Tag: Eddie Pillar cultural appropriation

https://gangstalkingmindcontrolcults.com

jamiroquai censor their plagiarism on Wikipedia!

But take a look on their album credits and you will see that none of the bands they stole from are mentioned. NO mention of Earth Wind and Fire.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, Roy Ayers, Rick James, Isaac Hayes etc etc. YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES. Well of course that’s the plan.

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OF

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

This is a very powerful Black magic spell cast by Serpents over Black culture. By Eddie Pillar, Gilles Peterson, Jay Kay and others in their crowd including those behind Daft Punk who are all part of the Gang. And with all these serpent spells it goes to America, back to Eastern Europe and yes outside this dimension. Not that anyone has to worry about that. This document smashes the spell. The Information here destroys both the spell of Petersons so called acid jazz genre and the spell cast over the sound of Stevie Wonder and all the other FUNK frequencies that self admitted serpent (I’m Automaton) Jay Kay is trying to appropriate and claim he that he wrote. The serpent is all about energy and THE FUNK is an energy they think they can steal through, disinformation, Lies and serpent Smoke and mirrors. Unfortunately for them Smoke and mirrors do not work in music. And you cannot hide the plagiarised sounds of any of the 70’s/80’s FUNK bands Jay Kay claims ownership of. The soulhead Tales destroys the Spell of Jay Kay and 10 easy ways to debunk the acid jazz lie destroys the spell of Pillar and Peterson.-Kwabena Nkwatia (Author)

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s. They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice- Not race

On the topic of race, well I shouldn’t even have to mention it but in this early 21st century modern day serpent generated divide and rule environment the infiltrated media and their PR will do everything they can to try and twist things to make this criminal look like some type of victim. And A.B.C Australia already have even though I haven’t even finished this site yet. I speak about this anonymous idiot who thinks he can speak for the U.K later. And Australia having banned a truth speaker like David Icke, well it’s no surprise really. The place is almost completely taken over by the serpent New world order.

As the more awakened of you will know, these serpents are the greatest race baiters on the planet. They are trained to be like it from an early age. Better to get us all hating each other and fighting among each other whilst they erect the new world order communist police state people like David Icke have been warning about for years. I also speak about this later but anyone who knows the London Soulhead movement of the 70’s and 80’s knows that it was the most racially mixed tribe of all. In fact it was the only truly racial mixed music tribe of the 60’s/70’s/80’s. The New Romantics, punks, skin heads ect were 99%white. The roots rockers, Lovers rock crowd (reggae) were 99% Black. Walk into a London Soul club and the whole freaking planet was there. Black, White, African, West Indian, Indian, Pakistani, Greek, Turk you name it. We were the united nations, the original template for modern Britain. The bouncers used to love soul nights because there were never fights. No one in the soulhead community of our day made stupid comments about “white guys playing black music” only an outsider would speak like that and he is an outsider parachuted in with a plan. A plan THE SOULHEAD TALES totally destroys .

So idiots overseas spouting nonsense about what they don’t know need to be ignored. The U.K is not Eastern Europe, Australia or Zionist America. So do not try your idiot serpent divide and rule racial on my country A.B.C Australia Double J, and do not infer racism on someone who speaks the truth in pursuit of justice. No one gave a damn about kays skin color, It was his still over inflated opinion of himself when we all knew he was nothing more than a pick pocket.

And in any case these satanic sabbatean cultists do not consider themselves to be white. They want the end of the white race. That’s what the Kalergie plan is for. I am AGAINST the kalergie plan as much as i am against the new world order. This is about justice. THE FUNK has no color. It’s an Energy which can be created by anyone. 1970’s FUNK was packed with white funkters. Infact Were you to ask me who was the most talented Funkster to ever to come out of this country I would choose Rod Temperton. And he’s hardly Black. kay and Jamiroquai did NOT create anything. They stole and mimicked what was already there and THE SOULHEAD TALES proves it.

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

In the 1990’s Jamiroquai followed the 1970’s FUNK timeline plagiarising mostly the sound of the early 1970’s in the early 1990’s then moving on into the Disco/post Disco era on Sykronised, A Funk Odyssey and most of Dynamite. They copied all the Funk frequencies of the era including that The Mizzels of Parliament, Pleasure, Roy Ayers, Gambel and Huff, Barry White, Herbie Hancock, Curtis Mayfield Kool and the Gang, the Brothers Johnson and all the others you will see on the Soulhead Tales Jamiroquai’s plagiarism List on this blog. Then at the same time Eddie Pillar was culturally appropriating all these sounds, including the Brit Funk Rare Groove sound started by The Pasadenas and SOUL TO SOUL back in the late 1980’s,and categorising them as so called “Acid Jazz”. Over 25 years on we are now being told that Acid Jazz is a serpent music genre invented by Gilles Peterson.

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

This image has an empty alt attribute; its file name is acid-jazz-is-smoke-and-mirrors.jpg

DAFT PUNK ARE A PART OF THIS CROWD

Now the Synth was always part of the FUNK and Jazz Funk but it didn’t really start to rise in prominence until the late 1970’s. The correct term for the Electro sound was Electrophonic Phunk. Notice the word PHUNK. Now in one of their trolling monickers they used was Zapp Rogerstein. Of course. Because they are trying to culturally appropriate the other Decade of Black music. The 1980’s The sound of Clinton and Parliament the sound of ZAPP and Roger troutman.

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

This image has an empty alt attribute; its file name is yet-more-lies.jpg

Really. Well can only hear FUNK on their SOUL Albums.. Which Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen , Kool and the Gang, Pleasure, Tom Browne, Curtis Mayfield, Rick James, Brass Construction, Bootsy Collins Parliamentarian, New York Skyy, Commodores Black music style on Jamiroquai albums do you claim credit for Gilles Peterson. I recognise all the styles of FUNK on all Jamiroquai albums. What exactly is this style of Black music you supposedly invented in 1988 that spread to America as you claim on Wikipedia in your satanic petition to the Universe.

This image has an empty alt attribute; its file name is acidjazz-is-a-lie-wikipedia2-1.jpg

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal

THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY

This image has an empty alt attribute; its file name is acid-jazz.jpg

Everyone from the late great Kenny Lynch to Omar Lye Fook secretly being erased from history on wikipedia and all over the Internet by Gilles Peterson, Eddie Pillar and their International mob. Whilst in public they parade as if they are fans of Black music and of Black Britain. They are not. They are as they prove on Wikipedia nothing more than frontmen for the GREAT THEFT OF FUNK.

This image has an empty alt attribute; its file name is real-brit-funk1.jpg

This image has an empty alt attribute; its file name is acidjazz_cultural-appropriation_08.jpg

They Delete the likes of Junior Giscombe, Delegation, Light Of The World, Shakatak, Loose Ends, Central Line, Imagination, Linx, Billy Ocean , SADE, Five Star and all the bands who conquered the States and topped the U.S Soul charts in the 1980’s and replace them with Gilles Peterson, who apparently (According to Wikipedia) Invented a black Music genre called Acid jazz which then spread to America thanks to Jamiroquai, Incognito and the Brand New Heavies.

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

This image has an empty alt attribute; its file name is wikiacidjazzcollaboration-1.jpg

JAMIROQUAI, EDDIE PILLAR AND THE SYNAGOGUE OF SATAN LOCK DOWN WIKIPEDIA AND THE JAMIROQUAI WIKIPEDIA PAGE TO PRESERVE THEIR CULTURE GRAB. LIES AND THEIR PLAGIARISM RESPECTIVELY. THEY BRING IN A GATEKEEPER TO ASSIST THEIR ANONYMOUS DIS-INFO HISTORY REVISIONISTS. THEY DELETE AND CENSOR COMMENTS, DELETE PROFILES AND BAN I.P ADDRESSES.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules. Then of course the globalist serpent totally took over Wikipedia as the origional founder has said.

Meet Michael Bink Knowles. A Californian who set up the sound system for Satanists at Bohemian Grove is controlling the history of Black Britain and of Black Music on Wikipedia. At the behest of Pillar, Peterson and the Synagogue of Satan.

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA) AND START SUPPRESSING ANY EVIDENCE YOU CAN FIND THAT CONTRADICTS YOUR LIES.

This image has an empty alt attribute; its file name is acid-lies1.jpg

Californian Knowles, the self appointed “expert ” on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia…..

This image has an empty alt attribute; its file name is eddie-pillares-gartkeeper.jpg

Californian Knowles, the self appointed expert on Black London, who thinks he’s qualified to speak on the history of Black Britain and Black Music here in London England during the 1980’s told someone from Essex on Wikipedia;

“Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”

…SAYS AN AMERICAN who set up the sound system at the infamous Satanic retreat of Bohemian grove, doesn’t know where Essex is and yet thinks he’s qualified to speak on my city, my community and on my youth in 70’s/80’s London

This image has an empty alt attribute; its file name is acid-liar1.jpg

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICHAEL KNOWLES?

This image has an empty alt attribute; its file name is canvey-island.jpg

You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA?

You do know, that Caister is the longest running and the biggest SOUL music event Mr Knowles?

This image has an empty alt attribute; its file name is caister.jpg

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, not just in the United States but globally to the school of Funk who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.

This image has an empty alt attribute; its file name is acid-lies1.jpg
PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES

There is no such thing as a Black music genre called acid jazz. Anyone who tells you there is, either knows nothing about the FUNK or is a liar. Acid Jazz is an infiltrator record Label. Acid Jazz was never a genre, sub-genre or even a style of the Groove. That’s why no one can name a single track belonging to this so called genre. It does not exist. The fact that Eddie Pillar, Gilles Peterson and the synagogue of Satan summarily decided they were going to walk in to Black culture and start printing “This is Acid Jazz” all over Brit Funk/Rare Groove, Jazz-Funk, New Jack Swing, Neo Soul and Latin Soul compilations does not constitute the existence of a new Music genre apparently invented by Invicta FM DJ Gilles Peterson in 1988. And even though it’s difficult to admit for this South London Gullivers, Gossips West End Soulhead of the 80’s, perhaps someone should tell Mr Knowles that Essex was and still is the capital of FUNK in London. The Essex SOUL boy/Girl was the most dedicated of them all.

So the question I will try to answer is this. If as they claim on Wikipedia, a Black music genre, that no authentic London Soulhead who was actually there has ever heard of, was invented by Gilles Peterson in 1988, then…

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-DECS 2022

—————————————————————————————————————–

AUTHENTIC BRITISH SOUL

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

This image has an empty alt attribute; its file name is criminal.jpg

LATEST NOV 2021

My you are a manipulative serpent aren’t you Gilles Peterson. All of a sudden you’re a friend of Black Britain are you? So on the one hand you and your mates in the synagogue of Satan are busy trying to wipe 1980’s Black British Soul out of the history books all over the Internet, with you as the creator of this non existent “Acid jazz” genre, which is nothing more than Rare Groove. And on the other hand you’re desperately uploading Brit Funk mixes to try and make it look as if you are a friends of the 1980’s Black U.K Soul bands. And being photographed Hugging Black American Soul stars the trying to make it look as if you are a supporter of THE FUNK when you are part of an International cabal trying to steal it. You are a racist liar Gilles Peterson, a proverbial Wolf in sheep’s clothing.

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

This image has an empty alt attribute; its file name is gilles-peterson-criminal1.jpg

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

Peterson is trying to back out but the rest of their lies which write out of history Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”

French disc jockey invented the term acid jazz?

Also note that they have put the name of Chris bangs at the front! They did this in 2019. Added his name to try and draw the heat off of criminal gang stalker Gilles Peterson. Everything you see written there has been written by Gilles Peterson and his mob and is a complete work of fiction.

There is NO SUCH THING as a black genre or subgenre called acid jazz. Secondly they claim that Acid jazz goes back to the 1960’s That is a lie which I have already debunked. Now note They say ”some site” six pack. WHO SITES? Where? Nobody sites anything because that is 1960’s Psychedelic soul from the hippie era ffs. Now when they initially wrote that part about Six pack I corrected them saying that that was Psychedelic Soul. So they have gone back and included what I said to try and give their lie some credence! Then they claim Acid jazz records was around in the 1960’s REALLY? They Acid jazz records infiltrated Black Britain in 1988. What has the stuff of Sly Stone got to do with a London record Label created in 1988? They are desperate to attach themselves to Black Music and to 20th Century Soul. Desperate to try and make it look as if they are somehow relevant top Black culture and Black Music. They are not.

Note they are called SOUL fiesta not Acid jazz fiesta. Basically all they have done is gone and found a track and claimed it as the origin of a non existent genre. As I keep saying these people know nothing about Black music. They just think that if they keep lying they will convince people that the Synagogue of Satan invented FUNK!

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

As I say everything you see here is a total and absolute pack of lies which I debunk on this site. It is a total re-writing of Black Music history by the synagogue of Satan.There were no such movements here in London and Acid jazz didn’t borrow from anything as there was no such thing as a genre called acid Jazz which is why you will find no reference to any of this rubbish in any Black Music publication of the era as you will see in Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation of Funk.

You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK

Everything you see written there is total fiction. Its nothing more than a satanic petition. A petition is basically a request to the Universe. This is how they want history recorded. They used spell work on the original page but as you can see it’s crumbling. Because of the truth. This page of lies writes The Likes of Delegation, HI Tension, Central Line, Junior Giscombe, Imagination, Soul to Soul , Loose Ends, Billy Ocean and all the rest out of history. Then claims that Gilles Peterson “invented” a music genre that spread to America thanks to Jamiroquai. It is total fiction and nothing more than a work of dark sorcery. All they have done is replace the words rare groove with the name of their record label and then claimed that it was a new genre.

BEFORE (BELOW) and AFTER (ABOVE)

Gilles Peterson has been “credited” with originating this Fake genre for years on Wikipedia.I thought you were claiming Acid Jazz was a Black music genre invented by Gilles Peterson in 1988? You’ve been claiming that for at least 10 years since I first saw your page of lies. One minuet it was invented by Gilles Peterson, the next minuet it was a sub genre of Jazz! Make up your minds. You see what happens when you tell so many lies.You are not going to fool any of us on the different sounds and styles of FUNK.

Peterson wanted to go down in history as the Godfather of SOUL!

Now in damage limitation knowing that people from the 1980’s London Black community are becoming aware of what this criminal wolf in sheep’s clothing is trying to do behind the scenes. They have changed it. Now all of a sudden Gilles Peterson is no longer credited with inventing this non existent genre. Because I have destroyed their lies. What happened to Gilles Peterson is “credited” with originating this non existent genre? You never did tell us who credited him with inventing Jazz Funk, New Jack Swing and Neo Soul it did you. Now why would that be I wonder.

I know who the people are behind this page but if any provable were needed that Gilles Peterson and his mob are in charge of the Acid jazz Wikipedia page of Lies. Then the fact that they keep changing what is written going by what I say on this Blog should leave you in no doubt. They know damn well that Ten Easy Ways To Debunk the Acid Jazz Lie does exactly that. And when they realised I still had my copies of 1980’s Blues and Soul magazine which records everything that happened in the London Soul community of the time. Including the one which advertised the creation of this label, they realised that re-writing the history of Black Britain wasn’t going to be that easy. Even worse the fact that some of these London bands were becoming aware of what Peterson and his crowd were up to having being alerted to this blog. This is why he has now started uploading mixes of Brit Funk. Arrogant criminal Gilles Peterson tries to manipulate the search engines again.

This image has an empty alt attribute; its file name is cloud.jpg

Jamiroquai band members restore Wikipedia profiles

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

You won’t see any truth written on the Jamiroquai Wikipedia page either because Jamiroquai band members were there deleting comments especially ROB. When they were called out on this blog they ran off deleting their profiles because they know their movements can be tracked! Against the rules of Wikipedia Jamiroquai band members also took over their page. They delete any reference to the bands they have stolen from. Despite being warned by then authentic Wikipedia editors as it’s a conflict of interest, like the criminals some of them are they ignored these warnings. They are still in control of their page which is why you will not see the truth written there. You however can by going through the SOULHEAD TALES. Then you will realise why they are so desperate to censor this information. And why some of them made murder threats.

This image has an empty alt attribute; its file name is wikigone.jpg

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

This image has an empty alt attribute; its file name is jam.jpg

And NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

This image has an empty alt attribute; its file name is mahakali.jpg

KALI -MA

“They (Archontic lizards/ Negative nature spirits), are thousands of years old. They are wiser than you cleverer then you and smarter than you. If you conjure up one of those negative beings and you think they are going to help you then you’re an idiot. My Father was high up in the Illuminati and described himself as an Atlantean Warlock. My Mother could trace her bloodline back 2000 years. They thought most of these deities (Gigantic Energies) were a joke but the only one he was ever scared of was KALI. He once stopped the car in the middle of the road and shouted at my Mother “That’s the Goddess she’ll kill us”. They spoke about Her as a living, thinking being. The Black Goddess of Space.”

– Jay Parker (Satanic abuse survivor)

Pillar, Peterson, Jay Kay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

This image has an empty alt attribute; its file name is jay-kay-attempted-murder.jpg

Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS. Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with. They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law. Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include…..

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI and HACIDIC JAZZ

Put simply Jam-iroquai and Hasidic Jazz are two Satanic spells cast over Black Music or the 20^th Century an attempt by satanic Zionists to steal the THE FUNK and culturally appropriate it. This document gives due credit to all the bands Jamiroquai plagiarised over the years and are desperately trying to wipe from history.

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach….Jay Kay

This image has an empty alt attribute; its file name is jamiroquais-plagiarism.jpg

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

Like all serpents, CRIMINAL racist, arrogant talent less plagiarist Jay Kay lies practically every time he opens his mouth. He claims that he used no outside influences and that taking other peoples music is plagiarism. As if none of us 1970’s Disco era Soulheads recognise all that stolen FUNK. As If he can fool people on Black Music and an era he was too young to experience. As if I don’t know Stevie Wonders albums. As If I don’t know Larry Graham, Idris Muhammad or Patrice Rushen. As if I don’t know the sounds of Earth Wind and Fire, of Roy Ayers, Johnny Guitar Watson, Pleasure and Rick James. What he thought were obscure rare groove tracks that no one would recognise on the 1990’s (Many didn’t ) were major hits in the London Underground Soulhead Movement of the 1970’s and the 1980’s

I was there I know these sounds because I lived the era And none of these sounds were invented by 1990’s Jay Kay or Jamiroquai. And most certainly none of these sounds have anything to do with Infiltrators of Black Britain Acid Jazz record’s created in 1988 as I will prove in THE SOULHEAD TALES.As if he can fool people on Black music of the 1970’s!. Yet every last thing on all his albums is Unluckily for him I know where he stole it all from and that’s why the little lizard has orchestrated a campaign of harassment and abuse. In-fact if you do your tarot, Oracle, divination readings on the evil little crook you will see that he tried to have me murdered me for writing this list.

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

This image has an empty alt attribute; its file name is smoke-and-mirrors1.jpg

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

This image has an empty alt attribute; its file name is debunking-acid-jazz.jpg

Who are you going to listen to on the topic of Black Music in 1980’s London England? 1980’s Black London and the SOULHEADS or Infiltrators Eddie Pillar, Gilles Peterson and The Synagogue of Satan on Wikipedia and Everipedia?

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

This image has an empty alt attribute; its file name is brit-funk_the-real-thing_beggar-and-co-lotw.jpg

Aided and abetted by Wikipedia, Youtube, BING, Music Banter, ABC Australia, Reddit, and more, Lies coupled with disinformation are all part of the Sorcery these dark occultists use to try and get what they want. THE SOULHEAD TALES Jamiroquai’s Plagiarism and 10 Easy Ways To Debunk The Acid Jazz Lie (The cultural appropriation of FUNK) breaks the Satanic spell these two and others are trying to cast over 20th Century SOUL Music.

This image has an empty alt attribute; its file name is brit-funk_sade.jpg

This image has an empty alt attribute; its file name is voice-1.jpg

So if you’re an African American be sure to preserve a copy of this information. Because if there’s one thing I have learnt in fighting these murderous cultural thieves over nearly a decade. They will never stop lying. And these are desperate to take ownership of the Vibrational Frequencies, Rhythms and Energies of THE FUNK.

Eddie Pillar, Gilles Peterson and their international cabal from places like America, Eastern Europe, Australia, Holland , South Africa, Canada, Germany are all colluding in a massive Internet campaign of disinformation, lies and a total rewriting of black music history on Wikipedia to culturally appropriate FUNK into a fake SERPENT genre called “acid jazz” which does not exist.

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

From Kenny Lynch, The Equals and The Real thing to Loose Ends, Soul To Soul and Omar. The Sound of Black Britain is being wiped from history by The Likes Of Eddie Pillar Gilles Peterson and their International cabal of disinfo agents and history revisionists on places like Wikipedia.

On Wikipedia they claim that Rare Groove (Retro 1970’s Jazz Funk), New Jack Swing, Neo Soul and our mid to late 1980’s Brit Funk sound is all a music genre called Acid Jazz invented by co-founder of Acid Jazz records racist criminal Gilles Peterson in the mid 1980’s. They then claim this nonexistent genre spread around the world thanks to promoters Berstein and Rudnick. So essentially every so called Acid Jazz compilations owes its existence to the new godfather of Soul…..Former Invicta FM Pirate radio DJ.

Their American Wikipedia gatekeeper claims acid jazz is a music genre but can’t say what it is. Criminal gang stalker, one of their mastermind group, Lech Mazur deletes the Jamiroquai’s theft list from music banter forum. Wikipedia delete protests and then lock the Acid Jazz records page of lies. There is a major operation going on all over the Internet by an International cabal hell bent on re writing the history of Black Music and culturally appropriating the sound into a non existent genre.

Pillar and Peterson s secret War on Black Britain and British Soul History

Wikipedia are ACTIVELY assisting Acid Jazz records re-write the history of Black Music IN 1980’s London and STEAL Black American SOUL legacy. THEY DELETE PROFILES AND COMMENTS OF BLACK BRITONS WHO PROTEST THE LIES OF EDDIE PILLAR.!

The Californian re-writing the history of Black London in the 1980’s!

They lock down their Wikipedia page lies then bring in an American Gatekeeper Micheal Bink Knowles who worked at Bohemian Grove and who thinks he’s qualified to speak on Soul Music in 1980’s Black London!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

This image has an empty alt attribute; its file name is acid-lliee-number-copy.jpg

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

The U.K Soul Bands of the 1980’s FUNK invasion of the States is being written out of history by Infiltrators Eddie Pillar and Gilles Peterson all across the Internet and being replaced by 1990’s plagiarists Jamiroquai. THESE are the bands who created the British SOUL sound of the era. Gilles Peterson and Acid Jazz records unknown at the time had NOTHING to do with anything.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

On Wikipedia and all over the Internet Eddie Pillar and his International cabal of dis-info agents are claiming that Black Music featuring on so called Acid Jazz compilations is a music genre that came out of London in the 1980’s “invented” by Co-founder of Acid Jazz records Gilles Peterson. That Is a total lie. These are some of the styles of 20^th Century SOUL/R&B being culturally appropriated by Eddie Pillar and his mob.

This image has an empty alt attribute; its file name is the-mizzel-brothers-are-funk-not-acid-jazz.jpg

BLACK MUSIC OF THE 20th Century being re-classified as acid jazz includes……Classic 1950’s and 1960’s Black American Soul/R&B, 1950’s and 1960’s Blue Note Jazz Funk, Doo-wop, 1970’s Jazz-funk, 1960’s/1970’s Jazz Soul, 1980’s Jazz hip-hop & Trip hop, 1980’s Jack and “New” Jack Swing, 1980’s House, Techno, Washington Go Go, Orange County, Minneapolis sound (Prince, The Time, Jesse Johnson, Jimmy Jam and Terry Lewis) 1970’s /1980’s LA (Salsoul), 1970’s Disco era Funk, The Sound of NY Queens, P-Funk, C-Funk, D-Funk, 1970’s Cosmic Funk, 1970’s/1980’s, Punk Funk (Rick James/Stone City band, Mary Jane Girls), Washington Go Go DC, 1960’s/ 1970’s and 1980/s Brit Funk, 1970’s Sophista-Funk, 1970’s /1980’s Electrified Funk, 1970’s and 1980’s Electro, 1990’s Neo Soul, Freestyle and all the other sub genres of Black American Soul including South American Bossa Nova, Salsa, Samba and Calypso aka Latin etc. Basically every style of Black music that appears on an Acid jazz compilation was invented here in London in 1988 and is called

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation”

….Say the idiot new millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees !.

Australian serpent tries to twist things. There is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy idiotic article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims that Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

Trolled by an anonymous Australian idiot “journalist” from ABC Australia (Double Jay). Ever heard of them? No and neither have I. This Idiotic coward who wouldn’t give his or her name, and who seems to think they have the authority for MY Black Britain, Black America and for Soul music A so called music journalist who thinks THE FUNK is called acid jazz because he/she read it on the Internet or had been told to by whoever probably paid him/her. One thing I have learned over the years is that these satanic lizards just like their “controllers” hate being exposed. The coward appears to have deleted the article. But not before I took screenshots! You can see them in this blog, 04/03/2019-They restored it with acid jazz removed but tried to twist it to make it sound like it has something to do with race. I respond to this Idot here.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name……..

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

ASK GILLES PETERSON WHICH TRACK ON THIS ALBUM IS “HIS” BLACK MUSIC GENRE ACID JAZZ … AND NOT THE STYLE OF FUNK, JAZZ FUNK, LATIN SOUL, NEO SOUL, NEW JACK SWING SOUND I CATEGORISE IT AS.

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

*THE REST WILL BE BACK UP SOONPart 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH? When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk. net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC

MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

BLACK MUSIC “INVENTED” BY GILES PETERSON!

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

SURPRISE! WE HAVE HIDDEN THE JAMIROQUAI PLAGIARISM LIST AND CHANGED THE URL TO FOOL JOURNALISTS. WE CAN’T HAVE THE TRUTH GETTING OUT NOW CAN WE! can’t have the original funksters receiving any money can we.

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

But take a look on their album credits and you will see that none of the bands they stole from are mentioned. Ni mention of Earth Wind and Fire,.Parliament Funkadelic, Patrice Rushen, Stevie Wonder, YOU WOULD THINK THEY WROTE ALL THE MUSIC THEMSELVES.

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

DAFT PUNK

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

Acid jazz is a music genre because scholars say it is and we’re not going to change it because someone from Essex has a different opinion”…SAY AN AMERICAN who doesn’t know where Essex is and thinks he’s qualified to speak on my city and on my youth in 70’s/80’s London

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Essex was the capital of FUNK back in the 1980’s My Knowles? Do you know what Caister is in CALIFORNIA? You know, the and longest running and the biggest SOUL music event Mr Knowles?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

And for the record, I will take any so called “music scholar”, music writer, journalist, record executive, and eve digital mixer not just in the United States but globally to Funk school who claims acid jazz is a music genre. Infact I have already done so in this blog in THE SOULHEAD TALES, which categorises all these so called Jamiroquai “acid jazz” tracks which are nothing more than Rare Groove Retreads, into their correct categories of FUNK. So perhaps you would like to take a look and then tell me which so called Music Scholar is going to challenge anything I have written. The only people who claim that acid jazz is a black music genre is the synagogue of Satan. And you can’t tell us what an actual acid jazz track is because there isn’t one. It’s just fraudulently re-labelled Jazz Funk, Jazz, Brit Funk/Rare Groove, Bossa Nova, Samba, New Jack Swing, Neo Soul etc etc. You are not going to fool anyone on the Groove here in the U.K especially the London Soulheads.

PLASTERING THE WORDS ACID JAZZ ALL OVER FUNK COMPILATIONS DOES NOT CONSTITUTE THE EXISTENCE OF A MUSIC GENRE CALLED ACID JAZZ. WE KNOW WHAT ALL THESE SOUNDS ARE ON THESE SOUL MIXES

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

AUTHENTIC BRITISH SOUL

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

Peterson is trying to back out but the rest of their lies which write Black British Soul are still there. There was and is no such thing as a Black music genre called acid jazz and there were no such movements here in London as the Black Music publications, Soul charts Album reviews and those of us who were there will confirm, Acid jazz records are NOT relevant to Black Britain and have no claim on any style of Black music. PERIOD. And I will show you what the correct classifications for all the tracks on Jamiroquais plagiarised albums. The Rare Groove/70’s/80’s Funk retreads they claim as so called “acid jazz”

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

You will find no reference to Gilles Peterson, Eddie Pillar and the synagogue of satans version of Black Music History in London in any Black Music publication of the era when they claim they “invented” FUNK

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

Jewish Gangstalking is the method of intimidation being used by the serpent new world order to assist them in bringing about the new world order. The global communist police state insiders like HG Wells (1984) and Aldus Huxley warned you about. Jewish gansgtalking targets political dissidents or anyone considered dangerous to the N.W.O. It’s called Jewish but there are people of all races involved and the Kazarian Dark Occultists in charge of this global network and pulling the strings in the background are in no was shape or form Jewish. They converted to that religion in the 8^th century. Then assumed the “identity” of the African originals. Infiltration and taking other peoples Identity is something they have done for hundreds of years. They infiltrate Governments, Institutions, organisations, media etc. then take over. They have been doing it for over 2000 years so they are pretty good at it. They are the proverbial Wolf in sheep’s clothing and one of the methods they use is Smoke and mirrors.Subterfuge. Eddie Pillar, Gilles Peterson are using these tried and tested tactics to culturally appropriate all aspects and styles of Soul music.THE SOULHEAD TALES and Ten Easy Ways to Debunk The Acid Jazz lie comprehensively destroys that attempt.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Australian serpent tries to twist things,. here is nothing worse than dishonest journalism. Cowardly racist Australian “music Journalist” on ABC’s Double J refuses to sign his or her name to their shoddy article. He or She mocks the appeal for the welfare of old school Funksters, and Jamiroquais plagiarism as “Catcalls” then claims Kay has had the last laugh on Black Americans. So why don’t you tell us who you are?

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

**JEFF “CHEROKEE” BUNN-PARLIAMENT-FUNKADELIC**

MICHAEL ROBERT KNOWLES CLAIMS ACID JAZZ IS A MUSIC GENRE.

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

BLACK MUSIC “INVENTED” BY GILES PETERSON!

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

AUTHENTIC BRITISH SOUL

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Legend of the Iroquois serpent.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

“Quotes by Jay Kay” where he lies and claims that he wrote all this music by himself then mocks Black people for wanting to cover “his” tunes when everything on their albums (as any 70’s/80’s Funkster will tell you) is stolen from the likes of Stevie Wonder, Roy Ayers, Earth Wind and Fire, Patrice Rushen, Pleasure, Idris Muhammad, Larry Graham, Rick James and all the other soul bands you see listed in the soulhead tales. kay claims he uses no outside influences and that taking other people music is plagiarism.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two:

“It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:

FROM THE FACE MAGAZINE MAY 1993

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.

“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

NO ONE said that LIAR. What colour is Rod Temperton? What colour were the Average White band? What Colour was David Bowie what colour was Elton John? All three were on Soultrain. Who do you think bought their records. What colour are Levell 42, What colour are Shakatak? Was everyone in second image Black or were they multi racial?

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?

jamiroquai censor their plagiarism on Wikipedia!

10 years of harassment, cyberstalking.

CORRUPT METROPOLITAN POLICE SHIELD JAY KAY OF JAMIROQUAI GILLES PETERSON AND OTHERS.

A bunch of Satanic idiot cultural thieves who think they can intimidate people into silence so they can rob the Black Americans of their Musical heritage

YOU CAN COLLECTIVELY FUNK OFF.

Lies are a form of Sorcery BREAKING A SERPENT SPELL ON THE FUNK

Both jamiroquai and daft punk are NOTHING MORE than vehicles for cultural appropriation. Just like Jamiroquai there is nothing new, unique or innovative on any DAFT Punk album. So called music writers who claim them as such know nothing about music. These are the same type of modern day “experts” who think Acid Jazz is a music genre because they read it on the Internet, don’t know what Jazz, Funk and Soul is or can’t tell the difference between a record Label and 20th Century Soul. They don’t know the ELECTRIFIED MOTOWN sound of Mandre was (Micheal Andrew Lewis) they don’t know who Dexter Wansel is. They don’t know the Vocoder of Stevie wonder let alone the Isley Brothers. They don’t know the Jazz funk synth of Herbie or George Duke, or Parliament Funkadelic They don’t know what Euro Disco or Italo Disco was. and this was back in the 1970’s.They don’t know what Electrophonic Phunk is so they have never heard of DTRAIN , Midnight, Star Atlantic Star or the multitude of Electrophonic Phunk bands that blasted onto the scene on the post Disco era. Zapp,They think it’s all invented by Daft Punk in the 21st Century. and that’s the whole idea. In reclassifying all these electro sounds of the 1970’s and 1980’s as E.D.M and then claiming that DAFT Punk are the proponents of all these sounds they can essentially claim ownership of the other (Electrophonic) style of FUNK Jamiroquai and Daft Punk are nothing more than vehicles to culturally Appropriate late 20th Century SOUL. The FUNK of the 1970’s/1980’s was complicated and varied. The sound changes at least 5 times. In the post MOTOWN era of the early 1970’s we had the World sound and Jazz Funk which peaked around 1975/76. What people refer to a the Disco era followed and ended in 1980/81. Then the Electrophonic Phunk sound which had been around since the mid to late 70’s exploded with the likes of Zapp , D Train, Kashif and many others, changing the Orchestral sound of Diso era FUNK into the Electrified sound of PHUNK which lasted most of the 1980’s. So as I said the sound changed many times but roughly you can divide SOUL into the Instrumental sound of the 70’s and the Electrified sound of the 1980’s with the post Disco era 1980 to 1981 being the transition period. With me? Good.

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Justice Not race

Stealing 1970’s Jazz Funk and 1980’s Electrophonic Phunk

Because he thinks I’m too fucking stupid to recognise the FUNK when I hear it– Author

Jamiroquai play FUNK and Gilles Peterson’s acid jazz do they?

For over 4 years Eddie Pillar, Gilles Peterson and their Anonymous writers on Wikipedia have kept their lies on Wikipedia trying to not only steal THE FUNK

BUT WIPE BLACK BRITISH SOUL OUT OF HISTORY.

Satan lock Down Wikipedia, censor and delete comments. They are writing over 50 years of British SOUL out of History INCLUDING the Famous British Soul Invasion of the States

INFILTRATORS OF THE GROOVE, EDDIE PILLAR, GILLES PETERSON AND ACID JAZZ RECORDS WERE RESPONSIBLE FOR NO SOUND, NO STYLE OF JAZZ, FUNK, SOUL LATIN SOUL AT ANY TIME IN THIS CITY.

For years they were ignoring warnings from REAL Wikipedia editors. Writing your own Information is a conflict of Interest under Wikipedia rules.

EH, YOU ARE AN AMERICAN DO YOU KNOW WHERE CANVEY ISLAND IS AND WHAT WENT ON THERE IN THE ERA? MICJEAL KNOWLES?

You do know that Caister is still going Mr Knowles ? And that London Soulheads go to yearly reunions in Places like Caister………IN ESSEX!

Do you think you know more about the London Soul Scene than we do Mr Knowles?

WE ARE NOT SOME BACKWATER MR KNOWLES, WE KNOW THE FUNK IN THE U.K AND NO AUTHENTIC 1970’s/1980’s LONDON SOULHEAD HAS EVER HEARD OF GILLES PETERSON’S SO CALLED ACID JAZZ GENRE. IT DOES NOT EXIST

A) Why did they not and cannot name a single track which belongs to this imaginary genre?

B), Why is there no record of this Imaginary genre in any Black Music publication of the era?! And yes I still have all my copies as you will see in 10 Easy Ways to Debunk the Acid Jazz Lie

IN PROGRESS———-Jan 2022

—————————————————————————————————————–

Criminal cyberbully Gilles Peterson still at large

YOU ARE A CRIMINAL GILLES PETERSON. YOU HAVE BEEN INVOLVED IN A NEARLY A DECADE OF CRIMINAL HARASSMENT, ABUSE TROLLING AND MURDER THREATS GILLES PETERSON. YOU ARE A NASTY EVIL PIECE OF WORK WHO THINKS HE IS UNTOUCHABLE .

WE’RE UNTOUCHABLE “We’re Jewish. Most Judges and Lawyers are Jewish”.

You’re a criminal Gilles Peterson YOU CANNOT SUE BECAUSE WHAT I SAY IS TRUE

LATEST NOV 2021

Or are you trying to manipulate the search engines again like you did last year. Knowing that you were being accused of cyber-stalking, harassment and criminal bullying and knowing that the words acid jazz records and cyber bullying were being picked up in conjunction with each other… Hey presto all of a sudden having been engaged in criminal harassment you amazingly became a victim. Oh what a coincidence! You are a criminal and a liar Gilles Peterson and that is why you cannot sue me isn’t it Gilles Peterson. “Godfather of Soul”…..but wait……………

…….WHAT!? Gilles Peterson no longer invented FUNK?! WOW!

French disc jockey invented the term acid jazz?

The satanic petition of Gilles Peterson, Eddie Pillar and Acid jazz records

BEFORE (BELOW) and AFTER (ABOVE)

Peterson wanted to go down in history as the Godfather of SOUL!

Acid Jazz known as club jazz says who? There are no such genres. Name a track.

Jamiroquai band member restores Wikipedia profile

THE ONLY WAY TO HIDE A CRIME IS BY HIDING OR SUPPRESSING THE EVIDENCE. ISN’T THAT RIGHT JAMIROQUAI

EDIT, NOV2021.-Oh I see, it looks like Derrick McKenzie has created a new profile and Nate Williams has disappeared alltogether. Lucky I took screenshots then isn’t it

An NOTE they are still claiming that Jamiroquai play this non existent genre called acid jazz which they claim was invented by Gilles Peterson in 1988. DESPITE The Soulhead Tales and Ten easy ways to debunk the acid jazz lie. Ask Gilles Peterson to tell you which style of Black Music he claims credit for.And for your information There is NO disco on any Jamiroquai album. Disco and Disco era Funk are not the same thing. And neither is there any House music on any Jamiroquai album. Funk and Soul are the same thing they are not separate genres. Jazz, Funk and Soul is called FUNK or THE FUNK. Jazz, Funk and Soul is also called Soul Music. You don’t even understand how to categorize black music. What makes you think you are going to fool any of us on all these sounds you are trying to claim is Acid Jazz!

2. Targeting the wrong individual

DR ERIC T KARLSTROM They target people via electronic abuse, cyberstalking and through Black magic rituals, but sometimes they target the wrong individual.

– Jay Parker (Satanic abuse survivor)

Pillar Peterson Jay Jay and his mob run to the Jewish global mafia to try and intimidate me…So that they can steal Black Music form the African Americans.

CRIMINAL CYBERBULLYING, AND CRIMINAL HARASSMENT BY JAY KAY OF JAMIROQUAI, GILLES PETERSON AND OTHERS.

Threats and Intimidation by Jay Kay, Gilles Peterson and others including American Actor Melvin Huffnagel and Lech Mazur CEO of Advameg who is also involved with Music Banter Forum. These of course are Libelous accusations. Why do you think they can’t sue. Crimes committed by this mob including Hacking, Racial abuse,Trolling, Death threats, Cyberbullying, Theft all provable in a court of Law.

So know what type of people we are dealing with.They masquerade as nice people but behind the scenes this is what they get up to. I don’t believe in Black Magic in hear you say. Well you don’t have to, just concentrate on the music which was the original intention of this site.This is just the story behind THE SOULHEAD TALES and Ten Easy Ways To Debunk The Acid Jazz Lie. And everything I say can be proven in a court of Law.

Crimes committed against Me by Jay Kay, Gilles Peterson and others in an attempt to intimidate me into silence include

Jamiroquai hack phones and “grey out” the report abuse button.
Insults from Jay Kay and his associates include , Monkey, Baboon, Drunken Monkey, Galactic Blue Monkey.(insults from jealous ugly bunch of Quasimodo faced serpents)
Jamiroquai band members delete lists of music featuring music they have stolen
Jamiroquai band members and acid jazz records have taken over their Wikipedia pages and are deleting comments and lists containing their plagiarism.
Eddie Pillar and Gilles Peterson also part of their crowd enlist the help of satanic Americans to guard their fake news page which totally rewrites the history of Black London
Jamiroquai release Automaton Album the day after the original Jamiroquai Plagiarism list was completed on Jamirotalk The Artwork on the cover of the Album is stolen from a hacked computer.
Shamless serial plagiarist Jay Kay steals and incorporates music stolen for the Original SOULHEAD TALES called Jamiroquai influences created on the Jamirotalk fan forum and uses it on the Automaton Album without giving credit just as he has always done
In 2017 Jay Kay and other members of the jamiroquai acid jazz cabal attempt to commit cold blooded murder as a punishment for writing the SOULHAD TALES using their SATANIC record Industry Black magic Death rituals, Neural connection (Suicide program), and psychic attacks. They got more than they bargained for,
Murderous little serpent Jay Kay tried made several other attempts at murder-because he thinks he’s more powerful than the Ancestors who have been watching his every move.
Their intimidation has failed their black magic has rebounded. So they are trying to ignore me. The believe they are going to get away with it. They wont.
MORE COMING

Ten Easy Ways To Debunk The Acid Jazz Lie-The Cultural Appropriation Of Funk

(Jamiroquai’s Plagiarism-A Response to quotes (Lies) by Jay Kay)

AS IF YOU CAN FOOL ME ON THE SOUNDS OF MY OWN FUNK

and

(The cultural Appropriation of FUNK)

THE FIRST THING YOU DO WHEN YOU WANT TO STEAL SOMETHING IS TO GIVE IT A NEW NAME. (ACID JAZZ) THEN YOU SET ABOUT RE WRITING HISTORY (WIKIPEDIA)

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

THEY THINK THEY CAN FOOL PEOPLE ON THEIR OWN SOUNDS!

Serpent smoke and mirrors do not work when it comes to music. You are not going to fool any Soulhead on the various sounds of Black Music of the 20th Century. We know all the sounds of Jazz, Funk and Soul. And none of them are called acid Jazz. Eddie Pillar STOP printing this is acid jazz on Black Music compilations and get out of our culture

GILLES WHO? ACID WHAT? WHO DO YOU THINK SPEAKS FOR MUSIC IN BLACK LONDON DURING THE 1970’s, 1980’s and the 1990’s

THE SYNAGOGUE OF SATAN INVENTED FUNK? SAYS WHO?

Pillar and Peterson Write Black British Soul Out Of History On Wikipedia…

Pillar and Peterson s secret War on Black Britain and British Soul History

The Californian re-writing the history of Black London in the 1980’s!

WIKIPEDIA CENSORS JAMIROQUAI’S PLAGIARISM AND ASSISTS ACID JAZZ RECORDS KEEP THEIR DISINFORMATION PAGE UP. IN THIS BLOG I TELL YOU HOW TO DEBUNK THE ACID JAZZ LIE.

IN PROGRESS….please scroll further down

T1 Part 1.) AUTHENTIC BRITISH SOUL

T2 Part 2.) Black Music Eddie Pillar and Gilles Peterson claim as Acid Jazz.

T3 Part 3.) Australia ABC Troll this Website-Lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give his/her name.

Part 4.) The Great Theft of FUNK

Part 5) Websites and Institutions assisting in The Great Theft of Funk

Part.6)

AUTHENTIC BRITISH SOUL

TRIBUTE by the Pasadenas was one of the major tracks that got the ball rolling as far as bringing back the old sound of the 1970’s in the late 1980’s. Notice the title “Tribute” A tribute to the Black American sound we grew up with in the U.K in the 60’s and 70’s.

Part (2)

Black Music Eddie Pillar claims as so called Acid Jazz

Part (3)

LECTURES IN BLACK BRITISH SOUL FROM AN IDIOT RACE BAITING AUSTRALIAN

“Travelling without movin nullifies cat calls of cultural appropriation” say the idiot New millennial Australian who calls FUNK acid jazz and has never heard of the Bee Gees.

Travelling without movin nullifies cat calls of cultural appopriation say the idipoot Australian who has never heard of the Bee Gees,

Who’s the idiot Race Baiting Australian Coward Who has never heard of the Bee Gees.

AUSTRALIA ABC TROLL THIS WEBSITE– lectures on FUNK and Black London from an Idiot race baiting “Journalist” Too cowardly to give His or Her name

Part (4)

4.) The Great Theft of FUNK– Lies and Dis-info regarding Black Music being spread over the Internet by Eddie Pillar and his International cultural appropriation cabal.

How they are desperately trying to STEAL The Funk through Disinformation. They claim Gilles Peterson invented a black music genre in 1988 which spread to America in the 1990’s!

In Part Four

Some of the subjects I deal with in Part Four…

When you want to steal The first thing you do is give something a new name.
Acid jazz Infiltrators writing Loose Ends and Soul to Soul from history
How are you going to mislead people on sounds you don’t have a clue about?
Jazz Funk AND Acid jazz?….really? So where is the “Acid Jazz” then?
Disinformation & Re- categorization of Black Music from Q Magazine, All Music.com
LIES ON WIKIPEDIA- So Jamiroquai play FUNK and Gilles Peterson’s Acid Jazz do they!

7) No you are not Berry Gordy, Gambel and Huff or The Mizzel Brothers. You own no sound.

8) Nu acid jazz what? Changing the skin color of SOUL/R&B

Now pillar thinks he’s fooled enough people over nearly 30 years into thinking FUNK is a serpent genre called acid jazz. He is now lightening the skin colour of the models. In another 20 years time they will be claiming Jazz Funk, and Soul isn’t Black music at all. Infact they already have. Remember Jay Kay claims he uses no outside influences and mocks Black Guys for wanting to cover his tunes.

*THE REST WILL BE BACK UP SOON

Part 5) Websites and Institutions Assisting in The Great Theft of Funk

v5 Websites/ Institutions assisting criminal Jamiroquai and or Acid jazz records

THE SOULHEAD TALES-JAMIROQUAI’S PLAGIARISM DELETED FROM MUSIC BANTER BY LECH MAZUR PART OF THEIR GANGSTALKING CROWD. DO YOUR CLIENTS KNOW YOU GANG STALK PEOPLE LECH?

When revealed on this blog as a criminal lech suddenly deleted his picture on his company website and created a new page. Not before I got there!

Deleted from the Jamiroquai subreddit

They then changed the site to wipe out the evidence and threatened to delete any threads started up exposing their music theft. (The person involved is NOT Jamirofan 2000) but Zacktastic part of their criminal gangstalking crowd.

“”We’ve seen it before with trolls on the internet who claim Jamiroquai steal music. I don’t know what that’s all about”…………….Well now the SOULHEAD TALES is about

Deleted /Hidden from Jamirotalk fansite

The owner of Jamirotalk deliberately shut down the site after 16 years and created a new one to hide the Jamiroquai plagiarism list, then switched the URL placed it behind closed doors.

Back in 2016- The Original Souhead tales was the most watched thread got around 28,000 views before She deliberately changed the format even though members had asked Here to leave it as it is.

Jamirotalk net and V1 Jamirotalk.net

“It looks like Jamiroquai have been reviewing the history of FUNK on their albums“

THE FUNKIN SITE ALSO MISLEADS

More deceit…This list appeared only AFTER the soulhead Tales was posted on Jamirotalk 12 years later in 2017!

The date last updated 2005 is incorrect The date is a lie THE REAL DATE IS APRIL 2017.

v4 THE SOULHEAD TALES-JAMIROQUAI’s PLAGIARISM

A response to quotes (Lies) by Jay Kay

Legend of the Iroquois serpent.
” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.
JAM-IROQUAI

AfrikaBambaata1

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

jamiroquai's plagiarism

Who do you think speaks for Black Britain and Black British SOUL/R&B of the 1980’s?

Black Britain or Eddie Pillar, Gilles Peterson and The synagogue of Satan?

Who do you think is responsible for the sound of 1980’s Black Britain?

The U.K SOUL bands who conquered America in the 1970’s and 1980’s?

or Acidic Jazz records, Invicta FM DJ Gilles Peterson and Mod Rocker Eddie Pillar

THEY ARE SPREADING THIS LIE ALL OVER THE INTERNET

TOTAL LIES-NO SUCH GENRE EMERGED OUT OF THIS CITY IN THE 1980’s

Ten Easy Ways To Debunk The Acid Jazz Cultural Appropriation Lie

MEET THE NEW GODFATHER OF SOUL,,,(According to the synagogue of Satan on Wikipedia

EVERYONE FROM BILLY OCEAN, DELEGATION, HI TENSION,LIGHT OF THE WORLD, IMAGINATION AND JUNIOR TO LOOSE ENDS, SOUL TO SOUL, FIVE STAR, SADE AND MORE ARE BEING WRITTEN OUT OF HISTORY

THE MET CLAIM EVIDENCE (SCREENSHOTS ON THIS BLOG) HAS GONE “MISSING”!

SOME OF THE SCREENSHOTS THE METROPOLITAN POLICE CLAIM THEY CANNOT FIND

Implied murder threats “LOST” BY THE METROPOLITAN POLICE

HACKING; WE KNOW WHO YOU ARE – Stalking and using my name mike D to intimidate

I KNOW WHERE YOU LIVE!

WHEN SATANIC COWARDS RUN

By deceit you may win wars but by deceit you cannot steal the FUNK.

WHO DO YOU THINK SPEAKS FOR BLACK MUSIC OF THE 20th CENTURY?….

[Jay Kay]

THEY HAVE NO ABILITY TO CREATE THEY CAN ONLY MIMIC OTHERS

BLACK AMERICA, HERE’S ALL YOUR MUSIC BACK

Legend of the Iroquois serpent.

Not on my watch lizard boy-I HAVE EVERYTHING YOU STOLE COVERED.

. This image has an empty alt attribute; its file name is b.jpg

Smoke and Mirrors, Wolf in sheeps clothing, Scam Should I lie should I steal should I Care is all serpent Jay Kay telling you what his evil intentions are coupled of course with his choice of name Jam-serpent (Iroquai). He’s also told you he’s an Automata. Another name we use and was used for these negative serpent beings. The ones that David icke has been telling you about for years.

AutomataThe ancient gnostics describe the serpents as locust like reptilian automata. They are robotic, they mimic others but have no creative ability. Just like David Icke says. They are what we can describe as an AUTOMATON.

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you…. got it yet?

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

THE SOULHEAD TALES IS A RESPONSE TO

Quotes by Jay Kay and a challenge to KAY to withdraw his lies.

I mention elsewhere, the original version of this list was called Jamiroquai influences. However as this arrogant criminal thinks he can go around abusing people, having them hacked and threatening them this will now be a response to quotes by Jay Kay and a response to Late Night Tales, a compilation which they claim contains the “inspiration” fro Jamiroquai tracks…..which leave out all the music the pickpocketed. He has never withdrawn these lies even though he knows he’s lying through his teeth. And he keeps on repeating them and collecting prizes for music he stole.

WITHDRAW YOUR LIES AND STOP CLAIMING CREDIT FOR THE MUSICAL GENIUS OF OTHERS.

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else. Kay was not old enough to have ever set foot in a disco in the 1970’s. He was about 10 years old when we were jammin to the Funk in the golden year of 1979. It’s obvious that he doesn’t know any of these sounds. If he was a real Soulhead he would never think he could get away with claiming that he wrote all this stuff because it’s all familiar to Disco era London Soulboys and Girls. He is someone who was parachuted in as part of a plan. He can sing but thats it. He has no songwriting talent whatsoever. He is NOT a legitimate Artist he is a plagiarist. So for younger readers know that anyone who refers to him or Jamiroquai as songwriters….well now you know from an AUTHENTIC FUNKSTER that they don’t know what they are talking about. They cannot defeat THE SOPULHEAD TALES

“Quotes by Jay Kay”- Quote One:

“Taking other peoples music that’s plagiarism”-Jay Kay

“Quotes by Jay Kay”- Quote Two: “It’s ironic how it’s gone full circle
I’m the white guy doing black music and all of a sudden we’ve got black guys sampling white guys. We’ve had five or six requests to use our tracks to rap over.”

Jay Kay

No it hasn’t gone full anything, you STOLE all the music on those albums. Which ones on THE SOULHEAD TALES are your tracks? and name a single Soul/Funk track on those albums that you did not steal from “Black guys”, Deodato and Dr Bob Jones excepted. Or Black gals” like Patrice Rushen, Donna Summer and Bobbie Humphrey. You’ve never “written” a song in your life that you didn’t steal from someone else.

KWABENA NKWATIA

Below, album covers of bands appearing on the SOULHEAD TALES. Some of the 70’s/80’s FUNK bands who Jamiroquai, copied, ripped, plagiarised and gave no credit to. Music they claim that they wrote.

“Quotes by Jay Kay”- Quote Three:FROM THE FACE MAGAZINE MAY 1993-

Many critics, however, have complained about the derivativeness of the Jamiroquai sound. It’s a touchy point with Kay.“What you basically had was these people saying here’s this white guy plagiarizing black music,” he says.“But I’m not like those people who build their songs around samples. We’re writing songs ourselves and playing them. To me, it’s like saying if we brought in a string quartet, we’d be plagiarizing Bach…

“Quotes by Jay Kay”- Quote Four:

“When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that’s plagiarism, that’s taking other people’s music.”

[Jay Kay]

THEY ARE FREE FROM COPYWRITE STRIKES?!!!

TAKING OTHER PEOPLE MUSIC, THATS PLAGIARISM , SAYS JAY KAY, THE GREATEST PLAGIARIST OF THE 20TH CENTURY

THE SOULHEAD TALES. A RESPONSE TO QUOTES BY JAY KAY

Not only did Kay steal their music he also stole their styles…..

U.K Funk SAVANNA a band from the Brit Funk era is one of the many underground London Soul bands of the 1980’s who Pillar, Peterson and their mob are trying to wipe from history and replace with criminal 1990’s plagiarists like Jam-Iroquai who stole just about everything they claim to have written. The Poncho was their style. Kay copied it.

Consummate liar Jay Kay once claimed that he got the idea for his buffalo man logo from taking magic mushrooms. That’s because he wasn’t old enough to have been around when we bought our Funkadelic albums in the 1970’s. He thought nobody would know where he stole it from. As if we don’t know Funkadelic!

GIVE THEM BACK THEIR LOGO

And of course he thinks nobody will recognise what looks like a silhouette of Bambaatas hat.

Africa Bambaata of the Soul Sonic Force

So in true serpent fashion he has infiltrated someone else’s culture, Stolen their music, copied their identity and now claims that he invented it all. This is what serpents have been doing for thousands of years. But as the SOULHEAD TALES proves you cannot fool Funksters on FUNK.

Scratch a lie find a thief-Ray Charles

When you play someone else’s sound and you acknowledge and thank them for it then it’s a tribute. When you play someone else’s sound, claim you wrote/invented it, then mock the people you stole from with lyrics like “should I lie should I steal should I care, Wolf in sheep’s clothing, or smoke and mirrors then it’s something else.

Legend of the Iroquois serpent.

” The Great White Serpent was to come upon the Iroquois, and that for a time it would intermingle with the Indian as a friend. This serpent would in time become so powerful that it would attempt to destroy the Indian, and the serpent is described as choking the life’s blood out of the Indian People.

JAM-IROQUAI

The serpent proxy and any negative service to self being has to tell you what he is. That he thinks absolves him from any Karmic Kickback. If I warn you and you take no action to stop it then I can take it.

Automata

“I’m Automaton”- Jay kay 2016

I know what he is. He’s already told you. got it yet.

“|Where am I a Plagiarist? There not one thing we’ve taken on that album, we don’t do that”

Jay Kay SYNKRONISED.

Oh Yeah?

1.) Censored by BING search engine

2. Trolled by an anonymous Idiot journalist from ABC Australia

Lectures on The FUNK, Black Music and Black London…….From an Australian!

BS FROM AN AUSTRALIAN 1990’S KID ON 1970’s/80’s BLACK BRITAIN;

The British funk outfit’s third album supercharged their popularity and chart sales, nullifying the cat cries of cultural appropriation.

Edit. The coward has edited the article including the part which spoke about the “Acid Jazz crash” but still won’t give their name!

Read my response to this idiot here

3) Deleted from Music Banter by Gangstalker Lech Mazur,

4) Deleted by the owner of Jamirotalk

Jamiroquai band members all had accounts on old Jamirotalk and were watching as the Soulhead Tales was constructed. Their trolls who were there to “manage the situation encase I turned up were their waiting but could do nothing. She actually closed down the site and created a new one switching the URL to confuse people after a review was posted for Automaton proving that even that album was plagirised. That and that people were asked to contact the media the U.K. if they needed proof that acid jazz is not a “musical genre” but a record label. They are desperate to preserve the myth that they they are responsible for a genre that doesn’t exist. They didn’t want the young members of jamirotalk knowing the truth. …So She/they deleted the site after 16 years and created a new one!

“When the truth stands against you the messenger must not be heard”

The original SOULHEAD TALES.

WHEN THE TRUTH STANDS AGAINST YOU THE MESSENGER MUST NOT BE HEARD.
A new world order motto adhered to by the Jamiroquai acid jazz cabal

5) Deleted from the Jamiroquai subredit

Lists containing Jamiroquai’s plagiarism Deleted from youtube by insiders

Deleted from youtube by insiders-(account falsely accused of posting spam)

Jamiroquai band members and people from acid jazz records illegally hacked into peoples accounts and used the information to troll then falsely mark lists of bands that jamiroquai had plagiarised so that they would be removed. Insiders in YouTube have helped them. The new world order is organised. YouTube is really where the story began when people kept trolling whenever Jamiroqua’s plagiarism was mentioned. After a while it became clear that the trolling was organised. At the time I had no idea what Gang stalking was. I just thought it was a few upset fanboys. Then I was ‘informed’ to my great astonishment that Jamiroquai band members were involved. At first it was entertaining, then the abuse started, then the racist abuse, then the threats. This is where the acid jazz cabal started their gangstalking campaign.I went on the Internet and found they were everywhere. On forums they had posted misleading bands who had nothing to do with Jamiroquai. They were basically trying to wipe all the bands they had stolen from out of history and claim all those grooves as their own. Why should they wipe the God OF 70’s FUNK out of history. They did not invent or create any of those sounds or grooves. Those are nothing more than musical pastiches, summaries, musical snapshots of 70’s/80’s FUNK. Grooves all of which I remember. Grooves you can hear in the SOULHEAD TALES.
in progress

Deleted from the old Jamirotalk site.

Trolled by the BBC?