes. Now they are printing this is acid jazz over Black music which was in existence decades before acid jazz recods was eveb created! literally every style of 20th Century Soul you can find. This is acid jazz. the story of acid jazz, Absolute acid jazz. Any name they can think of to further Indoctrinate the new generation.
ASK YOURSELF WHO IS PRINTING ACID JAZZ ON SOUL COMPILATIONS.
With their global disinformation campaign they are trying to re write history to make it look as if acid jazz records are relevant to Black Britain and Black Music The are not. and Acid Jazz records are no friends to Black Britain. On the contrary, They Ignored all the talented Bands of the era, and now they ere trying to write Black Britain out of History. The bottom line however is this. They cannot fool anyone on these sounds as we know what they actually are. All they can do is keep repeating the lie over and over again in the hope that it will stick but this lie is based on sand. Mores to the point they cannot tell you the name of a single track which belongs to this so called “genre” The synagogue of Satan claim came out of London in the 1980’s because there
There is no such thing as a Black Music genre called acid jazz or Club Jazz. They do not exist. All over the Internet on just about every Music website, or Wikipedia type online encyclopedia you will see page after page after page of complete serpent lies telling you that “acid jazz/Club Jazz” are Black Music genre’s which came out of London England in the mid 1980’s. That is a total and absolute lie which is why you will find no reference to this disinformation in any Black Music publication of the era.
For many years now, there has been a massive and highly organised global campaign of disinformation going on behind the scenes all across the Internet. orchestrated by Eddie Pillar, Gilles Peterson and their international criminal cabal which includes people from Eastern Europe, Israel, Germany, Holland, The United States and of course here in the U.K. A military style campaign of history revisionists, in the media as well as on Wikipedia type sites all colluding to essentially re-write Black Music History. Working hand in hand with Acid Jazz records who are fraudulently re classifying all styles of 20th Century Soul as so called acid jazz. The goal is to essentially erase Infiltrate Black music and then take ownership of it and then erase it’s Identity.
The same thing happened when we lost Choice FM, This is a Globally orchested plan by the globalist serpent doing what he always does.
On some sites they try to claim that acid jazz was a subgenre of Jazz. In the 1980’s, No it was not and you will find no mention of any subgenre called acid jazz in any Black music publication of the 1980’s. It was not a genre or a subgenre of Jazz, or Funk or of Soul it does not exist. Acid Jazz and club jazz are names dreamed up by Gilles Peterson and his mates in the synagogue of Satan to create a generational myth which essentially credits them with the invention of Funk.
Essentially what they are trying to do is claim that Rare Groove retro 1970’s Funk is not Funk but a “new” music genre invented in the late 1980’s by Acid Jazz record label because they didn’t know what all the sounds were and thought they could just fool people.
PILLAR CLASSIFIED JAMIROQUAI AS PLAYING “ACID JAZZ”…..
I deal with Jamiroquais plagiarism in THE SOULHEAD TALES where I categorise all of their tracks into their correct styles of FUNK. So Eddie Pillar, Gilles Peterson and their International mob have no hiding place. They can no longer claim Jamiroquai play ” acid jazz” because as well as telling you where I think they stole the music from, I show what style of FUNK each track is and give tons of examples of sounds in a similar style and groove. I categorise their so called self written material into Jazz Funk, World Sound, Electrophonic (Electro ) Funk Disco era Funk, Bossa Nova etc. And you will find no so called acid jazz anywhere in THE SOULHEAD TALES. And that’s because there is no such thing as a music genre called acid jazz. No matter what Gilles Peterson and Eddie Pillar tell you.
FUNK ….AND ACID JAZZ?…..REALLY? WHICH TRACK IS ACID JAZZ? HOW THEY ARE TRYING TO CLAIM JAMIROQUAI ARE NOT PLAYING BLACK MUSIC.
Both Jamiroquai AND acid Jazz records, Lock down their page of lies to re-write Black Music History..
Acid Jazz records and Jamiroquai have both locked down their Wikipedia pages and delete comments complaining about their lies. They are not supposed to be editing their own pages but like the criminals they are they have ignored all protests.
Now that I have created THE SOULHEAD TALES and all the correct classifications of jamiroquais’ plagiarism are know to the youngsters, (They cannot argue with or defeat my list). Instead of telling the truth, something they are incapable of, they have now switched it to Funk and acid jazz. HUH? which track is acid?
A British Funk and Acid Jazz Band. REALLY?
On Wikipedia and all over the net they are trying to give the impression that they are responsible for all this material. As any Funkster who has listened to their songs will tell you they are NOT. We (AUTHENTIC) Funksters do not consider them as a band in the same way that we consider the giants of our era. They do not compare in any way. Jamiroquai were and are nothing more than a FUNK Tribute band who essentialy replayed the sounds styles of 70’s/80’s Funk during the 1990’s creating Musical pastiches of the various different Funk frequencies of the era. They copied, ripped and stole the basslines, guitar styles, synth lines, hooks, Identities, singing styles and the Music signatures of a multitude of acts then signed their names to their plagiarism giving next to no credit to any of the bands they had ripped off.
Jamiroquai are notorious pickpockets and probably the greatest plagiarists in music history. They have no credibility whatsoever among authentic 70’s/80’s Funksters despite what some people are paid to say. They know that and that is why they took to Wikipedia and locked down their page despite warnings from Wikipedia editors. Criminal liar Jay Kay of Jamiroquai claims that they wrote all this music himself. So see the other part of this document,THE SOULHEAD TALES- A response to quotes (Lies) by Jay Kay written by this London SOULHEAD then make up your own mind.
For many years now, there has been a massive and highly organised global campaign of disinformation going on behind the scenes all across the Internet. A huge campaign of lies and disinformation orchestrated by Eddie Pillar, Gilles Peterson and their international criminal cabal of cultural thieves which includes people from Eastern Europe, Israel, Germany, Holland, The United States and of course here in the U.K. All pushing the generational myth that FUNK is a “Jewish” music genre called acid jazz. Why mention that? Well I didn’t they did. I have been fighting this battle for nearly a decade firstly on YouTube against their organised trolling. I had no ides what Zionism or Jewish gang-stalking was.
Funk …AND Acid Jazz. Inference being that at least some of the stolen FUNK featuring on Jamiroquai albums belongs to a Black music genre invented by Gilles Peterson here in London in 1988. So they are still claiming that there is Black music genre called acid jazz even though they know full well that no such genre exists. So this is why a document sch as Ten Easy Ways To Debunk The Acid Jazz lie is so important. These peolpe will never stop lying but with this document and THE SOULHEAD Tales combined Black America will be able to destroy this generational myth. Older African Americans know what all these sounds are biut many of the younger ones will not. The 1960’s, 1970’s and the 1980’s are “ancient history” to some of them. But not to us who lived the era.
Contemporary and Future Music Lovers and Historians. Ask yourself this question. Exactly WHO is it that is telling you that all these styles of Black Music and 20th Century Soul is called acid jazz from London?
SO LETS BORE INTO THIS SERPENT LIE……
There are ten parts to this document plus my global challenge. That is a challenge to anyone who claims that there is a Black music genre called acid jazz invented here in London in 1988 or at any time. And that includes the American sock puppet account that deems himself fit to lecture Black Londoners on our own sound.
INTRO
A Global Challenge Name a single “Acid Jazz” track
Why they cannot fool me on THE FUNK!
1.) Ask them to name one single so called acid jazz track..the conversation will end.
Acid jazz is a record label it is not a Genre/Subgenre or style of Jazz. It does not exist
2.) Let’s consult the 1980’s Issues of Blues and Soul /Black Echoes Magazines.
The Black music archive they cannot delete. Lets see if we can find any evidence of this so called genre emerging in 1980’s London as they claim on Wikipedia & Everipedia!
3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound.
Junior Giscombe, Soul to Soul, Loose Ends, Five Star, Sade, Billy Ocean etc are all still around. I will show you the bands and acts who actually created the Black British sound.
4.) Ask the 1980’s London Pirates and the Funk and Soul DJ’s. I will tell you who they are.
Loads of the Soul DJ’s and 1980’s London pirates from stations like Solar Radio, LWR and Invicta where Peterson was for a short period are still gigging. I will show you who to contact and see if they remember Gilles Peterson inventing a black music genre.
5.) Londoners, ask your Funky Elders
There are plenty of reunions still happening in London where Disco kids now in their mid 50’s and upwards get together. I will tell you the type of people to ask about this fake genre
6.) Jamiroquai’s plagiarized FUNK correctly classified. So where is this “acid jazz”genre?
Pillars mob claim that Jamiroquai play Gilles Peterson’s imaginary genre because he thinks he can fool people on the different styles and sounds of Funk. I know all these sounds where they came from and how to classify, them I see no “acid jazz.
7. ) Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s.
FUNK is American. No one from 1960/70’s/80’s Black Britain will ever claim that we invented any of these sounds. The only people who do are Eddie Pillar/Gilles Peterson and Acid Jazz records who have been printing their name all over American FUNK for over 25 years and claiming they invented it here in London. See if the Americans of the Disco era don’t recognize all these sounds being fraudulently reclassified by Eddie Pillar.
8.) Ask the late 1980’s and 1990’s Black American New jack swing and Neo Soul Generation.
A whole lot of the compilations claimed as Acid Jazz contain New Jack Swing tracks. Hilariously Acid Jazz records claim that New Jack swing was once classified as acid jazz in the 1980’s when no one had ever heard of them. They are existentially claiming ownership of all 20th Century SOUL. Every thing they print their name on is apparently Acid Jazz invented by Gilles Peterson. See if the N.J.S and the Neo Soul kids don’t recognize the sounds of their era.
9) Their fake new Wikipedia Page and their American Gate keeper Michael Knowles
The American who tells us that Acid Jazz is a genre but can’t say what it is and won’t answer questions. A Californian who thinks he’s qualified to speak on behalf of 1980’s Black London
10.) Ask the 1980’s London SOULHEAD journalists.
The 1980’s Writers of Blues and Soul, Black Echoes are still around.
A GLOBAL CHALLENGE
Now seeing as there appear to be a multitude of so called “music experts”, So called DJ’s, so called Music writers, and others who seem to think that Acid Jazz is a Black Music genre, because they read it on the Internet or they are part of their global disinformation cabal. Or because they think they are qualified to write the Black music history of an era they weren’t even alive or present to experience. I Issue this challenge………
And this is a challenge to Acid Jazz records, Gilles Peterson, Eddie Pillar and to any so called music writer reviewer, Music Journalist, Newspaper Journalist be it in print online or both, who claims or has ever claimed that Acid Jazz or Club Jazz are Black music genres which came out of this City (London England) in the 1980’s.
My challenge is simple.
If as you claim Acid Jazz or Club jazz as you claim are Black Music genres which as you claim came out of London in the 1980’s then……
NAME ME ONE SINGLE SONG BELONGING TO EITHER GENRE IN THE COMMENT SECTION BELOW. ANY SONG. NAME AN ACID JAZZ TRACK OR A CLUB JAZZ TRACK
I GAURANTEE THAT YOU CANNOT!
Imakethis statement and I do so without any fear of contradiction from any so called music writer, music critic, entertainment writer, musician, record executive or Wikipedia Gatekeeper.
There is no such thing as a Black Music genre called Acid Jazz and there is no such thing as a Nlack music genre called Club Jazz. They do not exist. Anyone who claims that they do either knows nothing about Black Music or is a liar.
So who are you and what are your credentials?
My credentials are that am an authentic London Funkster of the 1970’s and the 1980’s so I know all the sounds or my ere. I was right ther in London all during the 1980’s. And as THE SOULHEAD TALES-Jamiroquai Plagiarism document proves, I know more than enough about 1970’s/1980’s Funk to debunk more or less their entire so called discography. And not only that I know enouhgh about the groove to tell you exactely what styles of FUNK actually appear on their albums. And I will tell you now. There is nothing called “acid jazz” on any Jamiroquai album or on the Albumsof anyone else. And that is becase there is no such thing as a Black Music genre called acid jazz.
SMOKE AND MIRRORS SUBTEFUGE THE ART OF OBSCURING THE TRUTH
YOU CANNOT OBSCURE THE SOUNDS OF FUNK- WE CAN HEAR THEM!
We know the sound of James Brown, the 1960’s, Little Stevie Wonder and THE MOTOWN SOUND because I was there when it happened. I know the new Jazz Funk sound and the World sound of the early 1970’s because I was there listening to it. I was there when Stevie released the Songs in the Key of Life and when Barry Whites Orchestra/TSOP Gambel and Huff etc began to usher in the Disco era sound. I know all the sounds of the late 1970’s FUNK in what people now refer to as “The Disco Era” because I was right there by then looking enough to get into nightclubs and jam. I was right there on the Disco dance floor when the likes of CHIC! and Earth Wind and Fire, Michael Jackson and countless others bombarded us with the sweetest FUNK we has ever heard. I was there when the avalanche of FUNK hit us in 1979. I was there when Knee Deep and One Nation under a Groove stunned the disco dance floors of the Planet and I was right there around the turn of the decade in the post Disco era (1980-1983) when Clinton, Yarbrough and People. Grand Master Flash, Zapp D, Train, Soul Sonic Force, KASHIF and all the rest electrified the groove.
I was there when the London bands of our generation like HI Tension, The Olympic Runners, Atmosfear Light of the World, Imagination, Linx, Central Line, Second Image, Shakatak and many other started the Brit Funk sound of old. I remember when (Mama Used to say) by Junior topped the American charts, I remember The Robbie Vincent Soul Show, Greg Edwards Soul Spectrum, The Best Disco in town, Tony Blackburn’s Soul show and the Pirate Radio stations because I was right there listening to them. I remember Gossips, Gulliver’s, All Nations and the London Soul clubs of the 1980’s because I went to them as a White sox Soulhead.
I was still there in London in the mid 1980’s when Loose Ends, Five Star, Billy Ocean, Simply Red, SADE and many other British Soul stars topped the U.S Soul charts at the time we had our version of Soultrain and I was there when The Pasadenas and Soul to soul. Omar and others started the Britfunk Rare Groove sound of the late 1980’s when the Americans had New Jack swing. I was there. I was there on the Dancefloors of London all through thedecade buying my Blues and Soul magazines as you will see later, listening to Pirate radio, jamming in House parties of the era, going to cincerts and PA’s to watch our American heroes and I’am telling you that there was NO SUCH THING as a Black music genre called acid jazz here in London at any time during the 1980’s or during the 1990’s. The music that Eddie Pillar Gilles Peterson and their International disinformation cabal is trying to claim as acid jazz is nothing more than Rare Groove (Retro 70’s Funk), Jazz Funk, Jazz Hip Hop , New Jack Swing and Neo Soul. The Rare Groove sound (Old School Funk) was began by peolpe like the Pasadenas and Soul to Soul. It was NOT a new Serpent music genre invented by Gilles Peterson in 1988 or by anyone else.Cofounder of Acid Jazz records Gilles Peterson is a criminal DJ who has bnever had a hit in his life and is irelevent to Black Britain and to Black Music. None of those Black American 1970’s Jazz Funk sounds were invented here in London and no authentic 1970’s/1980’s Soulhead of any colou would ever claim that they do. We Know what all these sounds are in Black Britain and there is NOTHING in Black music called acid jazz. the first thing you do when you wanrt to steal something Is ro give it a new name. These names are Acid Jazz and Club Jazz. Rwo names coined by Outsiders who think they have the right to march into Black cvuklture and reclassify Black Music. As if they own it. TWO OUTSIDERS WHO THINK THEY HAVE THE RIGHT TO WALK INTO BLACK CULTURE AND START RE-NAMING THE LEGACY OF JAMES BROWN.
ANCESTOR BROWN AND BLACK AMERICA HERE IS YOUR MUSIC BACK!
TEN EASY WAYS TO DEBUNK THE ACID JAZZ LIE
(THE CULTURAL APPOPRIATION OF FUNK)
There are Ten Parts to this document which debunk this attempted infiltration and takeover of SOUL/R&B by this Zionist record label printing lies all over compilations of Jazz Funk, Neo Soul, New Jack Swing, Brit Funk etc then claiming these sounds as so called acid jazz. There are no such genres as Acid Jazz or Club Jazz. Now some of the things I write might be obvious to you older Guys and Gals however they won’t be obvious to the youngsters and why should they as they were not alive in the 70’s/80’s.
They don’t nessesarily know the timeline of FUNK and given some of the complete rubbish written on the Internet about our era by outsiders who were clearly not even there one shouldn’t be surprised. Especially when you look at the lies being pedlled by Gilles Peterson, Eddie Pillar and Acid jazz records on wikipedia, Everipedia and so on. There are concerted efforts going on to change history behind the scenes by Eddie Pillar and his mob. This is a major operation which includes websites all colluding with Acid Jazz records abd the Synagouge of Satan to steadily indoctrinate the new generation. Indoctrinate them ointo thinking that the serpent is responsibl;e for Soul music.
Late 1980’s. When America and the U.K split musically. The late 1980’s was the end of the Funk as we knew it. By 86/87 The groove had got so watered down that many of us older kids no longer considered it to be FUNK anymore. That as I state elsewhere was one of the reasons for the popularity of the old 1970’s sound. People had had enough of all the Electro stuff the Electrophonic Phunk sound that The synagouge of Satan are trying to classify as E.D.M (It is not) which began in the late 1970’s starts to peter out. Now musically speaking America and the U.K had been in lockstep through the 60’s 70’s and 80’s. So when Americans were listening to Motown and the Beatles for example we were listening to the same music.
When the Disco era sound hit Britain like the rest of the World went Disco crazy, and during most of the 1980’s Both Brits and Americans were into bands form both sides of the Atlantic. So bands like Loose Ends and Soul to Soul were as popular over there as The SOS Band and CAMEO were over here. Now after 1988 when as I saud this stykle of FUNK began to die out as the new genration took over (The Sound of Soul changed 3 times in the 1980’s I write about it in THE SOULHEAD TALES) FUNK in the U.K exploded into many different branches. Rave, House, Techno, Jungle, Rare Groove (70’s FUNK), Drum and Bass etc.
Over in America however, the kids went the New Jack Swing route and Rap began to get more popular. Remember this is the new generation, the younger siblings of us older Disco era types who were now in our late 20’s and early 30’s. So the kids of the New Jack Swing era didn’t neccesarily know where all the drum patterns and many of the samples came from. Not all of them had grown up in Funky families. As with any change in sound a whole load of people get into the sound from all backgrounds.
The fraudulent re-classification of FUNK
Now obviously we knew what all the sounds were because we grew up with James Brown and 1970’s Funk. Many kids of the era were introduced to old school Funk thanks to the sampling by rappers in the 1990’s. They didn’t know Parliament Funkadelic, the Gap Band and Zapp, They were before their time. So those of us who are old enough to remember the 70’s/80’s might know what all these sounds are but many youngsters don’t. For example I once saw someone try to claim that Canned Heat by Jamiroquai was “acid jazz”. So he didn’t know what the Disco era sound was and because he probably read the lies of Eddie Pillar, Gilles Peterson and his mob, he concluded that the Disco era violins of the late 1970’s were invented here in London in 1988.There are kids out there who think that Bossa Nova comes form London because it has Acid Jazz printed on it. Everything from 70’s Jazzfunk to 1990’s Neo Soul is being claimed as so called acid jazz by Eddie Pillar. This is deliberate of course. This is a genrational myth that they are trying to create through deciet. A ploy which as I keep saying does not work in music. Howver they belive that if they keep repeatiing the same thing over and over again peolpe will belive it. So why Pillar and his mov of cultural theives and disinfo agants are fraudulently reclassifying all styles of 29th Century SOUL they are posting lies on Wikipedia, ignoring protests and protecting thois lies by deleting coomments and protests.
So as you can see beloe they are STILL claiming that Acid Jazz is a musIc genre on the Internet and this 2022 is several years after we started complaiining and acid jazz records deleted our protests as you will see later on.
Belive it or not many don’t even know about the 1980’s British FUNK invasion of America featuring the Likes of Soul to Soul and Loose Ends. And when you look at Eddie Pillar and Gilles Petersons version of Black Music in London during the 1980’s well these bands don’t exist in their universe. They are writing them out of history and replacing them with Jamiroquai who created nothing. So this and the accomanyiong Documenr THE SOULHEAD TALES is aimed for someone reading Music history in a few decades time when people who recognise all the sounds Pillar is claiming as acid jazz are few and far between. They (Acid jazz records) are trying to aim at those who don’t know what all these sounds are or don’t know who to ask about them. I will tell you the right people to ask or to contact. Many people in the LondonSoul community of old do not know what Eddie Pillar, Gilles Peterson and hios International cabal are doing so you can help alert people.This is aimed to counter their lies and show people of this generation, Journalists and truth speakers who to ask, what to look at and what to quote in order to defeat the lies of Acid jazz records and their International cabal of cultural thieves. However the most important thing to remember is this…. Serpent lies are built on illusion but Illusion does not work in Music!
This is what is in this Document. I have created a preview a bit further down.
1.) Ask them to name one single so called acid jazz track..the conversation will end.
Acid jazz is a record label it is not a Genre/Subgenre or style of Jazz. It does not exist
2.) Let’s consult the 1980’s Issues of Blues and Soul /Black Echoes Magazines.
The Black music archive they cannot delete. Lets see if we can find any evidence of this so called genre emerging in 1980’s London as they claim on Wikipedia & Everipedia!
3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound.
Junior Giscombe, Soul to Soul, Loose Ends, Five Star, Sade, Billy Ocean etc are all still around. I will show you the bands and acts who actually created the Black British sound.
4.) Ask the 1980’s London Pirates and the Funk and Soul DJ’s. I will tell you who they are.
Loads of the Soul DJ’s and 1980’s London pirates from stations like Solar Radio, LWR and Invicta where Peterson was for a short period are still gigging. I will show you who to contact and see if they remember Gilles Peterson inventing a black music genre.
5.) Londoners, ask your Funky Elders
There are plenty of reunions still happening in London where Disco kids now in their mid 50’s and upwards get together. I will tell you the type of people to ask about this fake genre
6.) Jamiroquai’s plagiarized FUNK correctly classified. So where is this “acid jazz”genre?
Pillars mob claim that Jamiroquai play Gilles Peterson’s imaginary genre because he thinks he can fool people on the different styles and sounds of Funk. I know all these sounds where they came from and how to classify, them I see no “acid jazz.
7. ) Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s.
FUNK is American. No one from 1960/70’s/80’s Black Britain will ever claim that we invented any of these sounds. The only people who do are Eddie Pillar/Gilles Peterson and Acid Jazz records who have been printing their name all over American FUNK for over 25 years and claiming they invented it here in London. See if the Americans of the Disco era don’t recognize all these sounds being fraudulently reclassified by Eddie Pillar.
8.) Ask the late 1980’s and 1990’s Black American New jack swing and Neo Soul Generation.
A whole lot of the compilations claimed as Acid Jazz contain New Jack Swing tracks. Hilariously Acid Jazz records claim that New Jack swing was once classified as acid jazz in the 1980’s when no one had ever heard of them. They are existentially claiming ownership of all 20th Century SOUL. Every thing they print their name on is apparently Acid Jazz invented by Gilles Peterson. See if the N.J.S and the Neo Soul kids don’t recognize the sounds of their era.
9) Their fake new Wikipedia Page and their American Gate keeper Michael Knowles
The American who tells us that Acid Jazz is a genre but can’t say what it is and won’t answer questions. A Californian who thinks he’s qualified to speak on behalf of 1980’s Black London
10.) Ask the 1980’s London SOULHEAD journalists.
The Writers of Blues and Blues and Soul, Black Echoes are still around.
PLEASE SEE THE PREVIEW BELOW THEN SCROLL DOWN!
IMPORTANT NOTE DEC 2021
BLUES AND SOUL 1100-New millennial writer appears to back the acid jazz lie?
This uncompleted site is known to quite a few music “journalists” in the Media some of whom have changed what they have written going upon what I have said and the provable version of Black London in the 1980’s I describe. And on my complete breakdown of all Jamiroquai tracks, showing where they probably lifted all their music from. They know that I am authentic and everything I say can be backed up by Black Echoes, Jet, The Blues and Soul archives of the 1980’s as well as the club, chart reports etc. And of course by the hundreds of thousands of London Funksters who are still around including all the bands that Eddie Pillars and his mob are trying to wipe from history. Now Blue and Soul is or was one of the most credible sources for Black Music about. And I have sung their praises heavily on this site.
Now, however in this latest issue 1100 a number probably chosen because issue 511 is the one that destroys the lies of egomaniac Gilles Peterson’s attempts to go down in history as some sort of Musical hero when he’s created nothing whatsoever. Someone in an Interview with a member of the brand new heavies appears to legitimize this acid jazz lie. Now they don’t say that Acid jazz is genre at least going by what is on the websites front page. They can’t because it isn’t. However they (TBNH) are mentioned as so called “acid jazz pioneers”. As if Acid jazz was a genre and as if Rare Groove and Acid jazz are somehow interchangeable names.They are not. That is what Eddie Pillar and their crowd want people to think. They also mention the words “this acid jazz movement “.
Well this authentic Funkster is telling you that there was no acid jazz movement, there was a RARE GROOVE Movement and it started long before acid jazz records infiltrated Black Britain and Soul music in the late 1980’s/90’s. I was right there. So regardless of what outsiders of Black culture think they can call THE FUNK, The FUNK is just that. It is not acid jazz because Eddie Pillar Gilles Peterson and whoever else decides its going to be called. It is not theirs to rename. Anyhow I deal with this article in another part of this Blog. So click below if you wish to read my response.
“THEY HAVE A WAY OF ATTACHING THEMSELVES TO YOUR TALENT, THEN THEY GET ALL THE MONEY AND YOU GET NOTHING”
Louis Farrakhan
Farrakhann or at least those who surround him are controlled opposition. The N.O.I were approached twice about this matter and didn’t even respond.
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THERE IS NO SUCH THING AS A GENRE CALLED ACID JAZZ OR CLUB JAZZ.
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Table of Contents
PREVIEW
If you’re one who already knows that so called Acid Jazz and Club Jazz exist only in the minds of Eddie Pillar, Gilles Peterson, Acid Jazz records and their International cabal of disinfo agents then then below is a quick summary if you haven’t got the time to read through the whole thing. Really you only need the first two. They can’t tell you what acid jazz is because it doesn’t exist. Its just falsely labelled Funk, Jazz funk, New Jack Swing, Neo Soul, Bossa nova etc. And there is no reference to any so called acid jazz genre in any Black music publication of the 1980’s. So the claim that this nonexistent “Acid jazz known as club jazz” came out of this city in the mid 1980’s isn’t supported by evidence apart from the serpent BS they have written on Wikipedia. And if they try and claim that all the Rare Griive 70’s/80’s FUNK retreads we all rcognise belong to this fictional genre then ask then to tell you exactly which track is acid jazz and not what I say it is on THE SOULHEAD TALES. NONE of us authentic London Funksters of the 1970’s/1980’s recognise any such genres.
IN PART ONE
Part 1.) Ask them to name one single so called acid jazz track……
……..Crickets…………Tumble Weeds………the conversation will end.
(Acid jazz is a record label it is not a Genre/Sub genre or style of Jazz. It does not exist)
In part one you can see the easiest way to debunk this BS is to ask them to name a track which belongs to this genre. They can’t because there isn’t one. All they have done on Wikipedia is replace the word Rare Groove (Retro 70’s Funk) with the name of their record Label acid jazz and then claim that it’s new genre called acid jazz invented by Gilles Peterson in 1988. U.K Bands like Soul to Soul, Former members of Light of the World, The Padsedenas are responsible for this sound. Neither Gilles Peterson who no one had ever heard of nor Acid Jazz records who no one had ever heard of is responsible for any sound or style of Black Music.
On wikipedia they list a whole load of Jazz Funk, Jazz Hip Hop, New Jack Swing, Neo Soul , Latin Soul and Brit-funk acts, Then claim they play this non existent genre invented by Gilles Peterson in 1988. They can’t fool anyone on Jamiroquai anymore because I have gone thorough their discography and not only categorized the grooves in to their correct style of FUNK but shown where I think they stole the sounds from as you will see below on the Soulhead Tales!
THEY CLAIM THESE BANDS ARE NOTABLE “ACID JAZZ” BANDS
As you can see they know next to nothing about Black music!
Some of the many styles of Black Music Eddie Pillar, Gilles Peterson and their International cabal claim is a music genre called acid jazz which came out of London in the 1980’s. Basically everything from straight Black American Jazz Funk, Straight Funk, Jazz Funk, Rare Groove, Trip Hop, Jazz Hip Hop,Latin Soul, British Rare Groove, Jazz Funk you name it! You can easily tell they don’t understand what half of these bands play. Their job is to gather as many bands playing all these styles of SOUL/R&B then group them alltogether. This is all part of their global disinformation campaign of INDOCTRINATION. Their attempted theft of the legacy of James Brown and of Black American Soul.
Below more bands playing a Black music genre apparently invented by Gilles Peterson here in London in 1988. All these bands apparently play “acid jazz”
NONE OF THESE BANDS PLAY A MUSIC GENRE CALLED ACID JAZZ OR CLUB JAZZ THERE ARE NO SUCH GENRES. THE ONLY PEOPLE WHO CALIM THERE ARE, IS EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS.
This is how dim they think people are but they have locked doen this page and brought in a gatekeeper. Peterson, Lech and others of their mob are behind this page and they keep swopping and changing things because of what I write. There was never a genre called Acid Jazz, What Eddie Pillar and the Synagogue of Satan try and claim as acid jazz is nothing more than Rare Groove. The old style 1970’s Jazz Funk which came back in the mid 1980’s. It had nothing to do with Acid jazz records who are totally irrelevant to the 1980’s as Blues and Soul magazine will prove. No one had even heard of them. So please scroll down for part one.
IN PART TWO
Part 2.) Let’s consult the 1980’s Issues of Blues and Soul /Black Echoes Magazines.
In part two we take a look at The Black music history archive they cannot delete! See if you can find any evidence of this so called genre emerging in 1980’s London as they claim on Wikipedia, Everipedia and all over the Internet on every music forum, list or website dealing with music. You won’t because it’s a total lie.Unluckily for them everything that happened in the SOUL underground of the early 1980’s and the SOUL overground of the mid to late 1980’s when FUNK went more mainstream is recorded in not just Blues and Soul but obviosly in all Black music publications of the era!
So If you’re going to claim that a Black music genre called “acid jazz” was invented here in London in the mid 1980’s, well then it stands to reason that there should be some record of it in the Black music publications of the time period then shouldn’t there, I mean the magazines of the mid 1980’s should be full of news about this amazing new Black music genre” invented” by a Pirate DJ who hardly anyone had even heard of.The club reports should be buzzing withnew of the great Gilles Peterson the new Godfather of SOUL!
There should be club reports about this new genre. Interviews, reviews and such as Rick James said in Big Time. I mean The London FUNK underground should have been buzzing with the sound of this new genre they claim on Wikipedia emerged from this City in the mid 1980’s. By 1986/87 the charts should be full of music from this amazing genre invented by Gilles Peterson….Well no. There’s jack shit.
Lets see if we can find any so called acid jazz in the 1980’s.
On Wikipedia not only do they claim Acid jazz was a London music genre they also claim there was an acid jazz movement in 1980’s London. REALLY? I never heard of it. So lets take a look at The SOULHEAD’S Bible and see if we can find any evidence for this Imaginary genre in the Club reports, SOUL Charts, Single and Album reviews of the 1980’s. Yes I still have all my copies and they cover the entire 1980’s when they claim this so called genre was created.
Please Scroll down for Part 2
IN PART THREE
Part 3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound.
Junior Giscombe, Soul to Soul, Loose Ends, Five Star, Sade, Billy Ocean etc
On Wikipedia The Jamiroquai Acid Jazz cabal write Black Britain completely out of History. The British bands who made our sound famous in the 1980’s, Topped the U.S Charts and appeared on SOULTRAIN over in the States are completely wiped from the records and are replaced by 1990’s total plagiarists and Jamiroquai.As if they are responsible for British SOUL.Not that those 70’s/80’s FUNK retreads of other peoples sounds are even British.
On Wikipedia they write all these bands out of History and credit Gilles Peterson with the invention of a non existent genre which apparently (According to the BS they have written on Wikipedia) spread to America and across the globe thanks to two promoters. Then as I said they claim this acid jazz genre (Which is nothing more than Rare Groove and the British Soul sound of the late 1980’s then became indistinct as a genre and disappeared!
Acid Liars, So without naming a single track belonging to this non existent genre they then claim that bands which were once defined as acid jazz are now known as Jazz Funk Neo Soul or Jazz Rap. No bands were ever defined as acid jazz as there is no such genre as acid jazz., which is why you will see no mention of an acid jazz genre in any Black Music publication of the era. Jazz Funk came in the 1970’s. None of those styles of Black American Soul have anything to do with Acid Jazz records.
SOME OF THE U.K BANDS THAT NO LONGER EXIST ACCORDING TO GILLES PETERSON, EDDIE PILLAR AND THE SYNAGOUFE OF SATAN.
Bernstein and Rudnick apparently “introduced” the World to late 1980’s British Funk and Rare Groove (1970’s Jazz Funk and Soul) which they claim on Wikipedia is a Black Music Genre Called “Acid Jazz” invented by a DJ called Gilles Peterson. I’m sure Black America was glad to be introduced to 1970’s Mizell Brothers, George Duke, Herbie Hancock, Marvin Gaye, Patrice Rushen, Lonnie Liston SmithStevie Wonder and all the rest…in the 1990’s!
HISTORY BLACK MUSIC IS BEING RE-WRITTEN BY INFILTRATORS 40 Plus years of Black British SOUL no longer exists as according to Wikipedia it’s all down to Eddie Pillar, Gilles Peterson, Maurice Berstein, Johnathon Rudnick, Jamiroquai, the Brand New heavies and Acid Jazz Records.
Please Scroll down for Part 3
IN PART FOUR
Part 4.) Ask the 1980’s London Funk and Soul DJ’s of the era
Now there is a whole lot of information on the Internet but it can be hard to track down the people you need to speak to if say you’re a Journalist or one who wants to know who the authentic London Soulheads were. The big names in our movement. So obviously as a London Funkster of the era I know who all the movers and shakers were in the community of old. Many are still around and some of these old Soul boys are now Internationally famous. In the new digital age people are never hard to contact.They can will verify the truth. Or give them a link them to read what I have written.
[Greg Edwards, Tony Blackburn, Craig Charles, Pete Tong, Norman Jay The Original Rare Groove man) are all old Skool Soulheads Famous in the London FUNK Community of our era back in the 1970’s/1980’s
There are plenty of former pirate radio Dj’s from Solar Radio, Invicta, LWR and so on. Sound systems like Rappatack and Fariplay and of course Soul to Soul are still about. So see if any of these old Funk Giants of the London SOULHEAD crowd have ever heard of Gilles Peterson’s imaginary “acid jazz” genre. No need to get anyone involved in any arguments just ascertain the truth.
Please Scroll down for Part 4
IN PART FIVE
In part 5.) Londoners, ask your funky Elders
There are Soulhead reunions still happening all over the U.K where the Disco Kids now in their mid 50’s and upwards get together and relive the grooves of yesteryear. I Mention London because London is where they claim that this so called Acid jazz genre emerged in the mid 1980’s, but obviously there were underground SOULHEAD movements all over the country in places like Birmingham , Nottingham, Manchester, Liverpool etc etc. This crowd know who
We knew our FUNK then and we still know it now. We bought the records and saw our Heroes in concert, met them in London pubs during P. A’ s. No one in Acid Jazz records is going to fool anyone on any style of FUNK.
Please Scroll down for Part 5
IN PART SIX
Part 6.) Jamiroquai’s plagiarised FUNK correctly classified. So where is this “acid jazz”genre?
Jamiroquai were going to be the jewel in the crown of this so called Genre. Edddie Pillar didn’t classify their first album Emergency on Planet Earth as SOUL/R&B but as Acid Jazz. This was the beginning of the deception. When the SOULHEAD TALES debunked that lie they changed it back to FUNK but are now trying to claim that Jamiroquai play Funk AND acid jazz.! Acid jazz being the Imaginary genre they claim was invented by Gilles Peterson. Well unluckily for them I can easily classify Jamiroquai’s plagiarised FUNK into their correct genres and style of FUNK.
Jamiroquai as any 70’s FUNKSTER will tell you are notorious plagiarists. Kay claims he wrote all this music himself, we know different. I recognise all those sounds, basslines, horn section and Keyboard riffs. THE SOULHEAD TALES serves two purposes. One to destroy the myth that Kay is trying to vreate for himslef as some sort of Musical genius and most importantly to give the original writers the credit they deserve. The original idea behind this list was to give reccomendations to the kids looking for music and I do not dissapoint.So ask Jamiroquai, Gilles Peterson and Eddie Pillar exactly which track is acid jazz and not what I say it is.
Please Scroll down for Part 6
IN PART SEVEN
7. ) Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s.
So this is My generation. The people you see dancing on late 70’s and 1980’s SOULTRAIN. Now if this London boy knows all the sounds of Black America, well you can be sure that they do. Proncipally because they are the ones who invented all the sounds that acid jazz records claim is an invention of a their record company.
The Disco kids of America who grew up with MOTOWN and the Funk Brothers, Stevie Wonder, Jazz-funk, Disco era Funk, Electrophonic Phunk, New Jack Swing and the like will tell you what all the sounds on these do called acid jazz compilations are as I can.
So who are you going to belive when it comes to Jazz Funk and Soul. The elders of Black America or a London record Label created here in london in 1988?
Please Scroll down for Part 7
IN PART EIGHT
8. ) Ask the late 1980’s and 1990’s Black American New Jack Swing and Neo Soul Generation. All these sounds feature on so called “This is Acid Jazz” compilations so see if the kids of this era don’t recognize their own sound form the late 1980’s. I was around when New Jack Swing started just as I was around when the Disco era started so I know all the bands of the era. And I know the sound. All these guys and Gals are still around as are the NJS generation.
Acid Jazz record formed in 1988 claim that New Jack Swing and Neo Soul were ionce called acid jazz…..Yup…..invented by a London DJ….according to acid jazz records.
Please Scroll down for Part 8
IN PART NINE
9.) Ask Eddie Pillars Californian Wikipedia Gatekeeper to RESPOND to a question. Michael Bink Knowles. The Californian who thinks he’s qualified to speak on BLACK LONDON!
An American “Editor ” with over 250,000 edits including (See the Phillip Cross affair with MP George Galloway) in charge of a page about BLACK LONDON OF THE 1980’s!
The Wikipedia “editor” (Gate keeper)American helping acid jazz records re-write the history of Black Britain, Black London and of 20th Century SOUL R&B.
Acid Jazz records and Jamiroquai have both locked down their pages to prevent their lies being changed. Better to indoctrinate the global masses into believing they are responsible for Soul Music of the 20th Century. In the case of the Acid Jazz page they have totally written Black British Soul of the 20th Century out of history. They then claim that Gilles Peterson invented a music genre called Acid Jazz which according to them spread across the world thanks to two promoters. Mr Knowles claims that ..“Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”
However he can’t tell you what it is and won’t answer questions. Meanwhile Anonymous Americans guarding Eddie Pillars lies delete comments, delete profiles, ignore warnings and carry rewriting the history of Black London regardless. So basically someone who by his own admission wasn’t around in the 1980’s is writing the history of 1980’s London and this appears to back him up. He then said this…“Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”… He’s never heard of Chris Hill, Robbie Vincent, Froggy, Caister or the Goldmine!
Please Scroll down for Part 9
IN PART TEN
10.) Ask the 1980’s London SOULHEAD journalists…..
Ask 1980’s Black British and AUTHENTIC Soul music journalists if anyone here credits a DJ most have never heard of with a Black music genre called “acid jazz” . Ask them if they think Gilles Peterson is responsible for 70’s Jazz Funk, Mid to late 80’s New Jack Swing and 1990’s Neo Soul among the other styles of Black music Eddie Pillar and the Jamiroquai acid jazz cabal claim ownership of.And I say the 1970’s/1980’s Journalists. Not the new millenial so called music writers who think FUNK is called acid jazz because they read it on wikipedia. There are many.
So lets go and reclaim THE FUNK from those cultural thieves who have infiltrated what we called THE GROOVE are desperate to STEAL it and take credit for it.
PART ONE
1.) Ask them to NAME A SINGLE SO CALLED ACID JAZZ TRACK..the conversation will end.
Acid jazz is a record label it is not a Genre/Sub genre or style of Jazz.
It does not exist. Ask them to name a track they cannot.
I am not asking anyone. I’m point blank telling you.
There is no such thing as a Black music genre called acid jazz
Author Kwabena Nkwatia
Really to debunk the acid jazz lie you only need one thing. Ask them to actually name a track that belongs to this imaginary genre. They can’t because there isn’t one. Fooling the kids of the 1990’s and New Millennial youngsters on the various sounds of R&B is one thing. You are not however going to fool authentic 1970’s/1980’s Jazzfunkateers either here in the U.K, American, Canada or anywhere else on our own sound. When you’re used to deceiving people, obfuscating and generally through your teeth you think you can do it on all subjects.
Music is completely different. You cannot fool people on Music because they can hear it! If it sounds like Bossa Nova then it’s Bossa Nova. If it sounds like James Brown and Parliament Funkadelic then it’s James Brown and Parliament Funkadelic. You can tell me that a track like Whatever it is i just can’t stop (Jamiroquai) is acid jazz all you like but if you know James Brown and Redd Hot Mama by Parliament then you are not going to fool anyone. You can tell me all the Stevie Wonder rip offs on Jamiroquai albums are acid jazz all you like. But we know Stevie Wonder is SOUL/R&B. And Jay Kay and Gilles Peterson are not responsible for the sound of Stevie Wonder.
We know what all these sounds are on so called acid jazz compilations because we grew up with them in the 50’s, 60’s, 70’s and 80’s! 1970’s Funksters recognized all the sounds on Jamiroquai albums even if mainstream so called music writers didn’t. THE SOULHEAD TALES proves that. They were playing Rare Groove not a magical non existent musical genre called acid jazz invented by a London pub DJ. Any 1970s/1980’s Disco era Funkster can tell you that and so can many of the 1990’s generation who knew what they were listening to. Knew Roy Ayers, Donald Byrd , Johnny Hammond and the Mizzel Brothers sound. There is nothing called acid jazz, no genre, no sub-genre, no style of funk, no nothing. There never was.It was a cultural appropriation from day one.
There is no sound called acid jazz because Acid Jazz is a record Label. It is not a music genre. Now if the word Acid Jazz is synonymous with Black American SOUL in some quarters then thats because of Eddie Pillars false marketing of FUNK. And of course the rubbish that they have written on Wikipedia. Ask Gilles Peterson or indeed anyone else who claims that Acid Jazz is a music genre from here in the U.K to name a track belonging to this so-called genre. They can’t because there isn’t one and neither Eddie Pillar, Gilles Peterson or anyone connected with acid jazz records is going to fool anyone on the Good Groove. We authentic U.K 1970’s/1980’s Jazz Funkateers & Funksters (Soulheads) know the Funk. In the 1980’s when American bands flooded the U.K they always praised us for our knowledge and dedication to the Groove. Watch a few videos of Solid Soul or the U.K version of Soultrain in the 1980s. We FUNK. The Real Thing, Cymande, Osibisa, Hot Chocolate, Delegation, The Olympic Runners and more proved it in the 1970’s.
Hi Tension, Junior Giscombe, Imagination, Linx, Light of the World, Shakatak, Central Line, Second Image, Level 42, Loose Ends, Simply Red, Five Star, Billy Ocean, Omar, Jaki Graham Soul to Soul and many others proved it in the 1980’s. No one over here will claims ownership of James Brown or any style of Black American SOUL except for acid jazz records. The Americans always lead the way. We followed. And no authentic 70’s/80’s British Soulhead will tell you any different. It’s 1990’s British so called music writers who weren’t around in the era and don’t know what Jazz Funk and Soul is who think the likes of Jamiroquai play a genre called acid jazz. The rubbish you see written below was written by Jamiroquai band members who had taken over the page and were deleting comments.
They claim on Wikipedia that Jamiroquai play FUNK…and Gilles Peterson’s acid Jazz!
Most of these mainstream so called “music experts” know little or nothing about the FUNK. Compare their reviews of Jamiroquai albums to THE SOULHEAD TALES and you will see what I mean. And the Authentic Disco era kids of the London Soulhead crowd are still here as you will see later on in this document. We know all the sounds of SOUL/R&B in the 20th Century and there is no such thing as a Black music genre called acid jazz. No such genre was invented in this City during the 1980s or at any time. And you will find no reference to any such genre in any Black Music publication of the 1980’s when they claim Gilles Peterson invented this so called genre. If you claim there is then tell me/Us exactly what it is. Rare Groove is 1970’s FUNK it is not a music genre called acid jazz just because Acid Jazz records print the words This is acid jazz on the cover of SOUL/R&B compilations.
“Gilles Peterson often credited with originating the genre”What genre, and SAYS WHO?
Edda Pillar and Gilles Peterson and Acid jazz records write 1980’s Black Britain out of History!
And it should be noted that Jamiroquai are NOT playing British Soul regardless of the fact that they seem to be prominent when you run a search for Brit Funk. They are mostly retreads of American Rare Groove and Disco era Funk. They are NOT Brit Funk. They were a Rare Groove band. Playing 70’s Funk. BRIT-FUNK was in the Disco and Post Disco era. Authentic U.K Soulheads do not consider Jamiroquai to be Brit Funk. That’s because we know who Stevie Wonder, Earth Wind and Fire, Kool and the Gang, Pleasure, Roy Ayers, George Duke, Patrice Rushen and all the other American acts and bands they Plagiarized are. We went to their concerts in the 80’s. No 1970’s/1980’s U.K Funkster will tell you that Jamiroquai play British Soul. I will tell you exactly what they play on the SOULHEAD TALES.
GILLES PETERSON RECLASSIFYING THE LEGACY OF JAMES BROWN?
“Gilles Peterson often credited with originating the genre”WHAT GENRE—-SAYS WHO?
Acid jazz the black music genre for which Gilles Peterson is “often credited” according to the their gatekeepers on Wikipedia. They don’t say who credits him with 60 years of Black music………because nobody does, but hey…!
Rare Groove is not a Black music genre invented here in Mid 1980’s London by Gilles Peterson. He had nothing to do with anything. He was just one of many thousands of London SOUL DJ’s. I will show you the real big names in the London Soul Underground later. Rare Groove was the return of the old sound we grew up with as kids in the 1970’s when people started to get fed up with Electro-Funk around 1984/85. That’s when you started hearing Jazz Funk, Two step and even late 60’s MOTOWN again. Then you heard bands like the Pasedenas start bringing back doo-wop and the old Mizzel Bros sound of the 1970’s. Acid Jazz records unheard of until the mid 1990’s had NOTHING to do with anything. As Blues and Soul Magazine can confirm.
The Pasadenas TRIBUTE was just that. A tribute to the African American sound we grew up with.
100% Acid Jazz?! Says Who, This is FUNK.
Rare Groove/Jazz Funk fraudulently reclassified as 100% Acid Jazz
Straight Chasing classic hits they claim. Classic? Yeah classic 1970’s/1980’s Funk, Brit Funk, Rare Groove, Neo Soul and so on. So how is this 100% Acid jazz? It isn’t. There is no such thing as Black music genre called Acid jazz. Acid Jazz is Eddie Pillar printing this is “acid Jazz”, on Black Music compilations because he thinks people are too fucking stupid to know what all these sounds are.So above you see a prime example of the disinformation/Fraudulent mis-labelling of Rare Groove Eddie Pillar and his mob started putting out in the 1990’s. You can tell they had a plan.. Now lets take a look at some of the bands who are playing Gilles Peterson’s “Black music genre” shall we….so above we have a SOUL compilation.
It looks like it comes from the Early to mid 90’s judging by who’s on it. That mix Is basically Neo Soul and Rare Groove /Jazz Funk. Ronny Jordan was a London Soulboy from my era who was around in the 80’s so he’s Brit Funk, Carleen Anderson is connected to the REAL Godfather of Soul James Brown. Her sound was based off the likes of SOUL TO SOUL and Loose Ends, Incognito are also a Brit funk band playing Jazz Funk. They are also from my era, Tubbsy, Bluey and I think the Doobay twins formed the group in the first place when they split from light of the world.So ask yourself HOW? is that mix 100% Acid Jazz? Because Eddie Pillar says it is?
I level and Beggar and co also came out of Light of the World. Brand New heavies were also playing the Brit Funk/ Rare Groove sound started by the Passedenas and Soul to Soul. Blues and soul magazine a Legitimate source for Black music unlike the rubbish written by Eddie Pillars mob on Wikipedia CORRECTLY describe them as such. And as for Jamiroquai well you know where they stole all their music from and it’s Rare groove.
So THE QUESTION IS….Exactly how is Gilles Peterson responsible for these sounds? How are they 100% Acid Jazz.
LIES! On Everipedia. Eddie Pillars International Lie machine are posting their disinformation all across the Internet trying to push the Idea that Acid Jazz is a Musical Genre IT IS NOT!
So apparently Gilles Petersons imaginary genre has two names Acid Jazz and Club Jazz
Acid Jazz known as Club Jazz? SAY’S WHO?!
I was in the nightclubs of London all during the 1980’s. I know all the sounds of the 1980’s as well as the 1970’s and I never heard the word Club Jazz used in connection with any style of Black Music. You will find no mention of any such genre in any Black Music publication of the era either jsust as you will find no mention of anything called acid jazz. As you can see they claim that this non existent so called genre apparently invented by Gilles Peterson spread to the U.S, Japan, Eastern Europe and so on. Nothing called Acid jazz originated in the Rare groove movement if you can call it that. I was there. So where hundreds of thousands of us. And unluckily for the writers of this rubbish as you will see below so was Blues and Soul Magazine. This is an out and out lie.
Lies on Wikipedia. They are filling the Internet with disinformation and trying to re-write Black Music History
ROLL UP! ROLL UP! LADIES AND GENTLEMAN IT’S EDDIE PILLARS CULTURAL APPROPRIATION TIME MACHINE…WE’RE OF TO THE 1950’s…70’s and 60’s!
BLACK AMERICA BEWARE. YOUR MUSIC IS BEING RE-CLASSIFIED
Below: A search for Acid Jazz reveals the extent of their cultural appropriation. Just look at all these compilations Fraudulently labelled as Acid Jazz. It is a systematic re-classification of Funk, Jazz Funk, Jazz Hip Hop, New Jack Swing, Neo Soul, Rare Groove, Bossa Nova, Samba and so on as “Acid Jazz” which they Acid Jazz records claim is was invented here in London in 1988. It is a total lie. It’s Cultural appropriation and an attempt to steal the Legacy of Soul Music
JAZZ FUNK AND SOUL BEING SYSTEMATICALLY RE-CLASSIFIED BY EDDIE PILLAR
So according to Infiltrators of Black culture Acid Jazz records the following styles of Black music are called acid Jazz and were invented here in London in 1988 by Gilles Peterson. Even though some of this music is from the 1950’s, 1960’s, 1978’s and 1980’s before Acid Jazz records even existed. These are some of the sounds they claim as so called “Acid Jazz”……
Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, MOTOWN, Doo-wop ect and then Jazz, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, the Time, Jesse Johnson, Morris Day, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, Freestyle and all the other sub genres of Black American Soul Latin and South American Bossa Nova, Salsa, Samba, Calypso and all the other sub genres of Latin American Soul.
AND OF COURSE NEW JACK SWING AND NEO SOUL!
Two styles of FUNK which alongside Jazz Funk was apparently (According to the BS they have written on Wikipedia) once classified as a music genre called acid Jazz invented by Gilles Peterson. Late 1980’s New Jack Swing and 1990’s Neo Soul are the final stages in FUNK. They are American sounds and Acid Jazz records created here in London in 1988 has absolutely nothing to do with any style of British Soul let alone that which the Americans created.see below..
Indistinct as a genre- See what they did there! Fantastic! A nice bit of Sabbatean Sorcery here. See how the Dark occultists mind works
See what they did there! It became so indistinct as a genre and is now so entwined that no one can pick it apart form other styles of FUNK. nice try! But Jazz Funk was invented in the mid to late 1960’s and the early 1970’s by the likes of Miles Davis, Herbie Hancock , The Mizell Brothers, Donald Byrd and such like. Acid jazz records was created in 1988! Jazz rap was invented a decade later in the late 1970’s and early 1980’s by the likes of Miles Davis, Tom Browne, Bernard Wright and others. Its the NY Queens sound. Acid Jazz records was created in 1988! But oh yeah sorry. I forgot the acid jazz Time Machine. And one things for sure no one in the U.K or in America called Bobby Brown, Janet Jackson or the Jimmy Jam and Terry Lewis sound of the late 80’s and early 1990’s Acid Jazz invented by Gilles Peterson! See if you can find any band on Soul Train ever being defined as an “acid jazz band” Total and utter Bollocks!
But wait! There’s more! Not only does Gilles Peterson have a Time Machine he’s also a SOUL STAR! Oh yes as according to Wikipedia he’s a “Notable artist” of this acid jazz genre that he invented!
On Wikipedia they claim all these, Jazz, Jazz Funk, Rare Groove, Latin Jazz, Neo Soul, New Jack swing bands are “Notable Acid Jazz” bands playing a genre invented by Gilles Peterson and as you will see below The Godfather features in this list!
Strangely I don’t remember anyone called Giles Peterson on Soul Train, or in the Soul charts on either side of the Atlantic and neither do I remember hearing any songs by a DJ called Giles Peterson on Mainstream or on Pirate radio. I don’t remember any interviews in any magazine featuring a DJ who invented Jazz Funk, James Brown or Stevie Wonder either. Maybe acid jazz records can enlighten you.
Why not ask “the godfather ” of Black music and Black Britain HIMSELF…GILLES PETERSON
WHAT A LOAD OF COMPLETE BOLLOCKS
Ask Gilles Peterson to tell you exactly what “his” Acid jazz Black music genre is.
So all British bands who conquered America in the 1980’s and made our sound famous all over the Planet never existed according to Eddie Pillar Gilles, Peterson and Acid Jazz records. British Soul started when Gilles Peterson invented Acid jazz which spread to America thanks to Jamiroquai, The Brand new Heavies and Incognito…..
So Below lets remind ourselves of the Acid Jazz Time Machine!
Well it does say Legends of Acid Jazz doesn’t it? Apparently Gilles Peterson invented this Imaginary genre. So by definition that means the likes of Jack Mc Duff, Shirley Scott, Idris Muhammed, Boogaloo Joe Jones and people like Johnny Hammond are playing Gilles Peterson’s Acid jazz genre genre! These people are relying on disinformation confusion, smoke and mirrors lies and obfuscation in a cynical attempt to steal someone else’s culture. You cannot confuse Funksters on Black Music. We know what these sounds are. So it’s simple.….
NAME A SO CALLED ACID JAZZ TRACK OR SOUND INVENTED BY GILLES PETERSON
So, Ask Eddie Pillar, Gilles Peterson or any so called Music Journalist, Writer, DJ, Record producer, Music scholar or what ever fancy title they cook up to call themselves to Name an Acid Jazz track. I will tell you now that they cannot. And that’s because Acid Jazz is a record Label. It is not and never was a Music genre. It was never a Genre, a sub genre or a style of Jazz, Funk, Soul or South American so called Latin. It does not exist and anyone who tells you it does is either a liar, knows nothing about the FUNK, has read it on the Internet or is part of their cultural appropriation crowd. A group of people in many contries all colluding in the way globalist Serpents do
PART TWO
Blues and Soul Magazine
THE BLACK MUSIC ARCHIVE THESE CULTURAL THIEVES CANNOT DELETE!
Regardless of what New Millenial HISTORY REVISIONIST so called “Music Journalists write.
Oh dear Rewriting history are we? Forgot about 1980’s Blues and Soul, Black Echoes, Jet, Ebony and all the others didn’t we Gilles Peterson and Eddie Pillar?
BLUES AND SOUL -THE ACID JAZZ 511 (1988)
NOW TRY AND GET OUT OF THIS ONE!
They claim Rare Groove is a music genre called “acid jazz” which originated in the mid 1980’s There was no such thing. The first mention you will see of the words acid jazz is in 1988 when the company was announced in a tiny little column…Read on!
Erase the History of FUNK will you Acid Jazz records?
Forty odd years on below are some of my copies of Blues and Soul, Of Course I still have my copies what else would you expect from an AUTHENTIC Soulhead. I bought the magazine religiously like all Funskters they are a prized possession, though I never knew they would one day help me save The FUNK!
My stash of Blues and Soul mags covers the post Disco Era and all through the 1980’s. This is the time period in which the Acid Jazz International Internet lie machine claims this non existent genre was created. Came out of London in the mud 1980s as they claim on Wikipedia. That is strange because I was there and I don;t remember it, And nither does Blues and Soul magazine.
THANK YOU BLUES AND SOUL
B&S DEFEATS THE ACID JAZZ GENRE BS!
Ah, good old Blues and Soul magazine! Our Savior back then and ultimately our savior now. Savior from the acid jazz records and the Gilles Peterson/Eddie Pillar cultural appropriation history revisionist Internet lie machine. Now whilst they are good at deleting things on the Internet, on Wikipedia and Music Banter to preserve the generational lie/myth they are trying to create, there is one thing they cannot do. And that is get hold of every single copy of Blues and Soul sold in the 1980’s and re-edit it!
The information in Big Brother of the SOUL music world defeats acid jazz records, the satanic agents of Big Brother!
B&S was the Funksters Bible of the era (70’s/80’s). It was the only way we knew what was happening in the Funk World before the days of the internet. You would see little or nothing in the Lame-steam music press. Blues and Soul was how our Community kept together. How we knew who was coming on tour, what was in the Soul charts and what clubs were playing what. This is where we kept abreast of what was happening not only in London but in The Funk underground of the U.K.I remember opening up my fresh new copy and seeing the likes of Central Line and Junior ridding high in the U.S charts and thinking WOW! the Yanks actually know our bands.The album reviews would tell us about the new releasesand it was really the only way we could read Interviews with our favorite stars and find out what they were up to. Hear their opinions, hear about their albums and their tour dates. Nowadays of course you can just go onto social media. That was over 20 years awayand would have been unimaginable to us at the time.Now nearly 40 years later Eddie Pillar and Acid Jazz records would have you believe that no one over here knew anything about SOUL until Invicta FM DJ Gilles Peterson came alongin 1988 and invented Jazz Funk and Soul!
In the late 80-‘s we knew the Americans loved our sound because of SOUL TO SOUL and LOOSE ENDS. (People Eddie Pillar and his crowd are trying to wipe from history and replace with FRAUDS Jamiroquai) but in the early 1980’s we didn’t have clue the Americans were watching us and it wasn’t until the advent of the Internet and seeing the comments on youtube that I and other old time Funksters realized how much the Americans love the British sound. Recently Google the modern Day book burners have began to wipe out comments on Music videos thus wiping out the memories of Millions of not just Funksters but Music lover all over the Planet.
Randy Muller’s SKYY were known as New York Skyy as there was already a Band called sky over here.
So It goes without saying thatIf you want to know the TRUE story of FUNK and of Black music In the 1970’s and the 1980’s and not the BS that these cultural thieves have written on their FAKE NEWS Wikipedia page then Blues and Soul will tell you all about it. I don’t remember reading about any music genre invented in the mid 1980’s by Gilles Peterson. I don’t remember any so called acid jazz movement in the 1980’s. In fact most people didn’t even know who they were until the mid 1990’s. The first time I personally heard of acid jazz records was in 1999. Anyone who tells you that Acid Jazz records had anything to do with anything in the 1980’s Soul Underground then they either weren’t there or they are a liar
If this so-called acid jazz genre existed in our City and in Black Britain as Californian Americans on Wikipedia , South Africans, Germans and Eastern Europeans are telling us, well then there has to be a mention of it in Blues and Soul.And as I said above In no issue of Blues and Soul or in any Black music publication of the era 70’s/80’s will you find any mention of a Black music genre called “acid jazz” being invented here in London, in the mid 1980’s or at any time in the 20th Century by a Pirate radio DJ or by anyone else. Guaranteed. So you don’t have to take my word for it, consult the unchallenged authority on FUNK. Blues and Soul magazine. The Black music history archive Eddie Pillars mob can’t delete!
Acid jazz records and Jamiroquai have censored websites, infiltrated forums like Prince.Org and others to post music they claim is “the influences of Jamiroquai” when those sounds have nothing to do with the music they stole. They have flooded just about every music website dealing with Jazz and Black music with their FAKE NEWS acid jazz spiel all crediting Gilles Peterson with having invented a Black music genre in London in 1988. They have resorted to hacking, abuse, trolling and murder threats, tried to wipe this site from the search engines to steal from others and keep things. They have tried everything and have failed.
So yeah, these are some of my copies covering the period for which acid jazz records falsely claim on Wikipedia that there was a music genre was invented called acid jazz here in London in the mid 80’s. That is a lie. It is a total fabrication of the truth and a gross misrepresentation of what took place in the London FUNK underground. Anyone who was there will testify to this fact. And so will Blues and Soul magazine.
In no issue of Blues and Soul or in any Black music publication will you find any mention of a Black music genre called “acid jazz” being invented here in London, in the mid 1980’s or at any time in the 20th Century by a Pirate radio DJ or anyone else. You will find no reference to any so called “Acid Jazz” genre in any Record Review or Club report. You will find no so called “Acid Jazz” bands in any Soul Chart of the 1980’s either.
You will see NO Album or Single review of a so called “acid Jazz” track anywhere in the 1980’s.
You will see NO club report mentioning any such thing as an “Acid jazz” genre or movement as they claim on Wikipedia
(Number 511)
THE BLUES AND SOUL ISSUE THAT DESTROYS THE LIES OF EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS.
Well, every Blues and Soul magazine and other 1980’s soul magazines like Black Echoes will destroy the lie but this one is the most important. Do you think you’re going to find any reference to an unknown pub DJ called Giles Peterson having invented Jazz, Funk and Soul in the 1980’s or any style of Black music in mid 1980’s London? No I know you don’t. There is a tiny little box in this 1988 issue which states that a record company has been formed called acid jazz. I had to search really hard to find it. That’s 1988 when the Pasedenas Soul to Soul, Loose Ends, Omar and all the other late 80’s sounds of Black London acid jazz records credit Gilles Peterson with was ALREADY well established.
Soooo….If a pub DJ called Giles Peterson invented a Black music genre here in London England then there has to be some of mention of it in Blues and Soul, but You won’t find any mention of it because it’s a load of rubbish. I honestly don’t think they thought of that when trying to concoct their disinformation pack of lies on Wikipedia and on their website. Funnily enough The Pasadena’s were on the front cover of the same issue that announced the creation of a small independent record company called acid jazz. This was when they (The Pasadenas) were riding high in the national charts and the Soul charts with Tribute. A TRIBUTE to the African American sound that we grew up with in the 1960’s and 1970’s.….
PASADENAS. These boys grew up with the Black American sound in the 60’s/70’s as we all did. NO ONE here in England is responsible for any of the Black American sounds Eddie Pillar. Gilles Peterson and their crowd are printing “this is acid jazz” on CD mixes.
NOTE THAT WORD-TRIBUTE IT DOES NOT SAY “ACID JAZZ”. AS THERE IS NO SUCH GENRE. AND REMEMBER THIS SOUND IS NOW BEING CLAIMED AS ACID JAZZ
IN THE U.K WE PAY TRIBUTE TO THE AMERICANS WE ALWAYS HAVE. WE NEVER WOULD EVER CLAIM OWNERSHIP OF ANY OF THESE SOUNDS.
When I saw the date this company acid jazz was created I checked through my copies of B&S to see if I could find any mention of it and, hey presto. I didn’t see it at the time. Now Acid jazz records are trying to claim that they were relevant in the mid 1980’s and that there was an “acid jazz” movement at the time. There was not. No one had even heard of them till the mid 1990’s and even then it was only the youngsters of the era. Anyhow, here’s the issue where a new record label called acid jazz is announced. So… if Gilles Peterson had invented this acid jazz genre in the mid 1980’s as acid jazz records claim he did then you would expect the charts to be full of this Black music genre invented by Gilles Peterson now wouldn’t you. You will find no such thing.
You can see plenty of acid House, can you see any acid jazz? NO. And why do you think that is. So it seems that Gilles Peterson and Eddie Pillar decided they were going to reclassify Rare Groove as Acid Jazz then claim they invented a new Black music genre.
THE PASSEDENASPAYING TRIBUTE TO BLACK AMERICAN SOUL
The Pasadenas Tribute was in the groove of the Rance Allen groups Peace of Mind (1977). Its the Mizzel Brothers groove though it leaves out the type of transcendental Harmonies they included in their sounds. Feel the Groove of (Peace of mind) and that chorus.Feel the end of NR Time Mizzel Storythe groove of Johnny Hammond’s GEARS album. I digress and anyhow I will give you plenty of Schooling in the grooves and sounds of 70’s/80’s FUNK in THE SOULHEAD TALES (Jamiroquai Plagiarism).
Now this (The Mizzel Brothers sound) is one of the sounds they claim is called acid jazz even though it comes from 1970’s Black America. Like all the sounds that appear on their compilations…. Again we invented NO style of Jazz, Funk or soul here in the U.K. except the digital genres of Drum and Bass then Dubstep which were around in the late 80’s though they didn’t break ground until the 90’s . And as I say elsewhere we can’t claim complete ownership of all those grooves as the speeded up drumbeats came from 1960’s America, other stuff came from the reggae dub we grew up with in the 60’s and 70’s and Dubstep is basically slowed down Electro Funk which goes back to Stevie’s early 1970’s keyboard and to late 70’s Parliament, Gap Band and the likes. So the idea that a London record company claims on Wikipedia that Peterson invented Jazz Funk is bloody ridiculous. Look below. There is a clearer close up copy after that. I included this first one to show just how small this announcement was in Blues and Soul. A tiny little column down at the corner of the page announcing the creation of a record label.
Below is a close up version. And as you read this tiny little advert that no one saw remember that on Wikipedia The Acid Jazz disinformation crowd are claiming that this so called fake acid jazz genre emerged in mid 1980’s London. so surely by now 1988 it should be all the rage!
B&S issue 511-Acid Jazz records is formed by Gilles Peterson….1988!
Well, So much for the Pillar /Peterson fake news Wikipedia page!
This is what it says……”Jazz DJ and broadcaster has set up a new independent record label called acid jazz. And his first release scheduled for the beginning of June is a single from young North London poet Roberto Galliano.”…This is 1988! So they claim that acid jazz was a thing in the mid 1980’s, yet the first mention of anything called acid jazz is in 1988! This is what happens when you lie through your teeth without bothering to take into consideration the Black music publications of the era none of which have heard of acid jazz and their version of Black music history.
NO Acid Jazz was NOT a sub-genre of Jazz or of Funk.
And if they ever try to claim that Acid jazz was any type of sub genre then now you already know who to debunk that BS with the Soul charts and the magazines of the era. None of whom will mention any subgenre called acid jazz. We had Jazz charts in Blues and Soul and you will find no acid jazz chart in any Blues and Soul issue. The fact that some infiltrator DJ may have decided he was some how qualified to re-classify, rename and take ownership of The sound of Miles Davis and the Mizzel brothers does not constitute the existence of a music genre.
Acid House was a groove “acid jazz” was NOT
On Wikipedia they claim that acid jazz is a Black music genre invented by Gilles Peterson which came out of this City in the mid 1980’s. They don’t name a single track which belongs to this genre because there isn’t one. Ask them to define it, name a track and show any reference to it in any Black music publication. They can’t. They claim on their that acid jazz was a play on acid House. Well maybe the name of the record company was a play on the Acid Hose but there was NEVER a genre called acid jazz. Acid House was a groove. It was the “The House that Jack built”. I know what acid House is. I heard it start from the early 1980’s. I heard it in the post Disco era 1981/82 on pirate radio. I remember folks complaining that this isn’t Soul. It was basically the Disco Kick smack full of samples.
I heard what they called Acid House develop get bigger and then break away around 86/87 at the time of New Jack Swing. I was right there. You couldn’t miss it. You couldn’t walk anywhere without some idiot mate or work colleague screaming “Aciiiied!” in your ear. (D-MOB We call it Acid) I’m not reading it from a book I was there. We all know what acid House was and is. As I say it was really just the Disco beat updated to suit the time period.There however was no such thing as a music genre invented by Gilles Peterson called acid jazz. What sound did he invent? I understand that he was trying to push this BS What hits did he have? At the time 1987/88 Retro 70’s FUNK was called Rare Groove by some people or just Old Skool. It’s not a music genre called acid jazz, there is no such thing, we never used the term “acid jazz” to refer to The FUNK. EVER.
What the likes Gilles Peterson decided he was going to call Jazz Funk is irrelevant. He has no say in anything. Who does he think he is ? Now some 1990’s kids think Funk is called acid jazz thanks to their (ACID JAZZ RECORDS) cynical marketing campaign, still in existence as I write these words and their Fake news Wikipedia page that they have most contemptuously refused to delete of amend. instead employing New world order trolls to keep the page of lies up so they can culturally appropriate FUNK.
If there was a new sound around at the time then it was created by The likes of The Pasadenas. And there was nothing new about it either and that is why they called it TRIBUTE.. People bringing back the old sound of 70’s FUNK. The only peole who claim this is a genre are Pillar and Peterson and they had jack shit to do with any sound here in London. They are not relevant.
And speaking of the Pasadenas, well here they are on the front page of the Issue which announces the creation of Acid Jazz records!In this same issue of Blues and Soul 1988 the then little known Brand New heavies are correctly referred to as playing Rare Groove similar to Soul to Soul. They too were around before acid jazz records were created.
The Pasadenas On The Front Cover
If you’re too young to remember the Pasadenas then go take a listen to the track called TRIBUTE. You will note that this 70’s post Motown/mid 70’s FUNK sound is one of the many styles of FUNK acid jazz records claim credit for. This was in 1988 and it’s the late 80’s Rare Groove/ Brit Funk sound. That is British bands adding the old school Funk sound to their groove. 1970’s/1970’s Drumbeats abounded in this eraand there was a lot of sampling.
Rare Groove and Bossa nova….(which means retro 70’s Funk and Latin two-step).
Back in the day if you had connections and were a DJ or got on the good side of People like Morgan Kahn you could be asked to front music compilations. Street sounds became famous in the early 80’s thanks to their Electrofunk albums which introduced us to the new sound of the early 1980’s. And who do we have on the same page? Well by remarkable coincidence it’s a DJ called Giles Peterson. with a compilation called Jazz juice 8. Wait a min? Shouldnt it be called something like “acid Jazz” juice?
I thought you (Acid Jazz records) claimed that this sp called acid jazz genre was around in 1980’s London? Even though you bever told us what an acid jazz track was. Rare Jazz and Bossa Nova Grooves? Strange it isn’t called acid jazz isn’t it? Remember acid jazz records (and nobody else) claim that Giles Peterson invented a music genre called acid jazz in the mid 1980’s. This is 1988. So why is the Street sounds compilation not called “acid jazz? ” Where are all the chart listings featuring this Black music genre invented by Gilles Peterson that none of us have ever heard of? You won’t find any reference to anything called acid jazz. Why?…
BECAUSE THEY ARE LYING. THERE WAS NO SUCH THING AS ACID JAZZ IN THE 1980’s. THAT’S WHY!
It was the “The House that Jack built” but where’s this so called acid jazz genre?
So acid jazz records, as I mentioned above are trying to claim that this so-called genre for which they can’t name a single track was “invented” at the same time that acid house was really taking off in 1988. Total and absolute rubbish. House was a different sound and the House crowd gradually became separate from us Funksters. Just like the hip hop crowd who finally split away around the same time. Hip Hop almost died out in the mid 80’s as anyone who was actually jamming in the clubs will tell you. It wasn’t until Public Enemy, NWA and the like came along a bit later that Hip hop started to become a thing.
I know what House is and all the beats on which it was based. For example Music is the Answer by (Colonel Abraham) became a House beat. The drumbeat to Oh sheila (Ready for the World) became one too. That groove late became classified as a “garage” beat. Some of the James Brown drum patterns which were being heavily sampled at the time became what they called Freestyle. Others became New Jack swing beats, like I wanna by (Keith Sweat). That comes from (Get on the good foot) Bobby Byrd’s Drumbeats from Hot pants was in the background of many New Jack Swing tracks. I know them all, I know where all the beats came from because I remember them the first time around in the 1960’s, 1970’s and early 1980’s. Go take a listen to (Think) by James Brown and Lynn Collins hear the bridge. This is the Classic sound of James Brown and Black America Eddie Pillar and his crowd claim ownership of. None of this stuff comes from England. Acid House was a particular groove. Much of it as I have already stated was basically the old disco “kick smack” beat. It’s just updated disco era beat with samples.
Morgan Khan, Another hero of the day you don’t hear much about
Morgan is still around. He made a major contribution to our Youth. Breakdancers learned all about the new Electro bands from his compilations. He knows more than a bit about the London Funk scene. He was the man behind Street Sounds. See if he can shed any light on this so-called acid jazz “genre” that Foreign New millennial music journalists believe exists because they read it on the Internet and on a fake news Wikipedia page.
See if you can find any Street sounds “Acid jazz” collections in the 1980’s!.
THE BLUES AND SOUL CHARTS OF THE 1980’s
There is also nothing that Eddie Pillar Gilles Peterson and their International Cabal can do to re0write the Black Music charts of the 1980’s either. You will find no mention of this fake genre.
SO WHERE ARE THE ACID JAZZ CHARTS AND WHO ARE THESE 1980’s “ACID JAZZ” BANDS THAT NONE OF US WHO WERE ACTUALLY THERE HAVE EVER HEARD OF?
SO WHERE ARE THE “ACID JAZZ” BANDS ON U.K SOULTRAIN?
On Wikipedia they claim bands were apparently classified as Acid jazz in the 1980’s. So it’s strange that there is not a single mention of this in any Black Publication of the era isn’t it
Ask acid jazz records where these so called 1980’s acid jazz bands they speak about on Wikipedia are. No band in the 1980’s was ever defined as acid jazz and people who defined the likes of Jamiroquai as “acid jazz” in the 1990’s were as In say peole who kknow nothing about 1970’s/1980’s Jazz funk. They had never heard of people like Roy Ayers or Herbie Hancock, Patrice Rushen or Pleasure. Jazz Funk and Soul was unknown to them. They thought it was all new because they didn’t have any concept rf Rare Groove, You have to know what 1970’s FUNK sounds like to recognise it when it returned in the 1990’s. They didn’t.
We had our own Soul Train in the U.K back in the day. So see if you can find any mention of this non existent music genre called acid jazz. See if you can find a band categorized as a so called “acid jazz” band playing a music genre invented by Gilles Peterson, If this so called genre came out of London England in the mid 1980’s and Jazz Funk bands were defined as “Acid Jazz”then why is ther no mention of it?
Billy Ocean who conquered America on the U.K version of Soultrain. One of the many 1980’s Soul giants being written out of history by Eddie Pillar and Acid Jazz Records.
Princess on U.K SOULTRAIN 620- See if you can hear any mention of this “Acid jazz” genre they claim existed in mid 1980’s London. See if you can find a band “defined as acid jazz” (as Eddie Pillar Gilles Peterson and his mob claim on Wikipedia) or on any Black Music U.K T.V show such as Solid Soul or Soul Train 620!
WHERE ARE THE “ACID JAZZ” SONG REVIEWS FROM THE 80’s? WHO ARE THESE IMAGINARY “ACID JAZZ” SINGERS OF THE 1980’S?…PLAYING THIS SO CALLED ACID JAZZ GENRE INVENTED BY GILLES PETERSON HERE IN LONDON?….
ANSWER THE QUESTION ACID JAZZ RECORDS!
Lets see if we can find an “acid jazz “chart in the 1980’s as they acid jazz records claim on Wikipedia. With bands playing Gilles Peterson’s imaginary genre.
We come to the charts. Something else they can’t tamper with. So ask them to show you an “acid jazz” chart from the 1980’s or any mention of this “genre” That Czech’s, Dutch, Swedes, Poles and American Zionists claim came out of Black Britain in the mid 1980’s. Remember they are the ones claiming they invented a Black music genre in London..NOT US. We acknowledge no such genre. The Jamiroquai acid jazz cabal claim acid jazz is a music genre. Not Authentic 70’s/80’s Funksters.
SEE IF YOU CAN FIND A CHART FEATURING GILLES PETERSON’S GENRE IN ANY 1980’s BLUES AND SOUL MAGAZINE OF THE 1980’s
Ask them to show you a single or album review of a band playing this “acid jazz” genre. Where are all these bands that they claim were classified as acid jazz in the 1980’s? They can’t alter the charts and neither can they alter all the reviews of the 1980’s. They can show no evidence for this so called genre anywhere and neither can they name a single acid jazz track. Thats because it didn’t exist and there weren’t any.
An “acid Jazz* Movement in the 1980’s!…..WHEN?,,,You aving a laugh?
On Wikipedia the Jamiroquai acid jazz cabal claim there was an acid jazz movement in mid 1980’s London, TOTAL BOLLOCKS No there was not. It was just a Rare Groove Movement not an acid jazz movement. And it wasn’t any major movemetn either. People still went to Mainstram Soul clubs.Ask them to show you a chart or listing from 80’s London which mentions this “acid jazz” genre or these supposed mid 80’s “acid jazz feeder movements” as they claim on Wikipedia. “feeder movements”!Thats 1990’s kid talk. These Eastern European, Americans and others trying to rewrite the history of Black Britain and of Black music were not there.
Not only do they have no understanding of Black music they have no understanding of Black Britain. That is not how we spoke in the 80’s… feeder movements?! There were no “feeder movements”. Obviously you had to have been there to know that. I was, they were not. That is not how the London FUNK underground worked and we didn’t even use the word movements. We were Soul Patrols or Soul Tribes. Just like the Punks, and the New romantics we were a group of kids into a particular sound.
There was only ONE Soul movement and that was The Jazzfunkateers aka The soulheads. I know because I was one of them. We were Soulboys and Soulgirls. We broke up around 1984/85 When the FUNK began to go mainstream. By then we were no longer an underground movement ans in the mid 1980’s our numbers swelled as more and more bandwagon jumpers infiltrated the FUNK. There was no such thing as an acid jazz bloody movement because there was no such thing as acid jazz. It did not and still does not exist.
We didn’t really even call Funk Rare Groove either.
I never used the term Rare Groove ever and nor did any fellow Soulhead I know. To us it was just FUNK. It wasn’t rare to us we already had all the records. We bought them in the 1970’s! Now a few years later Some Kids who were into FUNK in the 1990′ (Our kids and younger siblings), or musically educated Funksters called the FUNK Rare Groove. Only those who didn’t know what they were listening to called Funk “acid jazz.” And I’m not really blaming the kids of the 1990’s. Had I purchased a CD with the words 100% acid jazz on the cover and didn’t know what I was listening to then I could be forgiven for thinking that that’s what it was. Especially if I had read their fake news Wikipedia page which claims acid jazz is a music genre invented by Gilles Peterson.
Acid, Jazz? what type of Jazz is Acid supposed to be
Acid Jazz suggests some form of Jazz. So what exactly is this mysterious Black music genre invented by acid jazz records here in London? I’ve never heard of it. I know a bit about the FUNK. At least enough to de-construct every SOUL track Jamiroquai made and tell you were they took it from. I would love to know what it is Peterson was supposed to have invented and what particular sound he is credited for. Some Britfunk bands like Loose Ends and Shakatak had Jazzfunk tracks all through the synth Funk era on their albums. Is this what they claim is acid jazz? There were people like SADE, Ruby Turner and others doing the Jazz sound in London. Is this what they claim is “acid jazz” ? What about Light of The World? They were still playing Jazz funk through the 80’s, they reformed with the Jazz Funk collective, The Team and other incarnations featuring some of the boys from Central line. They even did a track with Alexander O’Neal which had the old Barkays/Isaac Hayes 70’s groove. Is that what they claim is a subgenre called acid jazz? Ask Gilles Peterson exactly what type of Jazz it is he supposedly invented.And where it features these hundreads of Mixes featuring his genre.
INCOGNITO FROM LIGHT OF THE WORLD. DOES IT SAY JAZZ FUNK OR DOES IT SAY ACID JAZZ? ASK EDDIE PILLAR WHEN THEY STOPPED PLAYING JAZZ FUNK AND STARTED PLAYING GILLES PETERSONS SO CALLED “ACID JAZZ”
Ask Light of the Worls band members if they play a music genre invented in 1988 by Gilles Peterosn, Eddie Pillar and Acid jazz records!
I note people from the same Band (Incognito) are now referred to as an “acid jazz” band playing music invented by Gilles Peterson. The twins are still around so is Bluey. Maybe you can ask them which of their styles was invented by acid jazz records in 1988. How is Gilles Peterson, Eddie Pillar and acid jazz records responsible for their sound? Which one of their Herbie Hancock, Roy Ayres, George Duke sounds was invented by Gilles Peterson? Okay so what about the more commercialized Latin tinged jazz funk of bands like Matt Bianco or Curiosity kills the cat for example. Is that what they claim is called acid jazz? It Aint.
So come on what was this genre called acid jazz? Or maybe they are trying to suggest Gilles Peterson invented the retro Jazz sounds of people like Coltrane that came back in the mid 80’s, tracks like A Love supreme by Will Downing a big hit in the London underground and on Tony Blackburns SOUL show. Wally Baddero Kiss of the Spider Woman? Jazz with a hint of Latin? Cameo were dabbling with Miles Davis on the Machismo album around that time. Are they saying that’s a sub-genre called acid jazz? What about the sound of Courtney Pine and the Jazz warriors? There were quite a few talented U.K Jazz bands doing the rounds at the time when Funk had become so watered down that people were looking for something “decent to listen to”. Ask people like Courtney Pine if he credits Acid Jazz records and Gilles Peterson with any style of Jazz.
Some other Black magazines of the 80’s they can’t tamper with unlike on the Internet. More evidence that these cultural thieves can’t delete!
BLACK ECHOES, EBONY, BLACK BEAT, & JET MAGAZINES
See if you can find any reference to this “acid jazz”music genre invented here in London by acid jazz records in the mid 1980’s These people will do whatever they can to try and scrub the truth from the Internet. They have steadfastly clung onto their fake news Wikipedia page even though they know it’s a complete lie. And they continue to re-classify Black music as acid jazz even though they know it’s a complete lie.
Now even if they buy out Blue and Soul and then add a category called acid jazz they will still have to tell you what it is!
Ebony, Black Beat, Black Echoes, Jet, You won’t find any reference to this mysterious “acid jazz” genre from London England here either.And happily Blues and so is still going in the early 21st Century. And you will see NO sub-genre of FUNK called Acid Jazz. Because it’s a total lie.
All these magazines were sold on both sides of the Atlantic so don’t just stop at Blues and Soul. These were some of the other magazines catering to Funk fans. The Americans of course knew all our Big Bands in the late 80’s. Loose Ends, Soul to Soul etc. So if a Black music genre called acid jazz was invented over here in the 1980’s as acid jazz records are now claiming then there would be some reference to it in these magazines. Ask acid jazz records to show you where in Jet magazine, Black Echoes Magazine, Black Beat or any Black music publications of the era both British and American it makes mention of this “acid jazz” music genre invented here in London. Job done end of conversation!
SO YOUNG BLACK AMERICA OF THE EARLY 21st CENTURY, AS I KEEP SAYING REMEMBER YOUR GREATEST ALLY AGAINST EDDIE PILLAR , ACID JAZZ RECORDS AND THEIR WORLD WIDE DISINFORMATION CAMPAIGN IS NOT JUST THE TESTIMONY OF AUTHENTIC U.K SOULHEADS LIKE ME BUT THE HISTORY ARCHIVE OF YOUR PARENTS.
PART THREE
3.) Ask the AUTHENTIC creators of 1980’s British Groove if Eddie Pillar& Gilles Peterson invented their sound. According Infiltrator of Black Britain Eddie Pillar and his internet dis information lie machine, The British Soul invasion of the 1980’s never happened……
Well yes it did. An even worse for Eddie Pillar and Gilles Peterson and their International cabal they are still here! Below are some of the more famous Bands and acts who were known all over the world in the 1970’s/1980’s. These people apparently don’t exist in the universe of Eddie Pillar and Gilles Peterson who apparently think they speak for Black British Soul.
Above Jazzie B of Soul to Soul below bands and acts of the 1980’s British Funk invasion of America during the 1980’When the post Disco era ended in 1983 our sound became more Americanized as opposed to the classic Britfunk sound of the Disco/post disco era. However Shakatak and Level 42 and some of the boys from Light of the World kept the old sound doing in the1980’s through different collaborations.
The Chants with the Beatles and the real king of Rock and Roll Little Richard.
There is more information about these bands in AUTHENTIC BRITISH SOUL. According to what acid jazz records have written on Wikipedia and imply on their labeling and marketing. Gilles Peterson is responsible for the British sound of the late 1980’s. Contact the real creators and see if they agree. Please Click Below.
So above is what really happened. Below is Eddie Pillar, Gilles Peterson and Acid Jazz records version of Black British history and of Black London in the 1980’s
Eddie Pillars acid jazz lie machine on Wikipedia claims that Gilles Peterson invented this sound. Which they claim is (Acid Jazz) which reached America thanks the Brand New Heavies in 1990 and to someone called Jonathan Rudnick and someone called Maurice Bernstein. Heard of them? neither have I.
According to Wikipedia Maurice Bernstein and Johnathon Rudnick. Introduced Black America to…Stevie Wonder, Roy Ayers, Earth Wind And Fire, Jazz Funk and Soul, Sorry I mean Gilles Peterson’s acid jazz genre when this non existent genre broke into the mainstream thanks to Jamiroquai in the 1990’s.
So it then follows that according Infiltrator of Black Britain Eddie Pillar and his internet dis information lie machine, The British Soul invasion of the 1980’s never happened. Jazzie B does not exist. Loose Ends do not exist. Black Britain does not exist. And nither did Black American Soul of the 60’s/70’s/80’s. Americans were introduced to their own music which they claim is called “acid jazz” in the 1990’s by Jamiroquai! This is the level of deceit of the Jamiroquai acid jazz cabal.
THE FORGOTTEN MESSENGERS OF SOUL
BLACK AMERICAN SERVICEMEN INTRODUCED THIS NATION TO JAZZ AND SOUL DURING THE SECOND WORLD WAR WHEN STATIONED OVER HERE IN ENGLAND.
1950’s British kids like the Beatles, The Rolling Stones,The Animals and many others copied the Black American sound of the era. The Beatles were doing Motown cover and covers of James Brown back in the day. And The Beatles didn’t invent the sound of Little Richard any more than Jamiroquai invented Stevie Wonder and Roy Ayres. ALL these sounds are Black American sounds regardless of what history revisionist write now or in the future. No band signed to acid jazz records invented any style of Soul.
Back in the 1970’s bands like. The Real thing known as The chants back in the 60’s, Cymande, Osibisa, Hot Chocolate, The Average White band, Delegation, The Olympic runners and more blazed the trail for British SOUL. Elton John and David Bowie both made it onto Soul train. And so did A.W.B The Likes of Osibisa and Cymande were well known to American Funksters. Great Britain is no stranger to SOUL MUSIC.
David Bowie on Soul Train back in the 1970’s. Thats what Brits know about FUNK
I mention that because one of the Acid jazz cabal from Eastern Europe who didn’t even know who soul to Soul were said he laughed at what we Brit’s call Funk! Well we laugh at your attmpt to culturally appopriate FUNK
CYMANDE
CYMANDE ARE STILL AROUND
YOU WILL FIND MANY OF THE TYPES OF FUNK THESE GUYS LAID DOWN IN THE 1970’S CLAIMED AS “ACID JAZZ” AS IF THEY ARE RESPONSIBLE FOR ANYTHING
OSIBISA-As the Guardian said , Jimi Hendrix watched the rehears, Stevie Wonder joined them on drums. They jammed With Funkadelic and Mandrill back in the 1970’s.
And of course Acid Jazz records formed in 1988 claims they were responsible for the beggining of Black Music in England. None of these bands ever existed. And Speaking abouth Funkadelic apparently Cosmic Funk was invented by Jamiroquai in the 1990’s. Not that there is much cosmic Funk on any of their albums. What there is I will show you of course in THE SOULHEAD TALES. Written by one who used to listen to Osibisa, Funkadelic, Mandrill and all those World sound bands.
The Average White band, Bad boys of Scottish Funk also made it onto Soultrain.
Here’s Elton John on Soul train. You had to sell enough records and climb the Soul charts to appear on these programs. Elton John did that.
Hot Chocolate were also well known in America back in the day.
I’m showing you some of these famous bands of the 1970’s from this country to demonstrate just how silly this “We invented British Soul in the late 1980’s” by Acid Jazz records is. They invented nothing at any time. And I haven’t even got to my generation yet. The kids of the Disco era.
THE SOULHEADS.
This is OUR crowd.
London 1978 Brixton Soulheads Jammin’ to High Tension. People that 1990 infiltrators acid jazz records are trying to erase from history with their international disinformation campaign
The raw homegrown Britfunk sounds starts with bands like Hi Tension, Olympic runners, Light of the World, Central Line, David Joseph, Linx, Level 42, Imagination, Shakatak, Second Image, Atmosfear, The Antillies and many more. It was in the mid to late 80’s when acts like Loose Ends, Five Star , Sahara, 52nd street, Sade, Total contrast and others many of whom had been around from the early 1980’s turned our own special brand of FUNK into worldwide phenomena. Junior Giscombe scored our first N01 With (Mama used to say)
Acid jazz records unheard of at the time had absolutely NOTHING to do with anything or any sound in London during the 1980’s and they played no part in Black Britain of the London Funk underground of the day. Nobody had even heard of them until the mid 1990’s. So ask any of these acts if the sound they created had anything to do with a DJ in 1987. Ask them if they have ever heard of a music genre called “acid jazz” invented here in London They are all on social media so just ask them or send them a link to this site.
You won’t find anyone in this audience who would have heard of Eddie Pillar or Gilles Peterson yet 30 years later they are claiming they are somehow relevant. They are not.
Loose Ends back from conquering America! Acid jazz records unheard of at the time had absolutely NOTHING to do with Black Britain or the creation of any sound in London during the 1980’s.. All they (Acid jazz) did was re-cycle 70’s FUNK in the 1990’s. Then claim they invented it.
LOOSE ENDS TOPPED THE US CHARTS DON’T EXIST ACCORDING TO EDDIE PILLAR
Above; The main event up in Manchester.
YOU CAN READ MORE ABOUT THE AUTHENTIC SOUL BANDS BEING WIPED FROM HISTORY BY EDDIE PILLAR GILLES PETERSON AND ACID JAZZ RECORDS HERE.
SO ON WIKIPEDIA THESE BANDS ARE REPLACED BY ACID JAZZ RECORDS SIGNINGS WHOM IT IS CLAIMED EXPORTED RARE GROOVE TO AMERICA! BELIVE NOTHING YOU READ ON THE ACID JAZZ RECORD WEBSITE, BELIVE NOTHING YOU READ ON THE INTERNET ABOOUT THIS FAKE GENRE EITHER. THESE PEOPLE HAVE NOTHING TO DO WITH BLACK BRITAIN, THEIR JOB IS TO DELETRE BLACK BRITAIN. THEY WON’T.
IN PART FOUR
4. Ask the 1980’s London Funk and Soul DJ’s of the era
[Greg, Robbie, Brownie or the Pirates]
If you were not around in the era or a foreign reader, these guys were/are familiar faces and or names to all London Funksters who actually lived the 1980s. They are all credible Authentic Soulboys, many of whom are still performing. These were some of the heroes of our youth in the 70’s and 80’s when there was so little funk on the radio.
Some have even been awarded M.B.E ‘s for their contribution to music and our FUNK community. You may even know some of them. So see if you can find one of them who remembers a music genre called acid jazz invented by acid jazz records in the mid 1980’s or one who can actually tell you what it is.
1982 LONDON….Herbie Hancock, Donald Byrd, Tom Browne etc at the jazz festival
There are tons of old school 70’s/80’s SOULHEAD DJ’s still performing, Too many to mention and none of them will acknowledge a music genre invented in London called acid jazz. Back then, there was no Internet and hardly any FUNK on mainstream radio. You would read about a new single or album release in Blues and Soul/Black Echoes magazine, and then hope that Robbie or Greg would play it on their weekend London SOUL shows. You would sit there with your fingers poised on the record button of your cassette player and hope. Soulboy and girls used to have to tune in to foreign radio stations like Radio Luxembourg in order to experience the Funk. That’s how bad it was. Tony Prince is still a hero of mine and no doubt many other Funkster who sat in his bedroom desperate to feel the groove.
Greg Edwards (Soul spectrum/Lyceum-Best disco in town)
Here in London (for those of us who are authentic Londoners and were actually there, unless you were lucky enough to find a Pirate radio station on the dial (they were often not on air due to being raided) Then you had to wait until the weekend when Robbie or Greg were on. This is the legendary Greg Edwards. He knows a thing or two hundred about the FUNK as I don’t think there is anyone he hasn’t Interviewed during his long career. His radio show SOUL SPECTRUM is the stuff of legend and so is The Best Disco in Town, (Lyceum at the Strand) where SOULHEADS used to jam to the groove back in the day. Ask him if he has ever heard of a music genre invented in mid 80’s London called acid jazz as they are trying to claim on their fake news history revisionist Wikipedia page.
Greg also hosted a program called Blackcurrent which was an early version of British Soultrain. Brit-Funk pioneers Hi tension were one of his guests. He’s still doing shows.
Robbie was the Man who heroically marched into BBC HQ and demanded that they play more Black music . All Funksters owe him and people like him a great debt. You will always hear Robbie and Greg spoklen about in glowing terms. We used to have to wait all week to listen to their shopws. Imagine going a whole week without the FUNK. These people are just as heroic to us as the bands who’s FUNK we have enjoyed over the years. For without them we would never have heard the grooves of these bands.
“If it moves Funk it” was his catch Phrase. His SOUL show is also the stuff of legend and he also interviewed just about every singer, band and artist you can think of. If anyone has the Authority to speak for Black music in 1980’s London then they do. Today you would not have shows like BBC1 extra without people like Greg, Robbie, Brownie and others mentioned here. It wasn’t given, it was fought for. The establishment put all manner of obstacles in our way.
We used to meet all the visiting American FUNK superstars in PA’s around London. We shook hands with people like Tom Browne, Cameo, Roy Ayres you name them. And often in small London clubs or pubs. Walk into a place like Gullivers and you would see pictures of everyone from Stevie Wonder to Nile Rogers. We” knew” all these FUNK superstars who’s music you see on youtube some 30 years later. Eastern Europeans called Victor and People writing nonsense about the London FUNK underground have absolutely no understanding of the era, our country, The Soulhead movement or of our knowledge of FUNK.
Robbie Vincent with FUNK legends Heatwave
Teena Marie, Patrice Rushen, Randy Crawford, Odyssey Jammin’ in London Town
ASK THE LONDON DJ’s OF THE 80’s SOULHEAD MOVEMENT
There is a whole lot of information the Internet but sometimes it’s difficult to find what you are looking for. Especially when you have people like the acid jazz cabal deleting lists and information. If you’re a youngster or a foreign journalist from Black America who wants to know the names of people to ask about the FUNK in 80’s London, then as a real London Soulhead I know who the big names were and are as far as the DJs were concerned.
Now these are just a few of the “old boys” of the 80’s London Soul movement. They are all AUTHENTIC Soulboys. They all were around in the Jazz funk, disco , post disco, electrofunk, and new jack swing eras. So they will know all the grooves of the era. Ask them if they remember a music genre being called acid jazz in the mid 80’s as they claim on Wikipedia. Ask them if they think Jamiroquai or any of these so-called acid jazz bands of the 1990’s are playing THE FUNK or a music genre invented by Acid jazz records.
A few oldschool LONDON SOULHEADS who are now big names Internationally.
From left to right; DJ Tony Blackburn, DJ Craig Charles, DJ Pete Tong, DJ Norman Jay and Trevor Nelson. All Soulheads who were there just as I was…So ask them.
As I said there were SOULHEAD movements in all major cities of the U.K during the era. This is Mike Shaft, the famous Manchester DJ who started off in the 70’s and is still about. He is a legend up north as we might say down here in London and lets not forget some of the most dedicated SOULHEADS were and still are in the North of England. The Northern Soul crowd are still going strong to this day. If there was a genre called acid jazz invented by Gilles Peterson then he would know about it. He doesn’t know anything about it though because it doesn’t exist.
Northern Soul clubs. Below you can see a small selection of some of the SOULHEAD badges. This is what I mean when I say all these non Brits from Eastern Europe, Australia or America re-writing our history don’t have the first clue about us and our dedication to the Black American sound of yesteryear. You won’t fool a Brit on SOUL. Not on our sound or the American sound. Smoke and mirrors won’t work on us!
DJ BROWNIE!
Dave Brown from SOLAR RADIO which was one of our Pirate radio stations. My favorite infact. Brownie as he is known to us is Another old school Soulhead and FUNK hero who’s Interviewed them all. He might not have the big profile that people like Chris Hill or Pete Tong have but he’s just as respected among authentic old school Funksters. He is right up there with the best of them and every authentic London Soulhead knows who he is. He’s still going strong still playing the FUNK. Ask this 70’s Soulhead what he knows about this so called “Acid jazz” genre. SOLAR RADIO is still around and so is Brownie. Give him a shout and see what he has to say. You don’t have to get any of these guys involved in arguments just ascertain the truth as that’s what this whole exercise is about.
Tony Blackburn
One of the original Pirates. A Man who took to the Ocean to deliver the FUNK
Us 70’s/80’s Funksters like to call ourselves the originals but the real original Soulboys were really the 50’s and 60’s kids. The Beatles were doing James Brown covers when the disco generation were small children, Tony Blackburn still going strong was famous in the 1960’s. His pirate radio station Radio Caroline is the stuff of Legend. It was on a boat! That’s the extent people went to to deliver Black music to the U.K. That was in the days of the Beatles, Rolling Stones the Who etc. Young British kids who’s Dads had fought in world war 2, playing the Black American sound of the day. He was once thanked by Stevie for helping introduce Soul to the UK airwaves. He was already famous when we were young kids in the 60’s. His “comeback” daytime SOUL show in the mid 80’s on Radio London was the greatest thing in the World at the time. At last the FUNK had a daily mainstream Radio Show in London. There was a film made about Radio Caroline so check it out.
He had to take to a boat to deliver the SOUL, Our generation in the late 70’s and early 80’s had to climb to the top of council flats and plant masts to broadcast the FUNK OVER London. LWR, SOLAR, Invicta radio and so many others. kids who risked prison or having their records and gear confiscated Just to broadcast SOUL. That is dedication. So many people put in so much to spread the FUNK in this country and to get our own SOUL TRAIN. This is why it makes me furious to see band wagon jumpers and cultural thieves take credit not only for the music of others but for the hard work of thousands of dedicated Soulboys and Soul girls. They just jumped on the bandwagon to make money.
Blackburn has a lot to do with the FUNK going mainstream in the mid 80’s
Tony Blackburn was active in the mid 80’s and his SOUL nights out were legendary. Robbie Vincent and Greg Edwards are heroes but they only had weekend shows, where as Tony’s show was daytime so could pull in more viewers. He was and still is a National hero over here and his high profile and crazy sense of humor pulled in and converted many listeners to the FUNK. In the early 80’s Soulheads were an underground movement. In the mid 80’s we broke the surface and Tony Blackburn pumping out the Funk on his daytime show electrified the airwaves. A lot of kids who hadn’t heard of people like Cameo, SOS Band and the like switched to FUNK. A lot of the interest in 70’s Rare Groove during the mid 80’s was because of people hearing these bands for the first time on Tony’s show and then wanting to find out what they sounded like back in the 70’s Jazz-Funk and Disco eras.So you can partly blame Tony for the shortage of old SOUL 70’S records in the 80’s leading to it’s Rare status!
I don’t remember him playing any of this “acid jazz” alongside the likes of Rick James and Loose Ends, Cameo and the S.O.S Band in the 1980’s and neither does anybody else because there was no such thing as acid jazz. Neither a movement or a sound.
Daddie Ernie is just one of many former pirate SOULHEAD DJ’s still performing, spinning the vinyl. He was on LWR back in the day. Still laying down FUNK.
Below we have Andy Peebles, a familiar name from the era is another BBC SOULMAN who knows his FUNK. Well known to London Funksters good to see him still going strong.
THE LONDON PIRATE DJ’s
Now Gilles Peterson who apparently invented this “acid jazz” genre that only wikipedia and acid jazz records have heard of was on pirate radio, but so were hundreds of others back in the day. As a dedicated SOULHEAD I remember them all. Lwr Invicta, kiss, Solar Radio ETC. The only way we could get to hear Funk on the radio apart from at the weekends with Robbie and Greg.
It goes without saying that the biggest heroes of our youth were the Pirate DJ’s. There are tons of Pirate radio DJ’s still around. And I guarantee you no one will remember anyone called Gilles Peterson inventing a Black music genre at any stage in the 1980’s or at any timer at all. Many of these guys are now famous. Sufficed to say without some of these guys our youth would have been unbearable. You have no idea what it was like to go without the FUNK. The Funk is a drug. I still cannot live without it. There are tons and tons of Pirates still about whom you can ask about this fake genre. They will tell you what all these sounds actually are because like me they were jammin in the SOUL clubs of yesteryear. None of them will tell you that Roy Ayers, or Curtis Mayfield or Larry Graham or Pleasure play “acid jazz” invented in London.
Later on in the 1980’s some of the Pirates finally managed to get licenses to broadcast legally. Certainly there was a lot of controversy over which stations were awarded the licenses and some far more deserving ones that weren’t but that was a long time ago.
The boys from Kiss FM. As you can see there were literally hundreds of SOUL DJ’s here in London playing the FUNK and many as I said are still broadcasting or doing gigs. And I guarantee you that not a single one of them will acknowledge a music genre called acid jazz invented in the mid 1980’s as the acid jazz cabal claim on Wikipedia. Ask them what acid jazz is and they will just say that’s what the youngsters called Jazz Funk back in the mid 1990’s. NOBODY will say that it’s a music genre invented by acid jazz records.
THE SOUND SYSTEMS
A sound system was a group of DJ’s who got together to do gigs. They would supply their own speakers and bring their record collections with them. It’s based on the Jamaican model but it really goes back to Africa where guys would take their drums from village to village and entertain the people. Sounds systems played a parties, night clubs, weddings, at places like the Notting Hill carnival. Anywhere that sounds were required. Remember there was no digital media back then at least not in the public domain so these boys had to cart all their equipment and boxes of records with them. Many of the 70’s/80’s Sound systems are still around to this day. Many of these people were on pirate radio back in the day. I was delighted to see Rapatattack still about. I remember jamming in the West End to Rapattack back in the day. They were well known. Many of this crowd are authentic Soulboys though I’m sure there are some younger people to cater for the new generation. People like this can tell you all about the London underground of the late 1970’s and 1980’s.
Rapattak were one of the few sound systems catering for FUNK. Most of the sound systems were Reggae sound systems. . Fairplay is still going strong as well and SOUL TO SOUL the most famous system of them all is still about with Jazzie spinning tracks just like he did before he became an International superstar. So as I said these are just a few names but there are many more. There are London SOULHEADS everywhere. And of course in places like Manchester, Nottingham, Liverpool and other place I have mentioned. I speak mainly about London because London is where they are trying to claim they invented this “acid jazz” genre. Find out about the history of SOUL in the UK from authentic Funksters of the era. Not from what rubbish acid jazz records write on Wikipedia.
So all these people I have mentioned were in the same FUNK Underground that I was and rest assured none of them will contradict what I say about the SOULHEAD MOVEMENT. And nor will the people in the next part of this document!
There is a book about The Lonodn pirates fro anyoone who wants to read about our era.
Part Five
5. Londoners, ask your funky Elders
[Plenty of Caister & Lyceum Jazz-funkateers still around]
Now normally when you try to pull off the type of historical fraud the Jamiroquai/acid jazz cabal are trying to do, it’s generally a good 100 years after the fact or at least when the generation in question is long gone. Unfortunately for the South Africans, Czechs, Eastern Europeans , Dutch Americans,Germans and others in the Jamiroquai/acid jazz cabal trying to re-write Black music history and use the UK as a means to rob the Black Americans of their creation, 70’S/80’S Soulboys and Girls are still here, And even worse they still do reunions. Here are the Caister crowd.
Caister Reunions are still going strong. Are you going to listen to them? or are you going to listen to A cLIFORNIAN on wikipedia. Ask the real London Soulheads if they have ever heard of this acid jazz genre. They will tell you one of two things. They will tell you ”no Ive never heard of it”. These are FUNKSTERS who grew up with MOTOWN with Disco and with Electrofunk. They were the people watching the U.K SOULTRAIN. They are the peole who used to tune into Robbie Vincent and Greg Edwards. To the Pirate radio stations playing THE FUNK.
They were the people who went to watch the likes of Earth Wind and Fire CAMEO, Skyy, Slave, The SOS bandm The Gap Band Roy Ayers and all the other American FUNK bands who came over in the 80’s Concerts they know the Funk as well as I do. I know the FUNK thats why i can write THE SOULHEAD TALES. These are my crowd. They know the FUNK. We know the FUNK. And there was and is nothing called acid jazz that came out of this city of London regardless of what anyone in the Synagouge of Satan writes on Wikipedia
CAISTER SOULBOYS AND SOULGIRLS NOW IN THEIR MID 50’s
AND WAY BACK IN THEIR BRITFUNK ERA YOUTH.
THIS WAS WHAT CAISTER LOOKED LIKE BACK IN 1979 THE GOLDEN YEAR OF FUNK.
So if people sitting in Eastern Europe think they are going to pull the wool over anyones eyes here in the U.K regarding the FUNK then they are dreaming. Acid Jazz does not existIf somebody had invented a music genre called acid jazz in the mid 1980’s then us authentic Funksters would all know about it. Don’t take my word for it. Don’t take my word for anything I say. On the contrary assume I’m lying. Assume everything that the acid jazz cabal have written on the Internet is true. Do your own research. Ask your Elders. Kids of London, Liverpool, Nottingham,Manchester Ask those who were there in the 70’s and 80’s and don’t rely on what acid jazz records and their International cabal are writing on the Internet.
Old school London Funksters get together regularly to recapture the spirit of the 70’s and 80’s. And I 100% guarantee you that you won’t find a single old school Soulboy or Soulgirl who will agree with the total rubbish written by acid jazz records on wikipedia.
Youngsters, ask your Funky elders
See if you can find a single Caister, Goldmine, Gossips, Gullivers, Lyceum Best disco in town, Light of the World, Central Line. Shakatak, Soul to Soul, Loose Ends, Tony Blackburn Soul nights out, Jazz Funk all dayer 1980’s London Funkster who agrees with the acid jazz records total re-writing of Black British history on wikipedia in their literature and on the fraudulently labeled Funk mixes they are calling things like absolute acid jazz, acid jazz classics and other names designed to fool the youth.
If you’re a Young Londoner you most lightly know an old Soulboy or Soulgirl of the 1970’s/1980’s. An Uncle, an Auntie and older Brother or Sister who grew up in the era. They will be in their mid 50’s now. If they have a bunch of 70’s FUNK or what some called Rare groove in their collections then they will be able to point out all the styles of FUNK acid jazz records are trying to take credit for. The same applies to youngsters from places like Nottingham, Birmingham, Manchester, Liverpool etc.
If you live up North then as you have already seem the Northern Soul crowd are still around and still going strong as well. They know all the Black American sounds of the era. They mostly stayed with the old sound of the 50’s/60’s, that came before Jazz, Funk and Soul fused together. To generalise slightly, they are mostly still into Original R&B, Jazz-Soul and MOTOWN so they will recognise all of these 50’s/60’s Black American Jazz-soul sounds falsely labeled “acid jazz “. An if you are unsure as to what people in the norht of England know about THE FUNK, well below is famous Northener you might have heard of……Rod Temperton.
Of course many of them are disco era aficionado’s. They have a big Electro-Funk crowd as well who are into the type of music people are trying to claim is called E.D.M. as I said before both E.D.M and Acid jazz are FAKE genres. So they too were around when MOTOWN and little Stevie Wonder toured the UK back in the 60’s. They grew up with Diana Ross and the Supremes, the Four Tops, The Temptations and so on. You won’t find any of them who think acid jazz records invented SOUL or any style of Black music either.So, Ask any London Funkster and I mean Any 80’s London Funkster if they have ever heard of a music genre called acid jazz invented by Invicta pirate radio DJ Giles Peterson and if they think Jamiroquai played this genre in the 1990’s as acid jazz records claim. Be prepared to be laughed at.
Part six
The SOULHEAD TALES-[Jamiroquai plagiarism]
“Where am I a plagiarist?”….RIGHT HERE
Like I said you are not going to fool a London Soulhead on the FUNK
People had every opportunity to give credit. Instead they continued to lie then tried to silence people. Justice will be served. The Soulhead Tales. All the stolen FUNK on Jamiroquai albums returned to their rightful owners. I have de-constructed just about every Jamiroquai track down to the last bassline, drum pattern or groove and have shown where they stole it from in my opinion. So now when so called music “experts” in the modern new millennial music press describe them as a “normal band” or an “acid jazz band” (Because they don’t know what Rare Groove is!) or try to claim that they somehow created or evolved anything in the FUNK in the 1990’s You can shut them down instantly. Jamiroquai didn’t invent or evolve anything. It’s exactly the same stuff we heard in the 70’s and 80’s.
Which of these plagiarised 70’s/80’s FUNK tracks is “acid jazz” from 1990’s London?
“WHERE AM I A PLAGIARIST? WE DON’T USE OUTSIDE INFLUENCES”
The SOULHEAD TALES Originally called Jamiroquai influences on the old Jamirotalk website, before She deleted it to hide the truth, is now also a response to quotes by Jay Kay in which the arrogant, murderous. racist music thief and plagiarist claims to have written all the music he stole by himself. Jamiroquai released a compilation on the Late Night tales which they falsely claimed were the sounds that influenced them. Except they studiously avoided all the FUNK bands and sounds they ripped off. You see…More lies. The Soulhead Tales (Written by a real London SOULHEAD, ie ME) sets the record straight. I know where they stole all their music from because I know the FUNK. Now you will too.
No amount of disinformation or smoke and mirrors will work against the SOULHEAD TALES. This is the reason they have tried so hard to prevent it’s completion resorting to threats, harassment hacking and other things you will read about below. There are some people who cannot and will not be intimidated by anyone or anything. If they won’t tell the truth I will do it for them regardless of threats. Justice will be served.
When they claim that Jamiroquai play “acid jazz” or jazz funk and acid jazz, ask them to tell you which track in their discography belongs to this “acid jazz ” genre. Ask them to tell you which Stevie Wonder, Patrice Rushen, Kool and the Gang, George Duke, Curtis Mayfield, Pleasure, Pleasure, Earth Wind and Fire sound on their plagiarised albums was invented by Gilles Peterson in 1988 or “written by Kay” in the 1990’s. You already know what the answer is but liars should be confronted with the truth, It’s one of the things they fear the most.
PART SEVEN
7. Ask the African American SOUL TRAIN GENERATION of the 1970’s and the 1980’s. If they think that THEIR Jazz Funk, New Jack Swing and Neo Soul are the invention of a London DJ called Gilles Peterson in 1988!
Now it should go without saying that at if you want to know the origin of all theses sounds then ask the creators. Now I say should however what peole of my age should understand is that for nearlt 30 years Eddie Pillar and his mob have been mass producing mix affter mis with This is Acid Jazz, The” Story of acid jazz” and all manner of BS over Soul mixes to try and Indoctrnate the next generation. To the sxtent now hat some younger peole belive the SOUL actually comed from here in London England and was invented by a DJ. Here’s a reminder if you need one
Mix after mix of soul re-classified as so called acid Jazz which they claim was invented here in 1988
THE INDOCTRINATION OF THE NEXT GENERATION BY THE SYNAGOUGE OF SATAN
AFTER NEARLY 30 YEARS PILLAR IS CONFIDENT ENOUGH TO BEGIN CHANGING THE SKIN CLOUR OF THE MODELS! THEY ARE GRADUALLY STEALING FUNK
Nothing on any of these mixes belongs to any fake genre called frpm here in London called acid jazz or Club Jazz They do not exist. Now I know that you older Funksters know that but do the kids.
BLACK AMERICA THE CREATORS OF ROCK AND ROLL AND JAZZ FUNK & SOUL
The African American is without doubt the greatest and the most talented musician on the planet. I always find it amusing that the people who try to denigrate them the most are the same people who secretly envy them. They call them this and they call them that yet copy everything they do then claim that they invented it. Eddie Pillar Gilles Peterson, Kay and the acid jazz cabal are the latest in a long line of cultural thieves trying to rob BLACK AMERICA of their musical genius. Well as they say Mimicry is the sincerest form of flattery. And Kay has certainly flattered the Black Americans. Wolf in sheeps clothing that he is by his own admission.
Black America is responsible for 20th Century SOUL. No one else.
This tiny little Island did a bloody good job in the 60’s, 70’s and especially the 80’s in terms of Black music. And whilst we might have eventually more or less equaled America with in the late 20th century with Billy Ocean, Soul to Soul and Loose Ends etc we NEVER EVER BEAT THEM. Can’t be done. James Brown, Ray Charles, Dizzie Gillespie, MOTOWN, Gamble and Huff, Quincy Jones, Stevie Wonder, Earth Wind and Fire, Kool and the Gang? No chance. We Never ever beat the Americans at any time in the 20th Century As good as we were it was THEIR sound. We copied it. ALL the templates came out of their heads no one else. Black America is the land of FUNK.
DISCO KIDS! THE SOUL TRAIN DANCERS ARE STILL AROUND
ACID JEALOUSY
Eddie Pillars acid jazz lie machine and Jamiroquai seem to think they can fool London Soulheads on our own sound and history. Lets see if they think they can fool the actual creators of those sounds they claim credit for. So if you live in the States or know an elder Black American who grew up in the Disco era, get them to listen to any of these so-called “absolute acid jazz” mixes, and see if they don’t pick out every last style of Funk, tell you if it’s 60’s SOUL or old school Jazz, Washington Go Go DC, or The Minneapolis sound, New Jack swing or the MOTOWN sound, CHIC! or Chicago House, A Barry White sound of a George Clinton sound.
If London boy here knows all these sounds then what do you think the chances are that people from say Ohio, Orange county, Queens, The Bronx, Chicago, L.A etc etc can tell the difference between Jazz Funk they grew up with in the 70’s, New Jack Swing from the late 1980’s and a record company that claims to have invented both style of Black Music here in London? I mean do you think you are going to fool the Americans on James Brown and Roy Ayers, on Herbie Hancock and Miles Davis? Do you think they won’t or can’t hear George Duke or Larry Graham or Earth Wind and Fire on Jamiroquai records? Do you think they don’t know all the bands on the SOULHEAD TALES when most of them come from their own communities?The African Americans are the ones who are responsible for ALL the sounds that acid jazz zionists are trying to claim they invented here in London in 1988. They are still around and like us they are now in their mid 50’s and upwards. So See if they can’t recognise their own creation, their own sounds, their own music.
20th Century Masters. All these styles of 20th Century Soul appear on so-called “acid jazz” compilations. Acid jazz records claim acid jazz is a Black music genre invented by Gilles Peterson..sooo, logically, …well that means that Gilles Peterson is responsible for all these sounds! well so they claim. So ask our contemporaries in the US if they agree. They grew up with these sounds.And so did peole all arounf the world so if you live in Europe in France, Germany, Italy and so on you will have elders who remember the Disco era. Play them one of these so called “This is acid jazz” mixes which they *Acid Jazz records) claim on wikipedia came from here in London without showing them the cover or the video and then ask them what music it is. Will tell you that is Funk or Disco or Latin. They will know what Latin Samba and Bossa nova is. And they will not tell you thayt it was invented in London in the 1980’s,trust me on that one. Ask them if they think that Black American SOUL was invented in London in 1988 then watch the blank look they give you.
Reunion of Soul Train dancers! Just like us in the UK, Funksters re-unite. The 80’s was amazing, indescribable, incredible but Disco era was something special. It can never be repeated . there arsn’t any words to describe it. The African Americans of the 70’s and 80’s are still around.
PROBABLY THE COOLEST GENERATION THAT EVER LIVED. 40 YEARS ON THE JAMIROQUAI ACID JAZZ CABAL BASED HERE IN LONDON ARE TRYING TO ROB THEM OF THEIR GROOVE AND THEIR STYLE.
Don’t forget all the 1970’s/1980’s American SOUL acts as well!
And of course many old school Funksters are still around. You can see many of them on the Jamiroquai plagiarism list. and later on in the blog when I go through some of the sounds acid jazz records claim is called…acid jazz. Patrice Rushen, Roy Ayres, Herbie Hancock, Pleasure, Kool and the Gang, Earth Wind and Fire, Stone City band members and many of the acts appearing on so-called “1990’s acid jazz” tracks are still here. Randy Muller, Leon Sylvers, Jam and Lewis 70’s FUNK bands are still around many are still playing, touring, and performing all over the World. Some are even releasing new albums. Do you think they will credit acid jazz records here in London formed in 1988 or 1990’s Jamiroquai for the music they created decades before the record company was even formed. Music that they themselves invented?!
The African and rhe South American “Latin” Sound
The African sound of South America was of course part of the FUNK. Bossa Nova, Salsa, samba, soca and calypso came from South America. Genres all of which (Apart from Soca) were incorporated into the FUNK to varying degrees. Earth Wind and Fire, George Duke being two notable examples. Though we go back to bands like Mandrill and their British equivalents Osibisa and Cymade fo find it’s roots. And of course there were many other bands doing similar. You can hear latin rhythm on some of Miles Davises Jazz tracks of the 60’s, You will find a lot of the African-Carribean sound in the FUNK and many of the Horn sounds in early jazz funk come from high-life. A genre which came from Ghana and was adopted by legendary musician and showman Fela Kuti. The likes of Herbie and Miles Davis used a lot of these sounds in the early days and many jazzfunkateers went to Africa. Donald Byrd spent time in Ghana. Makossa from Cameroun is another African genre that was sometimes incorporated into the FUNK Manu Dibango’s Soul Makossa (1973) is a legendary club track known worldwide.
Years later the words Mama-se, mama-sa, ma-ma-koo-sa appears on the Michael Jackson track don’t stop till you get enough. So don’t underestimate the impact of the African and Latin sound on the FUNK. Many of the Disco era bands toured Africa especially Nigeria. The mainstream media won’t tell you anything about it so ask an older African. My real Soul knowledge was learned In West Africa. Jazz Funk is full of the Latin and African sound but you have to know what it is to pick it out.
And none of it was invented by acid jazz records. UK Bands like Loose Ends, Linx, Galaxy and Shakatak were doing the Latin Funk sound in the early 1980’s. Singing by Delegation was a big underground hit.Jazz rap and jazz hip hop as I have already stated came from the states and started in the late 70’s and early 80’s. way before acid jazz records was ever created. So all these sounds are from the 50’s, 60’s, 70’s and 80’s and Acid jazz records created in 1988 had nothing to do with any of them anything. They just want you too think they do.
PART SEVEN
7. Ask the late 1980’s and 1990’s Black American New jack swing and Neo soul crowd….According to acid jazz records on wikipedia these sounds were once classified as English acid jazz a music genre invented in 1988 by Giles Peterson! Really ?This is how much they know about Black music.
The acid jazz FAKE NEWS wikipedia page
THIS IS A GREAT EXAMPLE OF THE DECEIT OF THE JAMIROQUAI ACID JAZZ LIE MACHINE TRYING TO RE-WRITE BLACK MUSIC HISTORY
Below is a bit of comedy from the acid jazz history revisionist wikipedia page designed to fool the youth of today or unsuspecting music lovers looking for information….
HILARIOUSLY THE FAKE NEWS WIKIPEDIA PAGE WRITTEN BY ACID JAZZ RECORDS CLAIMS “ACTS THAT MIGHT HAVE BEEN DEFINED AS ACID JAZZ ARE NOW SEEN AS JAZZ FUNK, NEO SOUL OR JAZZ RAP”
AS YOU ALREADY KNOW,
NO BANDS WERE EVER DEFINED AS “ACID JAZZ” IN THE 1980’s
TOTAL AND ABSOLUTE RUBBISH. WHAT YOU REALLY MEAN IS JAZZ FUNK, NEO SOUL AND JAZZ RAP ARE STYLES OF FUNK YOU ARE TRYING TO CULTURALLY APPROPRIATE AS ACID JAZZ! I WOULD SAY THAT LIE JUST ABOUT SUMS UP THE JAMIROQUIA/ACID JAZZ CABAL IN A NUTSHELL WOULDN’T YOU.
Well the New Jack Swing crowd are still about. Bobby Brown and New Edition are still around. Ask them if the Black American sound of New Jack swing was once classified as “acid jazz” a music genre invented in London!
The New Jack Swing/Neo Soul crowd are the generation that took over after us disco era kids. They were our younger brothers and sisters. In their teens and early 20’s just as we had been in the disco era their sound starts around 1987 and goes on through the 1990’s. New jack swing went from around 87 to about 92 then Neo Soul went on through the 1990’s and is still about. Now however it’s mixed with just about everything else. There is nothing really definable nowadays in the 20’s.
After New Jack Swing came Neo Soul. It was an improvement sparse sample filled, watered down sound of New Jack swing for many. It reintroduced the more lush production values of the 1980’s. Though it too contained samples. It was not an evolution any more than New Jack swing was, even if it was based on what had gone before. From about 1986 onwards we (The older kids) had heard it all before. The only evolution after that were the digital ones like D&B or Dubstep.
NEO SOUL IS NOT ACID JAZZ EITHER
In addition to Jazz Funk and disco era FUNK from the 70’s and New Jack swing from the 1980’s,Neo Soul is one of the other sounds Eddie Pillar claims is called acid jazz and comes from London. It does not. Basically everything they print the words acid jazz on was “invented ” by them!
THIS IS ANOTHER ONE OF THE SOUNDS ACID JAZZ CLAIM CREDIT FOR. THEY HAVE NOTHING TO DO WITH ANY OF THESE SOUNDS.
As you will see on their FAKE NEWS wikipedia page a lot of their so-called “notable acid jazz” bands are nothing more than New Jack Swing and Neo Soul act’s. Again these sounds have nothing whatsoever to do with Gilles Peterson or acid jazz records. So not only are they claiming they invented Rare Groove and all the Black American Soul plagiarised by Jamiroquai which they claim its acid jazz. They also claim they are responsible for New Jack Swing and Neo Soul. They greedily claim ownership of everything.
The Neo Soul sound, the next stage in FUNK after the watered down sound of New Jack Swing was and is The stuff of Jimmy Jam and Terry Lewis and many others, heavily influenced by the British sound of Loose Ends and Soul to Soul (Still active at the time) which had been such an almost dominating force leading up to this era. The time (1990’s) people Maxi Priest, Omar, Mark Morrison, Don -E, Noel Mc Koy, and many others flew the authentic British Funk flag in the 1990’s.
What you heard from acid jazz records signings like Jamiroquai in the 90’s was just 70’s/80’s Funk tribute nothing more. Regardless of how many outsiders try to portray them as some type of evolution, There is nothing evolved about playing 1970’s Funk retreads in the 1990’s. Nothing on any Jamiroquai album is an evolution.
BOYZ II MEN are still around. They also have a star on the walk of fame. Ask them if they owe the Neo Soul sound to a record company created in 1988 in London England
So, lets recap. Without naming a single song he “invented” or “created” on their fake news wikipedia page, So far acid jazz records have claimed ownership of the following styles of Black music…
Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, MOTOWN, Doo-wop ect and then Jazz, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, the Time, Jesse Johnson, Morris Day, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, Freestyle and all the other sub genres of Black American Soul Latin and South American Bossa Nova, Salsa, Samba, Calypso and all the other sub genres of Latin American Soul….AND OF COURSE NEW JACK SWING AND NEO SOUL. Two styles of FUNK which alongside Jazz Funk was once classified as a music genre called acid invented by Gilles Peterson!…Even though they can’t tell you a single track he created, define “acid jazz” or show any reference to it in any magazine of the 1980’s.
Strangely I don’t remember anyone called Giles Peterson on Soul Train, or in the Soul charts on either side of the Atlantic and neither do I remember hearing any songs by a DJ called Giles Peterson on Mainstream or on Pirate radio. I don’t remember any interviews in any magazine featuring a DJ who invented Jazz Funk, James Brown or Stevie Wonder either. Maybe acid jazz records can enlighten you.
PART EIGHT
8) Ask their Wikipedia Gatekeeper to answer a question.
MICHAEL “BINK” KNOWLES THE CALIFORNIAN WITH 250’000 EDITS RE-WRITING BLACK BRITISH MUSIC HISTORY ON WIKIPEDIA AND GUARDING THE EDDIE PILLAR/PETERSON FAKE NEWS PAGE
Ask Michael Bink Knowles or the anonymous Americans re-writing the history of Black Britain and SOUL/R&B in Black London during the 1980’s to tell you what this Acid Jazz genre is supposed to be.
ARE YOU SURE YOU’RE ALSO NOT IN SOME WAY INVOLVED WITH ACID JAZZ RECORDS………NO RESPONSE.
In order to change History you need a credible story to replace what really happened. Then you push this disinformation as hard as you can. The seat of deceit in this Acid Jazz generation myth is Wikipedia where they have concocted a story which essentially wipes Black British Soul out of History and replaces them with Gilles Peterson’s imaginary genre Which is just Jazz funk and Soul. The story is of course bogus as the real history archives of Music in 1980’s Black London will prove. The only place you will ever read about this fake genre being invented is not in 1980’s Black Music publications but on Wikipedia, Everipedia and wherever else these liars have cloned their cultural appropriation disinformation. In order to make the lie stick you need to guard it. And here is where this person Michael Bink Knowles comes in.
They know that what is written on their FAKE NEWS page is a total lie and a gross misrepresentation of Black British history so they are there in force. There are multiple profiles that have their pages on their watch list. On Wikipedia both acid jazz records and Jamiroquai both have their respective pages on lock down. They are deleting comments and ignoring warnings from real Wikipedia. These are some Exerts from my diary. Both Jamiroquai and acid jazz records both have respective pages on lockdown.
Acid jazz records are not supposed to be editing their own page as it is a conflict of interests and supposedly against the rules. 11/11/2018 Wikipedia “warn” acid jazz records about their FAKE NEWS page.
YOU DON’T SAY! People have been telling you that for years. What it should say is this page is a total lie written by acid jazz records and protected by their mates in the synagogue of Satan. They ignored the warnings and carried on deleting comments and blocking I.P Addresses. Blocking I.P Adresses is something that the Globalists are doing all the time especially on Political pages and pages to do with history. Remmember Acid jazz is part of the synagouge of satan and is such linked to the New world order. So they use the same tactics and are usnig their resources to supress information on wikipedia and elswhere,
Highlighted in Orange; All the protests that have been ignored by Wikipedia and acid jazz records who have “illegally” taken over the page and locked it down. Some of the comments were….Censoring my comments won’t help you there is no genre called acid jazz.……….Profile deleted a 2nd Time INTERESTING………..Another American about a page on London Soul
One time when I went back they had deleted my profile. I set up another one and they deleted it again. As you can see they totally ignore the truth and carry on as normal. New groove origin, List of Musicians. Eddie Pillar , Gilles Peterson are desperate to keep this page up. The other thing I noticed was that there was not a single person from London there. They came from everywhere but Black Britain. Foreigners guarding a page of lies about Black London in the 1980’s Californians, Swede’s Russians, Israelis, Germans, Czechs…. everyone but a Londoner on a page about London.Acid jazz records claim on their FAKE NEWS Wikipedia page that all of these artists play a music genre called “acid jazz” invented by Giles Peterson here in London.
Total lies. They don’t name a single track that belongs to this fake genre as there is no such genre. They say it originated in the Rare Groove Movement and spread to the U.S Japan, Eastern Europe, and Brazil. No it did not I was there. Again there is no such genre which is why there is no mention of this fake genre in any Black music publication of the 1980s and that’s why they don’t tell you the name of a single so called acid jazz song there isn’t one. They just claim that this non existent genre combines Jazz, Funk Soul and Disco.
They then tell you The Brand New Heavies, Incognito and Jamiroquai play this imaginary genre invented by Gilles Peterson. The Brand New heavies were playing in the rare groove style started by The Pasadenas and Soul to Soul. Incognito came from our era and play Jazz Funk and Jamiroquai’s discography is composed of 70’s/80’s Funk retreads as you will see in THE SOULHEAD TALES. So as you have already surmised Pillar and his mob think they can fool people on their own sounds. They actually think that by copying something then giving it a new name we won’t know it’s Funk.
Below Black Music they claim is Acid Jazz invented here in London by Gilles Peterson
THE GREAT THEFT OF FUNK.
As you can see they don’t really know much about Black music! It looks like they have basically collected as many names of bands playing Rare Groove, Jazz Funk, Neo Soul, Latin Soul, New Jack Swing, Brit Funk, Britfunk /Rare Groove you name it. Grouped them all together and claimed they are playing Acid Jazz” invented” here in London by Gilles Peterson in 1988. Some of them are pretty funny like 1970’s Latin giants Azymuth. Apparently playing a Black music genre invented by a DJ here in London in 1988. They even have a couple of Techno bands. Steely Dan was in there at one stage!. As you can see they don’t have a clue. Funny though this list is there intentions are dark. This list is designed to fool the younger global Internet population, safe in the knowledge that their gatekeepers on Wikipedia will prevent their lies from being edited. They are banking on the fact that in a couple of generations people won’t know what these sounds are.
So as you have already seen they claim this imaginary genre which didn’t exist in the first place disappeared and now is indistinguishable….I love this bit because it shows their intentions and it also shows what decietfuk liars they are,
Jazz funk was in the very late 60’s and lasted till 1981/82. Acid jazz records were created in 1987. How could bands that were once categorised as acid jazz now be seen as jazz funk?
Correct me if I’m wrong memory dims with age as they say but I clearly remember the 1960’s and the 1970’s coming before 1987!
The people writing this rubbish are connected to Jamiroquai of course but they know nothing about FUNK as you can see. New jack swing and Neo soul were added to this fake news wiki page only after I had mentioned these genres on the old Jamirotalk site where the Jamiroquai/ acid jazz cabal all had accounts. They deleted the old sites where the original version of THE SOULHEAD TALES had been posted amassing around 29000 views and created a new one after the Automaton review was posted as it again exposed their total plagiarism later.
And Jamiroquai who had also taken over their page deleted their profiles when I called them out on this blog realizing that their actions could be traced!
They of course are there to cover up their plagiarism as Kay wants to take credit for all the music he and his band have stolen. Plagiarism exposed in the SOULHEAD TALES.
Michael Robert Knowles the Californian who thinks himself qualified to lecture people from 1980’s Funk capital Essex on Black music on London.
So now lets come to Eddie Pillars gatekeeper and the other anonymous people assisting Acid Jazz records and Jamiroquai in hiding the truth. One who is/was assisting the jamiroquai acid jazz cabal in re-writing the History of Black Britain on Wikipedia and is in control of a page about Black Britain. That’s right…. who is controlling the history of Black Britain and of SOUL music in Black London during the 1980’s?
A credible Soul Music journalist known to Londoners? One of the 1970’s/1980’s Soul DJ’s mentioned above? Someone from Radio London or a former 80’s Pirate? Solar Radio are still going. A 1970’s Blue and Soul journalist? Someone from a magazine like Black Echoes perhaps? NO we have a set of an anonymous Americans guarding a page which was written by someone who says he discovered acid Jazz in the early 1990’s. Someone who calls himself Woulf.
AMERICANS RE-WRITING THE HISTORY OF BLACK BRITAIN ON WIKIPEDIA
THEY TWICE TRIED TO BAN THE I.P ADDRESS USED IN COMPLAINING.
Acid Jazz records and Jamiroquai have both locked down their pages to prevent their lies being changed. Better to indoctrinate the global masses into believing they are responsible for Soul Music of the 20th Century. In the case of the Acid Jazz page they have totally written Black British Soul of the 20th Century out of history. They then claim that Gilles Peterson invented a music genre called Acid Jazz which according to them spread across the world thanks to two promoters. Who wrote this story.
A credible or notable Black music writer? Some on with credibility among Funksters of the era like a former SOUL DJ? NO, the FAKE NEWS WIKIPEDIA PAGE written by someone who calls himself “woulf”, who claims he discovered what he calls “acid jazz” in 1991 and gives his address as Oxford University (Illuminati HQ where Jamiroquai have or had a studio in Oxford). When complaints were made about the page people had their profiles and their comments deleted! They then tried to block the I.P Addresses which is standard practice on Wikipedia especially when it comes to politics and history.
When they couldn’t silence the protests a so called Wikipedia editor Michael Knowles intervened. Now one would have expected that the first thing this “Editor” would have done was question this anonymous “Woulf” writer, asked this what he credentials were. Asked why someone whom by his own admission wasn’t even around during the era was in charge of this page. No, infact quite the opposite. Michael Bink knowles intervened TO SUPPORT HIM! That’s right a so called Wikipedia editor with apparently 25000 edits intervenes to support someone who claims he discovered what he calls acid jazz in the 1990’s, writing the history of Black music in London. That tells you everything you need to know doesn’t it. Michael Bink Knowles an American said the following in response to a Londoner who questioned the lies on the page……
“Acid jazz is a music genre because scholars, Journalist and album reviewers say it is.Wikipedia is not going to ignore these very reliable sources just because someone from Essex has a different opinion”- Michael Bink Knowles-Eddie Pillars American Gatekeeper.
Well firstly Mr Knowles anyone, so called “Music Scholar”, Journalist or album reviewer who claims that “Acid Jazz” is a music genre knows nothing about THE FUNK and is not fit to refer to themselves as a music scholar, Journalist or Album reviewer. And frankly they should not be in Music Journalism in any capacity because they know nothing whatsoever about Black Music and 20th Century Soul. Or about THE FUNK in 1980’s London. Calling yourself a music scholar is meaningless if you don’t know the difference between a record label formed in 1988 and 1970’s Funk, Rare Groove, New Jack Swing and Neo Soul. There is no genre called acid jazz in Black music. And nobody from acid jazz records has any claim on any of the sounds they are fraudulently re-classifying as Acid Jazz. Acid Jazz as a music genre does not exist.
And secondly have you ever heard of Caister? The Goldmine? Chris Hill? Froggy? Robbie? You do know where the biggest Soul event is held? Do you think people from Essex don’t know THE FUNK!
As you have already seen, Funk legends like Patrice Rushen, Odyssey and Teena Marie to name but three of hundreds of visiting American Funksters to our shores during the 70’s and 80’s know where Essex is. Even if the self appointed American “guardian” of Black British music on Wikipedia doesn’t.
The American re-writing the history of Black Britain and of Black music appears not to know that the capital of FUNK in London was and still is ESSEX…here’s a little big reminder…It’s called CAISTER….in…ESSEX
THE 70’S/80’S LONDON SOULHEADS REUNION….in bloody Essex!
So again, who are you going to listen to on the history of BLACK BRITAIN and 1980’s London? an American gatekeeper on Wikipedia from acid jazz records who claims acid jazz is a music genre but can’t tell you what it is and refuses to answer questions when challenged? or people from 1980’s London? Maybe someone should tell him about Chris Hill..
Back in the Disco/post Disco era this is what went on in Essex in terms of THE FUNK!
THE SOULHEAD MOVEMENT. We were known as Soul Tribes and Soul Patrols.
SOUL TRIBES CAME FROM ALL OVER LONDON TO JAM IN ESSEX!
The Goldmine Club from 1973 to the present 2018
Canvey island…IN ESSEX is the home of the Goldmine and Caister, but what do people from Essex know about London compared to a Californian “editor”on Wikipedia, Below Chris Hill in action jammin’ to Deodato with the authentic London Funksters of the original late 70’s early 80’s
Brit-funk heroes Light of the World………..In a Place called Essex.
THIS IS ESSEX MR KNOWLES. THE CAPITAL OF FUNK IN OUR ERA 1970’s/ 1980’s
CAISTER is the most famous soul event in the world!
It was the biggest event in the Soulhead calendar back in the 70’s/ 80’s. They still do reunions to this day, yet here we have an American telling us that people from Essex the capital of SOUL in the Thames Valley are not qualified to speak about SOUL in London but he is?
This is what they mean when they say Wikipedia is a discredited organization. They will do nothing about it until they are publicly embarrassed into doing something. So once again who are you going to believe on Black Britain. A Californian who wasn’t even there or people from England? Look below..
If they were real editors they would obviously done something about the page. This is happening a lot on Wikipedia. Perhaps he can start by telling me which 70’s FUNK Jamiroquai re-tread on the SOULHEAD tales belongs to this “acid jazz” genre. That these “music scholars” claim came out of London England. And as I said and will repeat the challenge is open to any so called modern day”music expert” critic, writer or scholar. Whatever music scholar means. Define this Black music genre you refer to as acid jazz. What is it?
The response he had no answer to..
WHAT HAS BLACK MUSIC IN LONDON GOT TO DO WITH A CALIFORNIAN LIKE YOU?
ARE YOU SURE YOU’RE ALSO NOT IN SOME WAYS INVOLVED WITH ACID JAZZ RECORDS………NO RESPONSE.
He won’t answer questions. When he was accused of being part of the Jamiroquai acid jazz cabal he didn’t respond. And why do you think that was. Because he is part of the acid jazz cabal that’s if it’s actually him. The New world order use the same profile for many users. He is not the first “editor that suddenly appeared out of nowhere to support the lies on the acid jazz page. They are all fake editors.
SO WELCOME TO THE NEW WORLD ORDER WHERE ALL INFORMATION IS CENTRALLY CONTROLLED. JUST THINK WHAT IT WILL BE LIKE IN A FEW YEARS. AND YOU THOUGHT IT WAS JUST POLITICS DIDN’T YOU. NO, ANYTHING THAT DOESN’T SUIT THEIR AGENDA IS CENSORED OR RE-WRITTEN.
As many already know, The Satanic New World Order have taken over Wikipedia so anything that doesn’t suit their agenda is re-edited. Heres a more famous example of how the New world order manipulates information on Wikipedia. The Jamiroquai acid jazz cabal are doing the same thing. This is someone else with thousands of edits, a fake profile editing anything that doesn’t suit the new world order…..
Why is ‘Philip Cross’ editing Wikipedia entries every day?
They also tried to do the same to David Icke. They wrote disinformation about him then tried to ban his son when he wrote and complained. A Wikipedia “editor” from Israel also edited David Ickes page with inaccurate information.T hey tried to claim that he’s anti-semetic simply because he speaks out against the new world order. Not that peopke from Eastern Europe are semitic.
WIKIPEDIA MANIPULATING YOUR MIND. ICKE SPEAKS ABOUT WHAT GOES ON
THEY ARE BLOCKING THOUSANDS OF I.P’s EVERY DAY AND CREATING THE NEW WORLD ORDER. THE FASCIST CONTROL SYSTEM PEOPLE HAVE BEEN WARNING YOU ABOUT FOR MANY YEARS. WAKE UP!
10. Ask the 1980’s London SOULHEAD journalists
If you’re an African American journalist or other interested party the best people to contact for an authentic voice is, well the Voice Newspaper.
A PLOT TO ERASE BLACK IDENTITY? YEAH I’VE BEEN FIGHTING ONE FOR A DECADE
Interestingly they ran a story some time ago which I missed about a plot to erase Black identity on the airwaves. It would be interesting to find out who’s behind Capital Extra. It seems this plot goes deeper than Eddie Pillar, Gilles Peterson, Jamiroquai band members and the acid jazz cabal.
So those are just ten ways to debunk the myth these people are trying to create through disinformation, lies and threats. Jamiroquai made pastiches of other peoples music, people claimed they had written it all by themselves thinking that nobody would know where they took the music from, then claimed it was a genre invented by their crowd called acid jazz. For the past 27 or so years they have been steadily absorbing all styles of FUNK into this so-called acid jazz genre which didn’t even exist in the first place. They are now claiming that these sounds are Brit FUNK. No they ain’t. There is not and never was there a music genre invented by Giles Peterson called acid jazz. Regardless of how many new millennial so called music “experts” ,”journalists” or 1990’s kids who write about this “acid jazz” genre they think was invented by a DJ….or because they don’t know what JAZZ-FUNK is or they think Stevie Wonder and 60’s/70’s/80’s Black American Soul was invented in 1990’s London.
SO BLACK AMERICA BEWARE!
Preserve your History and preserve your culture. Acid Jazz does not exist. We the AUTHENTIC London SOULHEADS of the 1970’s and 1980’s Acknowlede no such genre. Any so called “music journalist” who has ever referred to Jamiroquai or any late 1980’s/1990’s Rare Groove/Jazz Funk and Soul band as playing “Acid Jazz”is not to be regarded as a credible music writer.
THERE IS NO SUCH THING AS A BRITISH MUSIC GENRE CALLED ACID JAZZ. IT DOES NOT EXIST. THAT IS WHY NO ONE CAN NAME A SINGLE TRACK WHICH BELONGS TO THIS SO CALLED GENRE. AT NO TIME AND AT NO STAGE DURING THE 1980’s OR THE 1990’s DID ANY MUSIC GENRE CALLED ACID JAZZ COME OUT OF THIS CITY.
For if the Likes of Eddie Pillar, Gilles Peterson and their crowd get their way in 20 years time they will be telling your kids and Grand kids that the likes of Jamiroquai are responsible for Earth Wind and Fire, Kool and The Gang, Roy Ayers, Herbie Hancock and the like. Look how much they have stolen from Stevie Wonder on their plagiarized albums for example. Infact they already are as Jay Kay wishes to go down in history as the creator of all this stolen music and their mob of liars are doing all they can to wipe this information from the Internet.
AND ALWAYS REMEMBER YOUR GREATEST ALLIES ARE THE BLACK MUSIC PUBLICATIONS OF THE 1980’s, AND OF COURSE ALL THE SOUL SHOWS WHICH MAKE NO MENTION OF THIS SO CALLED ACID JAZZ GENRE. ACID JAZZ RECORDS HAVE NO CLAIM ON ANY STYLE OF BLACK MUSIC OTHER THAN THE FACT THEY PRINT THEIR NAME ALL OVER 20TH CENTURY SOUL COMPILATIONS
THIS IS HOW SERPENTS RE-WRITE HISTORY
This whole Acid jazz lie is a good example of how these criminals operate. You will begin to see how myths and lies are created on the Internet. And how myths and lies have been created throughout history. You already know that History is not what you were taught at school at least in the West. There have been civilisations on this planet for millions of years. That which has run this planet for thousands of years the global masonic network has kept this planet in the dark ages in constant cycles of war This is how the New world order is run and is going to be run if people don’t wake up. They will lie, lie and lie. They will push false information and keep repeating it hoping it will stick. Acid jazz records are using the same tactics as the N.W.O because they are linked to the N.W.O. It’s a serpent organization doing what serpent organizations do. Infiltrate and then take over form withing. However with music it’s not so easy to fool people. Especially when you can’t even name a track of this Fake genre, The global media is all run by the same people and it’s imperative that you stop watching the lies, disinformation and lies peddled to you by the controlled media, BBC, CNN, FOX etc. Get onto the Internet and start listening to people who are speaking the truth. People who will help wake you up like Mark Passio, David Icke and John Lamb Lash, Jay Parker etc. Yes they may be gatekeepers but use their knowledge as a jumping off point. Laura Eisenhower speaks the truth So did Credo Mutwa. The truth is out there. And these disinformation tactics or hiding information are nothing new. They have been going on for thousands of years.They infiltrate everywhere. So now you know how to debunk the Serpent lie, Go to the Soulhead Tales and imerse yourselves in the Funk as I intended you youngsters to. And whan you feel those Grooves, rhythms and Harmonies you will begin to undertsand my love for the Funk and why these serpent want to take ownership of these Energies. If you are spiritually aware enough to know what I mean. When I started this journey back in 2011 I looked for help and no one would speak up. . Many People from the era will tell you they lived for the FUNKI was prepaperd to die for it.
The Plot to steal Funk.
Never let it be said that Eddie Pillar/Gilles Peterson and their American cohorts did not and are still actively trying to rewrite Black music history, wipe Black Britain out of history and STEAL the FUNK from the Black Americans. The acid jazz cabal DELETE a comment in around 60 seconds. As it was two years since Eddie Pillar and his mob have been trying ignore warnings from Wikipedia and spread their fake news lies abut this so called acid jazz genre pillar’s using all the serpent tactics to culturally appropriate Black music into his fake music genre. I decided to do another test and as I expected the comment was immediately deleted. This time bay another anonymous serpent called Denisova. The truth was deleted in around 60 seconds, round about the time it took Lech Mazur of music banter to delete the jamiroquai plagiarism list the Soulhead TALES FROM MUSIC BANTER.
Michael Bink Knowles
So Eddie Pillar, Gilles Peterson and their International mob know exactly
What’s the matter Gilles? Thought you were safe trolling me behind your computer didn’t you? Weren’t you all bragging about belonging to the “Dark side”about “reptiles” (low vibrational entities), remote viewing and all that stuff a few years ago?! There are far more powerful things out there than that mate. Gilles “Literally not a shill” doesn’t look too confident does he. He knows that people know all about him, don’t you Gilles Peterson you arrogant ugly looking serpent. You are a murderous criminal bully Gilles Peterson. Sue me if you dare.
Gone grey overnight haven’t you Gilles Peterson. Why is that I wonder.
This CRIMINAL gang-stalker is a member of their crowd. He is the C.E.O of ADVAMEG, INC. He hurriedly deleted his photo from the company website when this was mentioned several months ago.
Eddie Pillar and Gilles Peterson are infiltrators of Black music here with an agenda. Peterson is irrelevant to our culture. He’s an overrated pirate radio Jazz DJ who has never had a hit in his life. Yet all over the Internet, on Wikipedia and in the serpent controlled mainstream media he’s being pushed forwards as the “inventor” of a Black Music genre which doesn’t exist. As any Authentic 1970’s Funkster who knows what these sounds are will tell you there is no such thing as a Black music genre called acid jazz. It is not a genre a sub genre or a style of Jazz, Funk or Soul. 
Criminals From left to right; Jay Kay, Gilles Peterson, Lech Mazur and Melvin Huffnagle. These are Libelous comments sue me if you dare!
So as you can see below this is a prime example of their systematic rebranding of Black Music. “Essential acid jazz?” Who the Funk says this is acid jazz. You Gilles Peterson?
WHO DO YOU THINK SPEAKS FOR BLACK BRITISH SOUL MUSIC OF THE 20th CENTURY? THOSE WHO CREATED IT OR EDDIE PILLAR AND GILLES PETERSON?
THERE IS NO SUCH GENRE.ACID JAZZ IS A SERPENT GENERATIONAL MYTH CAUGHT IN IT’S EMBRYONIC STAGES. HERE’S HOW TO STAMP IT OUT……. 
Us 70’s/80’s Funksters like to call ourselves the originals but the real original Soulboys were really the 50’s and 60’s kids. The Beatles were doing James Brown covers when the disco generation were small children, Tony Blackburn still going strong was famous in the 1960’s. His pirate radio station Radio Caroline is the stuff of Legend. It was on a boat! That’s the extent people went to to deliver Black music to the U.K. That was in the days of the Beatles, Rolling Stones the Who etc. Young British kids who’s Dads had fought in world war 2, playing the Black American sound of the day. He was once thanked by Stevie for helping introduce Soul to the UK airwaves. He was already famous when we were young kids in the 60’s. His “comeback” daytime SOUL show in the mid 80’s on Radio London was the greatest thing in the World at the time. At last the FUNK had a daily mainstream Radio Show in London. There was a film made about Radio Caroline so check it out.
soulboytales.com 